Louie da fly
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Everything posted by Louie da fly
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Thanks, Druxey, Pat, and those who've added likes. No problem with the corners. It's now encased in its acrylic box again, and the desk that was below it is back in position. Steven
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Just to alert anybody who was planning to make a display case like mine, I have just discovered (when I shifted the case to a new room and took the opportunity to do a minor repair, for which I had to buy glue) that what I'd thought was clear polycarbonate sheet was actually acryclic. I've edited the posts that describe the process (from #1608 onward) to get rid of the error. And now she's in a new spot, here's a photo of her from two previously undiscovered angles. Pretty cool IMHO. Steven
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Well, the Silkspan I ordered arrived. Unfortunately it looks like I ordered the wrong thickness - I asked for the thinner version and it's see-through. Not much use for sails. I can either order more, of the heavier grade (postage costs as much as the stuff itself!), or try gluing two layers together to see if that will work. But I had an idea - there's a radio control aircraft club here in Ballarat. Maybe I can go along to them and try to arrange a swap - my Silkspan for heavier stuff. It - COULD - WORK! (shades of Gene Wilder as Young Frankenstein). In the meantime, I've been carving the second steersman. It didn't occur to me that in that stance he looks very much like a zombie . . . In fact, it's starting to look a bit like a zombie apocalypse . . . Steven
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Yep. That's real estate agent abbreviations from the old ads in newspaper "For Sale" sections, where they were charged per letter. Steven
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Yes, my home is on a hill overlooking the Yarrowee River on which sits a wool scouring mill which closed in (I think) the 1970's. It wouldn't have been a very nice place to live at the time, what with the smells and whatever came out of that enormous brick chimney. And I can imagine the effluent was released into the river, though there are what were probably settling ponds. But it's a beautiful spot now, very des res. The mill is a beautiful Victorian building with decorative brickwork, arched windows etc. It's been languishing since it closed down, but somebody is currently refurbishing it to become a "multi-function centre" (whatever that is). We see it every morning from our bedroom window and it really is a beautiful addition to the scene, whatever it may have been back in the day. Steven
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And I've just discovered that February 3rd is the feast of St Blaise, patron saint of woodcarvers (and wool combers). Steven
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Yes, those supports seem fairly common in contemporary pictures. but they may not be able to support such a large cantilever, and as we have evidence of knees I'm quite happy to use them on my model. Steven
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Thanks everybody for the likes and the flattering comments on my carving. I've also been working on the fiddly bits - blocks, bitts, knees (I can get a bit bored with carving after awhile). First I've made blocks - unfortunately nobody back in 1150 bothered to show how the shrouds were tied down - they didn't start showing that till about the 14th century. I looked at those representations - some had pairs of blocks (whereas in later vessels deadeyes would have been used), others had a single block. All were similar shapes, oval or egg-shaped. Originally I worked out I needed about 60, but that was when I was thinking of a pair of blocks for each of the the shrouds. Then apart from the difficulty of inserting an eyebolt into a large number of such small blocks, I also decided that the earlier the ship, the simpler the rig was likely to be. So I opted for a single block per shroud. I've so far made about 18. I was a bit worried that I'd made them too small, but as you can see, they look just about right when in place, and the "single block" method seems to work. Plenty more to make yet. Bitts - two per mast and knight, to tie off halyards etc. Knees to support the aftercastle, which cantilevers out quite a way at the stern and would be likely to work loose in heavy seas if it wasn't supported properly. Though not shown on the mosaics, there must have been some kind of support of this kind, and multiple knees are shown being used this way in other contemporary pictures. Then I weathered everything. Not very visible in this photo, but they've just been "dulled down" a bit. I ended up having to re-do quite a few of the knees to get them to fit properly and be consistent, and add an extra pair because they were originally too far apart. I still have to re-do the weathering on some of the replacements so they all match. And here are the bitts fitted. I won't be adding the knights until later - it's going to be a bit fiddly running the lanyards through the sheaves once the knights are in place and I plan to do that before I install them. Steven
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I wish I'd known about this on my dromon build. I was assured by someone who presumably knew that it wouldn't have had a tabernacle, but that the sailors would have lifted the masts out with sheers when dropping them. I've since seen quite a few contemporary pictures of ancient galleys with the masts lowered, pivoted at the deck. I should have gone with my gut feeling. Steven
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G'day Dindsy, and welcome to MSW from sunny Ballarat! Steven
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We seem to be very much of the same opinion on this. There are so many 'holes' in our knowledge of early ships - for example, how did Vikings hoist the sail? Was there a sheave in the top of a Viking ship's mast to take the halyard? Or was there a block hanging from the top of the mast? No masts have been recovered, so we just don't know. And all the rigging on modern reconstructions is speculative - almost no traces of rigging survive and nobody really knows how the wooden rigging items that have survived worked. I suppose I try to be as historically accurate as I possibly can, but in many cases we have to resort to guesswork, and be prepared to accept that the next archaeological discovery might prove our guesses wrong. But ship modelling is a hobby, and whatever approach a person decides to take, whether trying for total accuracy (impossible anyway!) or injecting a little artistic licence, is very much their own concern and nobody else's. Either way, if they produce a good model, surely they've achieved what they set out to do. Regarding shield thickness, your idea of sanding the edges sounds good, if you're prepared to do the work. Personally I think it would be worth it. It would look better and less clunky. Oars displayed in the rowing position shouldn't be too fragile, depending where and how you store your finished model - though I'd recommend not adding them till right at the end, to avoid accidents during the build process. I've got a dromon model with 98 oars out and in use, but it is in a secure case so cats/kids etc can't get at it (see the link below) I think there is also a case to be made for both oars and sail - when the wind is too light to travel at any decent speed, I believe a skipper might ship the oars as well to hurry things up. Steven
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Thanks everybody for all the likes. Progress on the helmsman and the 'cabin boy'. Working on the faces first, so if I stuff up I'll be able to chuck the figure away without having wasted a lot of work on the body first. And here's the steersman with his arms separated. The idea is that he is standing with the tiller in his hands. I had to make him before I make the hole in the rudders for the tillers so I can get their height correct. The 'cabin boy' was originally going to be coming up the stairs from the officers' cabin carrying a full chamber pot to empty over the side, but I decided that was a little too tacky, so I'd just have him holding onto the sides of the staircase. Unfortunately, my estimate of where his feet should be on the stairs and so where his legs should be was inaccurate. So I had to remove one leg and re-do it. It was either that or making him all over again, and I certainly wasn't going to do that. Turns out I'd got the legs wrong on the steersman as well - so much for me getting cocky enough to tell other people how to carve figures. Hubris is a terrible thing . . . But at least in this case all I had to do was remove one foot and replace it with one pointing the right way. Look carefully - it's the left one. The joint was so fragile that I carved the foot to shape before I glued it in place - if I'd glued it and then shaped it, it would have come undone. A little gentle tidying up still needed, but not enough to force the joint to break. Another inaccurate estimate - this time the cabin boy's hands. Too close together, and weirdly angled - they look like the hands of 'Clamps', the robot from Futurama So I smothered the arms and hands with filler made from fine (powdery, in fact!) sawdust and white glue to bring them out to the right width and allow the hands to be re-carved. Still better than re-doing the whole figure. I'll post photos of the re-done hands when finished. And I've done the helmsman's hands, hollowed out to take the tiller. I'm still learning how to do hands. They're better than they were, but there's still plenty of room for improvement. Steven
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Well, those shields are rather thick, but you're doing a good job with them. I agree about the decals - and very few of those designs have any historical basis. Were you planning on using them? Steven
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She's beautiful, John. And though progress may be slow, you're doing a good service in keeping the kids - and their parents - not only amused but also informed. And who knows, you may have sparked some interest in ships, ship modelling and etc - possibly even created a few future ship modellers! Steven
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Nice work, mate. Steven
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A few pics I missed out from the previous post, which might help it make a bit more sense: And here are some more progress pics on Rustico that I hadn't included earlier - after I'd added the filler for the hair and beard but before I'd trimmed it. And the first of the ordinary blocks, also carved with a No. 11 blade (the holes are 1 millimetre) Steven
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A few other tips regarding carving. The type of wood you use has a huge effect on the ease and precision of carving - I've got good results with the wood of fruit trees - pear wood is good, but I've found the grain of apricot is finer and the results better still. I'm told English box (box) is best of all, but I've not had a chance to try it so far. Also I find it useful to make your piece of wood longer than needed so you have a 'handle' to hold it by while you work on it. Sometimes I put two figures on opposite ends of the same piece of wood, so each acts as the handle for the other. Cut around the outline of the figure with a hand powered coping saw or fretsaw, making sure you leave *plenty* of room around the outline so you've got some room for error. It's easier to trim off extra than to make up for cutting off too much. I cut each side of the head as well, making sure there's *plenty* of extra wood - make the head too wide, and the shoulders much too wide, so you can trim both down to the size you want. Drill holes for openings such as between the legs, making sure you don't remove too much wood. Working on the head, I first cut the features roughly to shape. It usually looks like Megatron at the beginning. Then gradually remove sliver by sliver, refining the shape, defining the nose, forehead, cheeks, chin etc. Then onto the body Here's one figure almost to completion. Just needs a bit of tidying up. Note. The difference in colour is from home-made wood filler (fine sawdust and white glue) because I realised I given him too little hair and beard. Steven
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Chief Mark, it's good to hear you're considering embarking on the endeavour of carving. It can be very frustrating but even more rewarding. I've carved figures at 1:200 scale, so I know it's possible. They don't have a lot of detail at that scale, but then the eye can't see all that much detail anyway. I started out at 1:50 and learnt a lot, then progressed to 1:75, which I'm using now. The 1:200 was for the Great Harry. The matchstick gives some idea of scale. I'll never build a sailing ship in that scale again . What was I thinking? Steven.
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Thanks for the likes and comments. They're much appreciated. Glen and Mark, it's not far out of square - it's just something I (forever picky) noticed when I tried to line everything up by eye. I think the fault lies in the slightly different heights of the two gunwales - I noticed the clearance to the deck was a little different when I was installing the belaying points for the shrouds. I'm prepared to accept it, but I'll keep an eye out for this issue in future builds. And yes, it's probably within the bounds of precision that would have been used at the time - I've noticed some pretty bodgy work on some of the wrecks that have been uncovered in archaeology - not due to them being wrecks, but because they were built that way. But if I'm going to have a detail like that, I'd rather do it on purpose, not because I stuffed up. Chief Mark, I first saw the wood to approximate size and shape (after having first drawn the figure on one plane surface) then I use a No. 11 scalpel to take the rest of the wood off. I use both a "craft knife" with a No. 11 blade and an actual surgical scalpel, also with a No. 11 blade - the craft knife is better for removing wood, the scalpel is better for fine work - and it stays sharper longer - but it is easier to break if you twist it too far. Basically removing wood that "doesn't look like the finished figure" (sorry, that' the best description I can give you - it's done very much by eye and what looks right.) To see the full technique, refer to my dromon build here and subsequent pages. Nowadays I try to do the face as early in the carving as possible - if that turns out wrong there's really no point in continuing with the rest of the figure and I'm better off starting again on a new one. But I have got quite a bit better on faces with experience. I have tried using a dremel clone but I found the scalpel gave me better control. As far as being a beginner, experience is the key. Your first attempts will probably be abysmal. Have a look at the first figure I made for the dromon (page 3 of the build log). I cringe every time I see it . But with practice you do get better. I find it very rewarding, and I'd highly recommend you have a bash at it. And don't let early failures put you off - it's really worth persisting with it. Steven
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I've finally glued the aftercastle in place. To get it in the right spot I had to dry-fit the mizzen mast to make sure it was upright. Sliding the aftercastle sideways would have made the mast lean over. And to ensure everything lined up I also dry-fitted the other masts. Yep, all in line. Unfortunately either the aftercastle is slightly out of square due to the gunwales being unequal heights or, (as I aligned the masts in relation to the stempost) the stempost itself is out of square. I didn't notice this until I'd sighted along the line of the masts once the aftercastle was in place. And if it's that hard to see I'm not prepared to do all the work of changing it. Just put it down to experience and keep it in mind for the next build. And some more pics with the masts dry-fitted and the aftercastle in place. Progress on Signore Rustico, the co-owner. Unless I make HIM Buono and repaint the other guy to be Rustico. We'll see. And here are the halyard blocks I've just made and weathered. I may need to make one more, as one of these is rather smaller than the others. Steven
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