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Louie da fly

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  1. Like
    Louie da fly got a reaction from BANYAN in The San Marco mosaic ship c. 1150 by Louie da fly - 1:75   
    Thanks Roger. That's my opinion entirely. A lot of this is educated guesswork based on (extremely!) inadequate source material. Of course we can't be sure it's all correct, but a lot of the fun is in the investigation of source material and speculation as to how it could be done, given the pictorial evidence (often affected by artistic licence), the archaeological evidence (often frustratingly incomplete) and the practicalities of sailing a wooden vessel.
     
    And if later evidence proves one of the guesses wrong, one still has the satisfaction of having done the best one could with the information that was available at the time.
     
    So, on to current progress. Shrouds and halyards in place, but only the foremast shrouds have been finalised.

    I really do need to clear my workdesk before I take photos!
     
    I made new silkspan sails - I wasn't happy with the first iteration. This time I made them oversize and folded the edges over instead of gluing strips of silkspan to the edges. The cross was painted on with Tamiya acrylic paint. I needed two coats for the "face" side and one for the other side. Considerably happier with the second version.
    And I've added the blocks to the yards - for the tacks at the lower ends and the vangs at the upper.

    Druxey, if I might pick your brains - how did you attach the bolt ropes to your silkspan sails (they look particularly good)? And the robands?
     
    Steven
     
     
     
  2. Like
    Louie da fly got a reaction from GrandpaPhil in The San Marco mosaic ship c. 1150 by Louie da fly - 1:75   
    Thanks Roger. That's my opinion entirely. A lot of this is educated guesswork based on (extremely!) inadequate source material. Of course we can't be sure it's all correct, but a lot of the fun is in the investigation of source material and speculation as to how it could be done, given the pictorial evidence (often affected by artistic licence), the archaeological evidence (often frustratingly incomplete) and the practicalities of sailing a wooden vessel.
     
    And if later evidence proves one of the guesses wrong, one still has the satisfaction of having done the best one could with the information that was available at the time.
     
    So, on to current progress. Shrouds and halyards in place, but only the foremast shrouds have been finalised.

    I really do need to clear my workdesk before I take photos!
     
    I made new silkspan sails - I wasn't happy with the first iteration. This time I made them oversize and folded the edges over instead of gluing strips of silkspan to the edges. The cross was painted on with Tamiya acrylic paint. I needed two coats for the "face" side and one for the other side. Considerably happier with the second version.
    And I've added the blocks to the yards - for the tacks at the lower ends and the vangs at the upper.

    Druxey, if I might pick your brains - how did you attach the bolt ropes to your silkspan sails (they look particularly good)? And the robands?
     
    Steven
     
     
     
  3. Like
    Louie da fly got a reaction from mtaylor in The San Marco mosaic ship c. 1150 by Louie da fly - 1:75   
    Thanks Roger. That's my opinion entirely. A lot of this is educated guesswork based on (extremely!) inadequate source material. Of course we can't be sure it's all correct, but a lot of the fun is in the investigation of source material and speculation as to how it could be done, given the pictorial evidence (often affected by artistic licence), the archaeological evidence (often frustratingly incomplete) and the practicalities of sailing a wooden vessel.
     
    And if later evidence proves one of the guesses wrong, one still has the satisfaction of having done the best one could with the information that was available at the time.
     
    So, on to current progress. Shrouds and halyards in place, but only the foremast shrouds have been finalised.

    I really do need to clear my workdesk before I take photos!
     
    I made new silkspan sails - I wasn't happy with the first iteration. This time I made them oversize and folded the edges over instead of gluing strips of silkspan to the edges. The cross was painted on with Tamiya acrylic paint. I needed two coats for the "face" side and one for the other side. Considerably happier with the second version.
    And I've added the blocks to the yards - for the tacks at the lower ends and the vangs at the upper.

    Druxey, if I might pick your brains - how did you attach the bolt ropes to your silkspan sails (they look particularly good)? And the robands?
     
    Steven
     
     
     
  4. Like
    Louie da fly got a reaction from mtaylor in The San Marco mosaic ship c. 1150 by Louie da fly - 1:75   
    Thanks, Eric. I'm afraid I'm a bit of a show pony in that regard. I enjoy trying for a bit of extra interest in my builds to spark the attention of those in the know.
     
    Steven
  5. Like
    Louie da fly got a reaction from mtaylor in The San Marco mosaic ship c. 1150 by Louie da fly - 1:75   
    Why thank you, Mark. Unfortunately, they are going to be on the weather side, so I think Doreltomin's point stands. However, perhaps a flick of the rudder(s) could take the load off for a short time even if they were weather shrouds. [And of course if they were just completing a tack and hadn't yet got under way, these guys tightening the last weather shroud could well be believable].
     
    Tartane, yes, I'm still going to be using lateen sails. I've looked carefully at your arguments and they aren't convincing enough to make me change. I realise that you have the best intentions in making your suggestions, but I have done plenty of research of my own and I'm satisfied that I'm making the right decisions. What may have been the practice for a chebec in the 18th/19th century is by no means necessarily what was done in the 12th century, and I believe I have ample evidence to back me up.
     
    Theoretical reconstructions will always be a matter of interpretation of the available evidence, and our interpretations are different. I think the best policy is for us to agree to disagree. I'm not really willing to engage in any further discussion on these points, as I find it's distracting me from the build.
     
    Steven
  6. Like
    Louie da fly got a reaction from Cathead in 11th century viking crew and freight in 1:25   
    Very sorry to hear that, mate. I can only send you my best wishes.
     
    Steven
  7. Thanks!
    Louie da fly got a reaction from Knocklouder in The Mayflower by Knocklouder- FINISHED - Amati - 1:60   
    You've done a beautiful job. Congratulations on completing - a lot of work, but well worth it.
     
    Steven
  8. Like
    Louie da fly got a reaction from Mark Pearse in The San Marco mosaic ship c. 1150 by Louie da fly - 1:75   
    Thanks Roger. That's my opinion entirely. A lot of this is educated guesswork based on (extremely!) inadequate source material. Of course we can't be sure it's all correct, but a lot of the fun is in the investigation of source material and speculation as to how it could be done, given the pictorial evidence (often affected by artistic licence), the archaeological evidence (often frustratingly incomplete) and the practicalities of sailing a wooden vessel.
     
    And if later evidence proves one of the guesses wrong, one still has the satisfaction of having done the best one could with the information that was available at the time.
     
    So, on to current progress. Shrouds and halyards in place, but only the foremast shrouds have been finalised.

    I really do need to clear my workdesk before I take photos!
     
    I made new silkspan sails - I wasn't happy with the first iteration. This time I made them oversize and folded the edges over instead of gluing strips of silkspan to the edges. The cross was painted on with Tamiya acrylic paint. I needed two coats for the "face" side and one for the other side. Considerably happier with the second version.
    And I've added the blocks to the yards - for the tacks at the lower ends and the vangs at the upper.

    Druxey, if I might pick your brains - how did you attach the bolt ropes to your silkspan sails (they look particularly good)? And the robands?
     
    Steven
     
     
     
  9. Like
    Louie da fly got a reaction from Cathead in 11th century viking crew and freight in 1:25   
    That's ok. Take your time and concentrate on getting well.
     
    And when you get the time, you'll probably find the diorama work is good therapy in your recovery.
     
    Steven
  10. Like
    Louie da fly got a reaction from Cathead in 11th century viking crew and freight in 1:25   
    Oops. I'd meant to reply to this earlier,  ut it somehow got missed. Very glad to be of help in providing a possible 'backdrop' for your knarr.
     
    I'll  be interested to see what kind of setting you do end up giving it. I've been thinking seriously about dioramas myself recently (ever since I saw the endless lines of near-identical tanks and aircraft at the Ballarat Modelling Exhibition - interesting for enthusiasts but boring for the general public). I think a setting adds immensely to a model.
     
    Looking forward to progress on this one.
     
    Steven
  11. Like
    Louie da fly got a reaction from mtaylor in 11th century viking crew and freight in 1:25   
    Very sorry to hear that, mate. I can only send you my best wishes.
     
    Steven
  12. Like
    Louie da fly got a reaction from mtaylor in 11th century viking crew and freight in 1:25   
    That's ok. Take your time and concentrate on getting well.
     
    And when you get the time, you'll probably find the diorama work is good therapy in your recovery.
     
    Steven
  13. Like
    Louie da fly got a reaction from mtaylor in 11th century viking crew and freight in 1:25   
    Oops. I'd meant to reply to this earlier,  ut it somehow got missed. Very glad to be of help in providing a possible 'backdrop' for your knarr.
     
    I'll  be interested to see what kind of setting you do end up giving it. I've been thinking seriously about dioramas myself recently (ever since I saw the endless lines of near-identical tanks and aircraft at the Ballarat Modelling Exhibition - interesting for enthusiasts but boring for the general public). I think a setting adds immensely to a model.
     
    Looking forward to progress on this one.
     
    Steven
  14. Like
    Louie da fly got a reaction from Archi in The San Marco mosaic ship c. 1150 by Louie da fly - 1:75   
    Thanks Roger. That's my opinion entirely. A lot of this is educated guesswork based on (extremely!) inadequate source material. Of course we can't be sure it's all correct, but a lot of the fun is in the investigation of source material and speculation as to how it could be done, given the pictorial evidence (often affected by artistic licence), the archaeological evidence (often frustratingly incomplete) and the practicalities of sailing a wooden vessel.
     
    And if later evidence proves one of the guesses wrong, one still has the satisfaction of having done the best one could with the information that was available at the time.
     
    So, on to current progress. Shrouds and halyards in place, but only the foremast shrouds have been finalised.

    I really do need to clear my workdesk before I take photos!
     
    I made new silkspan sails - I wasn't happy with the first iteration. This time I made them oversize and folded the edges over instead of gluing strips of silkspan to the edges. The cross was painted on with Tamiya acrylic paint. I needed two coats for the "face" side and one for the other side. Considerably happier with the second version.
    And I've added the blocks to the yards - for the tacks at the lower ends and the vangs at the upper.

    Druxey, if I might pick your brains - how did you attach the bolt ropes to your silkspan sails (they look particularly good)? And the robands?
     
    Steven
     
     
     
  15. Like
    Louie da fly got a reaction from Trumper07 in Australian Couta boat by Louie da fly - from about the 1920's   
    AAaaand - finished!



    I've simplified the rig and I'm not totally happy with the sails - my fault. I should have consulted with my wife before I cut, folded and ironed them. She did what she could to correct my mistakes, but there's only so much you can do, even when you've been trained as a seamstress. Ah well, all part of the learning process.
     
    Steven
  16. Like
    Louie da fly got a reaction from Scottish Guy in The Mayflower by Knocklouder- FINISHED - Amati - 1:60   
    You've done a beautiful job. Congratulations on completing - a lot of work, but well worth it.
     
    Steven
  17. Like
    Louie da fly got a reaction from Roger Pellett in The San Marco mosaic ship c. 1150 by Louie da fly - 1:75   
    Thanks Roger. That's my opinion entirely. A lot of this is educated guesswork based on (extremely!) inadequate source material. Of course we can't be sure it's all correct, but a lot of the fun is in the investigation of source material and speculation as to how it could be done, given the pictorial evidence (often affected by artistic licence), the archaeological evidence (often frustratingly incomplete) and the practicalities of sailing a wooden vessel.
     
    And if later evidence proves one of the guesses wrong, one still has the satisfaction of having done the best one could with the information that was available at the time.
     
    So, on to current progress. Shrouds and halyards in place, but only the foremast shrouds have been finalised.

    I really do need to clear my workdesk before I take photos!
     
    I made new silkspan sails - I wasn't happy with the first iteration. This time I made them oversize and folded the edges over instead of gluing strips of silkspan to the edges. The cross was painted on with Tamiya acrylic paint. I needed two coats for the "face" side and one for the other side. Considerably happier with the second version.
    And I've added the blocks to the yards - for the tacks at the lower ends and the vangs at the upper.

    Druxey, if I might pick your brains - how did you attach the bolt ropes to your silkspan sails (they look particularly good)? And the robands?
     
    Steven
     
     
     
  18. Like
    Louie da fly got a reaction from Ian_Grant in The San Marco mosaic ship c. 1150 by Louie da fly - 1:75   
    Thanks Roger. That's my opinion entirely. A lot of this is educated guesswork based on (extremely!) inadequate source material. Of course we can't be sure it's all correct, but a lot of the fun is in the investigation of source material and speculation as to how it could be done, given the pictorial evidence (often affected by artistic licence), the archaeological evidence (often frustratingly incomplete) and the practicalities of sailing a wooden vessel.
     
    And if later evidence proves one of the guesses wrong, one still has the satisfaction of having done the best one could with the information that was available at the time.
     
    So, on to current progress. Shrouds and halyards in place, but only the foremast shrouds have been finalised.

    I really do need to clear my workdesk before I take photos!
     
    I made new silkspan sails - I wasn't happy with the first iteration. This time I made them oversize and folded the edges over instead of gluing strips of silkspan to the edges. The cross was painted on with Tamiya acrylic paint. I needed two coats for the "face" side and one for the other side. Considerably happier with the second version.
    And I've added the blocks to the yards - for the tacks at the lower ends and the vangs at the upper.

    Druxey, if I might pick your brains - how did you attach the bolt ropes to your silkspan sails (they look particularly good)? And the robands?
     
    Steven
     
     
     
  19. Like
    Louie da fly got a reaction from Glen McGuire in The San Marco mosaic ship c. 1150 by Louie da fly - 1:75   
    Thanks Roger. That's my opinion entirely. A lot of this is educated guesswork based on (extremely!) inadequate source material. Of course we can't be sure it's all correct, but a lot of the fun is in the investigation of source material and speculation as to how it could be done, given the pictorial evidence (often affected by artistic licence), the archaeological evidence (often frustratingly incomplete) and the practicalities of sailing a wooden vessel.
     
    And if later evidence proves one of the guesses wrong, one still has the satisfaction of having done the best one could with the information that was available at the time.
     
    So, on to current progress. Shrouds and halyards in place, but only the foremast shrouds have been finalised.

    I really do need to clear my workdesk before I take photos!
     
    I made new silkspan sails - I wasn't happy with the first iteration. This time I made them oversize and folded the edges over instead of gluing strips of silkspan to the edges. The cross was painted on with Tamiya acrylic paint. I needed two coats for the "face" side and one for the other side. Considerably happier with the second version.
    And I've added the blocks to the yards - for the tacks at the lower ends and the vangs at the upper.

    Druxey, if I might pick your brains - how did you attach the bolt ropes to your silkspan sails (they look particularly good)? And the robands?
     
    Steven
     
     
     
  20. Like
    Louie da fly reacted to Jim Lad in The San Marco mosaic ship c. 1150 by Louie da fly - 1:75   
    Very nice looking sails, Steven.
     
    As for the historical accuracy of the model - "based of the best available information at the time of building." 
     
    John
  21. Like
    Louie da fly got a reaction from Baker in The San Marco mosaic ship c. 1150 by Louie da fly - 1:75   
    Thanks Roger. That's my opinion entirely. A lot of this is educated guesswork based on (extremely!) inadequate source material. Of course we can't be sure it's all correct, but a lot of the fun is in the investigation of source material and speculation as to how it could be done, given the pictorial evidence (often affected by artistic licence), the archaeological evidence (often frustratingly incomplete) and the practicalities of sailing a wooden vessel.
     
    And if later evidence proves one of the guesses wrong, one still has the satisfaction of having done the best one could with the information that was available at the time.
     
    So, on to current progress. Shrouds and halyards in place, but only the foremast shrouds have been finalised.

    I really do need to clear my workdesk before I take photos!
     
    I made new silkspan sails - I wasn't happy with the first iteration. This time I made them oversize and folded the edges over instead of gluing strips of silkspan to the edges. The cross was painted on with Tamiya acrylic paint. I needed two coats for the "face" side and one for the other side. Considerably happier with the second version.
    And I've added the blocks to the yards - for the tacks at the lower ends and the vangs at the upper.

    Druxey, if I might pick your brains - how did you attach the bolt ropes to your silkspan sails (they look particularly good)? And the robands?
     
    Steven
     
     
     
  22. Like
    Louie da fly got a reaction from Baker in The San Marco mosaic ship c. 1150 by Louie da fly - 1:75   
    Thanks, Eric. I'm afraid I'm a bit of a show pony in that regard. I enjoy trying for a bit of extra interest in my builds to spark the attention of those in the know.
     
    Steven
  23. Thanks!
    Louie da fly got a reaction from Scottish Guy in 11th century viking crew and freight in 1:25   
    Very sorry to hear that, mate. I can only send you my best wishes.
     
    Steven
  24. Like
    Louie da fly got a reaction from Scottish Guy in 11th century viking crew and freight in 1:25   
    That's ok. Take your time and concentrate on getting well.
     
    And when you get the time, you'll probably find the diorama work is good therapy in your recovery.
     
    Steven
  25. Like
    Louie da fly got a reaction from Keith Black in Viking Drakkar by Knocklouder - Amati - 1/50   
    Looking forward to progress on this one.
     
    Do we get more of the back-story about the green drakkar?
     
    Steven
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