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Showing results for tags 'Rigging'.
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I have the usual suspect textbooks: Lee, Marquardt, Zu Mondfeld, Davis. They have mast and yard length and diameter formulae for a number of nations but not Spain (except for Zu Mondfeld but his information is prior to the Napoleonic era and so not helpful .... Spanish spar formula probably changed with the surveyor). With the exception of the periods when the Spanish used English or French methods, is there a source of these formula? My books in Spanish, which I do not naturally read, all appear to provide information on Spars for actual ships (Frigate and above) and that just won't help me mast a brig though I do intend to work backwards and create formula that might be relevant to a brig. On the subject, a general book with Spanish plank sizes, hammock stancions, etc. would really help as well. I have several books by Enrique Garcia-Torralba Perez, books of photos of Museum ships, and a lot of original Royal plans and diagrams (many of which appear in said books as well), so that is how I have been picking up details but I really miss having sources like Goodwin and Lee. TYVM in advance!
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Well, after researching as much as I could from the many contributors to this and other forums regarding how cannon should be rigged I made the call. For the main deck 6-pounders I went with breaching lines and frapped block and tackle. I made the choice to coil a small amount of line at each side of the gun rather than try to have all the line taken up with frapping. Unfortunately I went with french coils next to unfrapped block and tackle on the 10 cannons that are visible on the gun deck. I guess I'll just need to direct any inspecting admiral to the gun deck as quickly as possible. I had used zip seizing on the block and tackle on both decks. That worked well and looked okay on the 12-pounders that didn't have frapped lines but it would have been better - and easier - to leave that seizing off the rigging that was going to be frapped. I think the look on the main deck is more of a ready-for-action look than the coiled lines. I plan to bend sails to some of the yards and have some furled or perhaps on clewlines. My hope is to give the appearance of a ship at sea rather than at anchor. Richard Current Build: AL L'Hermione -
This is my first build of a model wooden ship. I chose the Endeavour as it is part of our nations discovery, and plenty of others being built to see gather tips and trips for the build. I am using 2 pack epoxy glue(no nails) for all the timber to timber joining. From what I have seen, the build may take years, and just as well I have started now, plenty of time to finish in retirement - when it comes. Enough waffle, some pictures and see where this goes. -
Looking at photos of the actual H.M.S. Victory in Portsmouth I see her braces have pendents on them, for the blocks at the yardarms. All my reference material shows the blocks attached to the yards with no pendants, and this is how it is done on all the Victory models I quickly glanced at here on MSW. What gives? -
I'm new to this forum and new to model wooden ship building. I'm impressed by the expertise of the many contributors and a bit apprehensive about joining in. Everyone seems to have a good attitude of collaboration, so here goes. I'm building the Artesania Latina Hermione. The hull planking and painting are done and I'm about to install - ship - the ten cannons and carriages that are visible on the main deck. The AL instructions and illustrations show the installation of line that passes through the carriage (breaching line?) and is attached at both ends to the bulwork. As I look through various illustrations of the modern replica Hermione it's clear that there is at least one other rigging set present. That set is a line that passes through a set of blocks and is used for returning the cannon to its firing position. I'm thinking that would be a nice detail to add to my project. But, as I research this rigging a third set is often shown that extends from the rear of the cannon toward the midship line. What is that set for? I rarely, if ever, see that set in other models. Lastly, I'm I right in thinking that the French used a different arrangement than the British for how that breaching line is attached?
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Gentlemen, I am working on a Revell 1:96 scaled plastic model kit of USS Constitution (Kit # 85-0398). Somehow, according to instruction manual, the number of eyebolts needed seem to be way more than what came in the kit. And then I lost a couple while trying to pick up with forceps. They just jumped out of the grip and evaporated in thin air. So, I was wondering if there was any place I could call and purchase a set/packet or something. They are soooo tiny !!! At one point I thought I would make some from the plastic sticks remained after I took out the real parts. But that would be too time consuming and not always accurate. I have already called Blue Jacket, but they only have brass fixtures. Revell is no help. They just washed their hands off it, saying that they are not processing any spare parts orders for "Old" plans from "Revell - US". I'd appreciate any suggestions. -
I hope to rig my Revel 1/96 USS Constitution. I purchased 120 feet of Syren rope in three sizes (.012, .018, and.035) in dark brown, light brown and tan to represent Revel's small, medium, and large callouts in their instructions. I never rigged a ship and do not have a clue as to weather 120 feet is adequate, Anyone haven suggestions? Thank you!
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MAY 20TH THROUGH THE 24TH 2019 (MON-FRI) BlueJacket's rigging class is a popular event. We run it from 9 to 3 for 5 days (although some people leave early on Friday.) IT IS A CLASS FOR NOVICES. We don't assume you know anything about rigging a ship model. All tools and materials are provided with the class fee of $400. You get a hull to work on, all the sticks and dowels, the glue, blocks, deadeyes, threads, wire, beeswax, and the following tools: Excel hobby knife and blades Pin Vise Assortment of drill bits tweezers needle nose pliers flush cutters cuticle scissors (best for clipping rigging) and probably some other things I forgot If you use magnifiers for your modeling work, you should bring them. By the end of the class you will have learned how to use the tools, tie a multitude of various knots, and will have completed what you see in the picture below: You can see shrouds, backstays, bobstays, gammoning, vangs, topping lift, ratlines, hearts, throat halyard, peak halyard, sheet tackle on a traveler, lifts, braces, forestays, etc. Obviously, we don't waste a lot of time to make the model look pretty! We want to concentrate on the rigging. At the end of the class, BlueJacket will ship your model and materials to your home, again all part of the tuition cost. Monday will include a pizza party for lunch and a behind the scenes tour of the BlueJacket facility. In addition, all students will receive a 10% discount on anything they buy during that week. Kits, tools, books, gift items, you name it! The hours of 9-3 are flexible, we have the hotel conference room available 24 hours a day for the week. If you bring a family member, the 3:00 PM cutoff lets you do some sightseeing around the area. But if you need to catch up a bit, the room is yours! Classes will be at the Fireside Inn in Belfast, 4 miles from BlueJacket on Route 1, tel# 207-338-2090. You can ask for the BlueJacket corporate rate if you choose to stay there. There is a pool and Jacuzzi, exercise room, a decent breakfast bar, and all rooms have an excellent view of Penobscot Bay. If you are the camping type, Searsport Shores is also nearby. Class is limited to 12 people with payment in advance. Full refund up to 2 weeks before, 50% refund up to 1 week before. Unfortunately, cancellation less than a week in advance cannot be refunded except by extreme circumstances, which we reserve the right to determine.
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Hello, I just ran across my daughter's copy of Ashley's Book of Knots by Clifford W. Ashley. It is probably the definitive work of knots for rigging ships and other ropework. It is an excellent reference work for modellers, but if you intend to apply the knowledge in everyday life, be very very careful to form the knots correctly. https://archive.org/details/TheAshleyBookOfKnots
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Dear friends, I proud to present next version of rope making machine (video to come soon): https://shipworkshop.com/products/tools/vr-31-rope-making-machine VR 3.1 Rope making machine (HD adaptable rope making machine. Former Ropewalk "Prosak") What's new: VR = Vertical ropewalk. New version of former ropewalk "Prosak". No need to reassemble for 3- or 4-stranded ropes. Can be secured on both horizontal and vertical surfaces. HD adaptable. Can be transformed into HD (Horizontal Design) machine. Not yet available. There are notches on the machine that will help to mark screw holes for securing the machine. Here is user's manual: VR31.pdf -
I recently found a complete Heller Drakkar "Osberg" plastic model kit at a vide grenier. It's the version with the lighter yellow Heller panel on the top left of the box, so from about 1971! 5€ seems like a bargain. As was standard, glue and rigging and paint are not part of the kit. l have three questions:- 1.) What glue, other than that currently sold by Heller online is appropriate for this kit? 2.) The notes say use Number 16 thread for the rigging. The inevitable Google search identifies how complex thread description can be. The only ‘16’ I can find is a weight of 16, the equivalent of Tex of 105, denier 950, cotton count of 5 and a metric number 9. Is there a more suitable alternative ? 3.) The major pieces look very shiny. Is there any prep required before painting, other than a light sanding ? 4.) What paint is appropriate for a plastic model of this sort ? Many thanks in advance for your help.
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Hi guys, I was wondering if anyone that has done the Mamoli 1:90 victory and got to the end of the rigging and found they had enough string to complete the job? The more I look at people's builds on here the more I think there isn't gonna be enough string in the kit to do the job... The bag with the different sizes of string that came with my kit looks a little small to me. I haven't opened the bag yet to have a really good look at the strings, but from memory there doesn't look like there will be enough. My question is: Where can I buy some spares from? I would rather have more than enough and use the extra to tie some fancy knots with!!! than get halfway through and run out... I live in the UK, but getting stuff posted from abroad is easy enough. I eagerly await replies with hopefully some good news/tips/advice Till then, Kindest regards Spider
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I spent quite a bit of time learning how to read the Mamoli rigging plans. Since there were no explicit instructions on how to interpret the drawings I spent a great deal of time looking through them before I figured out their method. Once I did, it was pretty straight forward. I thought perhaps others might find this useful. Perhaps this is how all rigging plans are done. Since the Connie is my first kit, I have no reference. I also need to mention this kit was purchased in 1991 so it may have changed. However for what it is worth here is how my plans are interpretted. There are two tables on each rigging page. The first table is on the right and lists all the parts, this is standard on all the Mamoli pages. However the second table, placed directly to the left of the first left is only on the rigging pages. the tables are not really labeled or numbered but they are consistent on how they arrange them. The only difference is where they are placed on the plan. For this illustration I will show how to interpret the rigging on the Mizzen (part o552) circled on the drawing. Here is a copy of the appropriate section from the plans: This shows a rigging set running from the tip of one of the Mizzen booms to the cap just above the Main Mast's fighting top. First we need to see what the parts are for this rigging. The size of the line, the size of the blocks, etc. For this we turn to the right most table on the plans. This table is on all of the plans an lists the all the parts of the ship as well as the various sizes. In some cases, the part number might refer to a different page of the plans if the part was installed much earlier so you might have to refer back to another page of drawings. Here is a copy of the section in the table dealing with the rigging for this piece. We can see here that 0552 (o552 in the above drawing) is labeled Braccio (which means "Arm"), the second column tell us that the amount is the same as the above parts, which is 2, although you can't see that in this photo. More importantly, the second column from the right says 0,25, which means this is the 0.25mm line. So now we know the size of the line, let's see where it runs. The second table directly to the left of the parts list table contains the order a line runs by listing the part numbers in the order they go starting at the lines termination in the rigging and ending at the termination on the deck. The entry for 0552 shows 0552 D = 0554+055+0554+0556 (fig 10). This is chock full of valuable information. Ignore the pencil marks, that is how I track when I install a line. First the line will start at at part 0554. We can look on the first chart and see 0554 is a block (Bozello) that is made of walnut and is a single 4mm block (1x4). This also refers to a figure (fig. 10) for more information. This figure is shown below: This shows the manner the blocks are attached to the mast cap. If we want more information on the rings we can refer back to the first drawing of the rigging and see this part is 0553. Referring back to the first table we can see that part 0553 is a 3mm brass eye ring (Anello con Gambo = Ring with shank) the OTN refers to a table in the general instructions that shows it is made of brass. So after the two rings are installed on the cap, the block is added with the .25mm line attached to it. This then runs to the block 0555. The table tells us this is also a 1x4 walnut block that is attached to the end of the spar. The line then returns to 0554 and runs toward the deck. As a note here, if the line also went through the fighting top, that too would have been listed in the order the line ran through it. In this case it does not but goes directly from the block (0554) to part 0556, which table 1 informs us is a belaying pin (Caviglia). The termination point is shown not only in the table but also in the rigging diagram. The sheet also has a diagram showing the layout of the termination points when viewed from the rigging. From this we can see that 0556 is the third belaying pin aft in the 4 pin belaying rack located on the starboard side between the two fife rails. The port side has a matching set for the matching mirrored rigging set. So that is it. A further note on terminations, if a line terminates tied to a side shroud, the shroud grouping is noted and it is numbered from front to back. So the rigging drawing would show the shroud set from the side and give you the number it would be referred to as. This would look like the following: Any lines terminating on one of these shrouds will be labeled 16(x) with x being the number of the shroud from the bow. The following drawing shows how this shroud is referred to int he rigging drawing. So this shows the top line would terminate on shroud set 16 on the 6th shroud. The one below is marked to terminate on the 5th shroud. It is hard to read but you can see my pencil marks to the left of the number. So this is how the rigging plans work. I stopped working the lines from the top of the table down since they tended to number the lines from the bottom up. This meant that the top lines which normally run down the center of the ship, had to be fished through the other lines. However, other than that, I have ben following these diagrams pretty much as they are drawn. [ dia=core:attachments:202725]
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I have just completed the hull and the deck on the Amati Bounty. I am now ready to start the masts and rigging.. Does anyone have better instructions on this as the Amati one is really bad. I assume the one big plan with the rigging diagrams is to scale Can I use that for measurements and tapering of the Masts. There is no area that show actual lengths or dimensions. So I assume I use that. Any help would be great to get the shrouds going and their placement. Thanks
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I am about to rig my longboat model and while the rigging is simple, I would like to do a good job of it. There has been discussion on the forum about the use of fly tying thread thread and some mention of fly tying tools. Can anyone who has used fly tying tools comment on which tools they have found to be useful and how they are used? Thanks, Roger
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Good morning all, I am at the point of rigging my model of HMS Liverpool. Liverpool is a 28 gun, Coventry class, 6th rate, frigate. She was built in 1758. My model is as she would be about 1775, 1776. By that time, she had two rebuilds. Modelshipwright published Modelers Plans in one of their editions. Sadly, after doing much research, and consulting the Admiralty drafts, I found several inaccuracies. For example, it shows the pumps, capstains and such in their original position as designed. The admiralty drafts clearly show that they were relocated one deck higher, and this is noted in the book, The First Frigates. The Modelshipwright plan also has spars and rigging plans. These are in different scales (not noted) and clearly show a gaff and boom on the Mizzen. All of my sources (lee's, Steel, Lever Harland) note that the boom did not show up until 1790. It also appears that the ship still carried a mizzen yard. Would that be correct because some books show a gaff with a loose footed mizzen course? Now to the problem. Both Lees and Lever show the mizzen yard suspended by a jeer block. On the fore and Main masts, the jeer blocks hand from sling around the mast head above all of the other rigging (shrouds, stays etc). In lever, the jeer for the mizzen yard hangs from a sling around the mizzen masthead. Where does it hang and reave to the block on the mizzen yard? The crojack yard, for the period, had a truss. Below the crojack is where the mizzen lard lies against the mast. If the mizzen jeer block is slung from the mast head, and goes down the starboard side of the mast, how does it not interfere with the shrouds? In Lees, there are two pictures of the mizzen top for HMS Medway. The pictures don't show the detail very clearly, but it appears that the jeer block hangs abaft the mast. Am I interpreting that correctly? I suppose that I could make this easy and use a gaff instead of the yard, but I don't think that it is correct. All opinions welcomed. Regards, Tom
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Hi all I'm building a 1:12 yacht model, the actual boat would be 28 foot hull (around 9m) & a 20th century yacht - so the shrouds would be wire perhaps 8 to 10mm diameter actual (or 0.65 to 0.8 or 1mm diameter to scale). The actual rigging would be stainless steel, so it would be nice for it to look like that. It needs to be straight when tensioned a bit, it won't look any good with kinks. Also, I think that some texture is preferable, to replicate the texture of the SS wire, but I'm open to solid... I'm be grateful for any suggestions, thanks Mark
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I am researching the Sovereign of the Seas (1637), but this question could pertain to many other English and Dutch ships of the same era. Specifically, RC Anderson, in his book "The Rigging of Ships in the Days of the Spritsail Topmast", notes that the knights associated with the fore and main masts were between decks (see pages 76-77 of his book). This implies that the ropes leading to the knights went through a hole in the deck. Is that correct? If not, how did they travel to the knights? If this is correct, then I have several questions: (1) Are there any "rules of thumb" for how big to make the hole? (2) Was the hole directly above the knight or somewhere else? If somewhere else, where? (3) Was the hole covered in any way (such as with a leather flap) to keep water from leaking through it to the lower deck where the knight was? (4) Was there any protection on the ropes that led to the knight to protect them from abrasion? Thanks so much for your help!
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Just out of general interest, I am trying to work out what they did with the sheet (sheet line) when furling the spritsail on a 17C square rigger. The following diagram shows the sheet pendant attached to a bottom clew. What sort of knot would have been used ? From what I can ascertain, when the sail was furled, the sheet and its pendant was temporarily attached further inboard along the yard ? Any help would really be appreciated. Pete
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Scootish Maid rigging problems - gaff and boom
gthursby posted a topic in Masting, rigging and sails
As I wrote in a post a few days ago I am starting to rig a model of the Scottish Maid using an Artesania kit. I find the rigging instructions confusing to say the least (this is likely to be the first of many!) In the Artesania diagram the rigging for the gaff and boom is very confused. Firstly, I would have thought that the halliards should be attached further along the gaff to give a sensible amount of leverage. Secondly, there doesn't seem to be enough blocks to rig both the gaff and the boom. A diagram that I found in Underhills book shows the boom lift as 2 blocks attached to the tree trestles as shown. Does this seem a sensible arrangement for the Scottish maid? I'm also unclear as to where on the deck these ropes would be anchored. In the kit instructions, after describing planking the hull they say that all the hard work has been done and all you have to do is rig the model as per the diagrams - Ha! -
I'm building a model of the Scottish Maid and am in the early stages of rigging her. I'm using the kit guides and also the Underhill book volume 2. The Underhill guide is far more detailed, but uses so many technical terms that I find it very hard to follow. Basically what I would like is a way of understanding which part of the rigging does what as that would help me to get it right (albeit in probably a simplified form). In some cases it is fairly obvious, but the function of some lines I find obscure. I realise that the answer to my question will depend on the type of rig and the era in which the vessel was built.
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Have a question for the group... I am looking at building either the Rattlesnake or the Niagara kit. Of the two, which is the most difficult when it comes to the rigging? I have experience in build wooden ship kits, with some experience with rigging (primarily on 1/96 Revell Constitution kit ) I have been following both the Niagara and Rattlesnake builds... Any and all responses welcome... TIA
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I've reached the point on my Scottish Maid that I need to rig the ratlines. I remember reading a method here on Model Ship World that involved using graph paper to make a template to keep them properly spaced. Before posing, I searched for those posts and couldn't find them. Anyone recall that method? It made all kinds of sense when I read it, but I need a refresher to actually do it. Thanks! Dan
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Hello friends, i have searched my books for a correct term, hope i found it... i am looking to find out how to tie one double block to a main topgallant crosstree on my Vic model. for those who would be also building victory from model space kit, its the 7mm double block from step 7 stage 64. i cannot seem to see how is this block tied to the mast... i assume that it would be same as the 5mm block that is also mentioned in there, which i also dont have a clue how to do. thank you in advance. pavol
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January 2014 – After 21 years of sitting in a large box of packing peanuts I decided to resurrect the Mamoli Constitution. Luckily I had packed everything carefully. The ship’s hull and some of the tools were in the box, the remaining wood and parts were taped up in the original kit box. The scale of the model is 1:93. I pulled the plans and started to review where I left the build off. I had completed the outer hull (which is double planked on bulkheads), including the green tiles representing each of the copper plates. The main deck was not planked and the forward bulkhead while started only had one plank on one side. I completed the forward bulkhead and proceeded to plank the deck. According to the instructions, each piece of Tanganyika needed to be cut to 80mm, then using a No.2 pencil you color the edges on both sides and the butt ends. I used white wood glue to glue the pieces down. I marked with pencil each of the deck penetrations, which were already done in the plywood. Then I carefully cut the wood and sanded/filed the edges back to the original hole size. This is an area where I see a fairly significant difference in the Mamoli plans and the Model Shipyards. The MS builds the hull in the bow into what becomes the forward bulkhead. The Mamoli construction includes the bow in the planking and adds the forward bulkhead once the hull is complete. This also means the bow is approached differently. I will get to that later. Once the deck was completed I put on the handrails. At this point, I decided a couple of points. First, my plan was to paint the model using the Constitution plaint set from MS and secondly, I wanted to modify the bow and the stern ornamentation to be more closely aligned with the looks of the MS model. This meant creating a method to add the scrollwork since the Mamoli did not include it other than two white metal plates to be affixed to the bow for the fiddlehead design. Secondly the stern did not have the two boards that ran from the lower stern over the windows and back down producing a nice double curve. These I created using 2x2mm walnut strips I bent with the heat bender. As a note, I found out that adding CA to the sides of the strip before I bent it allowed me to control the splintering which the walnut was prone to do. This might have had something to do with the wood strips being over 21 years old. Stern Galleries The kit came with two white metal pieces for the windows in the stern galleries. One was curved almost correctly, the other was straight. Unfortunately, when trying to bend the metal for the gallery, it broke along the central vertical piece between the windows. I was afraid to heat it before I bent it. I found both of the gallery pieces required much work in sanding and shaping before they could be glued into the model. Since I was painting the ship I could use sandable epoxy putty to add to smooth the pieces to the hull. I did end up having to remove more of this than planned since I thought the top of the gallery was more curved than flat. I used my Foredom Rotary tool, rilflers, sand paper, and dental tools to carve the gallery sides and put the modeling details back into it where I either ended up sanding them out, or they needed to be made to extend through the putty. I then added the 2x2 walnut strips around the stern and completed the stern with the side strips running down the gallery aft sides. These I extended 2 mm to match the 2x2s I added around the windows. The attached photo shows the Starboard Gallery. You can see the frame break on the bottom of the leftmost window. This was patched before painting.
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