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http://osbornej.com
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Carlisle, PA USA
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Modeling, music, sailing, flying, reading (Aubrey-Maturin!).
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I'm not sure of the exact ratios. What I did was to put perhaps 1/4" of ME paint in an airbrush jar, then add 3 squirts or so of airbrush medium, then probably the same amount of water. That makes the ratio perhaps 40:60, paint to other stuff. I used the largest orifice and needle, taped up a piece of newspaper and experimented until I could spray evenly without runs. I know I started much thicker before I learned how to do it and spent a lot of time cleaning out the airbrush. Cranky little thing. Just a tiny bit too thick and it chokes and says 'hey, cut it out'. The key is to experiment until you find a ratio that works on newspaper and then, unlike me, write it down. I just try to mix all the paint I need at once because I never do record how I got there. A bit like cooking. Joseph Osborne Carlisle, PA USA
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Hi Patrick, Scott, Pythagoras, Thank you for those nice posts. I am much too critical of myself and I know it. There are many people in this hobby who are incredible craftsmen and I have to accept that I will not be one of them any time soon. I have to remember that a model is a simulation of the real thing, not the thing itself. Joseph Osborne Carlisle, PA USA
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Finally I understand why I have stopped working on Niagara. I have been looking at it under a microscope. Literally. I take such good photographs (as we all do) that I can see tiny, tiny imperfections, ones 99% of people won't notice. I have very high standards for my own work (as we all do). In my day job I restore antique keyboard instruments and I take real pride in how they look when I am done. A hand-rubbed finish puts me briefly into an altered state when I see it and touch it. I don't have the tools or the technique to work to that level at 1:64. So I am reconsidering how to approach this and enjoy it. Perhaps I shall post pictures taken from across the room . Showing my work to other craftsmen, who also have high standards causes me to work much harder, at a higher stress level than I want for a hobby.. Wasn't this supposed to be fun? . I think I may just let some of the hyper detailled things slide and not post close-ups for a while. Has anyone else experienced this? Are there any threads in the forums? Joseph Osborne Carlisle, PA USA
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A guy from Mystic Seaport just transported over 100 beautiful scratch built models from Texas to CT in a small truck. There is a picture in their most recent publication. He taped and stapled cloth or foam over the bases to attach them to sheets of plywood which were arranged in the truck like shelves. They were not in display cases. I can't imagine the pressures he felt on the drive and the relief to get them all there safely.
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Hi GG, Really, really nice. Both quality and speed of construction are quite amazing. Really enjoying your log & getting excited about getting back to mine now that most of the holidays are over. Joseph Osborne Carlisle, PA USA
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HI GG (not sure how to address you. GreatGallions is a big handle) Thank you for the suggestions. I will go back to work on them. It is becoming clear to me that woodworking on this tiny scale is a craft distinct from macro woodworking. I must learn new methods and make or acquire new tools. I am enjoying your log. Hope you weren't too badly affected by the storm. Joseph Osborne Carlisle, PA
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I too am building the MSW Niagara. I am very impressed with the speed and especially the quality and neatness of your work. This is my first POB model. I have run into trouble on the coamings and gratings. Glue joints fall apart when I try to sand my assemblies. Gratings won't stay together, come flying apart when I try to trim them to size. I can't seem to get the holes in the gratings all lined up so they are square. Can't seem to build the coamings square either. My tools: making cuts with a scalpel and a jigsaw and using CA glue (after I sand off the burnt areas). How do you do this so nicely and so quickly? Do you have a set of tiny tools for cutting and clamping? A set of jigs?
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Great milestone. Congratulations! It really does take a long time, doesn't it? At least the planks get wider as you go down. I had the hardest time with the reverse curve at the stern. And it's looking really nice. Your careful planning up front and your skill with the plank bender are both showing in the pictures. Joe
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HI Larry, You may not mind the appearance of a few low planks after they are painted. Some of the pictures I just posted show my hull below the waterline. There are low planks visible and you can see how they look painted. Light has to be at the right angle to make them stand out. I just decided to accept some imperfections and keep moving. (My life in a nutshell!) Joe
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Hi John, Overspray can be handled with masking, although the thought process can get quite involved. Spraying over the tape with the color under it is supposed to solve the leakage problem. As you can see in my yellow areas, the green made it in. However, green was coming from inside the gunports, blowing the tape away from the wood. And I had not thought that far ahead when I masked. So that problem may be solvable. I ended up repainting nearly all the airbrushed red with a brush. I did not glue 1/32" wood inside the gunports to cover endgrain. I just decided to accept my chewed up (really rough!) surfaces as they were. I did experiment with painting a piece of file folder red and cutting that to fit the edges of one port, but decided that was too much work. Joe
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I did use ME paints. It took a while to get them thinned correctly, and as I said, the airbrush medium made the colors lighter so the yellow especially that I brushed on to touch up did not match. Also, Model Expo sent me two regular green and no light green so I mixed the waterline color myself. The first six decking runs on either side of the centerline are full width from bow to stern. The rest taper to the stern. I will not use a nibbing strake, but may simulate it with a thin strip glued over the bow ends.
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