Jump to content

Louie da fly

Members
  • Posts

    7,985
  • Joined

  • Last visited

Reputation Activity

  1. Like
    Louie da fly got a reaction from avsjerome2003 in Batavia by *Hans* - FINISHED   
    Very nice. I grew up in Western Australia, with stories of the Batavia massacre. The remnant of the ship's stern has been rebuilt and is on display in the Fremantle Shipwreck Museum, along with cannons and a considerable number of artefacts from the wreck. There is a copy of the stone gateway for the Batavia fort that was shipped as ballast on the Batavia - the original is in Geraldton, the nearest town to the actual site of the shipwreck. 
     
    There is at least one West Australian who's on this forum (I'm over the other side of Australia, 4000 km away).
  2. Like
    Louie da fly reacted to woodrat in Venetian Carrack or Cocha by woodrat - FINISHED - 1/64   
    Planking progress to main wale



    Dick
  3. Like
    Louie da fly got a reaction from *Hans* in Batavia by *Hans* - FINISHED   
    Very nice. I grew up in Western Australia, with stories of the Batavia massacre. The remnant of the ship's stern has been rebuilt and is on display in the Fremantle Shipwreck Museum, along with cannons and a considerable number of artefacts from the wreck. There is a copy of the stone gateway for the Batavia fort that was shipped as ballast on the Batavia - the original is in Geraldton, the nearest town to the actual site of the shipwreck. 
     
    There is at least one West Australian who's on this forum (I'm over the other side of Australia, 4000 km away).
  4. Like
    Louie da fly got a reaction from Brian the extraordinaire in Venetian Carrack or Cocha by woodrat - FINISHED - 1/64   
    I found some more information trawling the Net, and particularly contemporary pictures of carracks, which might help with rigging if you decide to go that way. I got most of them from a flickr collection put together by a computer gamer called ModernKnight1. It's a mixed bag, and I've picked the eyes out of it - including (as far as I can judge)only actual contemporary representations appropriate to your model and leaving out later copies, reconstructions etc. I have to hand it to ModernKnight1 for persistence and dedication. That's a heck of a collection of stuff and his site's well worth a visit.
     
    Several pictures of Mediterranean carracks of the mid-late 15th century show what appear to be small groups of ratlines at intervals up the shrouds. No use as ladders, but perhaps to keep the shrouds together?
     
    Jonah and the whale (date and source unknown) has them, as does Modern Knight 1's "Unknown Carrack 3" (the text is in German, but the flags are crescent moons - perhaps supposed to be a Turkish ship? "Venice carracks", which appears to be a detail from de Barberi's view of Venice have them as well.
     
    Reixach's St Ursula retable (Catalan, 1468)doesn't show them, and neither does another of Carpaccio's St Ursula series - the departure of the pilgrims (partenza dei pellegrini). Modern Knight 1's "Carracks in Venice" hasn't enough detail to be certain if they're there or not. The Venetian woodcut of the 1499 Battle of Zonchio doesn't show them, either.
     
    There are some other worthwhile representations of carracks in Modern Knight 1's site, all with conventional ratlines, such as two which appear to be Spanish if the banners at the mastheads show (as they appear to) the coat of arms of the combined kingdoms of Castile and Leon. Lacking any other identification I've called them "Modern Knight1 Unknown Carracks 4 and 4A".
     
    And then there's the wierd ones; I think they're simply bad art, and not very good representations (or in one case a really bad one) of contemporary carracks, but they may contain useful information.
     
    I hope this is of use in your model. I've certainly had fun chasing it all up. Just love those carracks!
     
    Steven











  5. Like
    Louie da fly got a reaction from dgbot in Venetian Carrack or Cocha by woodrat - FINISHED - 1/64   
    I found some more information trawling the Net, and particularly contemporary pictures of carracks, which might help with rigging if you decide to go that way. I got most of them from a flickr collection put together by a computer gamer called ModernKnight1. It's a mixed bag, and I've picked the eyes out of it - including (as far as I can judge)only actual contemporary representations appropriate to your model and leaving out later copies, reconstructions etc. I have to hand it to ModernKnight1 for persistence and dedication. That's a heck of a collection of stuff and his site's well worth a visit.
     
    Several pictures of Mediterranean carracks of the mid-late 15th century show what appear to be small groups of ratlines at intervals up the shrouds. No use as ladders, but perhaps to keep the shrouds together?
     
    Jonah and the whale (date and source unknown) has them, as does Modern Knight 1's "Unknown Carrack 3" (the text is in German, but the flags are crescent moons - perhaps supposed to be a Turkish ship? "Venice carracks", which appears to be a detail from de Barberi's view of Venice have them as well.
     
    Reixach's St Ursula retable (Catalan, 1468)doesn't show them, and neither does another of Carpaccio's St Ursula series - the departure of the pilgrims (partenza dei pellegrini). Modern Knight 1's "Carracks in Venice" hasn't enough detail to be certain if they're there or not. The Venetian woodcut of the 1499 Battle of Zonchio doesn't show them, either.
     
    There are some other worthwhile representations of carracks in Modern Knight 1's site, all with conventional ratlines, such as two which appear to be Spanish if the banners at the mastheads show (as they appear to) the coat of arms of the combined kingdoms of Castile and Leon. Lacking any other identification I've called them "Modern Knight1 Unknown Carracks 4 and 4A".
     
    And then there's the wierd ones; I think they're simply bad art, and not very good representations (or in one case a really bad one) of contemporary carracks, but they may contain useful information.
     
    I hope this is of use in your model. I've certainly had fun chasing it all up. Just love those carracks!
     
    Steven











  6. Like
    Louie da fly got a reaction from Salty Sea Dog in Venetian Carrack or Cocha by woodrat - FINISHED - 1/64   
    I found some more information trawling the Net, and particularly contemporary pictures of carracks, which might help with rigging if you decide to go that way. I got most of them from a flickr collection put together by a computer gamer called ModernKnight1. It's a mixed bag, and I've picked the eyes out of it - including (as far as I can judge)only actual contemporary representations appropriate to your model and leaving out later copies, reconstructions etc. I have to hand it to ModernKnight1 for persistence and dedication. That's a heck of a collection of stuff and his site's well worth a visit.
     
    Several pictures of Mediterranean carracks of the mid-late 15th century show what appear to be small groups of ratlines at intervals up the shrouds. No use as ladders, but perhaps to keep the shrouds together?
     
    Jonah and the whale (date and source unknown) has them, as does Modern Knight 1's "Unknown Carrack 3" (the text is in German, but the flags are crescent moons - perhaps supposed to be a Turkish ship? "Venice carracks", which appears to be a detail from de Barberi's view of Venice have them as well.
     
    Reixach's St Ursula retable (Catalan, 1468)doesn't show them, and neither does another of Carpaccio's St Ursula series - the departure of the pilgrims (partenza dei pellegrini). Modern Knight 1's "Carracks in Venice" hasn't enough detail to be certain if they're there or not. The Venetian woodcut of the 1499 Battle of Zonchio doesn't show them, either.
     
    There are some other worthwhile representations of carracks in Modern Knight 1's site, all with conventional ratlines, such as two which appear to be Spanish if the banners at the mastheads show (as they appear to) the coat of arms of the combined kingdoms of Castile and Leon. Lacking any other identification I've called them "Modern Knight1 Unknown Carracks 4 and 4A".
     
    And then there's the wierd ones; I think they're simply bad art, and not very good representations (or in one case a really bad one) of contemporary carracks, but they may contain useful information.
     
    I hope this is of use in your model. I've certainly had fun chasing it all up. Just love those carracks!
     
    Steven











  7. Like
    Louie da fly got a reaction from Farbror Fartyg in Venetian Carrack or Cocha by woodrat - FINISHED - 1/64   
    I found some more information trawling the Net, and particularly contemporary pictures of carracks, which might help with rigging if you decide to go that way. I got most of them from a flickr collection put together by a computer gamer called ModernKnight1. It's a mixed bag, and I've picked the eyes out of it - including (as far as I can judge)only actual contemporary representations appropriate to your model and leaving out later copies, reconstructions etc. I have to hand it to ModernKnight1 for persistence and dedication. That's a heck of a collection of stuff and his site's well worth a visit.
     
    Several pictures of Mediterranean carracks of the mid-late 15th century show what appear to be small groups of ratlines at intervals up the shrouds. No use as ladders, but perhaps to keep the shrouds together?
     
    Jonah and the whale (date and source unknown) has them, as does Modern Knight 1's "Unknown Carrack 3" (the text is in German, but the flags are crescent moons - perhaps supposed to be a Turkish ship? "Venice carracks", which appears to be a detail from de Barberi's view of Venice have them as well.
     
    Reixach's St Ursula retable (Catalan, 1468)doesn't show them, and neither does another of Carpaccio's St Ursula series - the departure of the pilgrims (partenza dei pellegrini). Modern Knight 1's "Carracks in Venice" hasn't enough detail to be certain if they're there or not. The Venetian woodcut of the 1499 Battle of Zonchio doesn't show them, either.
     
    There are some other worthwhile representations of carracks in Modern Knight 1's site, all with conventional ratlines, such as two which appear to be Spanish if the banners at the mastheads show (as they appear to) the coat of arms of the combined kingdoms of Castile and Leon. Lacking any other identification I've called them "Modern Knight1 Unknown Carracks 4 and 4A".
     
    And then there's the wierd ones; I think they're simply bad art, and not very good representations (or in one case a really bad one) of contemporary carracks, but they may contain useful information.
     
    I hope this is of use in your model. I've certainly had fun chasing it all up. Just love those carracks!
     
    Steven











  8. Like
    Louie da fly got a reaction from Archi in Venetian Carrack or Cocha by woodrat - FINISHED - 1/64   
    The engraver Master W.A. (Willem A. Cruces, ca. 1468) can be very useful for rigging, though as he was based in Flanders it's a moot point how much of the rigging he shows is appropriate to Venice. this link is to a pdf on the rigging in his engravings and those of others. WARNING - it's at least 10 MB of download.
     
    There's also the ships of the Beauchamp Pageant (English, about the same time)shown here. Unfortunately the pictures are extremely faint, but there is a good zoom function and you can get pretty good detail despite the faintness. You can see ships at pages 17,19,29,31,45,49,51,71,73,97 and 99. Again, perhaps not appropriate to Venice.
     
    I've also attached a few contemporary pictures that may be of help. Unfortunately the tapestry of Vasco da Gama's arrival in India was done not in Portugal (which might have helped with Mediterranean rigging) but in Tournai in Flanders.
     
    I'm going to have a look at my copy of Landstro"m's The Ship. I'm pretty sure it has more pics of Mediterranean vessels of the the right period which might be of help.



  9. Like
    Louie da fly got a reaction from donfarr in Venetian Carrack or Cocha by woodrat - FINISHED - 1/64   
    The engraver Master W.A. (Willem A. Cruces, ca. 1468) can be very useful for rigging, though as he was based in Flanders it's a moot point how much of the rigging he shows is appropriate to Venice. this link is to a pdf on the rigging in his engravings and those of others. WARNING - it's at least 10 MB of download.
     
    There's also the ships of the Beauchamp Pageant (English, about the same time)shown here. Unfortunately the pictures are extremely faint, but there is a good zoom function and you can get pretty good detail despite the faintness. You can see ships at pages 17,19,29,31,45,49,51,71,73,97 and 99. Again, perhaps not appropriate to Venice.
     
    I've also attached a few contemporary pictures that may be of help. Unfortunately the tapestry of Vasco da Gama's arrival in India was done not in Portugal (which might have helped with Mediterranean rigging) but in Tournai in Flanders.
     
    I'm going to have a look at my copy of Landstro"m's The Ship. I'm pretty sure it has more pics of Mediterranean vessels of the the right period which might be of help.



  10. Like
    Louie da fly got a reaction from Salty Sea Dog in Venetian Carrack or Cocha by woodrat - FINISHED - 1/64   
    The engraver Master W.A. (Willem A. Cruces, ca. 1468) can be very useful for rigging, though as he was based in Flanders it's a moot point how much of the rigging he shows is appropriate to Venice. this link is to a pdf on the rigging in his engravings and those of others. WARNING - it's at least 10 MB of download.
     
    There's also the ships of the Beauchamp Pageant (English, about the same time)shown here. Unfortunately the pictures are extremely faint, but there is a good zoom function and you can get pretty good detail despite the faintness. You can see ships at pages 17,19,29,31,45,49,51,71,73,97 and 99. Again, perhaps not appropriate to Venice.
     
    I've also attached a few contemporary pictures that may be of help. Unfortunately the tapestry of Vasco da Gama's arrival in India was done not in Portugal (which might have helped with Mediterranean rigging) but in Tournai in Flanders.
     
    I'm going to have a look at my copy of Landstro"m's The Ship. I'm pretty sure it has more pics of Mediterranean vessels of the the right period which might be of help.



×
×
  • Create New...