Beef Wellington

possibly my last update until next weekend,

today i sat the main deck into the hull properly, and put a sheet of pasticard over the top, this also cover the hull edge, and now allows me to remove the whole deck off in one go
so a few photo's of how she looks at present
the Exocet, dont look right. they are not staggered on the plans, 









   

Slowly making some progress.  Finally got the bulkheads and filler blocks faired and started with the first planking.  First three planks starting from the keel are in:
 


 
So far so good.  Lots of curves on this ship.  There's a lot going on with the stern, so I spent quite a bit of time going over the plans and how the cast metal parts are supposed to fit together.  The interesting thing about the Euromodel plans is that they will be true to the Chapman plans in some drawings and simplified (e.g., straight, less curvatures) in others - sometimes on the same sheet.  So, you have to be mindful of that when building.  The cast metal pieces for the stern are pretty good, but in some cases like the row of stern windows fronting the balcony, follow the more simplified square approach, whereas the Chapman plans show more curves intended that follow the curvatures of the decks and balcony.  As is often said with respect to these Euromodel kits, they are quasi scratch kits that are intended allow a builder plenty of latitude to build the model as simple or as detailed as one would like.
 
I think I'm going to challenge myself and scratch build some or all of the cast metal pieces for the stern.  I'd like to follow the Chapman plans as much as possible, and I think the cast metal parts deviate in certain respects.  For example, there are windows at the lower drop area of the quarter galleries and between the balcony and counter/chase ports - but the cast metal parts have these filled in.  Building them from scratch would probably take close to the same amount of time as opening these and other windows up.  Along with potentially not doing a clean job opening the windows up, I worry that the seams where the cast metal and wood parts meet would need to be filled, which sometimes could be a hard thing to do.  Then of course, there is the need to paint the cast metal parts, and I'm not that great when it comes to detailed painting.  I just think that I can achieve a crisper finish scratching these items than I can from working with the cast metal parts.  The good news is that the parts and plans give a very good model for me to base my work on.  I'll try to detail some of the changes from the kit in future posts.
 
 

Tops are now installed on the masts, completed futtock shrouds and crowsfeets. The "first floor" is finished and I can start with "second floor" - the topmasts.

Not much to update at the moment really. The time finally arrived to start the coppering of the Port side of the hull. I find it fascinating the way I tend to get into the groove after a while, and it gets done... I reckon I've probably got about 300 tiles on so far. I put a line of masking tape over the wood that'll be exposed above the waterline, just to protect it from superglue marks from tiles that slip...
 
On the starboard side, I put a coat of black acrylic to seal the wood and give the superglue something to stick to (otherwise it all sinks into the wood and leaves nothing to stick the tile - this reduces the amount of superglue I get through a lot)... this time, I used some matt enamel varnish. It was lovely to see how the box and walnut came up.
 
The first photo shows the difference with the varnish... at the top is the varnished wood, and at the bottom the untreated wood... left is box, right is walnut... (and the grey marks are my pencil marks from marking the waterline ready to put the batten on... this is that tricky bit at the stern where the hull tucks round.



 
I've carried on transcribing the Ethalion logs... turns out Ethalion went to assist the ships of the line the day after the battle of Camperdown, and helped Isis bring her prize home.
 

Oh, yes... and here's what my son and I have been working on at the same time   His first airfix kit! Not bad for a 7 year old. He's really excited about the second one, now. A DeHavilland Mosquito's in the post.

Happy building!

A major milestone! The coppering on the hull's complete! I'll be honest, I won't mind switching back to wood glue from CA. The mask worked really well, though. It's definitely worth paying a little extra for a proper vapour mask (not one of the wood dust masks). I used the following mask...
 
3M 4251 Maintenance-Free Organic Vapour/Particulate  (it was around £22 and worth every penny)
 
I ended up with a fair number of copper tiles left, so Caldercraft seem to have supplied ample spares. I may well go along the keel and tidy up a few of the first tiles I put on... they're pretty easy to pop off if required.
 

 

I'm still transcribing the logs for Ethalion - it really is fascinating... They're very matter of fact, recording this sort of thing from Thursay 12th April 1798. HMS Ethalion had just left Spithead and was passing the Needles.
 

I found this description of the "bridge" at the Needles...
From the following link (with which I have no connections - just found it googling:
http://www.yachtingmonthly.com/specials/pilot-the-isle-of-wight-the-needles-to-st-catherines-point-3161/2
 
Now, I appreciate I'm no professional sailor, but no matter how professional you are, that's got to be a bit of a heart stopper when heading for a thousand tons of wooden ship bumps along the bottom at sea!
 
Anyway - it all adds to the picture as I begin to detail the hull...





Having shaped these strips (don't know what they're called?) I'm not entirely happy with the colour - they are box, but they're much whiter, and look more like maple... I'll see if they tone down, and otherwise might remove them and remake them... we'll see. The paint at the top also needs touching up, and the yellow adding, but I just wanted to get the boundary line marked on before I stuck them in place. The top rail is clipped in place so I can measure up and check how it's all working out. It will be trimmed to go to either side of these verticals when the time comes.

So, I took those vertical pieces off... fenders? - I wasn't happy with the colour, so I used some very watered down Admiralty Paints Yellow Ochre as a wash just to tone them down a little... I don't want everything to be exactly the same colour (that's the beauty of wood, surely) but close enough that it doesn't whack you in the face when you look at it... It looks better to the naked eye - these close-ups are brutal!
 
I took the opportunity to narrow them down equally (to 1.6mm at the bottom), and align them better... the photo makes them look uneven, but the ruler tells me the vertical centre lines are parallel. I also added the paint, although this will need touching up.  Overall I'm closer to happy with them. Side steps next. I have a scraper lined up for them.
 
The fenders now...

Hi Pat, catching up and glad to see everything coming together so well, nicely done.  Very interested to see how the capstan works out.  Beautiful model.

OC, Thomas, Eamonn, thanks for kind words.
 
@ BE - jury is out on a rudder coat, I've seen the great result you achieved, what I'm wrestling with the aesthetic and the quality of the result I might achieve.  In the event I don't, I did simulate the end of the tiller 
@ Carl - You reiterated my dilemma   1:64 is a scale where it seems sometimes that details are a question of compromise.  The downside of using raise pins is that to my eye, they appear more obvious and overscale - and also runs the risk that it would be hard to get these positioned accurately  Staying with the indentations, from typical viewing distance it is not obvious to the eye that the indents are in fact indentations rather than raised (think of the classic 'hollow face' optical illusion).  The rudder straps were unaltered and show how these parts came.
 
Anyway...I was very excited to finally receive my copy of the Diana plans from NMM.  WOW!  I've never had a chance to see these types of plans before and I'm very impressed, not only will it hopefully become a nice decorative piece, but its very informative.  Even though the plan indicates it's 'Diana' (non-contemporaneous pencil annotation), it appears to me that these should be considered to be more generic to the Artois class as a whole - there contemporary are annotations indicating that the foremast on 'Jason' and 'Diamond' were moved forward 6 1/4" - but, I'm not going to make any changes at this point as its quite subtle.
 
There are so many details that are much clearer than in the AOTS or kit plans, but few items just for starters...(the poor quality of my photos do not do justice to the print and colours didn't come out well.)
 
Given I'm building roughly 'as designed', I will need to reconsider a few things:
The position of the mizzen channels, these are placed lower than the kit plans and AOTS which reflect the 'as built' higher position.  Looking at the classic Diana models, I now see this is indeed where they are positioned.  The structure of the chains is also very different to what is provided in the kit.  This view also shows evolutionary changes to the positions of the cannon and carronade ports.  
To hopefully resolve a discussion/dilemma experience by Diana builders...my opinion estimating from these plans (and assuming plans to be correct scale) is that the kit stern frame are too wide at the top of the rearmost bulkhead by about 5mm.  Not too significant, but enough to cause the misalignment with the stern fascia and light positions experienced by all builders it seems.  Correction of this and other bulkheads would not be hard when starting out on the kit, but would need to be done prior to planking.
 

 
The main channels are shown positioned below the sheer rail 'as designed'.  Unfortunately I've been working to have these in line with the sheer rail (as built it appears), but am not going to make changes as the difference is quite subtle.   The built up bulwarks are also clearly shown, the kit provides for, and reference made in AOTS to Diana having a more decorative style consistent with the open bulkhead profile - the plans show these as the more standard, utilitarian square profile that later became standard.
 

 
The bow sections shows a number of interesting aspects:
Changes to positions of timberheads to accommodate evolving cannon/carronade compliment Inclusion of a forward port (as built) which I suspect would have been for access to the cathead/anchor rather than including a cannon.  This would have been a nice feature to add, but would require significant rework earlier in the build (more than I did) to allow this as it aligns with the foremost bulkhead Also seems that there was some variations on the profile of the stem, and position of the cathead
 

Hi Rob, really nice progress on the planking, love the tapered sternpost - think your solution is a little more elegant   Hopefully I'll have an update soon as the bug has bitten me again, you look to be really having some fun with this kit.  All the best.

Hi folks, a few more progress pics showing the redone paintwork (hull) - still some touching up needed but it is getting there. 
 
Note the 'vermillion' ports (colour as per contract).  i have portrayed her with bucklers in place on one side, and open on the other.  The bucklers will be secured with a batten across the towing timbers once I have placed them (very soon) using a threaded rod and wing nut system.
 
The next jobs are to add all the detail to the bulwarks which will include, ring bolts for gun tackles and breeching ropes, cleats for securing lines, iron garlands for ready use shoot, lead linesman's platform etc.
 
As usual, all comments, suggestion for improvement etc are most welcomed.
 
cheers
 
Pat

Hi folks some more progress on this build.  I have now done a fair mount of the painting.  The bulwarks and cap rails are finished but the hull still needs its final coat of black - you can see where I have started final sanding etc.  The figurehead requires some touching up of the white to complete it also.
 
The following show progressively how I have been proceeding.  First I built a build cradle which is hinged at the front so that I can angle the deck appropriately under a large mill to drill the mast holes.  This cradle keeps the ship nice and steady - there are two bicycle spoked from the keel (epoxied in) that pass through the assembly and secured with nuts under the board; the door wedges are for leveling the deck laterally.

The next photo shows her masked and the priming coat applied.  the last two photos are of her in her current state.  the larger holes are for the scupper outlets; the final size is much smaller - a 9" scupper at 1:1.  The smaller holes are for the Lang Scuttles mentioned earlier in this log.

 


 
I have also attached a 3D render of what the capstan will look like.
 

cheers 
 
Pat
 
 
 
 

Very good Stergios, just catching up on your work.  I really need to get back and finish my Snake...

Really nice progress Mark, love the work on the cannons, should look really sharp when all finally assembled.  Oh, and Licorne is looking pretty good too.

Thanks everyone for interest and kind words
 
Frolick - thanks for posting the history of that action, always very interesting to read.
 
Final comments on the stern, brief notes, and pictures thrown in just for spice:
 
The roof of the quarter galleries was really the last major hurdle to getting the 'look' of the stern as I wanted it.  This did pose a conundrum, as options abounded.  Other frigates of the period typically seemed to have the more classical fluted columns between lights and shingled 'roof' to the quarter galleries, and the contemporary models of Diana have a highly decorative roof and columns which Christian (Barbossa) has replicated so beautifully on his Diana.  In the end, just decided to follow the AOTS book and its distinctly Georgian look which I like and use some of the kit supplied mouldings.
 
The roof itself was made from some spare stock and shaped to dimensions less that that suggested by the instructions using the plans.  The kit provides some soft metal decorations, although how they are supposed to be applied is a mystery as the roof has a quite fine, but pronounced convex-concave shape.  I very carefully attacked this with a dremel and removed the thickness of the metal backing to leave the decorative elements which felt a little more in keeping with the scale.  This was less challenging that at first thought, though care is certainly required and fine tuning with a sanding stick.  The only problem was that the these did have a tendency to break, although these can be reassembled without too much difficulty in situ.
 
With the roof in place the stern seems to have acquired its (almost) final form, some decorations between the lights need to be applied still as appear on the stern, and a molding will ultimately the placed on top.  Overall, I am very happy with the way this turned out, and proved to be more challenging than I had initially thought.  I've talked at length at some faults with the dimensions and shapes of the provided PE parts but I think these can be used to provide reasonable results with some planning.  These do look much better to the human eye, the camera seems to highlight the slightest misalignment 
 

 
The sheer rail could now be placed, and fortuitously this landed almost exactly where it should lining up with the top of the quarter gallery roof.  Gaps have been left for the channels which will be positioned later.  Steps, fenders and chesstrees have also been attached after reducing slightly to the expected level of the deck.  Not much else to say so I'll leave with some pictures...
 

The first planking is finished.  The result is adequate as a basis for the second planking and I hope that process goes a little more smoothly.
 
I found the gun port patterns above and near the gun ports had a tendency to distort.  I used a very wet paint brush to wet the affected area, clamped a fairly stiff piece of wood strip over it and left it overnight - joy!
 

Here is the result - unfortunately I didn't think to take a 'before' shot which would have shown quite a bit of distortion.

I couldn't resist a two for the price of one shot, though unfortunately it is not very clear.
 


 

 

Here are the Syren gun carriages all but finished.  They are quite awkward to put together but the result is far better than the carriages supplied in the kit. There are 10 on the ship and I have 12 of these - the two worst will be left on the dock.  One of the quoins is shown on the left of the photo below.

 

Just a note if you use CA and the nozzles and caps become clogged with hardened glue - I now put them in a small jar of acetone after use.  They are then completely clean for the next use.
 

 
 
 
 
 
 
 

Thanks everyone for interest and kind words
 
Frolick - thanks for posting the history of that action, always very interesting to read.
 
Final comments on the stern, brief notes, and pictures thrown in just for spice:
 
The roof of the quarter galleries was really the last major hurdle to getting the 'look' of the stern as I wanted it.  This did pose a conundrum, as options abounded.  Other frigates of the period typically seemed to have the more classical fluted columns between lights and shingled 'roof' to the quarter galleries, and the contemporary models of Diana have a highly decorative roof and columns which Christian (Barbossa) has replicated so beautifully on his Diana.  In the end, just decided to follow the AOTS book and its distinctly Georgian look which I like and use some of the kit supplied mouldings.
 
The roof itself was made from some spare stock and shaped to dimensions less that that suggested by the instructions using the plans.  The kit provides some soft metal decorations, although how they are supposed to be applied is a mystery as the roof has a quite fine, but pronounced convex-concave shape.  I very carefully attacked this with a dremel and removed the thickness of the metal backing to leave the decorative elements which felt a little more in keeping with the scale.  This was less challenging that at first thought, though care is certainly required and fine tuning with a sanding stick.  The only problem was that the these did have a tendency to break, although these can be reassembled without too much difficulty in situ.
 
With the roof in place the stern seems to have acquired its (almost) final form, some decorations between the lights need to be applied still as appear on the stern, and a molding will ultimately the placed on top.  Overall, I am very happy with the way this turned out, and proved to be more challenging than I had initially thought.  I've talked at length at some faults with the dimensions and shapes of the provided PE parts but I think these can be used to provide reasonable results with some planning.  These do look much better to the human eye, the camera seems to highlight the slightest misalignment 
 

 
The sheer rail could now be placed, and fortuitously this landed almost exactly where it should lining up with the top of the quarter gallery roof.  Gaps have been left for the channels which will be positioned later.  Steps, fenders and chesstrees have also been attached after reducing slightly to the expected level of the deck.  Not much else to say so I'll leave with some pictures...
 

Thanks everyone for interest and kind words
 
Frolick - thanks for posting the history of that action, always very interesting to read.
 
Final comments on the stern, brief notes, and pictures thrown in just for spice:
 
The roof of the quarter galleries was really the last major hurdle to getting the 'look' of the stern as I wanted it.  This did pose a conundrum, as options abounded.  Other frigates of the period typically seemed to have the more classical fluted columns between lights and shingled 'roof' to the quarter galleries, and the contemporary models of Diana have a highly decorative roof and columns which Christian (Barbossa) has replicated so beautifully on his Diana.  In the end, just decided to follow the AOTS book and its distinctly Georgian look which I like and use some of the kit supplied mouldings.
 
The roof itself was made from some spare stock and shaped to dimensions less that that suggested by the instructions using the plans.  The kit provides some soft metal decorations, although how they are supposed to be applied is a mystery as the roof has a quite fine, but pronounced convex-concave shape.  I very carefully attacked this with a dremel and removed the thickness of the metal backing to leave the decorative elements which felt a little more in keeping with the scale.  This was less challenging that at first thought, though care is certainly required and fine tuning with a sanding stick.  The only problem was that the these did have a tendency to break, although these can be reassembled without too much difficulty in situ.
 
With the roof in place the stern seems to have acquired its (almost) final form, some decorations between the lights need to be applied still as appear on the stern, and a molding will ultimately the placed on top.  Overall, I am very happy with the way this turned out, and proved to be more challenging than I had initially thought.  I've talked at length at some faults with the dimensions and shapes of the provided PE parts but I think these can be used to provide reasonable results with some planning.  These do look much better to the human eye, the camera seems to highlight the slightest misalignment 
 

 
The sheer rail could now be placed, and fortuitously this landed almost exactly where it should lining up with the top of the quarter gallery roof.  Gaps have been left for the channels which will be positioned later.  Steps, fenders and chesstrees have also been attached after reducing slightly to the expected level of the deck.  Not much else to say so I'll leave with some pictures...
 

Thanks everyone for interest and kind words
 
Frolick - thanks for posting the history of that action, always very interesting to read.
 
Final comments on the stern, brief notes, and pictures thrown in just for spice:
 
The roof of the quarter galleries was really the last major hurdle to getting the 'look' of the stern as I wanted it.  This did pose a conundrum, as options abounded.  Other frigates of the period typically seemed to have the more classical fluted columns between lights and shingled 'roof' to the quarter galleries, and the contemporary models of Diana have a highly decorative roof and columns which Christian (Barbossa) has replicated so beautifully on his Diana.  In the end, just decided to follow the AOTS book and its distinctly Georgian look which I like and use some of the kit supplied mouldings.
 
The roof itself was made from some spare stock and shaped to dimensions less that that suggested by the instructions using the plans.  The kit provides some soft metal decorations, although how they are supposed to be applied is a mystery as the roof has a quite fine, but pronounced convex-concave shape.  I very carefully attacked this with a dremel and removed the thickness of the metal backing to leave the decorative elements which felt a little more in keeping with the scale.  This was less challenging that at first thought, though care is certainly required and fine tuning with a sanding stick.  The only problem was that the these did have a tendency to break, although these can be reassembled without too much difficulty in situ.
 
With the roof in place the stern seems to have acquired its (almost) final form, some decorations between the lights need to be applied still as appear on the stern, and a molding will ultimately the placed on top.  Overall, I am very happy with the way this turned out, and proved to be more challenging than I had initially thought.  I've talked at length at some faults with the dimensions and shapes of the provided PE parts but I think these can be used to provide reasonable results with some planning.  These do look much better to the human eye, the camera seems to highlight the slightest misalignment 
 

 
The sheer rail could now be placed, and fortuitously this landed almost exactly where it should lining up with the top of the quarter gallery roof.  Gaps have been left for the channels which will be positioned later.  Steps, fenders and chesstrees have also been attached after reducing slightly to the expected level of the deck.  Not much else to say so I'll leave with some pictures...
 

Really nice progress Mark, love the work on the cannons, should look really sharp when all finally assembled.  Oh, and Licorne is looking pretty good too.

Thanks everyone for interest and kind words
 
Frolick - thanks for posting the history of that action, always very interesting to read.
 
Final comments on the stern, brief notes, and pictures thrown in just for spice:
 
The roof of the quarter galleries was really the last major hurdle to getting the 'look' of the stern as I wanted it.  This did pose a conundrum, as options abounded.  Other frigates of the period typically seemed to have the more classical fluted columns between lights and shingled 'roof' to the quarter galleries, and the contemporary models of Diana have a highly decorative roof and columns which Christian (Barbossa) has replicated so beautifully on his Diana.  In the end, just decided to follow the AOTS book and its distinctly Georgian look which I like and use some of the kit supplied mouldings.
 
The roof itself was made from some spare stock and shaped to dimensions less that that suggested by the instructions using the plans.  The kit provides some soft metal decorations, although how they are supposed to be applied is a mystery as the roof has a quite fine, but pronounced convex-concave shape.  I very carefully attacked this with a dremel and removed the thickness of the metal backing to leave the decorative elements which felt a little more in keeping with the scale.  This was less challenging that at first thought, though care is certainly required and fine tuning with a sanding stick.  The only problem was that the these did have a tendency to break, although these can be reassembled without too much difficulty in situ.
 
With the roof in place the stern seems to have acquired its (almost) final form, some decorations between the lights need to be applied still as appear on the stern, and a molding will ultimately the placed on top.  Overall, I am very happy with the way this turned out, and proved to be more challenging than I had initially thought.  I've talked at length at some faults with the dimensions and shapes of the provided PE parts but I think these can be used to provide reasonable results with some planning.  These do look much better to the human eye, the camera seems to highlight the slightest misalignment 
 

 
The sheer rail could now be placed, and fortuitously this landed almost exactly where it should lining up with the top of the quarter gallery roof.  Gaps have been left for the channels which will be positioned later.  Steps, fenders and chesstrees have also been attached after reducing slightly to the expected level of the deck.  Not much else to say so I'll leave with some pictures...
 

Thanks everyone for interest and kind words
 
Frolick - thanks for posting the history of that action, always very interesting to read.
 
Final comments on the stern, brief notes, and pictures thrown in just for spice:
 
The roof of the quarter galleries was really the last major hurdle to getting the 'look' of the stern as I wanted it.  This did pose a conundrum, as options abounded.  Other frigates of the period typically seemed to have the more classical fluted columns between lights and shingled 'roof' to the quarter galleries, and the contemporary models of Diana have a highly decorative roof and columns which Christian (Barbossa) has replicated so beautifully on his Diana.  In the end, just decided to follow the AOTS book and its distinctly Georgian look which I like and use some of the kit supplied mouldings.
 
The roof itself was made from some spare stock and shaped to dimensions less that that suggested by the instructions using the plans.  The kit provides some soft metal decorations, although how they are supposed to be applied is a mystery as the roof has a quite fine, but pronounced convex-concave shape.  I very carefully attacked this with a dremel and removed the thickness of the metal backing to leave the decorative elements which felt a little more in keeping with the scale.  This was less challenging that at first thought, though care is certainly required and fine tuning with a sanding stick.  The only problem was that the these did have a tendency to break, although these can be reassembled without too much difficulty in situ.
 
With the roof in place the stern seems to have acquired its (almost) final form, some decorations between the lights need to be applied still as appear on the stern, and a molding will ultimately the placed on top.  Overall, I am very happy with the way this turned out, and proved to be more challenging than I had initially thought.  I've talked at length at some faults with the dimensions and shapes of the provided PE parts but I think these can be used to provide reasonable results with some planning.  These do look much better to the human eye, the camera seems to highlight the slightest misalignment 
 

 
The sheer rail could now be placed, and fortuitously this landed almost exactly where it should lining up with the top of the quarter gallery roof.  Gaps have been left for the channels which will be positioned later.  Steps, fenders and chesstrees have also been attached after reducing slightly to the expected level of the deck.  Not much else to say so I'll leave with some pictures...
 

Thanks everyone for interest and kind words
 
Frolick - thanks for posting the history of that action, always very interesting to read.
 
Final comments on the stern, brief notes, and pictures thrown in just for spice:
 
The roof of the quarter galleries was really the last major hurdle to getting the 'look' of the stern as I wanted it.  This did pose a conundrum, as options abounded.  Other frigates of the period typically seemed to have the more classical fluted columns between lights and shingled 'roof' to the quarter galleries, and the contemporary models of Diana have a highly decorative roof and columns which Christian (Barbossa) has replicated so beautifully on his Diana.  In the end, just decided to follow the AOTS book and its distinctly Georgian look which I like and use some of the kit supplied mouldings.
 
The roof itself was made from some spare stock and shaped to dimensions less that that suggested by the instructions using the plans.  The kit provides some soft metal decorations, although how they are supposed to be applied is a mystery as the roof has a quite fine, but pronounced convex-concave shape.  I very carefully attacked this with a dremel and removed the thickness of the metal backing to leave the decorative elements which felt a little more in keeping with the scale.  This was less challenging that at first thought, though care is certainly required and fine tuning with a sanding stick.  The only problem was that the these did have a tendency to break, although these can be reassembled without too much difficulty in situ.
 
With the roof in place the stern seems to have acquired its (almost) final form, some decorations between the lights need to be applied still as appear on the stern, and a molding will ultimately the placed on top.  Overall, I am very happy with the way this turned out, and proved to be more challenging than I had initially thought.  I've talked at length at some faults with the dimensions and shapes of the provided PE parts but I think these can be used to provide reasonable results with some planning.  These do look much better to the human eye, the camera seems to highlight the slightest misalignment 
 

 
The sheer rail could now be placed, and fortuitously this landed almost exactly where it should lining up with the top of the quarter gallery roof.  Gaps have been left for the channels which will be positioned later.  Steps, fenders and chesstrees have also been attached after reducing slightly to the expected level of the deck.  Not much else to say so I'll leave with some pictures...
 

Really nice progress Mark, love the work on the cannons, should look really sharp when all finally assembled.  Oh, and Licorne is looking pretty good too.