wefalck

And finally ... all the little bits and pieces have found their place and the scenery has been populated. Below some impressions of the completed model. More pictures can be found here: http://www.wefalck.eu/mm/maritime/models/botter/botter.html
 
 

 
 

 
 

 
 

 
 

 
 

 
 

 
 

 
 

 
 
This is the end of my Noord-Holland nostalgia project.

@Tadheus, thank you very much for your efforts ! However, could you please check on my Web-site first, before posting a link, whether the picture you found has not been already published there. These pictures are all well-known to me and I may want to use them later to illustrate specific points.
 
*******
 
And off we go with the actual model construction ...
 
Materials
 
I had been contemplating a variety of materials for the hull; for instance Plexiglas® layers with bulwarks made from brass foil. In the end, I choose MDF (medium-density fibre) board, which is available in thicknesses down to 1 mm from architectural model supply houses. Other parts will be constructed from or covered with Bristol board, which is also available in various thicknesses (or rather weights per square metre). The bulwarks etc.. will be made from Pertinax® (phenolic resin impregnated paper, FR-2), which is available in thicknesses down to 0.1 mm. Bristol board and Pertinax® are easily cut with a scalpel, a razor blade or scissors and will not crease or dent as metal foil might. I currently have no facilities for photo-etching large parts, but if I had, perhaps I would have made the bulwarks from brass still. The other advantage is that Bristol board can be readily and permanently glued using white glue. Bonds between large areas of metal foil and Plexiglas® might become detached. Pertinax® can be glued using cyano-acrylate or epoxy-resins.
While I have been shying away from thermoplastics, such as polystyrene, on account of it being suspicious to be not ‘permanent’, practical experience shows that my plastic models built over 40 years ago are still intact. So I may reconsider my position in this respect. Polystyrene, of course, has several advantageous properties. One has to be sure, however, that it is properly painted to exclude the deteriorating UV-radiation.
 
The hull and superstructures
 
The basic bread-and-butter construction of the hull is shown in the pictures below.
 

Cutting out layers for the hull
 

Using the drill press as a makeshift disc sander (I have since constructed one)
 

Using the drill press as an improvised miniature drum sander
 

The layers of the hull with the barbette and the anchor-pockets cut out
 

Milling a recess into which later the rubbing strake will be inserted
 
To be continued ...

And finally ... all the little bits and pieces have found their place and the scenery has been populated. Below some impressions of the completed model. More pictures can be found here: http://www.wefalck.eu/mm/maritime/models/botter/botter.html
 
 

 
 

 
 

 
 

 
 

 
 

 
 

 
 

 
 

 
 
This is the end of my Noord-Holland nostalgia project.

And finally ... all the little bits and pieces have found their place and the scenery has been populated. Below some impressions of the completed model. More pictures can be found here: http://www.wefalck.eu/mm/maritime/models/botter/botter.html
 
 

 
 

 
 

 
 

 
 

 
 

 
 

 
 

 
 

 
 
This is the end of my Noord-Holland nostalgia project.

Thanks, gentlemen, for the kind words ! 
 
*******
 
Work on the actual botter model continued with a few pieces of equipment as shown in VAN BEYLEN’s book: a long and a short boat-hook, the the tiller, a shovel-shaped bailer, a handspike for the spill, the pennant that goes onto the mast-top ... and the ‚afwasbak’, a wooden box for doing the washing-up, or sorting fish, together with a teapot and couple of mugs in white emaille.
 

Loose pieces of equipment (the teapot has a diameter of 2 mm !)
 
The teapot and the mugs were turned from brass. The spout and handles were soldered or glued on, while the pieces where still attached to the stock, as was done the painting. The pieces were then parted-off back on the lathe. The teapot has a diameter of 2 mm !
 
And now getting ready for the final lap ...

Thanks 
 
******
 
The Marker fisherboy also needed a couple of wooden buckets to carry suspended from the joke. These were turned from clear Plexiglas and only hollowed down to the assumed water-level. The buckets are suspended from rope made from fly-tying yarn on my own ropery.
 

The painted fisherboy
 

The painted fisherboy
 
The painting was carried out in Schmincke AeroColour, Vallejo and Prince August acrylic paints. Some of these paints are meant for application by airbrush, but give nice washes, when applied by brush. Also the uncovered parts of the bodies, such as the faces were painted in acrylics. In the past, I used artists’ oils on 1:35 scale figurines successfully, but it didn’t work here. Perhaps the oil paints had been oxidised already somewhat, considering that they already spent several decades in their respective tubes. Sinces the heads are only about 2 mm high, painting the faces was quite a challenge.
 

The painted young mother from Volendam
 

The painted young mother from Volendam
 

The painted young father from Volendam
 

The painted young father from Volendam
 

The painted man pushing a sleigh from Volendam
 

The painted old woman on a sleigh from Volendam
 
For the last two figurines a push-sleigh was fashioned from 0,5 mm polystyrene sheet, based on the examples from the Zuiderzeemuseum in Enkhuizen. Such push-sleighs were cobbled together by there owner according to their needs, to be used to transport goods, equipment for ice-fishing and also for transporting people. They can already be seen on Dutch paintings from the 16th century. In fact, a winter-themed exhibition in 2009 in the museum gave me the idea for this scenic setting..
 

Push-sleighs in the Zuiderzeemuseum Enkhuizen
 

The unpainted push-sleigh
 

The painted push-sleigh sitting on a 1 Euro-Cent coin
 

The push-sleigh in use
 
As always macro-photos show in unforgiving and glaring clarity all imperfections and the dust that had already settled on the figurines
 
Looking at them from a normal viewing distance of 20 to 30 centimetres is much kinder to them ...
 
Just to remind you, the figurines stand about 18 mm tall !

Thanks, gentlemen, for the kind words ! 
 
*******
 
Work on the actual botter model continued with a few pieces of equipment as shown in VAN BEYLEN’s book: a long and a short boat-hook, the the tiller, a shovel-shaped bailer, a handspike for the spill, the pennant that goes onto the mast-top ... and the ‚afwasbak’, a wooden box for doing the washing-up, or sorting fish, together with a teapot and couple of mugs in white emaille.
 

Loose pieces of equipment (the teapot has a diameter of 2 mm !)
 
The teapot and the mugs were turned from brass. The spout and handles were soldered or glued on, while the pieces where still attached to the stock, as was done the painting. The pieces were then parted-off back on the lathe. The teapot has a diameter of 2 mm !
 
And now getting ready for the final lap ...

Thanks 
 
******
 
The Marker fisherboy also needed a couple of wooden buckets to carry suspended from the joke. These were turned from clear Plexiglas and only hollowed down to the assumed water-level. The buckets are suspended from rope made from fly-tying yarn on my own ropery.
 

The painted fisherboy
 

The painted fisherboy
 
The painting was carried out in Schmincke AeroColour, Vallejo and Prince August acrylic paints. Some of these paints are meant for application by airbrush, but give nice washes, when applied by brush. Also the uncovered parts of the bodies, such as the faces were painted in acrylics. In the past, I used artists’ oils on 1:35 scale figurines successfully, but it didn’t work here. Perhaps the oil paints had been oxidised already somewhat, considering that they already spent several decades in their respective tubes. Sinces the heads are only about 2 mm high, painting the faces was quite a challenge.
 

The painted young mother from Volendam
 

The painted young mother from Volendam
 

The painted young father from Volendam
 

The painted young father from Volendam
 

The painted man pushing a sleigh from Volendam
 

The painted old woman on a sleigh from Volendam
 
For the last two figurines a push-sleigh was fashioned from 0,5 mm polystyrene sheet, based on the examples from the Zuiderzeemuseum in Enkhuizen. Such push-sleighs were cobbled together by there owner according to their needs, to be used to transport goods, equipment for ice-fishing and also for transporting people. They can already be seen on Dutch paintings from the 16th century. In fact, a winter-themed exhibition in 2009 in the museum gave me the idea for this scenic setting..
 

Push-sleighs in the Zuiderzeemuseum Enkhuizen
 

The unpainted push-sleigh
 

The painted push-sleigh sitting on a 1 Euro-Cent coin
 

The push-sleigh in use
 
As always macro-photos show in unforgiving and glaring clarity all imperfections and the dust that had already settled on the figurines
 
Looking at them from a normal viewing distance of 20 to 30 centimetres is much kinder to them ...
 
Just to remind you, the figurines stand about 18 mm tall !

And finally ... all the little bits and pieces have found their place and the scenery has been populated. Below some impressions of the completed model. More pictures can be found here: http://www.wefalck.eu/mm/maritime/models/botter/botter.html
 
 

 
 

 
 

 
 

 
 

 
 

 
 

 
 

 
 

 
 
This is the end of my Noord-Holland nostalgia project.

The traditional dress of the Volendam people is somewhat different from that of Marken. The men wear long baggy black trousers, which gives them a very distinctive silhouette. The upper body is covered by a shirt and a tight-fitting jacket, which is often of some pale red colour, but can also be black. In winter a sort of pea-jacket may be worn, which is black with blue lining. During the winter a fur-cap is worn.
 

Volendam fisherman in winterdress (© www.geheugenvannederland.nl)
 

Young woman from Volendam (© www.geheugenvannederland.nl)
 

Young woman with baby  (© www.geheugenvannederland.nl)
 

Old woman from Volendam  (© www.geheugenvannederland.nl)
 
The women wear long skirts over which a full-length apron is tied. The skirt is either dark and then a white or striped apron is used, or the other way around. The upper body is covered by a tight-fitting jacket under which a shirt is worn, that may be visible at the decolltée. According to photographs and drawings there are many variations, particularly for work-day dresses. The sleeves of the jacket for adult women were only 3/4 length and pushed back to the elbows. In winter knitted pull-on sleeves may be worn, put the fisherfolks were a hardy folk. The most distinctive feature in the women's dress was the white lace bonnet with starched and turned-up flaps at the sleeve.
 

The original Preiser-figurines for the young couple with baby
 

The original Preiser-figurines with the woman on the sleigh
 
Both sexes wore wooden clogs – the shape of which varied between villages - as everyday footwear, but leather slippers and pantolettes were also used, particular to church on Sunday (BTW, Volendam is an oddity, being a catholic village in a largely protestant country).
Due to the fact that picturesque village and its equally picturesque inhabitants drew many artists and tourists from the late 19th onward, the Volendam costume became the best known and 'typical' Dutch folk costume.
 

The young mother from Volendam in base-coat
 

The young father from Volendam in base-coat
 
The first pair of Volendam folks is a young couple that has a stroll on the dyke, while she is carrying their baby. The second pair will be a younger man who pushes an elderly woman (his grandmother ?) on a sleigh across the ice. A quite common and convenient mode of transport in cold winters, as seen on paintings from the time of Brueghel and well into the 20th century on photographs.
 

The young Volendam man, who will be pushing the sleigh
 

The elderly Volendam woman who will be sitting on the push-sleigh
 
The close-up photographs reveal again that the figurines still have to worked over and cleaned up.

And finally ... all the little bits and pieces have found their place and the scenery has been populated. Below some impressions of the completed model. More pictures can be found here: http://www.wefalck.eu/mm/maritime/models/botter/botter.html
 
 

 
 

 
 

 
 

 
 

 
 

 
 

 
 

 
 

 
 
This is the end of my Noord-Holland nostalgia project.

I realise that I haven't posted any updates for a while. Well, mainly because not so much happened in the last few months, being 'distracted' by a workshop re-organisation and make some more machine tools.
 
******
 
The crew of a botter also consists usually of a boy, often a young relative of the master or the mate. The set of Preiser figurines used also comprises a smart hotel bell-boy, who now has to get used to much lesser sweet life in the rough outfit of a fisherman. Instead of carrying the hat-box of an elegant lady he now carries to freshwater back to the boat in two buckets suspended from a joke.
 

Volendam fisherboy carrying a joke (© www.geheugenvannederland.nl)
 

The original Preiser figurine of a bell-boy
 
The Preiser figurine was worked over by carving and by adding details in Milliput clay, such as the typical wide Marker ‚knicker-bockers’ and the clogs. The spencer-like jacket remained almost unaltered. The joke was carved from a strip of phenolic resin.
 

The joke
 

The boy in base-coat
 
The figure was given a base coat in white acrylics. The macro-photo shows in frightening clarity all the imperfections. When you hold the figure in your hand in normal viewing distance it actually doesn’t look too bad. Still, it has to be worked over at various places.
 
BTW, the figurine is about 15 mm high.

The Barbette for the 30.5 cm Gun
The barbette mainly consists of a semi-circular breastwork armour, backed by hardwood and by an open space covered with thin plate. The latter presumably to retain splintering wood in case of an impact. Since no tube of suitable dimensions for the breastwork was to hand, I made a short, laminated one from Bristol board layers glued together with white glue. The edges were soaked in thinned white glue before being trimmed down on the lathe. The tube then was varnished with wood-filler before the edges were sanded. Finally the tube was cut into half on the fret-saw. More wood-filler was applied before final sanding. The other inside wall of the barbette were lined with Pertinax to provide a smooth surface.
 

Trimming the laminated tube on the lathe
 
The fore-deck has been covered in a sheet of thin Bristol board and the camber of the wooden decking built up with an additional piece of board and putty (I am using fast drying bodywork putty from car repair suppliers). The anchor pockets have also been lined with thin Bristol board, but Pertinax would have been better for this.
 

Tube for the barbette armour made from laminated Bristol board
 
All surfaces that would have been iron plating, will be covered in thin sheets of Pertinax. The necessary holes for portholes and other opening will be drilled or cut before the sheets are fixed.
In between, I had also improvised a disc-sander from a PROXXON router. In think in the meantime this manufacturer offers a small disc-sander.
 

Smoothing the hull on the newly constructed disc sander
 
To be continued ...

@Tadheus, thank you very much for your efforts ! However, could you please check on my Web-site first, before posting a link, whether the picture you found has not been already published there. These pictures are all well-known to me and I may want to use them later to illustrate specific points.
 
*******
 
And off we go with the actual model construction ...
 
Materials
 
I had been contemplating a variety of materials for the hull; for instance Plexiglas® layers with bulwarks made from brass foil. In the end, I choose MDF (medium-density fibre) board, which is available in thicknesses down to 1 mm from architectural model supply houses. Other parts will be constructed from or covered with Bristol board, which is also available in various thicknesses (or rather weights per square metre). The bulwarks etc.. will be made from Pertinax® (phenolic resin impregnated paper, FR-2), which is available in thicknesses down to 0.1 mm. Bristol board and Pertinax® are easily cut with a scalpel, a razor blade or scissors and will not crease or dent as metal foil might. I currently have no facilities for photo-etching large parts, but if I had, perhaps I would have made the bulwarks from brass still. The other advantage is that Bristol board can be readily and permanently glued using white glue. Bonds between large areas of metal foil and Plexiglas® might become detached. Pertinax® can be glued using cyano-acrylate or epoxy-resins.
While I have been shying away from thermoplastics, such as polystyrene, on account of it being suspicious to be not ‘permanent’, practical experience shows that my plastic models built over 40 years ago are still intact. So I may reconsider my position in this respect. Polystyrene, of course, has several advantageous properties. One has to be sure, however, that it is properly painted to exclude the deteriorating UV-radiation.
 
The hull and superstructures
 
The basic bread-and-butter construction of the hull is shown in the pictures below.
 

Cutting out layers for the hull
 

Using the drill press as a makeshift disc sander (I have since constructed one)
 

Using the drill press as an improvised miniature drum sander
 

The layers of the hull with the barbette and the anchor-pockets cut out
 

Milling a recess into which later the rubbing strake will be inserted
 
To be continued ...

@Tadheus, thank you very much for your efforts ! However, could you please check on my Web-site first, before posting a link, whether the picture you found has not been already published there. These pictures are all well-known to me and I may want to use them later to illustrate specific points.
 
*******
 
And off we go with the actual model construction ...
 
Materials
 
I had been contemplating a variety of materials for the hull; for instance Plexiglas® layers with bulwarks made from brass foil. In the end, I choose MDF (medium-density fibre) board, which is available in thicknesses down to 1 mm from architectural model supply houses. Other parts will be constructed from or covered with Bristol board, which is also available in various thicknesses (or rather weights per square metre). The bulwarks etc.. will be made from Pertinax® (phenolic resin impregnated paper, FR-2), which is available in thicknesses down to 0.1 mm. Bristol board and Pertinax® are easily cut with a scalpel, a razor blade or scissors and will not crease or dent as metal foil might. I currently have no facilities for photo-etching large parts, but if I had, perhaps I would have made the bulwarks from brass still. The other advantage is that Bristol board can be readily and permanently glued using white glue. Bonds between large areas of metal foil and Plexiglas® might become detached. Pertinax® can be glued using cyano-acrylate or epoxy-resins.
While I have been shying away from thermoplastics, such as polystyrene, on account of it being suspicious to be not ‘permanent’, practical experience shows that my plastic models built over 40 years ago are still intact. So I may reconsider my position in this respect. Polystyrene, of course, has several advantageous properties. One has to be sure, however, that it is properly painted to exclude the deteriorating UV-radiation.
 
The hull and superstructures
 
The basic bread-and-butter construction of the hull is shown in the pictures below.
 

Cutting out layers for the hull
 

Using the drill press as a makeshift disc sander (I have since constructed one)
 

Using the drill press as an improvised miniature drum sander
 

The layers of the hull with the barbette and the anchor-pockets cut out
 

Milling a recess into which later the rubbing strake will be inserted
 
To be continued ...

@Tadheus, thank you very much for your efforts ! However, could you please check on my Web-site first, before posting a link, whether the picture you found has not been already published there. These pictures are all well-known to me and I may want to use them later to illustrate specific points.
 
*******
 
And off we go with the actual model construction ...
 
Materials
 
I had been contemplating a variety of materials for the hull; for instance Plexiglas® layers with bulwarks made from brass foil. In the end, I choose MDF (medium-density fibre) board, which is available in thicknesses down to 1 mm from architectural model supply houses. Other parts will be constructed from or covered with Bristol board, which is also available in various thicknesses (or rather weights per square metre). The bulwarks etc.. will be made from Pertinax® (phenolic resin impregnated paper, FR-2), which is available in thicknesses down to 0.1 mm. Bristol board and Pertinax® are easily cut with a scalpel, a razor blade or scissors and will not crease or dent as metal foil might. I currently have no facilities for photo-etching large parts, but if I had, perhaps I would have made the bulwarks from brass still. The other advantage is that Bristol board can be readily and permanently glued using white glue. Bonds between large areas of metal foil and Plexiglas® might become detached. Pertinax® can be glued using cyano-acrylate or epoxy-resins.
While I have been shying away from thermoplastics, such as polystyrene, on account of it being suspicious to be not ‘permanent’, practical experience shows that my plastic models built over 40 years ago are still intact. So I may reconsider my position in this respect. Polystyrene, of course, has several advantageous properties. One has to be sure, however, that it is properly painted to exclude the deteriorating UV-radiation.
 
The hull and superstructures
 
The basic bread-and-butter construction of the hull is shown in the pictures below.
 

Cutting out layers for the hull
 

Using the drill press as a makeshift disc sander (I have since constructed one)
 

Using the drill press as an improvised miniature drum sander
 

The layers of the hull with the barbette and the anchor-pockets cut out
 

Milling a recess into which later the rubbing strake will be inserted
 
To be continued ...

@Tadheus, thank you very much for your efforts ! However, could you please check on my Web-site first, before posting a link, whether the picture you found has not been already published there. These pictures are all well-known to me and I may want to use them later to illustrate specific points.
 
*******
 
And off we go with the actual model construction ...
 
Materials
 
I had been contemplating a variety of materials for the hull; for instance Plexiglas® layers with bulwarks made from brass foil. In the end, I choose MDF (medium-density fibre) board, which is available in thicknesses down to 1 mm from architectural model supply houses. Other parts will be constructed from or covered with Bristol board, which is also available in various thicknesses (or rather weights per square metre). The bulwarks etc.. will be made from Pertinax® (phenolic resin impregnated paper, FR-2), which is available in thicknesses down to 0.1 mm. Bristol board and Pertinax® are easily cut with a scalpel, a razor blade or scissors and will not crease or dent as metal foil might. I currently have no facilities for photo-etching large parts, but if I had, perhaps I would have made the bulwarks from brass still. The other advantage is that Bristol board can be readily and permanently glued using white glue. Bonds between large areas of metal foil and Plexiglas® might become detached. Pertinax® can be glued using cyano-acrylate or epoxy-resins.
While I have been shying away from thermoplastics, such as polystyrene, on account of it being suspicious to be not ‘permanent’, practical experience shows that my plastic models built over 40 years ago are still intact. So I may reconsider my position in this respect. Polystyrene, of course, has several advantageous properties. One has to be sure, however, that it is properly painted to exclude the deteriorating UV-radiation.
 
The hull and superstructures
 
The basic bread-and-butter construction of the hull is shown in the pictures below.
 

Cutting out layers for the hull
 

Using the drill press as a makeshift disc sander (I have since constructed one)
 

Using the drill press as an improvised miniature drum sander
 

The layers of the hull with the barbette and the anchor-pockets cut out
 

Milling a recess into which later the rubbing strake will be inserted
 
To be continued ...

@Tadheus, thank you very much for your efforts ! However, could you please check on my Web-site first, before posting a link, whether the picture you found has not been already published there. These pictures are all well-known to me and I may want to use them later to illustrate specific points.
 
*******
 
And off we go with the actual model construction ...
 
Materials
 
I had been contemplating a variety of materials for the hull; for instance Plexiglas® layers with bulwarks made from brass foil. In the end, I choose MDF (medium-density fibre) board, which is available in thicknesses down to 1 mm from architectural model supply houses. Other parts will be constructed from or covered with Bristol board, which is also available in various thicknesses (or rather weights per square metre). The bulwarks etc.. will be made from Pertinax® (phenolic resin impregnated paper, FR-2), which is available in thicknesses down to 0.1 mm. Bristol board and Pertinax® are easily cut with a scalpel, a razor blade or scissors and will not crease or dent as metal foil might. I currently have no facilities for photo-etching large parts, but if I had, perhaps I would have made the bulwarks from brass still. The other advantage is that Bristol board can be readily and permanently glued using white glue. Bonds between large areas of metal foil and Plexiglas® might become detached. Pertinax® can be glued using cyano-acrylate or epoxy-resins.
While I have been shying away from thermoplastics, such as polystyrene, on account of it being suspicious to be not ‘permanent’, practical experience shows that my plastic models built over 40 years ago are still intact. So I may reconsider my position in this respect. Polystyrene, of course, has several advantageous properties. One has to be sure, however, that it is properly painted to exclude the deteriorating UV-radiation.
 
The hull and superstructures
 
The basic bread-and-butter construction of the hull is shown in the pictures below.
 

Cutting out layers for the hull
 

Using the drill press as a makeshift disc sander (I have since constructed one)
 

Using the drill press as an improvised miniature drum sander
 

The layers of the hull with the barbette and the anchor-pockets cut out
 

Milling a recess into which later the rubbing strake will be inserted
 
To be continued ...

@Tadheus, thank you very much for your efforts ! However, could you please check on my Web-site first, before posting a link, whether the picture you found has not been already published there. These pictures are all well-known to me and I may want to use them later to illustrate specific points.
 
*******
 
And off we go with the actual model construction ...
 
Materials
 
I had been contemplating a variety of materials for the hull; for instance Plexiglas® layers with bulwarks made from brass foil. In the end, I choose MDF (medium-density fibre) board, which is available in thicknesses down to 1 mm from architectural model supply houses. Other parts will be constructed from or covered with Bristol board, which is also available in various thicknesses (or rather weights per square metre). The bulwarks etc.. will be made from Pertinax® (phenolic resin impregnated paper, FR-2), which is available in thicknesses down to 0.1 mm. Bristol board and Pertinax® are easily cut with a scalpel, a razor blade or scissors and will not crease or dent as metal foil might. I currently have no facilities for photo-etching large parts, but if I had, perhaps I would have made the bulwarks from brass still. The other advantage is that Bristol board can be readily and permanently glued using white glue. Bonds between large areas of metal foil and Plexiglas® might become detached. Pertinax® can be glued using cyano-acrylate or epoxy-resins.
While I have been shying away from thermoplastics, such as polystyrene, on account of it being suspicious to be not ‘permanent’, practical experience shows that my plastic models built over 40 years ago are still intact. So I may reconsider my position in this respect. Polystyrene, of course, has several advantageous properties. One has to be sure, however, that it is properly painted to exclude the deteriorating UV-radiation.
 
The hull and superstructures
 
The basic bread-and-butter construction of the hull is shown in the pictures below.
 

Cutting out layers for the hull
 

Using the drill press as a makeshift disc sander (I have since constructed one)
 

Using the drill press as an improvised miniature drum sander
 

The layers of the hull with the barbette and the anchor-pockets cut out
 

Milling a recess into which later the rubbing strake will be inserted
 
To be continued ...

@Tadheus, thank you very much for your efforts ! However, could you please check on my Web-site first, before posting a link, whether the picture you found has not been already published there. These pictures are all well-known to me and I may want to use them later to illustrate specific points.
 
*******
 
And off we go with the actual model construction ...
 
Materials
 
I had been contemplating a variety of materials for the hull; for instance Plexiglas® layers with bulwarks made from brass foil. In the end, I choose MDF (medium-density fibre) board, which is available in thicknesses down to 1 mm from architectural model supply houses. Other parts will be constructed from or covered with Bristol board, which is also available in various thicknesses (or rather weights per square metre). The bulwarks etc.. will be made from Pertinax® (phenolic resin impregnated paper, FR-2), which is available in thicknesses down to 0.1 mm. Bristol board and Pertinax® are easily cut with a scalpel, a razor blade or scissors and will not crease or dent as metal foil might. I currently have no facilities for photo-etching large parts, but if I had, perhaps I would have made the bulwarks from brass still. The other advantage is that Bristol board can be readily and permanently glued using white glue. Bonds between large areas of metal foil and Plexiglas® might become detached. Pertinax® can be glued using cyano-acrylate or epoxy-resins.
While I have been shying away from thermoplastics, such as polystyrene, on account of it being suspicious to be not ‘permanent’, practical experience shows that my plastic models built over 40 years ago are still intact. So I may reconsider my position in this respect. Polystyrene, of course, has several advantageous properties. One has to be sure, however, that it is properly painted to exclude the deteriorating UV-radiation.
 
The hull and superstructures
 
The basic bread-and-butter construction of the hull is shown in the pictures below.
 

Cutting out layers for the hull
 

Using the drill press as a makeshift disc sander (I have since constructed one)
 

Using the drill press as an improvised miniature drum sander
 

The layers of the hull with the barbette and the anchor-pockets cut out
 

Milling a recess into which later the rubbing strake will be inserted
 
To be continued ...

@Tadheus, thank you very much for your efforts ! However, could you please check on my Web-site first, before posting a link, whether the picture you found has not been already published there. These pictures are all well-known to me and I may want to use them later to illustrate specific points.
 
*******
 
And off we go with the actual model construction ...
 
Materials
 
I had been contemplating a variety of materials for the hull; for instance Plexiglas® layers with bulwarks made from brass foil. In the end, I choose MDF (medium-density fibre) board, which is available in thicknesses down to 1 mm from architectural model supply houses. Other parts will be constructed from or covered with Bristol board, which is also available in various thicknesses (or rather weights per square metre). The bulwarks etc.. will be made from Pertinax® (phenolic resin impregnated paper, FR-2), which is available in thicknesses down to 0.1 mm. Bristol board and Pertinax® are easily cut with a scalpel, a razor blade or scissors and will not crease or dent as metal foil might. I currently have no facilities for photo-etching large parts, but if I had, perhaps I would have made the bulwarks from brass still. The other advantage is that Bristol board can be readily and permanently glued using white glue. Bonds between large areas of metal foil and Plexiglas® might become detached. Pertinax® can be glued using cyano-acrylate or epoxy-resins.
While I have been shying away from thermoplastics, such as polystyrene, on account of it being suspicious to be not ‘permanent’, practical experience shows that my plastic models built over 40 years ago are still intact. So I may reconsider my position in this respect. Polystyrene, of course, has several advantageous properties. One has to be sure, however, that it is properly painted to exclude the deteriorating UV-radiation.
 
The hull and superstructures
 
The basic bread-and-butter construction of the hull is shown in the pictures below.
 

Cutting out layers for the hull
 

Using the drill press as a makeshift disc sander (I have since constructed one)
 

Using the drill press as an improvised miniature drum sander
 

The layers of the hull with the barbette and the anchor-pockets cut out
 

Milling a recess into which later the rubbing strake will be inserted
 
To be continued ...

Looking at my records, I realised that I started the project already in 2006, after doing some 10 or more years of research on it. I also began to report on the project in MSW 1.0, but this building report sank together with it and the project then stalled due to my move to Paris. Now, with my Noord-Holland nostalgia Botter-project all but completed, I am turning my attention to the WESPE again. Looking over its storage box, I realised that I had made quite a few bits and pieces already, on which I will report here by and by.
 
@tadheus: thanks for the picture. This wellknown picture shows some of the boats towards the end of their active service life in one of the entrance locks to Wilhelmshaven harbour. While I will be depicting the boats in a state some 20 years earlier, this photograph is very useful, because it is one of the few close-up images showing a lot of detail.
 
As to the scale: I chose the 1:160 scale really for three reasons: i) I don't have the space to keep large models and I don't like to give my models away, once completed; ii) I like the challenge of working at a small scale, trying to pack-in us much detail as others may do at twice the size; iii) this is the model-railway N-scale, so you can crew water-line models easily.
 
There is also a German Wikipedia-page on these boats: http://de.wikipedia.org/wiki/SMS_Wespe_(1876) and a generic page on 'flat-iron' gunboats, as they were also called: http://en.wikipedia.org/wiki/Flat-iron_gunboat. Both pages, however, have to be taken with a pinch of salt, as they contain some imprecisions.

S.M.S. WESPE (HENK, 1895)
 
History and context
The WESPE-Class armoured gun-boats of the then young Imperial German Navy were born out of a tactical concept that dated well back into the Napoleonic era. The idea was to mount a heavy long-range gun onto a highly mobile small craft that would be able to retire into shallow coastal waters, beyond the range of even the heavy artillery of an attacking fleet. The addition of a steam engine and the increase in calibre followed the development of the time, of course. Adding heavy armour to the front (mainly) was meant to give the gun-boats a certain attacking capability. It also owes something to the floating batteries used in the defence of Copenhagen during the Napoleonic wars and to the armoured floating batteries used by the allied French/British forces during the Crimean War (1854-55). In fact, adding armour plating to a (rowing) gunboat was already proposed as early as the late 18th century in Spain, as documented by a model in the Museo Naval in Madrid, but apparently never put to work in full scale.
 

S.M.S. WESPE, brand-new and still without the 30.5 cm gun (1875)
 
At the time of the conception of the WESPE-class in the early 1870s a former cavalry(!) general was the naval chief-of-staff in Germany. The tactical dogma was ‘proactive defence’: an attacking enemy was to be awaited near home waters and fenced off. The main threat was seen in amphibian operations attacking the German coast. Thus, the landing of troops at strategic points had to be prevented. Long-range strategic and oceanic operations were out of the scope of the German naval planners of the time. There was a certain logic in this, as Germany, unlike Britain, is/was a more or less land-locked country and largely self-sufficient in many respects at that time. Overseas trade then did not have such an importance as in Britain or as in later globalising economies. Therefore, attempts to severe overseas supply chains was not so relevant. There was, indeed, active resistance from trade interest groups, particularly the merchants in the cities of Hamburg and Bremen, to a navy that would engage itself overseas. These merchants relied on their network of friendly contacts and on sailing under a neutral flag.
Hence, the WESPE-Class was designed to be mainly a heavily armoured gun-platform, giving long-range protection to the tidal North Sea harbours that are surrounded by mud-flats and to give mobile protection to the deep fjords of Schleswig-Holstein's Baltic coast. They would be backed-up by heavy artillery (and later fixed torpedo batteries) in coastal forts.
The guns in such boats usually could only be trained by turning the whole boat. This seems more difficult then it probably was, because even in the old days of the rowing gunboats they would attack by rowing in a wide circle and when the intended target passed through the line of aim, one would fire. As the WESPE-Class was designed to let themselves fall dry on mud-flats, a possibility to train the gun itself was needed.
This distinguished the WESPE-class from earlier boats of similar design in Britain, namely the ANT-, GADFLY-, and BOUNCER-class of the 1860s. Man other navies took up the same concept and there were examples in the Danish, Dutch, French, Norwegian, Spanish, and even the Argentinian navy. Some of the were armoured, while other were still constructed from wood or composite.
 

S.M.S. WESPE under construction (HENK, 1895)
 
Technical Description
The WESPE-class comprised ten boats delivered in two batches between 1876 and 1880: WESPE (1876), VIPER, BIENE, MÜCKE, SCORPION, BASILISK, CAMAELEON, CROCODILL, SALAMANDER and NATTER. They were all built by A.G. Weser in Bremen. With a length of 46.4 m and a beam of 10.65 m they had a dead weight of 1157 t, drawing 3.37 m. The dimensions vary somewhat according to source, but this may be due to different reference points, such as length overall compared to length between the perpendicles etc.
Two inclined double-expansion engines on two propellers gave a maximum speed of 11 knots. Their original complement was 3 officers and 73 crew. Steering was from a stand on the hut and an emergency double steering wheel abaft. Very early on they were also retrofitted with an electrical generator.
The WESPE-class were the first German warships (and indeed among the first of any warship) that did completely without auxiliary sails. As the consequence they only had a light mast for signalling. In spite of sporting quite some leading edge technology, they were only of limited seaworthiness and their handling was far from perfect. This resulted in them being given a collection of rather unfavourable nicknames. They were also not very popular with their crews and officers due to the cramped conditions below decks, but then they were not meant for long voyages in the open sea.
 

Admiralty illustrative drawing (before 1883)
 
Armament
The main armament was a single 30.5 cm rifled breech-loading gun designed and manufactured by Alfred Krupp AG in Essen. At the time the WESPE-class boats were designed, fast torpedo-boats did not exist yet – the automotive fish-torpedo was just being developed. When in the mid-1880s small torpedo-boats became a tactical reality, some form of self-defence against them was necessary and two bronce(!) 8.7 cm/l24 breech-loading guns in ‘disappearing’ carriage and two 37 mm Hotchkiss revolving guns came on board. In fact, very early on (1883) also two 35 cm underwater torpedo launching tubes were installed to increase the attacking capabilities.
 

Instruction model for the Rk 30.5/l22 on the Danish HELGOLAND in the Orlogsmuseet Copenhagen on a carriage similar to that of the WESPE-Class
 
Scale
The scale chosen for the model is 1/160, which admittedly is somewhat unusual for a ship model. However, the reasoning behind this choice was that a large selection of N-scale railway figures is available that eventually will crew the ship. There are also space and portability consideration, which are important for someone, who has to move from time to time for professional reasons.
The model will be a waterline model. This will allow a scenic presentation of the finished model. Besides, the hull below the waterline is not quite so graceful. Above the waterline the hull is also more or less prismatic, with vertical bulwarks and virtually no sheer. These parameters together call for a bread-and-butter construction.
 

Artist’s impression of a WESPE-Class gunboat (1891)
 
Sources
Owing to the loss of most of the archival material from the former Admiralty Drawing Office during and after the end of WW2, detailed source material is rather scant. Some lithographed drawings that must have been made before the major refit in 1883 have survived and serve as a basis for the reconstruction. The Bundesarchiv/Militärarchiv in Freiburg i.B. has some drawings, but unfortunatelly they only pertain to a much later refit of S.M.S. NATTER. However, the WESPE-Class was a bit of a novelty at its time and some Detaildrawings of bothm the ship and the armament, have found their way into textbooks of the time. Relatively recently a very detailed original drawing of the gun became available on the Internet from a private collection (www.dreadnoughtproject.org). Historic photographs from the early days of the ships are quite rare and mostly of not so good quality, but some reasonably good ones from the end of their active life have survived.
Based on the information that was available in the 1980s Wolfgang Bohlayer drew and published a plan of S.M.S. WESPE as she might have looked like after the major refit in 1883 (available from VTH, http://shop.vth.de/wespe-1876.html). Based on the information available today, this plan would need to be revised in some details.
The available information is summarised on the page on the WESPE-class on my Web-site: http://www.wefalck.eu/mm/maritime/models/wespe/wespeclass.html
 
To be continued ...

Looking at my records, I realised that I started the project already in 2006, after doing some 10 or more years of research on it. I also began to report on the project in MSW 1.0, but this building report sank together with it and the project then stalled due to my move to Paris. Now, with my Noord-Holland nostalgia Botter-project all but completed, I am turning my attention to the WESPE again. Looking over its storage box, I realised that I had made quite a few bits and pieces already, on which I will report here by and by.
 
@tadheus: thanks for the picture. This wellknown picture shows some of the boats towards the end of their active service life in one of the entrance locks to Wilhelmshaven harbour. While I will be depicting the boats in a state some 20 years earlier, this photograph is very useful, because it is one of the few close-up images showing a lot of detail.
 
As to the scale: I chose the 1:160 scale really for three reasons: i) I don't have the space to keep large models and I don't like to give my models away, once completed; ii) I like the challenge of working at a small scale, trying to pack-in us much detail as others may do at twice the size; iii) this is the model-railway N-scale, so you can crew water-line models easily.
 
There is also a German Wikipedia-page on these boats: http://de.wikipedia.org/wiki/SMS_Wespe_(1876) and a generic page on 'flat-iron' gunboats, as they were also called: http://en.wikipedia.org/wiki/Flat-iron_gunboat. Both pages, however, have to be taken with a pinch of salt, as they contain some imprecisions.

Incidentally, the second picture from the top in the article above is not showing a WESPE-Class boat, but one of the two units of the later (and bigger) BRUMMER-Class.