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wefalck

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Everything posted by wefalck

  1. There may be also free digital copies of older books on the subject available through GoogleBooks or national libraries.
  2. You are right, it was McGregor, not Underhill, who draughted the plans of her. Just a note on double halliards or lifts: they can be worked as single or double, depending on whether one keeps on part belayed (as standing part) or pulls on both. BTW, I always like the aesthetics of the 'Aberdeen Bow' ...
  3. Depends on what kind of metal work you are talking about. Machining ? It also depends a bit on the kind of machines you have or consider buying. As I said in another recent post, there are quite a few tutorials and the likes on the Internet and useful fora, for instance the one that is run by the traditional magazine 'The Model Engineer': http://www.model-engineer.co.uk/forums/ There are also many good tutorial and reference books on the market. An on-line booksellers that I used in the past and that has virtually everything that is on the market is: https://www.camdenmin.co.uk/ I personally collected also a few books meant for vocational training in metal and machine work. Particularly pre-1960 books are useful, before NC was introduced seriously and all was treated more like a 'craft' than an economic engineering problem. They give you the basics and can be found on flea-markets or at antique booksellers for little money.
  4. The main question would be how big or how small the holes would be, you want to drill. Down to 0,5 mm this is not a very big issue, but below that the run-out of the drill-spindle and the chuck/collets become a crucial variable in your considerations. I gather, if you are based in continental Europe, as your first name might suggest, you may want to look into PROXXON-products, for both hand-held and bench-drills. Have intensively used their bench-drill for the last 35 or so years (I must admit, after a lot of abuse due to oversize work etc., now the bearings aren't the best anymore). All PROXXON-drills can be used either with a drill-chuck or collets. In general, I prefer the latter, as they are smaller and have a smaller run-out. I never had any of the fancy Dremel or PROXXON hand-drills. Bought a simple DC electric motor in aluminium tube and with a collet attachment that is still alive and well after 40 years of heavy (ab)use. Again, I think steel collets are preferable over drill-chucks. For a hand-held drill I would try out how it feels in your hand - diameter/balance. The rest is not so important.
  5. I cannot give specific answers to what the rigging of the SCOTTISH MAID may have looked like. Not sure anyone can. Isn't there a set of Underhill-plans on which the kit presumably is based ? To the question of the point, where on the gaff the haliards should be attached: if you move the point so far out that the halliard leads down to the mast-cap you would exert a downward pull onto the throat halliard, which certainly is not desirable. Otherwise, one would distribute the fixing points along the gaff so that wind-pressure from the sail is distributed relatively evenly and the gaff does not bend unnecessarily.
  6. Yarn is a generic term, referring to any kind of thread that is not, or not as tightly, twisted as a rope.
  7. It is all a question of building scale. However, the finest yarn you can put your hands is probably the best for serving in the popular building scales - in reality, it might still be oversized. I am using fly-tying thread myself. However, I would shy away from monofilament, even though it is the thinnest material you can get, because it has more 'wirey' properties and might come loose, when handling the served rope. When serving, the yarn has to be really tight around the rope. It also important to stretch the rope before, as rope, of course, becomes thinner, when stretched and, hence, the serving will come loose. It might be a good idea to treat served rope with lacquer or paint as soon as possible to keep everything together. A rope-walk and a serving machine would be useful, if not even necessary. With a rope-walk you can split commercial yarn (including the fly-tying one) and recombine it to a suitable one, if needed. A serving machine allows you to serve the rope tight, while it is stretched out between two hooks.
  8. I agree, that it is better to have single-purpose machines, that is, if you have the space for them. The time of setting up combination-machines for special tasks is often a nuisance. Also, sometimes you don't want to disturb a set-up in order to be able to go back to it after a different machining step on another machine.
  9. I am not sure, I would want to pay 50€/65$US for some pieces of MDF that perhaps can be used only once ... It would be difficult to clean any glue etc. spilled from the MDF.
  10. Although the layout of each ship was different, I gather, there has been some sort of general convention, where what was belayed in order to cope with changing crew compositions.
  11. Jaeger et al.: the funny thing about these machines is, that one begins to make attachments and tools to make more tools - eventually one might make parts for shipmodels too I find that it depends a bit on the period of the prototype you are modelling. The more modern the ship is the more likely it is that machines were used in its construction. In consequence, to reproduce the relevant parts in adequate quality you would also use machines. Machine work will also allow you to reproduce identical parts more quickly and consistently. In some case, perhaps, one would only produce the basic shape on the machine and would have to hand-finish the part to reproduce complex shaped curves.
  12. I don't think there are too many people on this forum with an interest in the subject and the skills and experience to go with it. (Steam) model engine builders are mostly found on fora such as the one that is run by the traditional magazine 'The Model Engineer': http://www.model-engineer.co.uk/forums/ There are also many good tutorial and reference books on the market. An on-line booksellers that I used in the past and that has virtually everything that is on the market is: https://www.camdenmin.co.uk/
  13. Yes, such a larger footprint baseboard adds to the stability of the machine, particularly, when the x-y-table is moved out far. Beware, however, that you probably will find soon that the two drawers will not accomodate all the addtional parts for the machine you will accumulate over time It may be an illumination artefact, but it appears to me somehow that the column is mounted on the wrong side of the base !? Looking from the front, one should see the full lenght of the x-y-table ... or what is the dark rectangle underneath the head ?
  14. To me the difference of a thimble/heart and a bullseye is that the thimble/heart is meant to keep the eye in a rope/wire at a safe radius, when attached with a shackle or hook; it also protects the rope/wire from chafing, when there is a movement between the eye and the shackle/hook. To the contrary, a bullseye either serves as one part in a purchase or an arrangement to redirect the run of a rope, when there is no movement of the rope under normal circumstances. It appears that bullseyes were favoured over deadeyes when used in stays from the late 18th century on, though 'traditional' Dutch (merchant) vessels seem to have used deadeyes right to the end of the 19th century. The explanation above concerning the advantage of a bulleyes over a block is certainly true for rope-rigging, while from the later part of the 19th a block with a metal casing seems to have been used in conjunction with wire-rigging.
  15. Did the laser work with polystyrene ? I gather one would need a ventilation hood because of the fumes.
  16. Fly-tying thread may be a bit stiff, but I am making my own rope from it and rope is less stiff than the thread itself. A bit of matt varnish (or black paint for the rat-lines) keeps things in shape.
  17. Which one was it, I have seen several of such machines on ebay and crowdfunding sites. The laser-cutting capacity seems to be limited for technical reasons, as more serious lasers would require more serious cooling arrangements.
  18. Wouldn't be another method for stowing the sheets to pick them into the same shackle as the downhauls ? I also seem to have them seen forming a sort of triangular spidernet between the stays. In this way they are not liying around on the forecastle.
  19. I actually do have Parallels Desktop on my Mac, but would have preferred a 'native' solution. It is quite strange that you can get drivers for any odd printer, but not for those CNC ord 3D-printing machines. Perhaps the number of Mac-users is too small - so a lot of the graphics people seem to use Macs.
  20. Without meaning to be offensive, but somehow I don't get the fuzz about this . These are calculations one learns in primary school ... ok, if you are Imperial you have to handle different units (feet, inches, 'thou', ...), but this is just one more division/multiplication.
  21. Just to add to this: beds were also often raised higher above the floor than it is usual today, because obviously the higher you are in a room the warmer it is. I suspect that in Britain they still do this today, as British houses traditional are not very well heated. For the same reason four-poster- and alkove-beds, both with curtains, were used.
  22. Doors were low to keep the heat in the house and beds short, because people slept in the fetal position, also to loose less heat compared to sleeping with stretched out limbs.
  23. Indeed, there are considerable regional differences today and were presumably in the past. I recall the sensation (hightened by the fact that it was a time of civil unrest) of walking through the streets of La Paz (Bolivia), a gringo towering above everyone, while only being just 180 cm tall - quite a difference to walking the streets of say Amsterdam, where I felt rather diminutive However, like in real life, not only the absolute height would be important for the scale impression, but also the proportions. While certainly there is a distribution of proportions across a given population, some peoples tend to have longer limbs and shorter bodies, while in others it is the inverse. The latter would appear smaller than the first group. Head length to body length ratios are also important, a big head making a person appear to be smaller. In this context it also interesting to compare artists' rendering with real life. There have been periods (e.g. during the 'gothic'), when people, particularly gentle-folks, were portrayed with a 1:12 ore more head:body ratio, while in real life it is more between 1:8 and 1:10. This reflected aesthetic concepts, as well as class distinctions. So the story turns around, as better fed gentle-folks in any population would grow taller than more deprived classes subject also to hard labour.
  24. Good work as usual ! For the seizings I tend to use a clove hitch with half-hitches added as needed. To me this gives a more prototype appearance.
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