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Beef Wellington

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  1. Like
    Beef Wellington reacted to Valeriy V in Varyag 1901 by Valeriy V - FINISHED - scale 1:75 - Russian Cruiser   
    Preliminary installation of the boat on rostras.

  2. Like
    Beef Wellington reacted to Valeriy V in Varyag 1901 by Valeriy V - FINISHED - scale 1:75 - Russian Cruiser   
    I will add some positions with a traditional match.  



  3. Like
    Beef Wellington reacted to Keith Black in Varyag 1901 by Valeriy V - FINISHED - scale 1:75 - Russian Cruiser   
    And once again, I'm gobsmacked.  
  4. Wow!
    Beef Wellington got a reaction from Knocklouder in HMS Jason by Beef Wellington - Caldercraft - 1:64 - Artois-class frigate modified from HMS Diana 1794   
    Hancing pieces and volutes....
     
    I'm a little embarrassed that it has been so long that I've been away, somewhat from the shipyard but also this wonderful site.  With the weather starting to turn and a bit more available time it seemed a good time to get back into things and try to pick up from a point that I left a little disheartened so many months ago.  To be able to move forward, I had to come up with a solution for the hancing pieces which should then really allow much of the final hull form to be finalised.  The problem I faced stemmed from the fact that I had to come up with a hancing piece volute 6mm high (per NMM plans) to transition the upper rails into the waist, and following a profile already established for the other rails.  Although these are not large details, they are features that to my eye need to be sufficiently elegant and accurate to avoid detracting from the lines of the hull.  I tried many different approaches, but here is the one that worked best for me and provided a method of construction that allowed consistent results.  I'll apologize in advance for quality of the photographs, I was so focused on the work and forgot to check the photo quality as I progressed.
     
    2.2 mm holes were drilled using a pin vise into some 2mm pear wood (actually 1.5mm + 0.5mm pear laminated together cross grain because I didn't have any 2mm sheet stock), this matches the starting thickness used for the upper rails which started as 2x2mm square strip.  (A 2.2mm hole was found through visual trial and error to introduce the gradual narrowing of the rail into the end of the volute).  A 1.5mm diameter recess was then carefully made at the edge using a round needle file at 45deg to the bottom of the hole.  Each 'blank' was then cut from the sheet, given a slight reduced profile using an exacto blade, and a thin cut made above the filed lobe (explanation below). 

    Small sections of 1.5mm diameter pear dowel were then glued into the 1.5mm recess, so they very slightly protruded above the top of the block.  Sufficient PVA glue was used to ensure that these were well bonded.  Once dry, a the top of the blanks were gently cut back and carefully finished against a circular sander so that the top edge of the blank was tangential to the top of the 2.2mm drilled hole (the cut previously made above the recess allows this section to release easily as it will no longer be needed.

    A length of 2x2mm pear wood strip was scraped with the same molding profile as used previously in the build, but care taken to leave an untouched section toward the end.  The volute blanks were then attached to the unfinished end of the scraped molding.  PVA glue was used generously, and left to dry overnight to ensure a full strength bond.  Once dry, the excess was then carefully cut away to give proportions pleasing to the eye (mine at least) and ensure that the final volute form would be 6mm high.  The rough cut was then very carefully reduced to its final shape using various grades of sanding sticks.

     
    Once the final shape was achieved, a profile needed to be introduced to match, and transition as smoothly as possible from the molding strip into the curve of the volute.  To do this I needed to create a second scraper profile at the very edge of a razor blade to work on the volute curve effectively (the scraper profile used previously for strip had been centered to give best control on straight strip).  This was performed very slowly as catastrophic failure would be very easy!  While it is true that it took multiple experiments to get this method down, it did work well and the four needed volutes were all first time efforts with no rework, and despite the many imperfections highlighted by the macro lens, the results to the naked eye exceeded my expectations.

    In position, the volutes will now allow final shaping of the hull profile.  Onto the next challenges!

  5. Wow!
    Beef Wellington got a reaction from HardeeHarHar in HMS Jason by Beef Wellington - Caldercraft - 1:64 - Artois-class frigate modified from HMS Diana 1794   
    Hancing pieces and volutes....
     
    I'm a little embarrassed that it has been so long that I've been away, somewhat from the shipyard but also this wonderful site.  With the weather starting to turn and a bit more available time it seemed a good time to get back into things and try to pick up from a point that I left a little disheartened so many months ago.  To be able to move forward, I had to come up with a solution for the hancing pieces which should then really allow much of the final hull form to be finalised.  The problem I faced stemmed from the fact that I had to come up with a hancing piece volute 6mm high (per NMM plans) to transition the upper rails into the waist, and following a profile already established for the other rails.  Although these are not large details, they are features that to my eye need to be sufficiently elegant and accurate to avoid detracting from the lines of the hull.  I tried many different approaches, but here is the one that worked best for me and provided a method of construction that allowed consistent results.  I'll apologize in advance for quality of the photographs, I was so focused on the work and forgot to check the photo quality as I progressed.
     
    2.2 mm holes were drilled using a pin vise into some 2mm pear wood (actually 1.5mm + 0.5mm pear laminated together cross grain because I didn't have any 2mm sheet stock), this matches the starting thickness used for the upper rails which started as 2x2mm square strip.  (A 2.2mm hole was found through visual trial and error to introduce the gradual narrowing of the rail into the end of the volute).  A 1.5mm diameter recess was then carefully made at the edge using a round needle file at 45deg to the bottom of the hole.  Each 'blank' was then cut from the sheet, given a slight reduced profile using an exacto blade, and a thin cut made above the filed lobe (explanation below). 

    Small sections of 1.5mm diameter pear dowel were then glued into the 1.5mm recess, so they very slightly protruded above the top of the block.  Sufficient PVA glue was used to ensure that these were well bonded.  Once dry, a the top of the blanks were gently cut back and carefully finished against a circular sander so that the top edge of the blank was tangential to the top of the 2.2mm drilled hole (the cut previously made above the recess allows this section to release easily as it will no longer be needed.

    A length of 2x2mm pear wood strip was scraped with the same molding profile as used previously in the build, but care taken to leave an untouched section toward the end.  The volute blanks were then attached to the unfinished end of the scraped molding.  PVA glue was used generously, and left to dry overnight to ensure a full strength bond.  Once dry, the excess was then carefully cut away to give proportions pleasing to the eye (mine at least) and ensure that the final volute form would be 6mm high.  The rough cut was then very carefully reduced to its final shape using various grades of sanding sticks.

     
    Once the final shape was achieved, a profile needed to be introduced to match, and transition as smoothly as possible from the molding strip into the curve of the volute.  To do this I needed to create a second scraper profile at the very edge of a razor blade to work on the volute curve effectively (the scraper profile used previously for strip had been centered to give best control on straight strip).  This was performed very slowly as catastrophic failure would be very easy!  While it is true that it took multiple experiments to get this method down, it did work well and the four needed volutes were all first time efforts with no rework, and despite the many imperfections highlighted by the macro lens, the results to the naked eye exceeded my expectations.

    In position, the volutes will now allow final shaping of the hull profile.  Onto the next challenges!

  6. Like
    Beef Wellington reacted to hollowneck in HMS Sphinx 1775 by Blue Ensign - FINISHED - Vanguard Models - 1:64 scale   
    The berthing rails and deletion of the boomkins are very nice "additions," B.E. Will the brass rod alignments of her cranes be replaced with rope?
    A few posts ago you asked about my sail rigging on the main fore of my Camilla; your query makes perfectly clear sense to me now!
    Here's a couple photos of how CLOSE Camilla's foretack comes to getting tangled-up with the cathead. Admittedly, this is the worst-case as the sail is tightly-hauled.

    Foretack-to-boomkin; close, but no cigar.
     

    The tack line clears, but not by much. I agree with your making the boomkins a longer extension, however I'm NOT re-doing mine since the rig runs fair. Next model...
     
  7. Like
    Beef Wellington reacted to Blue Ensign in HMS Sphinx 1775 by Blue Ensign - FINISHED - Vanguard Models - 1:64 scale   
    Thank you, Ron and Jesse,
    @Ron - I just love your description of the cranes, such an image it conjures up. 😄
     
    Post One hundred and seventy.
     
    Final fettlin’
     I have now reached the stage of tidying up bits and pieces, and re-checking to see if I’ve missed anything.
     
    The Upper Capstan pawls are one item; I found the teardrop shaped kit versions a little unconvincing and were replaced.

    8728
    I followed the arrangement in the ffm Vol11 as I did with my Pegasus build.
     
    Another decision to be made is whether to add the passing ropes thro’ the guard stanchions and cranes or leave them unadorned.
     
    I doubt I will be able to look at the cranes in the same light again after Ron’s (hollowneck) apposite remark black prickly bits randomly popping out of her hull, an image I have some agreement with, but will probably not get out of my mind’s eye.
     
    I used 0.31mm ø Syren line to check the effect.
    I needed additional eyebolts to take some of the seizings.

    8705
    I added an eyebolt and secured the aft end of the quarter crane rope using false splices as the neatest option.

    8709
    Securing the Foc’sle  passing ropes.

    8726
    The two double cranes at the break of the Quarterdeck are still a puzzlement, there doesn’t seem a sensible way to finish off the passing ropes on the inboard side or a clear indication of how and where they extend to.
    The Pandora book drawings seem to show a line secured to the Quarter rail; the kit instructions seem to pass over this awkward little detail.

    8713
    Fixing of the double crane ropes.

    8715

    8714
    A small eyebolt is fitted to the Quarter rail  timberhead to secure the inner crane passing rope.
     
    The above photos show how I finally decided to tackle the passing ropes in this area, which is my best guestimate, but I offer no guarantee of authenticity.

    8712
    The Foc’sle end is less problematic.

    8731

    8722

    8720(2)

    8725(2)

    8723
    I think on balance the model looks better with passing ropes in place, so they will remain.
     
    I’m also finding lots of little areas needing paint touch-ins, a process that will probably continue for a while.
     
    Then there’s the dust.🙄
     
     
    B.E.
    09/10/2022
    Night of the Hunters Moon 🌕
     
     
     
  8. Wow!
    Beef Wellington got a reaction from Knocklouder in HMS Jason by Beef Wellington - Caldercraft - 1:64 - Artois-class frigate modified from HMS Diana 1794   
    Foc's'l Planking Wrap-up:
     
    Foc's'l and gangway planking is now complete.  Hopefully photo's tell the story.
     
    The position of the cathead has been estimated, and a rather bizare planking arrangement was used to hopefully ensure that this will look OK once the cathead is finally installed, basically wanted the planking to be as prototypical as possible, although this will mean staring at a rather jarring joint until this is installed.  The second photo in the series below shows how I'm anticipating this will look once the cathead is in place, and which will essentially hide the joint of the waterway and the artificial planking arrangement.  Once the angle of the plank-waterway termination was less than 45 deg, a switch was made to hooking the ends of the planks, and each of these had to be cut and shaped from 6mm strip (these were tapered the same as before)

    The process was continued until the area was complete.  The only deviation being that the last 2 planks on each side were tweaked a little more to try to get these as even looking as possible, and of course the last plank being the most laborious to get an acceptable fit. It is hard to see in the photos, but the curve of the plank can be challenge to ensure that the simulated caulking looks as consistent as possible.  I eperience this challenge on the quaterdeck as well, but a solution that helped here was the use of thin plates of clear mica to help position these as consistently as possible until glue sets (I use PVA glue almost exclusively for planking).

    The gangway planking in the waste was pretty straightforward, (in fact the only non-shaped planks on the entire top deck) and comprised almost my last acceptable pieces 4mm maple strip.  It was very close, but I did not run out thankfully.  Photo below shows how the gangway planking 'sits' on the lip of the entryway platforms that form part of the quarterdeck.  The gangway does not have a waterway.

    Finally, some overall shots of the top deck, the foc's'l has not been scraped or cleaned up at all yet, which will be the next task.  The question I ask myself is whether the time and effort to taper the foc's'l planking was worth it.  I suspect that anyone looking at this would never notice as the final effect is very subtle, but I can't help but feel that the reason this is hard to see is simply because it complements the shape of the foc's'l without drawing attention to itself.  Overall, I am very pleased with the result, and with this almost complete, it will be nice to be able to turn to other tasks.

  9. Like
    Beef Wellington got a reaction from clogger in HMS Jason by Beef Wellington - Caldercraft - 1:64 - Artois-class frigate modified from HMS Diana 1794   
    Hancing pieces and volutes....
     
    I'm a little embarrassed that it has been so long that I've been away, somewhat from the shipyard but also this wonderful site.  With the weather starting to turn and a bit more available time it seemed a good time to get back into things and try to pick up from a point that I left a little disheartened so many months ago.  To be able to move forward, I had to come up with a solution for the hancing pieces which should then really allow much of the final hull form to be finalised.  The problem I faced stemmed from the fact that I had to come up with a hancing piece volute 6mm high (per NMM plans) to transition the upper rails into the waist, and following a profile already established for the other rails.  Although these are not large details, they are features that to my eye need to be sufficiently elegant and accurate to avoid detracting from the lines of the hull.  I tried many different approaches, but here is the one that worked best for me and provided a method of construction that allowed consistent results.  I'll apologize in advance for quality of the photographs, I was so focused on the work and forgot to check the photo quality as I progressed.
     
    2.2 mm holes were drilled using a pin vise into some 2mm pear wood (actually 1.5mm + 0.5mm pear laminated together cross grain because I didn't have any 2mm sheet stock), this matches the starting thickness used for the upper rails which started as 2x2mm square strip.  (A 2.2mm hole was found through visual trial and error to introduce the gradual narrowing of the rail into the end of the volute).  A 1.5mm diameter recess was then carefully made at the edge using a round needle file at 45deg to the bottom of the hole.  Each 'blank' was then cut from the sheet, given a slight reduced profile using an exacto blade, and a thin cut made above the filed lobe (explanation below). 

    Small sections of 1.5mm diameter pear dowel were then glued into the 1.5mm recess, so they very slightly protruded above the top of the block.  Sufficient PVA glue was used to ensure that these were well bonded.  Once dry, a the top of the blanks were gently cut back and carefully finished against a circular sander so that the top edge of the blank was tangential to the top of the 2.2mm drilled hole (the cut previously made above the recess allows this section to release easily as it will no longer be needed.

    A length of 2x2mm pear wood strip was scraped with the same molding profile as used previously in the build, but care taken to leave an untouched section toward the end.  The volute blanks were then attached to the unfinished end of the scraped molding.  PVA glue was used generously, and left to dry overnight to ensure a full strength bond.  Once dry, the excess was then carefully cut away to give proportions pleasing to the eye (mine at least) and ensure that the final volute form would be 6mm high.  The rough cut was then very carefully reduced to its final shape using various grades of sanding sticks.

     
    Once the final shape was achieved, a profile needed to be introduced to match, and transition as smoothly as possible from the molding strip into the curve of the volute.  To do this I needed to create a second scraper profile at the very edge of a razor blade to work on the volute curve effectively (the scraper profile used previously for strip had been centered to give best control on straight strip).  This was performed very slowly as catastrophic failure would be very easy!  While it is true that it took multiple experiments to get this method down, it did work well and the four needed volutes were all first time efforts with no rework, and despite the many imperfections highlighted by the macro lens, the results to the naked eye exceeded my expectations.

    In position, the volutes will now allow final shaping of the hull profile.  Onto the next challenges!

  10. Like
    Beef Wellington got a reaction from hollowneck in HMS Jason by Beef Wellington - Caldercraft - 1:64 - Artois-class frigate modified from HMS Diana 1794   
    Hancing pieces and volutes....
     
    I'm a little embarrassed that it has been so long that I've been away, somewhat from the shipyard but also this wonderful site.  With the weather starting to turn and a bit more available time it seemed a good time to get back into things and try to pick up from a point that I left a little disheartened so many months ago.  To be able to move forward, I had to come up with a solution for the hancing pieces which should then really allow much of the final hull form to be finalised.  The problem I faced stemmed from the fact that I had to come up with a hancing piece volute 6mm high (per NMM plans) to transition the upper rails into the waist, and following a profile already established for the other rails.  Although these are not large details, they are features that to my eye need to be sufficiently elegant and accurate to avoid detracting from the lines of the hull.  I tried many different approaches, but here is the one that worked best for me and provided a method of construction that allowed consistent results.  I'll apologize in advance for quality of the photographs, I was so focused on the work and forgot to check the photo quality as I progressed.
     
    2.2 mm holes were drilled using a pin vise into some 2mm pear wood (actually 1.5mm + 0.5mm pear laminated together cross grain because I didn't have any 2mm sheet stock), this matches the starting thickness used for the upper rails which started as 2x2mm square strip.  (A 2.2mm hole was found through visual trial and error to introduce the gradual narrowing of the rail into the end of the volute).  A 1.5mm diameter recess was then carefully made at the edge using a round needle file at 45deg to the bottom of the hole.  Each 'blank' was then cut from the sheet, given a slight reduced profile using an exacto blade, and a thin cut made above the filed lobe (explanation below). 

    Small sections of 1.5mm diameter pear dowel were then glued into the 1.5mm recess, so they very slightly protruded above the top of the block.  Sufficient PVA glue was used to ensure that these were well bonded.  Once dry, a the top of the blanks were gently cut back and carefully finished against a circular sander so that the top edge of the blank was tangential to the top of the 2.2mm drilled hole (the cut previously made above the recess allows this section to release easily as it will no longer be needed.

    A length of 2x2mm pear wood strip was scraped with the same molding profile as used previously in the build, but care taken to leave an untouched section toward the end.  The volute blanks were then attached to the unfinished end of the scraped molding.  PVA glue was used generously, and left to dry overnight to ensure a full strength bond.  Once dry, the excess was then carefully cut away to give proportions pleasing to the eye (mine at least) and ensure that the final volute form would be 6mm high.  The rough cut was then very carefully reduced to its final shape using various grades of sanding sticks.

     
    Once the final shape was achieved, a profile needed to be introduced to match, and transition as smoothly as possible from the molding strip into the curve of the volute.  To do this I needed to create a second scraper profile at the very edge of a razor blade to work on the volute curve effectively (the scraper profile used previously for strip had been centered to give best control on straight strip).  This was performed very slowly as catastrophic failure would be very easy!  While it is true that it took multiple experiments to get this method down, it did work well and the four needed volutes were all first time efforts with no rework, and despite the many imperfections highlighted by the macro lens, the results to the naked eye exceeded my expectations.

    In position, the volutes will now allow final shaping of the hull profile.  Onto the next challenges!

  11. Like
    Beef Wellington got a reaction from Knocklouder in HMS Diana by DavidEN - Caldercraft - 1:64   
    Very much enjoyed catching up on your progress David.  If only progress could be as speedy as reading a build log.  Great to see some of the techniques you're using, and I totally agree the carronades need some serious TLC, yours came out very nice. 
  12. Wow!
    Beef Wellington got a reaction from Ian_Grant in HMS Jason by Beef Wellington - Caldercraft - 1:64 - Artois-class frigate modified from HMS Diana 1794   
    Hancing pieces and volutes....
     
    I'm a little embarrassed that it has been so long that I've been away, somewhat from the shipyard but also this wonderful site.  With the weather starting to turn and a bit more available time it seemed a good time to get back into things and try to pick up from a point that I left a little disheartened so many months ago.  To be able to move forward, I had to come up with a solution for the hancing pieces which should then really allow much of the final hull form to be finalised.  The problem I faced stemmed from the fact that I had to come up with a hancing piece volute 6mm high (per NMM plans) to transition the upper rails into the waist, and following a profile already established for the other rails.  Although these are not large details, they are features that to my eye need to be sufficiently elegant and accurate to avoid detracting from the lines of the hull.  I tried many different approaches, but here is the one that worked best for me and provided a method of construction that allowed consistent results.  I'll apologize in advance for quality of the photographs, I was so focused on the work and forgot to check the photo quality as I progressed.
     
    2.2 mm holes were drilled using a pin vise into some 2mm pear wood (actually 1.5mm + 0.5mm pear laminated together cross grain because I didn't have any 2mm sheet stock), this matches the starting thickness used for the upper rails which started as 2x2mm square strip.  (A 2.2mm hole was found through visual trial and error to introduce the gradual narrowing of the rail into the end of the volute).  A 1.5mm diameter recess was then carefully made at the edge using a round needle file at 45deg to the bottom of the hole.  Each 'blank' was then cut from the sheet, given a slight reduced profile using an exacto blade, and a thin cut made above the filed lobe (explanation below). 

    Small sections of 1.5mm diameter pear dowel were then glued into the 1.5mm recess, so they very slightly protruded above the top of the block.  Sufficient PVA glue was used to ensure that these were well bonded.  Once dry, a the top of the blanks were gently cut back and carefully finished against a circular sander so that the top edge of the blank was tangential to the top of the 2.2mm drilled hole (the cut previously made above the recess allows this section to release easily as it will no longer be needed.

    A length of 2x2mm pear wood strip was scraped with the same molding profile as used previously in the build, but care taken to leave an untouched section toward the end.  The volute blanks were then attached to the unfinished end of the scraped molding.  PVA glue was used generously, and left to dry overnight to ensure a full strength bond.  Once dry, the excess was then carefully cut away to give proportions pleasing to the eye (mine at least) and ensure that the final volute form would be 6mm high.  The rough cut was then very carefully reduced to its final shape using various grades of sanding sticks.

     
    Once the final shape was achieved, a profile needed to be introduced to match, and transition as smoothly as possible from the molding strip into the curve of the volute.  To do this I needed to create a second scraper profile at the very edge of a razor blade to work on the volute curve effectively (the scraper profile used previously for strip had been centered to give best control on straight strip).  This was performed very slowly as catastrophic failure would be very easy!  While it is true that it took multiple experiments to get this method down, it did work well and the four needed volutes were all first time efforts with no rework, and despite the many imperfections highlighted by the macro lens, the results to the naked eye exceeded my expectations.

    In position, the volutes will now allow final shaping of the hull profile.  Onto the next challenges!

  13. Like
    Beef Wellington got a reaction from Chuck in HMS Jason by Beef Wellington - Caldercraft - 1:64 - Artois-class frigate modified from HMS Diana 1794   
    Hancing pieces and volutes....
     
    I'm a little embarrassed that it has been so long that I've been away, somewhat from the shipyard but also this wonderful site.  With the weather starting to turn and a bit more available time it seemed a good time to get back into things and try to pick up from a point that I left a little disheartened so many months ago.  To be able to move forward, I had to come up with a solution for the hancing pieces which should then really allow much of the final hull form to be finalised.  The problem I faced stemmed from the fact that I had to come up with a hancing piece volute 6mm high (per NMM plans) to transition the upper rails into the waist, and following a profile already established for the other rails.  Although these are not large details, they are features that to my eye need to be sufficiently elegant and accurate to avoid detracting from the lines of the hull.  I tried many different approaches, but here is the one that worked best for me and provided a method of construction that allowed consistent results.  I'll apologize in advance for quality of the photographs, I was so focused on the work and forgot to check the photo quality as I progressed.
     
    2.2 mm holes were drilled using a pin vise into some 2mm pear wood (actually 1.5mm + 0.5mm pear laminated together cross grain because I didn't have any 2mm sheet stock), this matches the starting thickness used for the upper rails which started as 2x2mm square strip.  (A 2.2mm hole was found through visual trial and error to introduce the gradual narrowing of the rail into the end of the volute).  A 1.5mm diameter recess was then carefully made at the edge using a round needle file at 45deg to the bottom of the hole.  Each 'blank' was then cut from the sheet, given a slight reduced profile using an exacto blade, and a thin cut made above the filed lobe (explanation below). 

    Small sections of 1.5mm diameter pear dowel were then glued into the 1.5mm recess, so they very slightly protruded above the top of the block.  Sufficient PVA glue was used to ensure that these were well bonded.  Once dry, a the top of the blanks were gently cut back and carefully finished against a circular sander so that the top edge of the blank was tangential to the top of the 2.2mm drilled hole (the cut previously made above the recess allows this section to release easily as it will no longer be needed.

    A length of 2x2mm pear wood strip was scraped with the same molding profile as used previously in the build, but care taken to leave an untouched section toward the end.  The volute blanks were then attached to the unfinished end of the scraped molding.  PVA glue was used generously, and left to dry overnight to ensure a full strength bond.  Once dry, the excess was then carefully cut away to give proportions pleasing to the eye (mine at least) and ensure that the final volute form would be 6mm high.  The rough cut was then very carefully reduced to its final shape using various grades of sanding sticks.

     
    Once the final shape was achieved, a profile needed to be introduced to match, and transition as smoothly as possible from the molding strip into the curve of the volute.  To do this I needed to create a second scraper profile at the very edge of a razor blade to work on the volute curve effectively (the scraper profile used previously for strip had been centered to give best control on straight strip).  This was performed very slowly as catastrophic failure would be very easy!  While it is true that it took multiple experiments to get this method down, it did work well and the four needed volutes were all first time efforts with no rework, and despite the many imperfections highlighted by the macro lens, the results to the naked eye exceeded my expectations.

    In position, the volutes will now allow final shaping of the hull profile.  Onto the next challenges!

  14. Like
    Beef Wellington got a reaction from Heimdahl in HMS Jason by Beef Wellington - Caldercraft - 1:64 - Artois-class frigate modified from HMS Diana 1794   
    Hancing pieces and volutes....
     
    I'm a little embarrassed that it has been so long that I've been away, somewhat from the shipyard but also this wonderful site.  With the weather starting to turn and a bit more available time it seemed a good time to get back into things and try to pick up from a point that I left a little disheartened so many months ago.  To be able to move forward, I had to come up with a solution for the hancing pieces which should then really allow much of the final hull form to be finalised.  The problem I faced stemmed from the fact that I had to come up with a hancing piece volute 6mm high (per NMM plans) to transition the upper rails into the waist, and following a profile already established for the other rails.  Although these are not large details, they are features that to my eye need to be sufficiently elegant and accurate to avoid detracting from the lines of the hull.  I tried many different approaches, but here is the one that worked best for me and provided a method of construction that allowed consistent results.  I'll apologize in advance for quality of the photographs, I was so focused on the work and forgot to check the photo quality as I progressed.
     
    2.2 mm holes were drilled using a pin vise into some 2mm pear wood (actually 1.5mm + 0.5mm pear laminated together cross grain because I didn't have any 2mm sheet stock), this matches the starting thickness used for the upper rails which started as 2x2mm square strip.  (A 2.2mm hole was found through visual trial and error to introduce the gradual narrowing of the rail into the end of the volute).  A 1.5mm diameter recess was then carefully made at the edge using a round needle file at 45deg to the bottom of the hole.  Each 'blank' was then cut from the sheet, given a slight reduced profile using an exacto blade, and a thin cut made above the filed lobe (explanation below). 

    Small sections of 1.5mm diameter pear dowel were then glued into the 1.5mm recess, so they very slightly protruded above the top of the block.  Sufficient PVA glue was used to ensure that these were well bonded.  Once dry, a the top of the blanks were gently cut back and carefully finished against a circular sander so that the top edge of the blank was tangential to the top of the 2.2mm drilled hole (the cut previously made above the recess allows this section to release easily as it will no longer be needed.

    A length of 2x2mm pear wood strip was scraped with the same molding profile as used previously in the build, but care taken to leave an untouched section toward the end.  The volute blanks were then attached to the unfinished end of the scraped molding.  PVA glue was used generously, and left to dry overnight to ensure a full strength bond.  Once dry, the excess was then carefully cut away to give proportions pleasing to the eye (mine at least) and ensure that the final volute form would be 6mm high.  The rough cut was then very carefully reduced to its final shape using various grades of sanding sticks.

     
    Once the final shape was achieved, a profile needed to be introduced to match, and transition as smoothly as possible from the molding strip into the curve of the volute.  To do this I needed to create a second scraper profile at the very edge of a razor blade to work on the volute curve effectively (the scraper profile used previously for strip had been centered to give best control on straight strip).  This was performed very slowly as catastrophic failure would be very easy!  While it is true that it took multiple experiments to get this method down, it did work well and the four needed volutes were all first time efforts with no rework, and despite the many imperfections highlighted by the macro lens, the results to the naked eye exceeded my expectations.

    In position, the volutes will now allow final shaping of the hull profile.  Onto the next challenges!

  15. Like
    Beef Wellington got a reaction from CiscoH in HMS Jason by Beef Wellington - Caldercraft - 1:64 - Artois-class frigate modified from HMS Diana 1794   
    Hancing pieces and volutes....
     
    I'm a little embarrassed that it has been so long that I've been away, somewhat from the shipyard but also this wonderful site.  With the weather starting to turn and a bit more available time it seemed a good time to get back into things and try to pick up from a point that I left a little disheartened so many months ago.  To be able to move forward, I had to come up with a solution for the hancing pieces which should then really allow much of the final hull form to be finalised.  The problem I faced stemmed from the fact that I had to come up with a hancing piece volute 6mm high (per NMM plans) to transition the upper rails into the waist, and following a profile already established for the other rails.  Although these are not large details, they are features that to my eye need to be sufficiently elegant and accurate to avoid detracting from the lines of the hull.  I tried many different approaches, but here is the one that worked best for me and provided a method of construction that allowed consistent results.  I'll apologize in advance for quality of the photographs, I was so focused on the work and forgot to check the photo quality as I progressed.
     
    2.2 mm holes were drilled using a pin vise into some 2mm pear wood (actually 1.5mm + 0.5mm pear laminated together cross grain because I didn't have any 2mm sheet stock), this matches the starting thickness used for the upper rails which started as 2x2mm square strip.  (A 2.2mm hole was found through visual trial and error to introduce the gradual narrowing of the rail into the end of the volute).  A 1.5mm diameter recess was then carefully made at the edge using a round needle file at 45deg to the bottom of the hole.  Each 'blank' was then cut from the sheet, given a slight reduced profile using an exacto blade, and a thin cut made above the filed lobe (explanation below). 

    Small sections of 1.5mm diameter pear dowel were then glued into the 1.5mm recess, so they very slightly protruded above the top of the block.  Sufficient PVA glue was used to ensure that these were well bonded.  Once dry, a the top of the blanks were gently cut back and carefully finished against a circular sander so that the top edge of the blank was tangential to the top of the 2.2mm drilled hole (the cut previously made above the recess allows this section to release easily as it will no longer be needed.

    A length of 2x2mm pear wood strip was scraped with the same molding profile as used previously in the build, but care taken to leave an untouched section toward the end.  The volute blanks were then attached to the unfinished end of the scraped molding.  PVA glue was used generously, and left to dry overnight to ensure a full strength bond.  Once dry, the excess was then carefully cut away to give proportions pleasing to the eye (mine at least) and ensure that the final volute form would be 6mm high.  The rough cut was then very carefully reduced to its final shape using various grades of sanding sticks.

     
    Once the final shape was achieved, a profile needed to be introduced to match, and transition as smoothly as possible from the molding strip into the curve of the volute.  To do this I needed to create a second scraper profile at the very edge of a razor blade to work on the volute curve effectively (the scraper profile used previously for strip had been centered to give best control on straight strip).  This was performed very slowly as catastrophic failure would be very easy!  While it is true that it took multiple experiments to get this method down, it did work well and the four needed volutes were all first time efforts with no rework, and despite the many imperfections highlighted by the macro lens, the results to the naked eye exceeded my expectations.

    In position, the volutes will now allow final shaping of the hull profile.  Onto the next challenges!

  16. Wow!
    Beef Wellington got a reaction from BenD in HMS Jason by Beef Wellington - Caldercraft - 1:64 - Artois-class frigate modified from HMS Diana 1794   
    Hancing pieces and volutes....
     
    I'm a little embarrassed that it has been so long that I've been away, somewhat from the shipyard but also this wonderful site.  With the weather starting to turn and a bit more available time it seemed a good time to get back into things and try to pick up from a point that I left a little disheartened so many months ago.  To be able to move forward, I had to come up with a solution for the hancing pieces which should then really allow much of the final hull form to be finalised.  The problem I faced stemmed from the fact that I had to come up with a hancing piece volute 6mm high (per NMM plans) to transition the upper rails into the waist, and following a profile already established for the other rails.  Although these are not large details, they are features that to my eye need to be sufficiently elegant and accurate to avoid detracting from the lines of the hull.  I tried many different approaches, but here is the one that worked best for me and provided a method of construction that allowed consistent results.  I'll apologize in advance for quality of the photographs, I was so focused on the work and forgot to check the photo quality as I progressed.
     
    2.2 mm holes were drilled using a pin vise into some 2mm pear wood (actually 1.5mm + 0.5mm pear laminated together cross grain because I didn't have any 2mm sheet stock), this matches the starting thickness used for the upper rails which started as 2x2mm square strip.  (A 2.2mm hole was found through visual trial and error to introduce the gradual narrowing of the rail into the end of the volute).  A 1.5mm diameter recess was then carefully made at the edge using a round needle file at 45deg to the bottom of the hole.  Each 'blank' was then cut from the sheet, given a slight reduced profile using an exacto blade, and a thin cut made above the filed lobe (explanation below). 

    Small sections of 1.5mm diameter pear dowel were then glued into the 1.5mm recess, so they very slightly protruded above the top of the block.  Sufficient PVA glue was used to ensure that these were well bonded.  Once dry, a the top of the blanks were gently cut back and carefully finished against a circular sander so that the top edge of the blank was tangential to the top of the 2.2mm drilled hole (the cut previously made above the recess allows this section to release easily as it will no longer be needed.

    A length of 2x2mm pear wood strip was scraped with the same molding profile as used previously in the build, but care taken to leave an untouched section toward the end.  The volute blanks were then attached to the unfinished end of the scraped molding.  PVA glue was used generously, and left to dry overnight to ensure a full strength bond.  Once dry, the excess was then carefully cut away to give proportions pleasing to the eye (mine at least) and ensure that the final volute form would be 6mm high.  The rough cut was then very carefully reduced to its final shape using various grades of sanding sticks.

     
    Once the final shape was achieved, a profile needed to be introduced to match, and transition as smoothly as possible from the molding strip into the curve of the volute.  To do this I needed to create a second scraper profile at the very edge of a razor blade to work on the volute curve effectively (the scraper profile used previously for strip had been centered to give best control on straight strip).  This was performed very slowly as catastrophic failure would be very easy!  While it is true that it took multiple experiments to get this method down, it did work well and the four needed volutes were all first time efforts with no rework, and despite the many imperfections highlighted by the macro lens, the results to the naked eye exceeded my expectations.

    In position, the volutes will now allow final shaping of the hull profile.  Onto the next challenges!

  17. Wow!
    Beef Wellington got a reaction from egkb in HMS Jason by Beef Wellington - Caldercraft - 1:64 - Artois-class frigate modified from HMS Diana 1794   
    Hancing pieces and volutes....
     
    I'm a little embarrassed that it has been so long that I've been away, somewhat from the shipyard but also this wonderful site.  With the weather starting to turn and a bit more available time it seemed a good time to get back into things and try to pick up from a point that I left a little disheartened so many months ago.  To be able to move forward, I had to come up with a solution for the hancing pieces which should then really allow much of the final hull form to be finalised.  The problem I faced stemmed from the fact that I had to come up with a hancing piece volute 6mm high (per NMM plans) to transition the upper rails into the waist, and following a profile already established for the other rails.  Although these are not large details, they are features that to my eye need to be sufficiently elegant and accurate to avoid detracting from the lines of the hull.  I tried many different approaches, but here is the one that worked best for me and provided a method of construction that allowed consistent results.  I'll apologize in advance for quality of the photographs, I was so focused on the work and forgot to check the photo quality as I progressed.
     
    2.2 mm holes were drilled using a pin vise into some 2mm pear wood (actually 1.5mm + 0.5mm pear laminated together cross grain because I didn't have any 2mm sheet stock), this matches the starting thickness used for the upper rails which started as 2x2mm square strip.  (A 2.2mm hole was found through visual trial and error to introduce the gradual narrowing of the rail into the end of the volute).  A 1.5mm diameter recess was then carefully made at the edge using a round needle file at 45deg to the bottom of the hole.  Each 'blank' was then cut from the sheet, given a slight reduced profile using an exacto blade, and a thin cut made above the filed lobe (explanation below). 

    Small sections of 1.5mm diameter pear dowel were then glued into the 1.5mm recess, so they very slightly protruded above the top of the block.  Sufficient PVA glue was used to ensure that these were well bonded.  Once dry, a the top of the blanks were gently cut back and carefully finished against a circular sander so that the top edge of the blank was tangential to the top of the 2.2mm drilled hole (the cut previously made above the recess allows this section to release easily as it will no longer be needed.

    A length of 2x2mm pear wood strip was scraped with the same molding profile as used previously in the build, but care taken to leave an untouched section toward the end.  The volute blanks were then attached to the unfinished end of the scraped molding.  PVA glue was used generously, and left to dry overnight to ensure a full strength bond.  Once dry, the excess was then carefully cut away to give proportions pleasing to the eye (mine at least) and ensure that the final volute form would be 6mm high.  The rough cut was then very carefully reduced to its final shape using various grades of sanding sticks.

     
    Once the final shape was achieved, a profile needed to be introduced to match, and transition as smoothly as possible from the molding strip into the curve of the volute.  To do this I needed to create a second scraper profile at the very edge of a razor blade to work on the volute curve effectively (the scraper profile used previously for strip had been centered to give best control on straight strip).  This was performed very slowly as catastrophic failure would be very easy!  While it is true that it took multiple experiments to get this method down, it did work well and the four needed volutes were all first time efforts with no rework, and despite the many imperfections highlighted by the macro lens, the results to the naked eye exceeded my expectations.

    In position, the volutes will now allow final shaping of the hull profile.  Onto the next challenges!

  18. Wow!
    Beef Wellington got a reaction from drtrap in HMS Jason by Beef Wellington - Caldercraft - 1:64 - Artois-class frigate modified from HMS Diana 1794   
    Hancing pieces and volutes....
     
    I'm a little embarrassed that it has been so long that I've been away, somewhat from the shipyard but also this wonderful site.  With the weather starting to turn and a bit more available time it seemed a good time to get back into things and try to pick up from a point that I left a little disheartened so many months ago.  To be able to move forward, I had to come up with a solution for the hancing pieces which should then really allow much of the final hull form to be finalised.  The problem I faced stemmed from the fact that I had to come up with a hancing piece volute 6mm high (per NMM plans) to transition the upper rails into the waist, and following a profile already established for the other rails.  Although these are not large details, they are features that to my eye need to be sufficiently elegant and accurate to avoid detracting from the lines of the hull.  I tried many different approaches, but here is the one that worked best for me and provided a method of construction that allowed consistent results.  I'll apologize in advance for quality of the photographs, I was so focused on the work and forgot to check the photo quality as I progressed.
     
    2.2 mm holes were drilled using a pin vise into some 2mm pear wood (actually 1.5mm + 0.5mm pear laminated together cross grain because I didn't have any 2mm sheet stock), this matches the starting thickness used for the upper rails which started as 2x2mm square strip.  (A 2.2mm hole was found through visual trial and error to introduce the gradual narrowing of the rail into the end of the volute).  A 1.5mm diameter recess was then carefully made at the edge using a round needle file at 45deg to the bottom of the hole.  Each 'blank' was then cut from the sheet, given a slight reduced profile using an exacto blade, and a thin cut made above the filed lobe (explanation below). 

    Small sections of 1.5mm diameter pear dowel were then glued into the 1.5mm recess, so they very slightly protruded above the top of the block.  Sufficient PVA glue was used to ensure that these were well bonded.  Once dry, a the top of the blanks were gently cut back and carefully finished against a circular sander so that the top edge of the blank was tangential to the top of the 2.2mm drilled hole (the cut previously made above the recess allows this section to release easily as it will no longer be needed.

    A length of 2x2mm pear wood strip was scraped with the same molding profile as used previously in the build, but care taken to leave an untouched section toward the end.  The volute blanks were then attached to the unfinished end of the scraped molding.  PVA glue was used generously, and left to dry overnight to ensure a full strength bond.  Once dry, the excess was then carefully cut away to give proportions pleasing to the eye (mine at least) and ensure that the final volute form would be 6mm high.  The rough cut was then very carefully reduced to its final shape using various grades of sanding sticks.

     
    Once the final shape was achieved, a profile needed to be introduced to match, and transition as smoothly as possible from the molding strip into the curve of the volute.  To do this I needed to create a second scraper profile at the very edge of a razor blade to work on the volute curve effectively (the scraper profile used previously for strip had been centered to give best control on straight strip).  This was performed very slowly as catastrophic failure would be very easy!  While it is true that it took multiple experiments to get this method down, it did work well and the four needed volutes were all first time efforts with no rework, and despite the many imperfections highlighted by the macro lens, the results to the naked eye exceeded my expectations.

    In position, the volutes will now allow final shaping of the hull profile.  Onto the next challenges!

  19. Like
    Beef Wellington got a reaction from ccoyle in HMS Jason by Beef Wellington - Caldercraft - 1:64 - Artois-class frigate modified from HMS Diana 1794   
    Hancing pieces and volutes....
     
    I'm a little embarrassed that it has been so long that I've been away, somewhat from the shipyard but also this wonderful site.  With the weather starting to turn and a bit more available time it seemed a good time to get back into things and try to pick up from a point that I left a little disheartened so many months ago.  To be able to move forward, I had to come up with a solution for the hancing pieces which should then really allow much of the final hull form to be finalised.  The problem I faced stemmed from the fact that I had to come up with a hancing piece volute 6mm high (per NMM plans) to transition the upper rails into the waist, and following a profile already established for the other rails.  Although these are not large details, they are features that to my eye need to be sufficiently elegant and accurate to avoid detracting from the lines of the hull.  I tried many different approaches, but here is the one that worked best for me and provided a method of construction that allowed consistent results.  I'll apologize in advance for quality of the photographs, I was so focused on the work and forgot to check the photo quality as I progressed.
     
    2.2 mm holes were drilled using a pin vise into some 2mm pear wood (actually 1.5mm + 0.5mm pear laminated together cross grain because I didn't have any 2mm sheet stock), this matches the starting thickness used for the upper rails which started as 2x2mm square strip.  (A 2.2mm hole was found through visual trial and error to introduce the gradual narrowing of the rail into the end of the volute).  A 1.5mm diameter recess was then carefully made at the edge using a round needle file at 45deg to the bottom of the hole.  Each 'blank' was then cut from the sheet, given a slight reduced profile using an exacto blade, and a thin cut made above the filed lobe (explanation below). 

    Small sections of 1.5mm diameter pear dowel were then glued into the 1.5mm recess, so they very slightly protruded above the top of the block.  Sufficient PVA glue was used to ensure that these were well bonded.  Once dry, a the top of the blanks were gently cut back and carefully finished against a circular sander so that the top edge of the blank was tangential to the top of the 2.2mm drilled hole (the cut previously made above the recess allows this section to release easily as it will no longer be needed.

    A length of 2x2mm pear wood strip was scraped with the same molding profile as used previously in the build, but care taken to leave an untouched section toward the end.  The volute blanks were then attached to the unfinished end of the scraped molding.  PVA glue was used generously, and left to dry overnight to ensure a full strength bond.  Once dry, the excess was then carefully cut away to give proportions pleasing to the eye (mine at least) and ensure that the final volute form would be 6mm high.  The rough cut was then very carefully reduced to its final shape using various grades of sanding sticks.

     
    Once the final shape was achieved, a profile needed to be introduced to match, and transition as smoothly as possible from the molding strip into the curve of the volute.  To do this I needed to create a second scraper profile at the very edge of a razor blade to work on the volute curve effectively (the scraper profile used previously for strip had been centered to give best control on straight strip).  This was performed very slowly as catastrophic failure would be very easy!  While it is true that it took multiple experiments to get this method down, it did work well and the four needed volutes were all first time efforts with no rework, and despite the many imperfections highlighted by the macro lens, the results to the naked eye exceeded my expectations.

    In position, the volutes will now allow final shaping of the hull profile.  Onto the next challenges!

  20. Like
    Beef Wellington got a reaction from tlevine in What are these?   
    Like many things, I believe it depends on the period and the nation in question.  From what I understand, the iron T-plates gradually replaced the wooden knees as metalwork became more prevalent in late 18th century.  Thanasis' post above shows the redundancy that seems to be in place by having both - which probably did occur during the transition, and seems to have been ubiquitous through the history of ships.
  21. Like
    Beef Wellington got a reaction from DaveBaxt in HMS Diana by DavidEN - Caldercraft - 1:64   
    Very much enjoyed catching up on your progress David.  If only progress could be as speedy as reading a build log.  Great to see some of the techniques you're using, and I totally agree the carronades need some serious TLC, yours came out very nice. 
  22. Like
    Beef Wellington reacted to DavidEN in HMS Diana by DavidEN - Caldercraft - 1:64   
    A small update. My 2.4mm diameter polyester cable laid rope arrived from Ropes of Scale. Looking at the photo it was not dramatically different to the one that I had already installed so I was in two minds as to whether or not I was going to replace it. I eventually did but caused a lot of collateral damage when ripping out the old one. I dislodged shot lockers, lost cannonballs and tore out deck ringbolts. I was thinking that I had made a huge mistake but I persevered and think that the larger diameter does look better.


     

     


     
    I finished planking the quarterdeck. Not entirely happy with how this turned out and it revealed some dramatic asymmetry in my underlying structure. My carronade ports look like they have been built by the three bears. One is too low, one is too high and one is just right. I guess that it can all be disguised once it gets covered with equipment and rigging and when it becomes dustier and grimier. I now have to decide if I should press on and plank the forecastle or take a break from planking and do something else for a change.
     







     
     
  23. Like
    Beef Wellington reacted to DavidEN in HMS Diana by DavidEN - Caldercraft - 1:64   
    Parallel to the deck planking I have been fiddling around with the ship's boats. I made up the structure of the jolly boat using the kit parts. The supplied ply is fairly thick and results in the floor of the boat sitting quite high. Any sailor using the boat would be rowing with their knees up around their ears and I imagine they would be less than jolly. I purchased one of the Caldercraft upgraded mini kits which is an improvement but would still need a lot of work. I would like to have the planking visible on both the interior and exterior faces which would require both faces to be clad which would result in a very thick wall. My previous build was a whaling ship that had more than a handful of small boats brimming with detail. Perhaps that gave me some false confidence in the belief that I could build these boats from scratch.






    I started with a CAD drawing of the 24 ft cutter based on the AOTSD drawings. I initially formed the ribs using lofted shapes that would accommodate the fairing. It became clear that this would not be possible given the 1:64 scale of these boats. I simplified these ribs and increased their size as they would not have maintained their structural integrity at such a small scale. I initially tried to 3D print the entire structure in one go but that proved to be problematic. I ended up printing each of the ribs individually and then fitting them into slots in the printed keel. This produced a better result but the printed keel lacked the required stiffness and was prone to bending so I replaced that with one from walnut with milled slots. This was a much better solution. I added 3D printed details such as the gratings as these would have been very hard to make out of wood. The plan was that I would then add walnut cladding to the outside of the boat with maple forming the keelson and footwaling. You can notice a definite improvement through the series of prototypes from a tangle of plastic to something resembling a boat. I ended up throwing all of these in the bin as I had thought up some potential improvements to the structure that I needed to try out.
     

     





     




    I formed a much thicker base to the ribs to fit into a corresponding wider slot in the keel. This allows me to set the ribs more accurately in both the vertical and horizontal directions. I also introduced recesses in the ribs which would allow me to locate the position of the gunwale and rising. I carried on with this build through to planking although it was clear that I had somehow misinterpreted the drawings with relation to the rib locations so it was another one for the discarded pile.
     



     







    I reworked the CAD model and decided to build a 1:24 scale prototype to see how things were going to fit together. This was a lot easier to work with but ultimately it was not a very useful exercise as the tendency would be to add a level of detail that would not be feasible at the smaller scale.
     




    Using the updated CAD model I embarked on another prototype at the 1:64 scale. I was not entirely happy with how that was turning out so I added it to the ever growing pile of rejects and decided to go back to deck planking for a while. I will restart the small boat project at a later date by having a crack at the pinnace. I am not giving up yet despite the many setbacks and I still believe that it will be possible to produce something that is more accurate than the kit supplied item. It will just take a bit longer and more effort than I first thought.
     






     
  24. Like
    Beef Wellington reacted to DavidEN in HMS Diana by DavidEN - Caldercraft - 1:64   
    Started planking the quarterdeck with Maple. Slow work but quite therapeutic. As you can see I decided to set my scuttles flush with the deck without coamings. For a more vigorous discussion on the scuttle coaming dilemma you can refer to Dunnock's build so it needn't be repeated here.
     


     

     


    To give myself a break from the tedium of planking I started to investigate some of the other fixtures that are located on the quarterdeck. The kit supplied barricade that sits behind the main mast does not look that bad as one can see from the photograph shown on the box. The main difference from what is actually included in the kit is that the top and bottom rails are provided in walnut ply which would suggest that these will eventually have to be painted rather than have a natural wood finish.
     


    I had a look at the NMM drawings and this barricade is one of the fittings that is drawn in some detail. It is a bit fuzzy but with a modicum of artistic licence you can see that the balusters are not the bulbous vase form but resemble a truncated tuscan column. Of course it may be that the draughtsman had a classical bent but I think the drawing is probably closer to reality than the kit interpretation. The barricade also extends to the quarterdeck breast beam with an elaborate scroll and terminates in an ornate newel post. This detail is also present in the contemporary models. How this scroll joins to the top rail is quite ambiguous as is the detail of the bottom rail extension.
     


    To get a visualisation of this I knocked up a rough and ready CAD model based on the NMM drawings but I fear that I may have to resort to the kit supplied pieces as I do not think I can incorporate all of that detail at a scale of 1:64. I may waste an afternoon giving it a bash though.
     



     
  25. Like
    Beef Wellington reacted to DavidEN in HMS Diana by DavidEN - Caldercraft - 1:64   
    A somewhat frustrating week of modelling trying to fix the rudder. It all ended in tears with a spectacularly bungled effort as a result. The profile of my stern post was all wrong and I had waited too far into the build to start the installation so there was no real opportunity for the major remedial work required. The unmatched stern and rudder profiles meant that I had to fashion new pintles and gudgeons out of styrene and brass rod. This resulted in the gap between the rudder and the stern post being too wide. I thought about tearing the whole thing down and starting from scratch but I decided that I would just live with it.
     








    I went to install the rudder chains but I could not find the kit supplied chain. I remember seeing it but do not know where it has ended up. Luckily my previous build had a lot of chain rigging so I had a fair selection to choose a replacement from. I still have to darken this. I am working out how to do the darkening while the chain is still on the model as fixing it in place was a big headache that I want to avoid repeating.
     



     
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