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Rattlesnake by ZevEisenberg - Model Shipways - Scale 1:64


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I am new to the Model Shipways community, and I suspect I am one of your younger members (born 1988 - anyone younger?). I grew up on an island in Maine and was always around boats, and my whole life I have been doing something boat-related in one way or another. The neighborhood kids had tree houses; I had a rowboat in the yard that my dad had turned into a kid-sized lobster boat.

 

When I was growing up I made many simple boats from kits (the kind with a solid hull and like ten simple blocks that you glued on for detail). I had a Titanic phase some time before middle school: plastic models, paper models, and high-pitched lectures about waterproof compartments and buckling steel to anyone who would listen. In the last few years, I made two small plank-on-frame boats from kits, the first with my dad and the second on my own, after a crash course in plank bending from a neighbor who I wouldn’t be surprised to find on this forum.

 

Last year my parents called me from a weekend getaway in a small town and said they had found the Rattlesnake kit, on sale, in a hobby store, and wanted to know if I would like it for my birthday. I thought it would be fun to get back into model ship building. At the time, my main hobby was an iPad app I was writing in my spare time, but that’s also partly my job, and it was a bit of a programming overload, and I wanted to do something in the real world for a change.

 

I built my last models when I lived with my parents, so I had fun setting up a work bench in my apartment and getting new tools. I started with more or less nothing, and have bought tools only when I actually needed them.

 

I didn’t know about the Model Ship World forums when I started my build. I wanted to document my progress, so I set up a tumblr account for this and other projects that I work on. I only found my way here when I started googling around with questions about this particular model, and discovered at least two other build logs for the same exact model. What an amazing resource!

 

The first bunch of posts will be reposts of the same photos from tumblr, though I may embellish the text with technical details better suited for my fellow pintsize shipwrights.

 

It seems customary to start with the box, so I will as well, along with a sneak peek of my current progress:

 

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I look forward to interacting with and learning from all of you as my build progresses. I welcome your feedback and questions, and I will have many questions of my own.

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My workspace circa October 21, 2012. In addition to the included Model Shipways instructions, am referring to Ship Modeling Simplified by Frank Mastini. It has great tips on making a build board and assembling the keel so that it comes out flat. The dremel in the picture has since been promoted to a stand that turns it into a drill press or grinder. It’s also a bit messier now, but not so much that I can’t find anything (he rationalized).

 

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Zev,

 

Welcome. You have come to the right place. Folks on MSW are so helpful. You will learn more than you can even imagine. They will also send you all of the encouragement that you may need, and follow along as you post updates (:-)

 

Good luck

 

Michael D

Michael

Current buildSovereign of the Seas 1/78 Sergal

Under the table:

Golden Hind - C Mamoli    Oseberg - Billings 720 - Drakkar - Amati

Completed:   

Santa Maria-Mantua --

Vasa-Corel -

Santisima Trinidad cross section OcCre 1/90th

Gallery :    Santa Maria - Vasa

 

 

 

 

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I also picked up a copy of Planking Techniques for Model Ship Builders, since the planks on my last model came out pretty uneven and required a lot of cleanup with wood putty. I won’t really get into the book until I actually get to planking, but I skimmed it, and this passage jumped out as not inspiring confidence.

 

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The plans suggest using dowels to help align the keel. The keel pieces are 5/32nd of an inch thick. I tried using a 1/16th inch drill bit, but I can’t seem to find any dowels that thin. I tried a ~3/32nds drill bit, which seems to work perfectly with some round toothpicks I picked up for $1. Pictured is an experiment on a bit of scrap wood. I drilled the hole, inserted the slightly-sanded-down toothpick, and cut and sanded the end. Looks like it will work perfectly, provided I can construct a jig to align the Dremel to ensure I get a perfect hole through both pieces.
 

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One of the bulkheads (so far) has the slot cut off-center. Cut out a slice from one side and glued it to the other to even it out. Worried that I may have overcompensated, and I’ll have to cut out half of that and switch or back. Note to self: measure more next time.

 

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Bulkheads symmetrified. In the foreground are the paper tracings that I made of each bulkhead, folded in half, and used to check symmetry. The center slot was too far to one side in three or four bulkheads, and I had to slice a strip off of one wall and glue it to the other. This paper tracing technique comes from Frank Mastini’s excellent Ship Modeling Simplified.

 

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Hi Zev,

Welcome to the Rattlesnake community! I'm doing the Mamoli version so I may not have much input into the MS version particulars, (the Italian to English translation of the instructions sometimes really sux!), but will keep an eye on 'ya. Be patient, have fun with it, ask for help here if needed. Enjoy the challenge and the process. 

 

Regards,

Brian

"Give you joy!"

 

Current Build: RATTLESNAKE 1:64 POB (Mamoli)

 

Kits on hand: "Lexington", Mamoli: "Robert E. Lee", Scientific

Scratch to do: "Fannie Dugan", 1870s Sidewheeler Steamboat

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Finished fairing the bulkheads. All but three required bending, gluing, and sanding strips to both sides. This was the most difficult part of the build to date. It seemed like every time I finished fairing a bulkhead, its neighbors got worse. Some ended up having two or three layers of fairing strips added. hopefully, I’ll how get smooth planks to within a tolerance of less than a plank’s thickness, which still seems high.

 

How typical is this level of fairing? Is this an issue of model quality, experience, technique, or some combination?

 

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Tonight I turned a small block of basswood into the stern counter block without the use of power tools (and, some would argue, without the use of proper tools). The next time I make one of these, I will wait until I have fitted it to the keel before shaping the left and right sides, so as to ensure better alignment with the edges of the sternmost bulkhead.
 

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The wood transom and Britannia metal stern carving. The stern carving was not bowed wide enough for the transom, so I had to stretch it through misuse of a bench vise.
 

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After this post, I came across a post by @JPett (can’t seem to find it now) where he opted to shrink the transom itself. Since this is my first build of this scope and scale, I’m going to try to stick closer to the plans.

Edited by ZevEisenberg
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The transom, painted and with window frames and panes fitted. The window panes are a piece of clear plastic, painted black and blue, and glued to the back of the transom behind the wooden panes. The center window is, according to the plans, a false window. The plans say to “center fake window on real ship.”
 

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The instructions say to paint at this point, but other builds I’ve seen are saving it for later (or aren’t painting?). Is this because you are planking the transom? In general, do people prefer to pain parts before or after they are installed, or does it depend on the part?

 

My dad follows the tumblr version of this log, and when I next spoke with him after he saw this one, he complimented my clever use of paint to simulate a reflection in the windows. It was surprisingly difficult to convey, over the phone, the fact that those aren’t fake reflections. That’s a piece of clear plastic, painted black and blue on the back, glued in behind the window frames.

Edited by ZevEisenberg
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Two works-in-progress: the carved wood starboard bow filler block, and the half-painted stern carving. I’m trying a technique that @JPett described, where you prime, paint with brass enamel, let it fully set, paint on blue acrylic, wipe it off after it has partially set, and end up with a realistic, mottled metal texture.
 

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Stern carving, painted but not yet glued to the transom. Paint was a coat of gray primer, two or three coats of brass Testors enamel, allowed to dry at least 24 hours between coats. Then, a mixture of blue and black acrylic gouache (left over from a college art class) was brushed in between the cracks, allowed to dry for 24 hours, and then a final detail coat of bronze on the raised bits to bring back some of the shine that the acrylic had suppressed. Finally, two coats of a spray gloss finish. Very pleased with how this turned out.
 

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