Erik W

Working steady now on the model which is good.   I doing this while laser cutting parts for those first two chapters.
 
The lower bulkhead against the aft platform was next.  This is pretty easy and straight forward.  But before I can get to work on that I have to add the gun deck clamps for the beams.  There are many ways to find the height for the deck clamp.  But I chose to create another template.  Its just easier for me.   And I hope for you as well.   Place it on the model with some tape.  The top edge of the template under that inboard shear plank.  Then trace along the bottom edge of the template to mark the TOP of the deck clamp.
 

The deck clamp is made using two lengths of 1/4 x 1/16 cedar strips.  Just follow the line you made.  The top of the strips against your line.  This chapter will come supplied with a few gun deck beams.  You can see I cleaned the char off one in that same photo.  I cut it to length and test fit it in position.  It should slide right up against the great cabin planking.   Hopefully you have the height of your deck clamps equal on both sides so you dont have a sloped deck beam...
 

I have that beam sitting on the side while I take the two pieces that are laser cut for the lower bulkhead.  Its all etched and ready to go.  You just have to clean any char and tweak its shape a bit.  You want to get a pretty good tight fit against the bulwarks on each side.   But remember you will have a gap where the inboard planking would have been.   Thats fine.  So you have some leeway here.   The inboard edge of each bulkhead should be flush with the opening for the stairs.   You can see this in the photo below while giving it a test fit.
 

I applied some finish to each piece before gluing it in position.   One note however.   Continue to test fit both sides of the bulkhead....with the beam in position.   You will see that after tweaking its shape that it sticks up beyond the deck beam.   That is by design...so leave that as is.   You may have to adjust as needed on your model depending on how far apart your platforms are.  But this small lip will be important later when we add the next bulkhead on top of that beam.

That next fancy bulkhead is my next project.   The plan fits really good so now I just have to spend the next couple of weeks turning this bulkhead into parts that look convincing.  Its a major focal point for the model so I will spend a lot of time getting the details and design just right.  Hopefully.  That first quarter deck beam is not glued in position yet.   Its just there to help me plan out my next moves for this bulkhead.   The windows and door will be a challenge for sure.  But I am eager to get started.
 

 
 
 

The 1 port lid:
 

I have completed the bench lockers and rudder trunk.  This finishes up the inboard side of the transom nicely I think.   I have taken many step by step photos but rather than go through the whole process here are some pictures.
 
Its pretty self explanatory actually.
 
The panels are made in two layers of .025 Yellow Cedar for the benches and rudder trunk.  Then its just a matter of shaping them to fit snug and neat in position.  You want a tight fir against the planked sides of the cabin.  
Small lengths of 24 gauge black wire was use for the benchtop lids.   Some laser etching showed where they go.  To finish it all up I added that aft-most beam permanently and also the framed for the rudder.  Everything s laser cut for you...even the planking for the inside portion of the counter.  The sides of the rudder trunk panels were beveled so they could be fit together with a tight mitered seam between them.  I have not added wipe on poly yet.  I want to do a bit of clean up and repainting where thing got scuffed up a bit.  But I expect it will clean up OK.  And I have already cleaned the inside of the windows as well.   It will get harder to do that now that this detail was completed.
 

 


 







 
 
 
 

This instead is the front room where I stored all my lifelong models......
 

here is my workshop in its current state....!
 




 

Kevin, I'll accommodate you now!
here is my workshop that has just been refurbished:









 
 

Thanks for the compliments Eric and druxey!  And Eric, though I'm in an accounting role, these are definitely interesting times to be involved with the Earth system sciences.
 
Erik

I know!  When I first saw them, I assumed they were images from a 3D drawing program!

Pop the champagne, I'm finished with the deck planking!  While a challenging and rewarding experience, I'm happy to be finished with planking.  Like everything else with this build, planking the deck didn't quite go as planned, even with the tick marks and planks drawn out beforehand.  And as you other perfectionists out there can sympathize with, there are a bunch of things that didn't turn out the way I would have liked.  That said, I'm happy with the results, and the quality of the deck planking is in line with the rest of the build.  Which is all I can really ask for as someone being new to this wooden ship building thing.
 
After thoroughly cleaning my hobby area of sawdust, which is also my home office, I'm happy to be moving on to less dusty parts of the build!  I plan on starting Chuck's mini-kit of the windlass this weekend.
 
Erik

Thanks for the likes and the encouraging comments.  I finished more of the deck planking this week.  I did my first scarph joints on the deck.  The remaining planking will be more time consuming since it involves cutting the planks out of wood sheet.  One note on planking color.  Since I have 2 different batches of 3/16" wide wood for the main planking I used, which are both different from 7/32" wide planking I used, which is different again from the wood sheet, I decided to deliberately mix up the planks of different shades from the beginning.  The plank color would vary anyway, and this kept it varied throughout the deck, rather than having bands of different shades as I transitioned from the planking stock to sheet stock.  The photos were taken after a quick first sanding.
 
Erik
 

Thanks for the compliments Eric and druxey!  And Eric, though I'm in an accounting role, these are definitely interesting times to be involved with the Earth system sciences.
 
Erik

Thanks for the compliments Eric and druxey!  And Eric, though I'm in an accounting role, these are definitely interesting times to be involved with the Earth system sciences.
 
Erik

Very, very impressive all round, Erik.

Good grief! With attention to detail like that, you can be my accountant any time! As an Earth scientist, I'm glad NCAR is in such good hands.

As always, thanks for the likes folks.  I finished a few different things over the last week.  I spent time shaping the rudder.  Using the plans I drew the lines that I would sand down to on the rudder faces and sides.  Doing this gave me the visual cue to not over or under sand.  Once the rudder was done I cut out the rudder port.  I made a paper template from the plans that I used to get the shape correct.  Next I made the top of the rudder post.  This took way more time than it should have.  I accidentally removed too much material from the laser cut piece.  So I would up gluing on a chunk of scrap wood to that piece and then shaping the whole thing again.  Sometimes it's the one little piece of wood that is the biggest pain!  The last thing I did was shape the 6 timber heads.  This was a bit nerve wracking as a newbie, but they turned out OK.  The photo below shows the tools that wound up working best for me (as well as a rough cut timber head before clean up).  For some reason, on any model I build, I'm most comfortable using either a #17 or #18 X-Acto chisel blade with no handle (rather than a #11 blade w/handle).  I know it's weird, but it gives me more control by holding the blade directly.  The overall height of the timber heads match the plans, but my angled faces are not as tall as the plans.  No big deal really since all 6 look the same.
 
The next thing I'll be working on is the boom crutches.  Wish me luck!  Haha.
 
Erik

Thanks for the kind words!  Toni, as far as the photos go, your comment is worth an explanation of how I get my photos.  I take the photos on my work space, which is pretty darn small.  Especially for the last year or so since I've been working mostly from home (I'm a remotely working accountant for the National Center for Atmospheric Research). I threw in a photo of my work space too.  Basically my work day, and hobby, all take place on different sides of my L-shaped desk.  It means my commute from work to modeling at the end of my work day takes about one second.  Haha.   I have a large sheet of light blue construction paper for a photo background that I tape down to my work surface.  For lighting, I always take the photos mid day in front of the window, which provides good area lighting, and use a halogen desk lamp with 700 lumen bulb as a spot light aligned with the lens of the camera.  The camera I use is a 7 year old Olympus OM-D mirrorless camera with a 14-22mm lens mounted on my now 30 year old Gitzo tripod.  I use the self timer so I'm not touching the camera when the shot is taken, this aids in crisp photos.  For each shot I take a 3 photo bracket by 1/3 stops using aperture priority with an F stop of F22 (creates the greatest in-focus depth of field).  The aspect ratio I prefer is 16:9 which gives a horizontal rectangle photo, rather than a square, so there is not too much dead space at the top and bottom of my photos.  For size I select 1280 x 720.  This is big enough to see details, but small enough to not use a lot of memory.  Once I have all my photos I upload them into the Olympus photo software on my laptop.  I delete 2 of the 3 photos taken in the bracket, selecting the one that is the best brightness wise.  The only editing I do is making the crispness greater (not sure why the camera doesn't automatically do that itself with in-focus photos), and to get the boxwood to look the actual color/shade it is, I've been color correcting slightly by adding a small bit of blue hue and very slightly removing red hue.  This has been an evolutionary process for me.  I don't have any kind of formal training, and taking photos of something as large as Cheerful, the largest model I've ever built, has had it's own learning curve.  I threw in a photo of my last ship build below, a 1/350 scale tugboat, for a comparison of the "normal" size I'm used to photographing!  For me, presentation is a fun part of participating in forums, so I really strive to have good photo presentation for you wonderful folks!   Hope this is useful for people.  I encourage my fellow modelers here to play around with their photography.  You'd be surprised at what you can come up with.
 
Erik

Thanks for the kind words!  Toni, as far as the photos go, your comment is worth an explanation of how I get my photos.  I take the photos on my work space, which is pretty darn small.  Especially for the last year or so since I've been working mostly from home (I'm a remotely working accountant for the National Center for Atmospheric Research). I threw in a photo of my work space too.  Basically my work day, and hobby, all take place on different sides of my L-shaped desk.  It means my commute from work to modeling at the end of my work day takes about one second.  Haha.   I have a large sheet of light blue construction paper for a photo background that I tape down to my work surface.  For lighting, I always take the photos mid day in front of the window, which provides good area lighting, and use a halogen desk lamp with 700 lumen bulb as a spot light aligned with the lens of the camera.  The camera I use is a 7 year old Olympus OM-D mirrorless camera with a 14-22mm lens mounted on my now 30 year old Gitzo tripod.  I use the self timer so I'm not touching the camera when the shot is taken, this aids in crisp photos.  For each shot I take a 3 photo bracket by 1/3 stops using aperture priority with an F stop of F22 (creates the greatest in-focus depth of field).  The aspect ratio I prefer is 16:9 which gives a horizontal rectangle photo, rather than a square, so there is not too much dead space at the top and bottom of my photos.  For size I select 1280 x 720.  This is big enough to see details, but small enough to not use a lot of memory.  Once I have all my photos I upload them into the Olympus photo software on my laptop.  I delete 2 of the 3 photos taken in the bracket, selecting the one that is the best brightness wise.  The only editing I do is making the crispness greater (not sure why the camera doesn't automatically do that itself with in-focus photos), and to get the boxwood to look the actual color/shade it is, I've been color correcting slightly by adding a small bit of blue hue and very slightly removing red hue.  This has been an evolutionary process for me.  I don't have any kind of formal training, and taking photos of something as large as Cheerful, the largest model I've ever built, has had it's own learning curve.  I threw in a photo of my last ship build below, a 1/350 scale tugboat, for a comparison of the "normal" size I'm used to photographing!  For me, presentation is a fun part of participating in forums, so I really strive to have good photo presentation for you wonderful folks!   Hope this is useful for people.  I encourage my fellow modelers here to play around with their photography.  You'd be surprised at what you can come up with.
 
Erik

Thanks for the kind words!  Toni, as far as the photos go, your comment is worth an explanation of how I get my photos.  I take the photos on my work space, which is pretty darn small.  Especially for the last year or so since I've been working mostly from home (I'm a remotely working accountant for the National Center for Atmospheric Research). I threw in a photo of my work space too.  Basically my work day, and hobby, all take place on different sides of my L-shaped desk.  It means my commute from work to modeling at the end of my work day takes about one second.  Haha.   I have a large sheet of light blue construction paper for a photo background that I tape down to my work surface.  For lighting, I always take the photos mid day in front of the window, which provides good area lighting, and use a halogen desk lamp with 700 lumen bulb as a spot light aligned with the lens of the camera.  The camera I use is a 7 year old Olympus OM-D mirrorless camera with a 14-22mm lens mounted on my now 30 year old Gitzo tripod.  I use the self timer so I'm not touching the camera when the shot is taken, this aids in crisp photos.  For each shot I take a 3 photo bracket by 1/3 stops using aperture priority with an F stop of F22 (creates the greatest in-focus depth of field).  The aspect ratio I prefer is 16:9 which gives a horizontal rectangle photo, rather than a square, so there is not too much dead space at the top and bottom of my photos.  For size I select 1280 x 720.  This is big enough to see details, but small enough to not use a lot of memory.  Once I have all my photos I upload them into the Olympus photo software on my laptop.  I delete 2 of the 3 photos taken in the bracket, selecting the one that is the best brightness wise.  The only editing I do is making the crispness greater (not sure why the camera doesn't automatically do that itself with in-focus photos), and to get the boxwood to look the actual color/shade it is, I've been color correcting slightly by adding a small bit of blue hue and very slightly removing red hue.  This has been an evolutionary process for me.  I don't have any kind of formal training, and taking photos of something as large as Cheerful, the largest model I've ever built, has had it's own learning curve.  I threw in a photo of my last ship build below, a 1/350 scale tugboat, for a comparison of the "normal" size I'm used to photographing!  For me, presentation is a fun part of participating in forums, so I really strive to have good photo presentation for you wonderful folks!   Hope this is useful for people.  I encourage my fellow modelers here to play around with their photography.  You'd be surprised at what you can come up with.
 
Erik

Thanks for the kind words!  Toni, as far as the photos go, your comment is worth an explanation of how I get my photos.  I take the photos on my work space, which is pretty darn small.  Especially for the last year or so since I've been working mostly from home (I'm a remotely working accountant for the National Center for Atmospheric Research). I threw in a photo of my work space too.  Basically my work day, and hobby, all take place on different sides of my L-shaped desk.  It means my commute from work to modeling at the end of my work day takes about one second.  Haha.   I have a large sheet of light blue construction paper for a photo background that I tape down to my work surface.  For lighting, I always take the photos mid day in front of the window, which provides good area lighting, and use a halogen desk lamp with 700 lumen bulb as a spot light aligned with the lens of the camera.  The camera I use is a 7 year old Olympus OM-D mirrorless camera with a 14-22mm lens mounted on my now 30 year old Gitzo tripod.  I use the self timer so I'm not touching the camera when the shot is taken, this aids in crisp photos.  For each shot I take a 3 photo bracket by 1/3 stops using aperture priority with an F stop of F22 (creates the greatest in-focus depth of field).  The aspect ratio I prefer is 16:9 which gives a horizontal rectangle photo, rather than a square, so there is not too much dead space at the top and bottom of my photos.  For size I select 1280 x 720.  This is big enough to see details, but small enough to not use a lot of memory.  Once I have all my photos I upload them into the Olympus photo software on my laptop.  I delete 2 of the 3 photos taken in the bracket, selecting the one that is the best brightness wise.  The only editing I do is making the crispness greater (not sure why the camera doesn't automatically do that itself with in-focus photos), and to get the boxwood to look the actual color/shade it is, I've been color correcting slightly by adding a small bit of blue hue and very slightly removing red hue.  This has been an evolutionary process for me.  I don't have any kind of formal training, and taking photos of something as large as Cheerful, the largest model I've ever built, has had it's own learning curve.  I threw in a photo of my last ship build below, a 1/350 scale tugboat, for a comparison of the "normal" size I'm used to photographing!  For me, presentation is a fun part of participating in forums, so I really strive to have good photo presentation for you wonderful folks!   Hope this is useful for people.  I encourage my fellow modelers here to play around with their photography.  You'd be surprised at what you can come up with.
 
Erik

Thanks for the kind words!  Toni, as far as the photos go, your comment is worth an explanation of how I get my photos.  I take the photos on my work space, which is pretty darn small.  Especially for the last year or so since I've been working mostly from home (I'm a remotely working accountant for the National Center for Atmospheric Research). I threw in a photo of my work space too.  Basically my work day, and hobby, all take place on different sides of my L-shaped desk.  It means my commute from work to modeling at the end of my work day takes about one second.  Haha.   I have a large sheet of light blue construction paper for a photo background that I tape down to my work surface.  For lighting, I always take the photos mid day in front of the window, which provides good area lighting, and use a halogen desk lamp with 700 lumen bulb as a spot light aligned with the lens of the camera.  The camera I use is a 7 year old Olympus OM-D mirrorless camera with a 14-22mm lens mounted on my now 30 year old Gitzo tripod.  I use the self timer so I'm not touching the camera when the shot is taken, this aids in crisp photos.  For each shot I take a 3 photo bracket by 1/3 stops using aperture priority with an F stop of F22 (creates the greatest in-focus depth of field).  The aspect ratio I prefer is 16:9 which gives a horizontal rectangle photo, rather than a square, so there is not too much dead space at the top and bottom of my photos.  For size I select 1280 x 720.  This is big enough to see details, but small enough to not use a lot of memory.  Once I have all my photos I upload them into the Olympus photo software on my laptop.  I delete 2 of the 3 photos taken in the bracket, selecting the one that is the best brightness wise.  The only editing I do is making the crispness greater (not sure why the camera doesn't automatically do that itself with in-focus photos), and to get the boxwood to look the actual color/shade it is, I've been color correcting slightly by adding a small bit of blue hue and very slightly removing red hue.  This has been an evolutionary process for me.  I don't have any kind of formal training, and taking photos of something as large as Cheerful, the largest model I've ever built, has had it's own learning curve.  I threw in a photo of my last ship build below, a 1/350 scale tugboat, for a comparison of the "normal" size I'm used to photographing!  For me, presentation is a fun part of participating in forums, so I really strive to have good photo presentation for you wonderful folks!   Hope this is useful for people.  I encourage my fellow modelers here to play around with their photography.  You'd be surprised at what you can come up with.
 
Erik

As always, thanks for the likes folks.  I finished a few different things over the last week.  I spent time shaping the rudder.  Using the plans I drew the lines that I would sand down to on the rudder faces and sides.  Doing this gave me the visual cue to not over or under sand.  Once the rudder was done I cut out the rudder port.  I made a paper template from the plans that I used to get the shape correct.  Next I made the top of the rudder post.  This took way more time than it should have.  I accidentally removed too much material from the laser cut piece.  So I would up gluing on a chunk of scrap wood to that piece and then shaping the whole thing again.  Sometimes it's the one little piece of wood that is the biggest pain!  The last thing I did was shape the 6 timber heads.  This was a bit nerve wracking as a newbie, but they turned out OK.  The photo below shows the tools that wound up working best for me (as well as a rough cut timber head before clean up).  For some reason, on any model I build, I'm most comfortable using either a #17 or #18 X-Acto chisel blade with no handle (rather than a #11 blade w/handle).  I know it's weird, but it gives me more control by holding the blade directly.  The overall height of the timber heads match the plans, but my angled faces are not as tall as the plans.  No big deal really since all 6 look the same.
 
The next thing I'll be working on is the boom crutches.  Wish me luck!  Haha.
 
Erik

Thanks for the kind words!  Toni, as far as the photos go, your comment is worth an explanation of how I get my photos.  I take the photos on my work space, which is pretty darn small.  Especially for the last year or so since I've been working mostly from home (I'm a remotely working accountant for the National Center for Atmospheric Research). I threw in a photo of my work space too.  Basically my work day, and hobby, all take place on different sides of my L-shaped desk.  It means my commute from work to modeling at the end of my work day takes about one second.  Haha.   I have a large sheet of light blue construction paper for a photo background that I tape down to my work surface.  For lighting, I always take the photos mid day in front of the window, which provides good area lighting, and use a halogen desk lamp with 700 lumen bulb as a spot light aligned with the lens of the camera.  The camera I use is a 7 year old Olympus OM-D mirrorless camera with a 14-22mm lens mounted on my now 30 year old Gitzo tripod.  I use the self timer so I'm not touching the camera when the shot is taken, this aids in crisp photos.  For each shot I take a 3 photo bracket by 1/3 stops using aperture priority with an F stop of F22 (creates the greatest in-focus depth of field).  The aspect ratio I prefer is 16:9 which gives a horizontal rectangle photo, rather than a square, so there is not too much dead space at the top and bottom of my photos.  For size I select 1280 x 720.  This is big enough to see details, but small enough to not use a lot of memory.  Once I have all my photos I upload them into the Olympus photo software on my laptop.  I delete 2 of the 3 photos taken in the bracket, selecting the one that is the best brightness wise.  The only editing I do is making the crispness greater (not sure why the camera doesn't automatically do that itself with in-focus photos), and to get the boxwood to look the actual color/shade it is, I've been color correcting slightly by adding a small bit of blue hue and very slightly removing red hue.  This has been an evolutionary process for me.  I don't have any kind of formal training, and taking photos of something as large as Cheerful, the largest model I've ever built, has had it's own learning curve.  I threw in a photo of my last ship build below, a 1/350 scale tugboat, for a comparison of the "normal" size I'm used to photographing!  For me, presentation is a fun part of participating in forums, so I really strive to have good photo presentation for you wonderful folks!   Hope this is useful for people.  I encourage my fellow modelers here to play around with their photography.  You'd be surprised at what you can come up with.
 
Erik

As always, thanks for the likes folks.  I finished a few different things over the last week.  I spent time shaping the rudder.  Using the plans I drew the lines that I would sand down to on the rudder faces and sides.  Doing this gave me the visual cue to not over or under sand.  Once the rudder was done I cut out the rudder port.  I made a paper template from the plans that I used to get the shape correct.  Next I made the top of the rudder post.  This took way more time than it should have.  I accidentally removed too much material from the laser cut piece.  So I would up gluing on a chunk of scrap wood to that piece and then shaping the whole thing again.  Sometimes it's the one little piece of wood that is the biggest pain!  The last thing I did was shape the 6 timber heads.  This was a bit nerve wracking as a newbie, but they turned out OK.  The photo below shows the tools that wound up working best for me (as well as a rough cut timber head before clean up).  For some reason, on any model I build, I'm most comfortable using either a #17 or #18 X-Acto chisel blade with no handle (rather than a #11 blade w/handle).  I know it's weird, but it gives me more control by holding the blade directly.  The overall height of the timber heads match the plans, but my angled faces are not as tall as the plans.  No big deal really since all 6 look the same.
 
The next thing I'll be working on is the boom crutches.  Wish me luck!  Haha.
 
Erik

Thanks for the kind words!  Toni, as far as the photos go, your comment is worth an explanation of how I get my photos.  I take the photos on my work space, which is pretty darn small.  Especially for the last year or so since I've been working mostly from home (I'm a remotely working accountant for the National Center for Atmospheric Research). I threw in a photo of my work space too.  Basically my work day, and hobby, all take place on different sides of my L-shaped desk.  It means my commute from work to modeling at the end of my work day takes about one second.  Haha.   I have a large sheet of light blue construction paper for a photo background that I tape down to my work surface.  For lighting, I always take the photos mid day in front of the window, which provides good area lighting, and use a halogen desk lamp with 700 lumen bulb as a spot light aligned with the lens of the camera.  The camera I use is a 7 year old Olympus OM-D mirrorless camera with a 14-22mm lens mounted on my now 30 year old Gitzo tripod.  I use the self timer so I'm not touching the camera when the shot is taken, this aids in crisp photos.  For each shot I take a 3 photo bracket by 1/3 stops using aperture priority with an F stop of F22 (creates the greatest in-focus depth of field).  The aspect ratio I prefer is 16:9 which gives a horizontal rectangle photo, rather than a square, so there is not too much dead space at the top and bottom of my photos.  For size I select 1280 x 720.  This is big enough to see details, but small enough to not use a lot of memory.  Once I have all my photos I upload them into the Olympus photo software on my laptop.  I delete 2 of the 3 photos taken in the bracket, selecting the one that is the best brightness wise.  The only editing I do is making the crispness greater (not sure why the camera doesn't automatically do that itself with in-focus photos), and to get the boxwood to look the actual color/shade it is, I've been color correcting slightly by adding a small bit of blue hue and very slightly removing red hue.  This has been an evolutionary process for me.  I don't have any kind of formal training, and taking photos of something as large as Cheerful, the largest model I've ever built, has had it's own learning curve.  I threw in a photo of my last ship build below, a 1/350 scale tugboat, for a comparison of the "normal" size I'm used to photographing!  For me, presentation is a fun part of participating in forums, so I really strive to have good photo presentation for you wonderful folks!   Hope this is useful for people.  I encourage my fellow modelers here to play around with their photography.  You'd be surprised at what you can come up with.
 
Erik