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Posted

I think, I have seen representations where the forecourse on the lee-side is brailed up, as it would blanket the foresails, but here it is clearly a triangular sail set (flying) to windward.

 

One thing I noticed is that we tend too framed by navy rules and regulations, where everything was supposed to be done 'by the book'. In the merchant navy the master basically could do whatever he saw fit and if it worked, the better. If something went wrong, however, he may have had to explain himself in front of a court. So in practice, one probably saw all sorts of strange arrangements.

 

 

wefalck

 

panta rhei - Everything is in flux

 

 

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  • 2 weeks later...
Posted

I have only just come across this great thread (having only recently signed up as a new member). It's against etiquette maybe to 'dig' an old thread, but other well-established members have recently revived it so ...
A).
Gore -- it has come up a few times in the thread, without anyone tying it back to the period literature. I'm not sure that its full meaning has been grasped by anyone here, although I also won't attempt a definition because I'm still learning about it. But the three main citations I have found are:

1) Samuel Sadler, The Art and Science of Sailmaking. London: Crosby Lockwood & Sons (two editions: 1892 and 1906). Both editions available on HathiTrust (rough scans by Google Books), and a nicer digitisation of the 1906 edition on Internet Archive.  

2) Robert Kipping, Sails and Sailmaking. London: Crosby Lockwood & Sons. Many editions; the 14th edition of 1898 is available at Internet Archive.

3) Steel's Elements of Mastmaking, Sailmaking and Rigging (re-issue of the 1794 edition by Edward Sweetman publishers, New York, 1932) -- available on Internet Archive as a time-limited 'borrow'; but no doubt many here know this work well already.

 

B).
Technical details of schooner rigging: I also, as with many of the contributors to this thread (especially the OP), have a strong interest in getting the most complete picture of this that I can. In my case, I'm more interested in the small coastal trading topsail schooners in Australia & NZ  about the end of the 19th century up to their demise (as topsailers) in the 1930s.

I am familiar with all the books that others have suggested so far on this thread. I would mention two further books that I think are also important:

1) Basil Greenhill and Sam Manning, "The Schooner Bertha L. Downs" (Anatomy of the Ship series). London: Conway Maritime Press, 1995. Although focussed on just one vessel, it has a complete description of all yards, ropes, wires, blocks and dispositions. The one niggling thing is, from where did they get all that information? Primary sources for that particular ship, such as the "specification sheets" mentioned in passing on page 32 of the text? Or from a learned later authority, such as any of those listed in the foreword on page 6? This is not at all made clear, which it should have been.

2) Saving the best for last: Douglas Bennet, "Schooner Sunset: the last British sailing coasters", London: Chatham Publishing 2001. I don't think this book gets the recognition it deserves. I put it in the same category of "true greats" as Underhill's "Masting and Rigging" (1946) and Chapelle's "American Fishing Schooners" (1973).  The author sailed on these ships in the 1930s, already with an eye to documenting them for posterity. There is a great deal on rigging, going well beyond Underhill's classic text. The downside of Bennet's book is that there are a number of production errors that materially confuse the content. I went through it very closely some years ago, and got in touch with the book's editor, David Clement. He helpfully sent me some of the original artwork that had been mudged in the book. After all that, I wrote a one-page erratum to be tipped into the back of the book, and sent it back to Clement, who didn't reply (true, sending someone an erratum of their work isn't on the list for winning friends and influencing people). Should anyone think it of interest, I will post that erratum. But that's a little off topic here, and any expansion on that should be in a new thread I think.


That's my first post here. For the record I am a researcher and not a ship modeller, but I can see the point of modelling as a kind of test to see if you've really thought through the technical details to the point that the whole article is fully resolved.

Ian Scales PhD

Canberra, Australia

 

Posted

Phil, I found a picture of the mystery sail on the Lynx.  Have a look at https://schoonerwoodwind.com/star-spangled-sailabration/ and scroll about halfway down.  You'll see that Lynx has a two-part fore course.  I have no idea if this arrangement would have existed historically.

 

Photo credit: Ken Kaye

Lynx_600x439.jpg.a8c30e1f06923f4a0e3acb53b62d403e.jpg

Peter

 

In progress: Amanda F. Lewis, Chesapeake Bay pungy

 

Completed builds: Virginia 1819 from Artesania Latina, Sultana (gallery) with laser cut POB hull and 3D printed components

Posted (edited)

Ian,

 

Welcome to the forum! With your background you should be a valuable addition to the membership.

 

Thanks for the links. I just ordered the Bertha L. Downs book!

 

As for the meaning of "gore" I looked in my go-to text Falconer's Universal Dictionary of the Marine (1769) and it says:

 

"GORING, langue, that part of the skirts of a sail, where it gradually widens from the upper part or head, towards the bottom : the goring-cloths are therefore those, which are cut obliquely, and added to the breadth."

 

The gore is created by adding triangular or trapezoidal cloths to the sides of the sail, with the point of the triangle, or the shorter horizontal side of the trapezoid, at the top.

 

Since you are interested in Australian schooners you must have Marquardt's The Global Schooner. It is a very good book but I found a fair number of typos or ambiguous phrases.

 

You are right about modelling testing your understanding of how ships were built. I have had to change my mind about how things worked several times during my topsail schooner build. If you can't sail on the real thing modelling is a good way to get a better understanding. Of course it can never be as good as you would get living on and operating the real vessels!

Edited by Dr PR

Phil

 

Current build: Vanguard Models 18 foot cutter

Current build: USS Cape MSI-2

Current build: Albatros topsail schooner

Previous build: USS Oklahoma City CLG-5 CAD model

 

Posted

Peter,

 

Thank you very much for clearing this up! The two part course makes sense for several reasons.

 

First, these are lighter sails and can be handled by a smaller crew than a full width course. One of the advantages of schooners is that they can be operated with smaller crews than a similar sized full square rigged vessel.

 

Second, if the ship is flying a fore staysail it would likely chafe against a full width course. The split course allows one or both sheets to be raised independently, including having both the half course and fore staysail up at the same time, as in the photo in post #88.

 

I wonder how many more variations in schooner sail plans will come up?

Phil

 

Current build: Vanguard Models 18 foot cutter

Current build: USS Cape MSI-2

Current build: Albatros topsail schooner

Previous build: USS Oklahoma City CLG-5 CAD model

 

Posted
5 hours ago, Dr PR said:

Since you are interested in Australian schooners you must have Marquardt's The Global Schooner. It is a very good book but I found a fair number of typos or ambiguous phrases.

 

Yes indeed, I have Marquardt's book -- never particularly cheap second-hand, but then, all used book prices have gone up. I'm just glad I built most of my library at the "old prices". I don't refer to Global Schooner that much because I'm interested in the late period commercial schooners, whereas Marquardt is biased toward the earliest period (prior to, e.g., wire rigging and the stylistic influence of the clipper hull). There's no doubt though that he approached the topic in a woo-free scholarly manner and with a typically Germanic thoroughness. 

If you ever got around to compiling an erratum of the typos and so on you have found in Global Schooner (particularly where misleading rather than trivial), I'd print it off and tip it into the back of my copy. 

 

You can't go wrong with Bertha L Downs -- I think it's a lovely book. Just with the caveat I mentioned above -- the authors didn't declare their sources so we simply have to put faith in their authority. 

Nice to 'meet' you by the way.

Posted

Ian,

 

I have no "faith" with regard to any statement about schooner rigging (or in most cases modelling in general). I have seen too many pontifications saying "this is the way it was done" about schooner rigging, only to find another "authoritative" claim saying exactly the opposite. This is the main reason I started this thread. As I have said many times, if it is possible to rig a schooner in a particular way it is likely that someone has tried it somewhere and sometime.

 

Half courses? 10 different ways to rig just the main gaff topsail?? Whodathunk?

 

And I am certain that some of the things I have said might be questionable! If you see something you think is wrong please let me know! Some of these guys call me the "godfather of schooner rigging" but I am actually just a mere mortal trying to learn!

Phil

 

Current build: Vanguard Models 18 foot cutter

Current build: USS Cape MSI-2

Current build: Albatros topsail schooner

Previous build: USS Oklahoma City CLG-5 CAD model

 

Posted (edited)

Lynx is not a Baltimore Clipper, or even a "replica" of anything, she's just a schooner cosplaying as a privateer by an owner enamored with the first Pride of Baltimore, which is why she wear Pride's paint scheme.

Edited by JerryTodd

Jerry Todd

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Gazela Primeiro ~ RC Barkentine c.1979 in 1:36 scale

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Posted

Well, I think this thread is interesting (apart from the fact that a topsail-schooner is on my project list), because it shows the wide variety of possible arrangements.

 

I may have said this before: we tend to be too framed by naval practices and rules, and by yachting 'rules', which in turn had been strongly influenced by naval costums. In the merchant navy anything that worked was permitted. If it didn't work, it silently disappeared or, when it involved an accident, it may have been branded as bad practice in court, leading to the master loosing his patent.

 

Also, when we see a particular arrangement in historical photographs, we don't know, whether this was an arrangement of the moment or a permanent feature.

 

On the other hand, too much variation and to many fancy arrangements would have been probably counterproductive in an industry, where the workforce often changed frequently. Sailors on larger ships typically stayed only for one roundtrip. On coastal vessels they may have stayed for years. The point is that a sailor coming on board newly will have to 'learn the ropes' of this particular ship and may grab the wrong one in situations of stress. So it would be good practice to have not too many differences from ship to ship.  

wefalck

 

panta rhei - Everything is in flux

 

 

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Posted
21 hours ago, SardonicMeow said:

Phil, I found a picture of the mystery sail on the Lynx.  Have a look at https://schoonerwoodwind.com/star-spangled-sailabration/ and scroll about halfway down.  You'll see that Lynx has a two-part fore course.  I have no idea if this arrangement would have existed historically.

 

Photo credit: Ken Kaye

Lynx_600x439.jpg.a8c30e1f06923f4a0e3acb53b62d403e.jpg

now this makes alot of sense. i built a topsail schooner 40 years ago but always wondered if it had the extra sails. seems a waste having the empty yard n no sails. we all know that every inch of space is always utilized, especially if it means more speed.

 

thanks for all the research ian and meow. this is the best part of our hobby. 

Posted

Jerry,

 

Do I detect some "pride of ownership" in your use of the term "Baltimore Clipper?" You are from Maryland, and you mention the Pride of Baltimore replica.

 

This raises the question "What is a Baltimore Clipper?"

 

Howard Chapelle describes the evolution of the topsail schooner in The Baltimore Clipper. It seems a number of influences came together in the late 1700s to create this type of vessel. Vessels built in Bermuda and Jamaica in the late 1700s had high deadrise and large rake at the bow and stern and raked masts. These were common in the American colonies. New Englanders developed the two mast schooner rig for several purposes. These influences seem to have come together in the Chesapeake Bay area by 1780 to create what Chapelle calls "Virginia-built" vessels. Soon this type vessel was being built in Baltimore and other places around Chesapeake Bay.

 

They were fast and able to avoid the English, French, Spanish and pirate vessels that plagued American shipping, so they became popular. The type was commonly used by privateers and slave traders. It wasn't long before these topsail schooners were being built all along the American coast. The design was very popular for pilot vessels in New York and other parts of New England.

 

The American Revolution pretty much eliminated most other types of small vessels in the Americas, and the "Virginia-built" or "Baltimore schooner" type became a fairly standard design for American ship builders. It seems this design originated in the Chesapeake area, and Baltimore Maryland seems to have been the center of the largest concentration of shipyards building these boats. So they became known as "Baltimore Clippers." But I haven't found when this term was first used, and when this type of ship became commonly known as the "Baltimore Clipper."

 

But maybe this is irrelevant. If it looks like a duck, walks like a duck and quacks like a duck, is it a duck? Does it matter where or when a vessel was built of the type now known as a Baltimore clipper?

Phil

 

Current build: Vanguard Models 18 foot cutter

Current build: USS Cape MSI-2

Current build: Albatros topsail schooner

Previous build: USS Oklahoma City CLG-5 CAD model

 

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