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rwiederrich

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Everything posted by rwiederrich

  1. From his own words, it appears there is structure to the portico...not a flush front with sliding door. Square, means to me just that. With a four ft. recess into the poop deck. I'll be interested in seeing your examples. Rob
  2. If you reduced the extension by a foot..but left the width of the portico similar to what Chappelle drew...that would still provide ample real-estate for perimeter stanchions. Enough room inside to enter, turn and descend. With nice windows on the front for ample lighting. Even if you only reduced it the 8" I mentioned it would still work...IMV. Duncan says *square*...but from his other Vague descriptions....it could simply imply it doesn't extend past the 4ft insertion into the poop deck and no further then the mizzen. As far as its width, it could be wider as Champelle notes. Some paintings even make the suggestion. Your thoughts? Rob
  3. Trying to figure out what people meant to say and pen is an art far and above my modeling skills. I've stated it before,...... *Once you eliminate the impossible....whatever remains, no matter how improbable..must be the truth* Rob
  4. Good point Rick......like Philips for a star tipped screw driver....or Crecent, for an adjustable wrench. Rob
  5. I tend to agree. I will still look to where I read that simple description....but as you said...He doesn't say copper perse' in his writeup. Where did I read that? Mmmmmmm😕. Heck...anyway, I prefer my Metalic overcoat on the copper anyway....it looks like oxidized muntz. More brown then green. How much does a 39" keel fiddle with our drawing of her lines? Are you gonna throw that back at Vlad? Rob
  6. Believe me...I agree completely with you on both substance and position. I was fully aware of muntz metals adoption...and McKay's dedication to *High tech* of the time. I will have t go over with a fine tooth comb the info I have...cuz I read that she was clad in copper....even to my amazement. Thanks for keeping me honest..... Rob
  7. Who's to say McKay didn't have loads of copper in his warehouse...and he wanted to use it up before moving onto Muntz metal? Coming from you...that last statement is disturbing.🤪 When have you ever known me to diverge from the historical facts..... for an artistic option? I expect to either be corrected by you, or given your concurrence, but to simply give up and defer to, *It's your model, your choice*, Well.....I find that out of character. Not to mention the expression that must have been on your face while you were typing that.🤣 But as I posted earlier...Duncan McLean stated she was coppered below. I think he would have made the correct distinction. Unless I'm totally off base here. Rob
  8. It’s the Constitution. Duncan McLean is the one who said she was clad in copper. Rob
  9. I’ve been thinking about the copper bottom. Staghound had copper, not muntz metal. I want to patina the copper and possibly make it white to light green around the waterline. Rob
  10. I have that movie…….I just can’t get my wife to watch it with me……Gots to sneak it in sometime. Rob
  11. Rich, we know the the rake of all her masts, per Duncan McLean is 1ft per 8ft. Which equates to 6deg. Reviewing Chapelle’s drawing…..he has the main and mizzen at 6deg, but the fore is only 4deg……? Are we missing something or did ole Chapelle’s, miss something? Rob
  12. I didn’t want to step on your toes, but the plate example you gave of an actual hull is more of what you’re looking for. The nail impressions need to be imprints not headed. Good job Rob
  13. Good call Rich. See……if we keep chiseling away at the slight errors …..the truth reveals itself. I’m liking your remake, it’s looking more like what I envisioned too. Rob
  14. Well you don't want the nails to protrude like rivet heads. You're doing so well....don't make that mistake. Rob
  15. Wow Luis...you've been busy. So, I'm assuming your search for another AMERICAN clipper has landed you on the Staghound? I hope you feel comfortable in joining us as we finalize her hull and deck furniture. Again....good to see again. Rob
  16. I see you used a 36" door...why not a 28" door...that would save you 8" extending the clearance between the portico roof and the mizzen.....? Rob
  17. Well McLean says the portico is aft of the mizzen. Champelle's rendering puts the portico in just about the same place that you placed it...without the roof access and stanchioned rail. I'm opting to keep this configuration since it found resolution with others. Also his poop height and portico roof align with the main rail and monkey rail prospectively. As far as the spider band is concerned.....since the mizzen has a fife rail...no spider band is needed...just the spanker boom foot rest. The spanker gaff lift can be purchased and belayed at the fife rail.....unless the forward portico roof rail can also act as a fife rail...which would make sense. Rob
  18. Yes...I noticed that a while ago, while researching her. I think that brace is an effort to stabilize her warping and sagging due to age and hogging. Same goes for the iron rods supporting her Hood. And remember when I asked about the anchor billboards....Glory didn't have any.......Well not till she was near her later years.....cuz she Shure had some installed some time in her latter life....cuz she has them in this image before she was scrapped...
  19. I like your representation. It accounts for many unknowns...but still meet the Duncan account. Doesn't leave much room for mast flexure(Hopefully there wasn't much of that). Rob
  20. It’s funny that there can be several other drawings that slightly differ. , when in fact NcKay’s half model contains all the raw data. The trouble lays with interpretation. We need to reconcile them , forcing them to agree with the half model. Even though, as a builders reference, it lacks the keel and monkey rail. Hence the rub of reconciliation. Behind the scenes……much deliberation and study have been employed thus far. To keep these initial pages as limited as possible. Folks like to see model building being done on a model building log. Much will follow when the paperwork is settled on, so wood can be cut. Full speed ahead….and on till morning. Rob
  21. Those stories are harrowing. Frozen hands, and feet...not to mention hungry and tired. The life has been romanticized till all the reality of such labors has been forgotten. Rob
  22. I believe so. I plan on rigging her in this manner...without the Howes double topsails. I want to keep that ginormous topsail to show how much sail had to be brought in when that monster had to be furled. Sailors could loose and furl that sail several times in the course of a watch....and in the freezing rain, in the dead of night...it was a stinker. It wasn't till the dawn of the Downeaster that the double topgallant came into practice. So much easier on the crew if you have to drop and furl half the canvas. Plus in many cases you didn't even have to furl the upper topsail but drop it so it hid in front of the lower topsail...eliminating its effectiveness. Rob
  23. Wonderful work....indeed. Found another image of Cutty Sark during her refurbishment.
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