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28 foot Ranger type yacht by Mark Pearse - 1:12 - FINISHED


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Michael, interesting thoughts - and I did get the idea for this building frame from your skipjack frame.  The high moulds did allow manual access, but they did need to be braced a bit as the thin ply was quite flexible. It could be braced in a more thoughtful way than I did it, perhaps tensile bracing...

 

On the planks, they are to scale & tapered based on the set out I did for the hull, & I didn't need to spile them in the way I read about in the planking primers - I think because the Huon Pine is so supple it allowed me to get the wood to the shape of the last plank. When a little twist or lateral bend was needed, I - like I see you did - used a heat gun & clamped the other end of the plank to a bench. There are a few wobbles if you look along the planks, & when painted I think that you will see some evidence of the lines of the planks through the paint, but you won't see enough to pick up the wobbles. A long rambling way to say that the stealers were based on the stealers in the full sized 24 footers.

 

I'd like to do a model with an interior, there's a lot of pleasure in seeing a traditional boat hull interior - to model scale or full scale. 

Edited by Mark Pearse
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  • 4 weeks later...

I've been sanding the hull, there's still some detail sanding to do but it's now almost done. I may paint the hull while it's still on the frame, it will be easier to do the boot top lines this way. It would mean that I can use a builder's self-levelling laser to get a horizontal line, tracing it with a pencil by hand, & then adjusting by eye to suit the right curve.

 

Sanding the inside edge of planking ends at the transom is especially delicate, & needs to be to accurate to give the impression of scale. I have done some of this sanding, but a few more hours of careful work required there.

 

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I did have to splice in a strip of planking where the garboard was down too low.

 

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In any case I need to place the mast, & the drawing son the design do not include any information on mast setout, spar sizes etc. I've sketched the sail plan below, which is based on the sailplan of the 24 footers, plus just my eye - for better or for worse.... I've noticed that there's a lot of different ideas about the gaff angle - this high peaked angle is typical here, you almost never see a low peaked gaff that seems to be popular in America. I believe that sail twist would be greater with a lower peak angle & especially with cotton sails, so I wonder if they used gaff vang lines from the peak of the gaff spar to the quarters - to control the twist...but that's another conversation.

 

I also had another go at the line of the sponsons - the lower gunwales - & I've put more bounce into it. See the brown lines on the drawing. I probably rushed into a detail drawing before when a broader view was still needed. I'll sit on that one, & will do temporary ones when the time comes, to see how they look.

 

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Edited by Mark Pearse
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Hi Mark

 

She's looking absolutely lovely and you must be pretty chuffed with her.

 

I agree with you, too, about the painting. Better to do it whilst she's still on the building board, rather than after separation, because it'll save you a lot of time and energy.

 

Nice job, so far!

 

Cheers

 

Patrick

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  • 4 weeks later...

I've undercoated the hull & set up the boot top line, using a laser level to get the waterline & then adjusting the model height & angle to get the boot top lines. I marked the waterline in 6H pencil, added 50mm (scale) height slightly aft of the middle for the lowest point of the boot top line, which is increased to 100mm at the bow & 65mm at the stern. The boot top line width is 30mm scale width at its narrowest, 50 at the bow & 40 at the stern.

 

I like the way lines added on to a hull shape improve its appearance - or maybe its truer to say that they explain or show off the shape. The artist Christo had the same idea: a curve is hard to see, but put a line on it & your eye looks at the curve of the line. I'm hoping to do some colours in the next week.

 

One minor issue has been that the Titebond glue resists sanding more than timber does, so when you have an internal corner with dried glue in it, it's difficult to sand cleanly.

 

On the hull sanding, I am accepting some visible joints in the timbers, especially in the keel. I think it's consistent with the probable construction standard of the yacht - if she had been built in the 1930's or 40's. I will fill some of them a bit, but I'm not planning to make the model look perfect.

 

 

thanks all, bye for now

 

MP

 

painted & sanded

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waterline 

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waterline

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the waterline & boot top lines in pencil

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g'day Patrick,

 

I've done some topcoats - no photos yet though. It's amazing how the painting is making sense of the hull shape. I've used Humbrol enamel & it's taking a long time to dry...it's nice paint to use & the finish is good, & I know my 'workshop' is actually a damp cave that would make Gollum feel cold & lonely, but it's been about 4 days & it's still tacky.

 

Mark

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Hi Patrick, I've been doing something similar: two 100w linear halogen work lights for about an hour yesterday & today, they give off a gentle warmth & the paint is close to dry now. thanks

 

Mark

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first coat of paint, I want the topsides to be more cream, & the antifouling a bit greyer rather than blue/grey; otherwise I'm happy as a pig in mud

 

I like the way you can see a few planking joints, appropriately the garboard seam is quite visible, considering how much grief this seam gives the boating world

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The new & old broken gooseneck pin for our 24' foot boat is visible - it's extraordinary what effect a 1:12 scale change has, this fitting would also suit this boat

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transom (used to be called the tuck in Sydney)

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the sponsons - or lower gunwales, shaped from native Rosewood, I' considering shellac as a finish

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bye for now, thanks 

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  • 2 weeks later...

A minor update: some more painting with colours closer to what I had in mind: cream topsides with a white / pale grey antifouling. The boot top line hasn't been done but I have some coppery colours for that. White antifouling isn't true to the period of the boat, but neither will the winches be that I am going to indicate. I just like the effect of the antifouling being a similar colour to the topsides, you can see the continuity of the hull shape more clearly as it goes down into the water, or when a boat is heeled.

 

The issues with paint drying I think were to do with not stirring the paint enough before I decanted it into another jar - which I did to make a mix of colours. Thanks to those in the painting forum that helped out. You can see below that the matt paint that I've used for the antifouling is more uneven in finish than the gloss. If it's still uneven after another I'll investigate spraying the matt paint, blotchiness in finish will make a smooth shape look uneven

 

I will probably do one more coat to each before removing the model from the base. Some very fine splits between planks are showing through the paint, as joints with insufficient glue are moving. It's not so different to a real planked hull, so the sort of 'defect' that is true to a real boat of this sort of construction standard is being accepted.

 

Anyway, here they are:

 

the model with the original designer's half model of Ranger, the half model must be getting close to 100 years old now

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again, showing the half model off

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the half model, the 28 footer, plus Ranger herself through the window

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Thanks all, MP

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Hi Mark

 

Looking great, especially the anti-fouling colour.  The original half model looks interesting as well.  It also looks like you were at some sort of function room/restaurant.  I'm curious as to whether it had something to do with the half hull model being on display?

 

Cheers and keep the updates flowing.

 

Cheers

 

Patrick

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Hi Patrick

 

thank you, I'm glad you like the colour, I'm happy with the direction. The photos are at the Sydney Amateur Sailing Club, where the half-model lives - last Sunday there was a race day for some of the Ranger yachts plus a couple of Couta boats & it was a good day to show the shape to people that are familiar with the smaller 24 footers.

 

I decided today that the bottom profile of the keel line seen from side on looks a bit ugly, but I believe it's what they would have built. I gave the bottom of the keel a long flat horizontal base that would suit going on to an old style tray cradle that rolls up tracks out of the water. However it looks pretty ordinary & in this case I don't think it's worth persisting with a fairly obscure detail that detracts. I'm going to give it a long slow curve instead.

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  • 4 weeks later...

I reshaped the profile of the keel line to a smooth curve - it is probably not what would have been built, but it looks nice & does reflect the drawings.

 

The painting has been redone, & is probably not over yet; I'm sure there will be some damage, & the topsides might be too cream but it's hard to tell at the moment. The paints are all mixed, gloss enamel for the topsides & matt acrylic for the underwater parts. The boot top is a mixture of an opaque enamel with some metallic added, the colour will make sense when the gunwales & sponsons (lower gunwales) are added. The antifouling colour in enamel wasn't working out well, it wasn't matt enough & the colour was blue rather than pale grey. When the hull shape on a boat doesn't change shape dramatically near the waterline, I like an underwater colour that isn't a huge contrast to the topsides, so that you can see the shape into the water as an extension of the above-water shape, hence the pale grey.

 

The boot top line masking bled a bit, & the transom part seems to be off a bit, so some touching up required. Also, it might not be obvious in the photos but the line itself is not as good as I'd hoped, but when you realise that it's actually only a very small deviation from a the curve, it might not be practical to amend it by such a small amount as the change might not look so good.

 

As you can see, the right-way-up support frame is made & she was cut off the build frame - it's very nice to see the lines - it is hard to appreciate the lines upside down, we are probably so used to seeing them one way.

 

The next steps, I think, will be to cut the profiles as the hull steps down from the raised deck. Also deck beams & mock up the deck & cockpit area in 2mm plywood. At the bottom is the start of a deck plan, at the moment it just shows the basic shapes that would be in ply - the cockpit seating & edge of the raised deck etc. The cockpit seats are solid, not hollow under. I will shape it all in ply & add timber & veneer sheets as required. I have some Queensland Maple veneer & some timber as well.

 

Thanks for looking, MP

 

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HI everyone, thanks for the interest.

 

The hull profile has been cut down, & I've started to put in the deck beams & cockpit area supports. The cockpit area has a series of different heights: a scuppers area that is the same as the top of the transom; a bit lower is the seat tops, with a slightly higher curved-top thwart at the front of the cockpit, & lowest the cockpit sole height which is just a little above the waterline. The framing & beams are glue-laminated curved & straight beams, all in Spotted Gum. The sizes are not meant to be to scale but they are probably not far off. It will be lined in 2mm plywood & painted, with clear finished details. I've added a photo that helps show the final layout. One nice detail is the removable timber panels either side of the hatch.

 

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  • 4 weeks later...

thanks all,

 

I've lined off the cockpit area in some lovely Finnish 2mm ply, it will all be painted. The varnished timber details will be added after painting, & haven't been made yet.

 

The deck beams are in, spaced to suit the model not a real yacht, the interior will be enclosed & not visible. The V beam you can see is because the mast position would intersect that beam, & the rake is sufficient for the base of the mast to miss the lower part of the V. It will ensure that the hull width doesn't move while I'm making it. 

 

You can see that I had to sand the thwart that is immediately aft of the raised deck, after massing it up I realised that it would have had a step in the underside edge varnished seat backrest, which wouldn't look so good. 

 

The deck will go on soon, the deck fittings won't need backing as they won't be functional. 

 

thanks

 

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a very pretty boat Mark !!

 

The hull kooks wonderful.... :)

 

Nils

Current builds

-Lightship Elbe 1

Completed

- Steamship Ergenstrasse ex Laker Corsicana 1918- scale 1:87 scratchbuild

"Zeesboot"  heritage wooden fishing small craft around 1870, POB  clinker scratch build scale 1:24

Pilot Schooner # 5 ELBE  ex Wanderbird, scale 1:50 scratchbuild

Mississippi Sterwheelsteamer built as christmapresent for grandson modified kit build

Chebec "Eagle of Algier" 1753--scale 1:48-POB-(scratchbuild) 

"SS Kaiser Wilhelm der Grosse" four stacker passenger liner of 1897, blue ribbond awarded, 1:144 (scratchbuild)
"HMS Pegasus" , 16 gun sloop, Swan-Class 1776-1777 scale 1:64 from Amati plan 

-"Pamir" 4-mast barque, P-liner, 1:96  (scratchbuild)

-"Gorch Fock 2" German Navy cadet training 3-mast barque, 1:95 (scratchbuild) 

"Heinrich Kayser" heritage Merchant Steamship, 1:96 (scratchbuild)  original was my grandfathers ship

-"Bohuslän" , heritage ,live Swedish museum passenger steamer (Billings kit), 1:50 

"Lorbas", river tug, steam driven for RC, fictive design (scratchbuild), scale appr. 1:32

under restoration / restoration finished 

"Hjejlen" steam paddlewheeler, 1861, Billings Boats rare old kit, scale 1:50

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Mark your workmanship is showing what a graceful hull this is, I look forward to the fitting out of the deck and cockpit details.

 

Michael

Current builds  Bristol Pilot Cutter 1:8;      Skipjack 19 foot Launch 1:8;       Herreshoff Buzzards Bay 14 1:8

Other projects  Pilot Cutter 1:500 ;   Maria, 1:2  Now just a memory    

Future model Gill Smith Catboat Pauline 1:8

Finished projects  A Bassett Lowke steamship Albertic 1:100  

 

Anything you can imagine is possible, when you put your mind to it.

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thank you

 

Patrick I wasn't planning to do the interior fitout, & I say that somewhat sheepishly having seen the detailed interior fitouts that you do. But I have planned the interior in my head - 2 full bunks forward, with a 4' zone with a wet locker or heads one side & a 4' galley the other side, then 2 full bunks that doubles as a saloon.

Nils & Michael, thanks. I am always interested in how the subtle details change the way a boat's hull looks. In this case having multiple curved horizontal lines, working in balance will be even more interesting. The same hull can look very different with fairly minor visual differences.

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  • 2 weeks later...

I've cut the deck & in the photos it is temporarily fitted with small screws. The screw heads will be filled over, but the 2-way deck curve needs more than just a little clamping.

 

Some of the deck parts have been pencilled on, but there's still some thinking to do: review the mast position again. It's not going to have to sail, but if the mast setout looks wrong it'll really bug me, it's looking a little too far forward, but the bowsprit isn't on yet. A long bowsprit looks nice, but I'm assuming a hanked jib luff, so it puts some emphasis on actually being able to reach the forestay without drama. Sometimes they put a wide rectangular bowsprit so that stepping on it was easier, & it also meant that whisker stays were not necessary, which makes using an anchor a bit simpler. If I put on whisker stays I will good to put the whisker chain plates on before the deck. 

 

I'm thinking to deck step the mast, it doesn't really make sense to put it to the keel step it now.

 

What's next: mast / whisker chainplates, finish setting out the decks, glue the deck & fit the gunwales & sponsons.

 

thanks for the interest

 

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