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Louie da fly

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  1. Very interesting model. That strange swelling at the bow is something I've never come across before. I think the thing is a ship-shaped oil lamp, and that is the oil reservoir. The inscription reads something like "holy/sacred/priest/temple of Athens" possibly "sacred to Athens"? Steven
  2. That's starting to look very interesting, Dick. The cross-section looks considerably more stable in my (admittedly ill-informed) opinion. Have you read "Age of the Galley"? It's a collection of papers on galleys of various eras, including this one IIRC. The issue of protective screens appears in it. I think they suggested it was some kind of wooden lattice, but it's quite a while ago and the rotten local library went and sold the book without offering to sell it to me! Also Prof John Pryor's Age of the Dromon is worth checking out - it contains considerable calculations regarding oar length and angle, and offsets for oarsmen in different banks. He came to the conclusion that the oars of the upper bank should be longer than those for the lower bank. OTOH the builders of the Olympias trireme (IIRC) had them the same length because of issues about pendulums of different lengths having different periods of "swing", so they wouldn't be able to keep in time with each other. Of course that meant the upper bank oarsmen, the thranites, had their oars at a much steeper angle than the bottom bank, the thalamians. Just a few things that might bear thinking about at this early design stage. Steven
  3. There was another liburnian build log but it seems to be a very different ship, but then there's very little known about what they were like, so there's a fair bi of freedom available in interpreting it. Steven
  4. With the level of research and care Dick puts into everything he does, I'm looking forward to seeing the result. Steven
  5. Yes, the galleys recovered from the Yenikapi excavations are incredibly lightly built - though they were about 30 metres (90 feet) long, their keels are made of timbers only 150mmx150mm (6”x6”), the frames 50-60mm (2-2.5") square and 160-200mm (6"-8") apart, and the planks are only 20-30mm (3/4”-1.2”) thick. However, they are reinforced longitudinally with stringers and wales. And yes, storms sank many fleets, not only in ancient but also mediaeval times, as recorded in Byzantine documents. Steven
  6. That's for sure. I've tried to get my head around it several times, with little success. Steven
  7. Granted, but rough seas would surely be likely to cause an unstable vessel to turn turtle more easily by putting the CofG and the CofF further out of alignment. Steven
  8. OK. I think this thread is officially derailed . . . If you want to see some real "ouch!" pics, the martyrdom of Isaiah is a real gold mine. On second thought, you really don't want to see them . . . this is one of the least horrific ones.
  9. I don't really feel qualified to make any suggestions on this - I know too little about this kind of ship, despite being very interested in ships ancient and mediaeval. From what I've seen in your log so far, you're not only following the instructions well, but your ship looks good. Your work is neat and precise, and the ropework in particular raises it above the run of the mill model.
  10. Hmm, interesting question. I can see what you're getting at, but I think the skipper would try to avoid submerging the lower oarports at all - it's impossible to keep the water out, even with leather "grommets" to seal the oarports. Any tendency to heel, and I think he'd head to shore as fast as he could. My first thought was that manning the upper benches when the ship was heeling would move the centre of gravity upwards, making the ship even more unstable. But if they're not on their benches, where would those upper oarsmen be? There's probably not room for them anywhere else. So I think that point is moot. BTW, I studied (Ancient) Greek for a year, so if i can be of help with translation, please feel free to ask. Steven
  11. Bob, you're right that nothing survived of the Sutton Hoo ship's hull except the impression made in the sand. There are plenty of photos showing the excavation which ake this very obvious, apart from books which describe the state of the ship at the time and the procedure used to excavate it. I'm not qualified to comment on the need or otherwise for caulking on a clinker-built ship, but yes, as far as I know (given the minimal information available) the planks for ships of this time and region were split rather than sawn. The only saws recovered from Viking sites are fairly small, and the shipbuilding panels in the Bayeux Tapestry don't show saws in use, only axes of various types, and drills. There is a wonderful manuscript illumination from France in about 1170 of a bow-saw being used to cut the prophet Isaiah in half, which is the earliest illustration I know of showing one in use. But that's a different region, and over 500 years later (a little gruesome, but it's art, so that makes it ok. You ought to see some of Durer's pictures of mass martyrdoms - talk about graphic). Steven
  12. The Sutton Hoo ship replica is now ready for planking, and the builders have put out an appeal for woollen blankets to use for caulking between the strakes. Anybody in the UK who wants to donate blankets, I'm sure they would be gratefully received. https://saxonship.org/?fbclid=IwAR2GOjy1YvC5l2ZmSSgF3cx98Wvs2ZIbasDdh-JLq1Jgz_09ezGK9JZTDMQ Steven
  13. The trireme reconstruction Olympias is apparently very tender - she tips over quite easily. This must make it hard to row her in anything except a flat calm. However, using a theoretical reconstruction to prove anything is fraught with risk - the hull shape of Olympias itself is the result of theorising based on fairly scanty evidence and may not necessarily be correct. But it must be a common factor with all galleys no matter what the era - the flatter the angle of the oars, the more efficiently they use the energy of the oarspersons, so the oarports have to be as close to the water as possible - so if they heel they become difficult or impossible to row. Cross-sections of the Byzantine galleys found at Yenikapi in Istanbul are shown at https://journals.openedition.org/archaeonautica/3684 and perhaps these should be taken into account despite the huge time difference between them and the Mycenaean galleys. Interestingly, the bilge shape seems quite similar - maybe a bit more angled - to that of the bases in Woodrat's photo. Steven
  14. Dick, though it's a round ship and your is a galley, the Uluburun wreck (14th century B.C.E.) might help in determining the underwater cross-section, as far as stability goes.
  15. Very interesting, Roger. So, given the shape of the bilge as indicated by the ancient base, what shape would you suggest for the rest of the hull have as it goes upward from the bilges, to be more stable? Steven
  16. That sounds very interesting, Dick. One thing I've been forced to look up in following this is the periods you're dealing with. So now I know Late Helladic (at least according to Wikipedia) is also known as the Mycenaean age and corresponds to 1550-1050 B.C.E. whereas Geometric is 900-700 B.C.E. and Late Minoan appears to be something like 1500-1100 B.C.E. (that one's a little hard to work out, as the terminology has been revised, but seems to tie in with Late Helladic/ Mycenaean). So the difference in time period between the late Helladic and Geometric is several centuries, in which one can expect quite a bit of evolution in ship types, as well as differences between shipbuilding cultures. So am I right in thinking that the hull shape of the ship you're planning to build is based mostly on the illustrations in your post #7, but with supplementary information from the other illustrations from other periods to fill in details they don't provide? Steven
  17. https://www.wessexarch.co.uk/news/rare-elizabethan-ship-discovered-quarry-300-metres-coast Sorry about the late notice - looks like the TV programme has already been shown. Steven
  18. I just came across this paper on the Black Sea wrecks - https://www.academia.edu/2603215/Ward_and_Ballard_2004_C_Ward_and_R_Ballard_Black_Sea_shipwreck_survey_2000_International_Journal_of_Nautical_Archaeology_33_1_2_13?email_work_card=view-paper You might need to join Academia to access it, but it's quite a valuable site and joining is free (unless you want the super-duper upgrade). Steven
  19. One thing to keep in mind is that you need to ensure a smooth run between the bulkheads so you get a smooth curve on the hull. Use battens or thread to show you the line and alert you to any discrepancies in the smooth curve. Then you can adjust the shapes of the bulkheads as needed. Steven
  20. Beautiful work, Richard. I'm loving following this. Steven
  21. Yes, the fashion reached the height of absurdity in the Landsknecht (mercenary footsoldier) with puffed and slashed outfits in a mix of fabrics and colours - sometimes one colour on the left and another on the right . . . and of course emphasised cod pieces (no, that's not some form of packaged frozen fish). Steven
  22. Oops. Had trouble getting the rotten thing to post. Then it did it three times! (extra unnecessary posts now removed). Steven
  23. Which reminded me of this picture from a Byzantine re-enactor site supposedly illustrating a Byzantine soldier guarding a prisoner with a cheirosiphon (hand-held Greek Fire flamethrower). One of the comments was "Mega duke to syphonarios " if he moves,light him up....and also me and the bloke next to me "
  24. Not before the 15th century! Up till then the skirt of the jupon/doublet covered the naughty bits. The attached pic is from the transition time - looks to be mid 15th century - some of the guys are modestly covering up, others are flaunting . . .
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