Hendrick Busmann's "Sovereign of the Seas, Die Skulpturen des britishen Königsshiffes von 1637"

[Kenchington]

Does any kindly soul on MSW have access to Hendrick Busmann's 2002 book "Sovereign of the Seas, Die Skulpturen des britishen Königsshiffes von 1637" (Hamburg, Deutsches Schiffahrtsmuseum Bremerhaven und Covent Verlag), along with the ability to read the German text and a little time to fill me in on Busman's conclusions?

 

Used copies of the book go for $200 and up, which is more than I am willing to pay for a book that I couldn't read!

 

A bit of background:

 

A couple of years back, I got interested in unravelling the many misunderstandings that have grown up around Sovereign of the Seas (the 1638 ship of that name). I have slowly been pulling information together into a sort of extended essay and I thought that the last published study I would need was Janice Valls-Russell's 2021 chapter on Heywood's contributions to the ship. I have finally got hold of that through interlibrary loan, only to find that she confined her study to Heywood's booklet (originally intended as a commemorative piece for the launching pageant that never happened). For the carvings on the ship, Valls-Russell refers readers to Busmann's work.

 

I have access to all of the original evidence and I don't need yet another re-telling of the ship's story (and certainly not if it is as erroneous as most that have come before!). I have even managed to identify a lot of the imagery in the carvings: Zodiacal signs, trophies of arms, symbols of Charles' four kingdoms, the special feature of Charles as King Edgar (the supposed Sovereign of the Sea), gods of wind and wave, etc. etc. Valls-Russell's work on Heywood's booklet has let me recognize the half-hidden allusions to the myth of Jason and the Argonauts, beyond the two large figures on the tafferel (e.g. the sorceress Medea in her chariot, being drawn by dragons, along with Aphrodite in hers, drawn by swans). However, I suspect that Busmann's knowledge of 17th Century sculpture will have let him detect things in the Payne engraving or the "van de Velde" drawing (which wasn't by either of the van de Veldes) that are just a blur to me. Hence my interest in what he concluded.

 

Very, very many thanks in advance, for anyone who can help me out!

 

 

Trevor