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Posted (edited)

Thanks for the likes 😃.

 

On 4/22/2025 at 7:52 PM, Ronald-V said:

Very cool those decorations in combination with the windows! And the figurehead looks also very good! Well done! :) 

Thanks Ronald, much appreciated!

 

 

On 4/23/2025 at 7:42 AM, wvdhee said:

I had a look at heroforge too for my figurehead, but thought the hand and feet were too big. But printed it looks good tbh, or did you fiddle with it?

 

They are a bit cartoony by default, but you can just make the body size larger without changing hands, feet and head until the proportions look more realistic. I have done that for all the tests I have made. This is the only example where I have purchased the STL and printed it, but there will be more coming 😉.

 

Here's a few examples:

Screenshot_2025-04-25-09-34-02-76_40deb401b9ffe8e1df2f1cc5ba480b122.thumb.jpg.5b04087cb04b1245a7d3f1245d2e73ed.jpg

 

Screenshot_2025-04-25-09-33-32-48_40deb401b9ffe8e1df2f1cc5ba480b122.thumb.jpg.8a9b3b22a13e0a3a504ca7d84f42cd4e.jpg

 

Screenshot_2025-04-25-09-33-13-51_40deb401b9ffe8e1df2f1cc5ba480b122.thumb.jpg.3a94cffdc79960e8309609e4a2865bb5.jpg

Edited by TJM
  • 4 weeks later...
Posted (edited)

Log entry 25 - stern colour tests

 

While planking snails on, I have been trying a few options for the stern decorations on some mis-prints (I had a few, as I had a hole in the release film on my printer...).

 

IMG_20250521_214553.thumb.jpg.a62fd9ac78c747e944a56b009fdc1d91.jpg

The upper test uses non-metalics and I started with a medium brown, followed by yellow ocre with a few beige highlights. The second is using Vallejo Liquid Gold with a brown shade. I would do highlights as well jere, but decided at this point that I will be going the non metallic route.

 

Now for a few observations:

- I am woefully out of practice when it comes to painting miniatures. I did this for many, many years and while I never achieved mastery, I was a solid painter. Not so anymore!

- I really need new brushes. I don't have a detail brush that will keep a point or let the paint flow smoothly (I hope this is a big part of my bad performance here). Order placed.

- I need to start with a lighter tone of brown/yellow and use more colours in between. I have gotten away with this combo before, but on small parts. 

- these were quick tests, just around an hour of work. I will spend more time on the final piece.

- on a side note, the liquid metal paints from Vallejo absolutely destroys brushes and while coverage and finish is great, it cannot be applied to fine details (like the tiny poles on my friese) as it is super runny!

 

I am still waiting for new brushes, but I tried again with lighter colours on another scrap piece:

 

IMG_20250521_214426.thumb.jpg.dca338d070da09e4186c6358dfd7f767.jpg

 

Better, but still not satisfied. It looks fine from a distance and the macro shots reveal all the nasty stuff, but I would still like to do a little better than this. And I have only base coated the red flags for now. I would like the white cross of the Danish flag on the big one on the right, but I am not sure I can make it work.

 

Let's see what new paints and more time will do.

 

BR

TJM

Edited by TJM
Posted

TJM, to me this looks really good! Again, we are our own worst critics.
What doesn't look good to you may not even be noticed by another.

 

Please, visit our Facebook page!

 

Respectfully

 

Per aka Dr. Per@Therapy for Shipaholics 
593661798_Keepitreal-small.jpg.f8a2526a43b30479d4c1ffcf8b37175a.jpg

Finished: T37, BB Marie Jeanne - located on a shelf in Sweden, 18th Century Longboat, Winchelsea Capstan

Current: America by Constructo, Solö Ruff, USS Syren by MS, Bluenose by MS

Viking funeral: Harley almost a Harvey

Nautical Research Guild Member - 'Taint a hobby if you gotta hurry

Posted (edited)
2 hours ago, Nirvana said:

TJM, to me this looks really good! Again, we are our own worst critics.
What doesn't look good to you may not even be noticed by another.

Thank you for that, I really appreciate it. And yes I know we are all our own worst critics, but I just know I could do better once 😄.

Edited by TJM
Posted (edited)

Great job.

 

I like the top one the best. It just needs a bit more, it feels like it has the most depth. The issue is the mid tones need to be brighter so you need to extend what you have for highlights down over more of the surface and go for even higher values on the highlights.

 

In general it is better to make too much contrast as opposed to too little. You can smooth it all together with a thin glaze of your mid-tone once you are done if you think you went too bright. If you do this be careful that you don't let it pool in the recesses. It will have the consistency of a wash, but you don't want to use it like one.

 

Glazing over the transitions using the darker colour pulling from light to dark will also help with smoothing out the transitions if you are concerned about them.

Edited by Thukydides
Posted
7 minutes ago, Thukydides said:

Great job.

 

I like the top one the best. It just needs a bit more, it feels like it has the most depth. The issue is the mid tones need to be brighter so you need to extend what you have for highlights down over more of the surface and go for even higher values on the highlights.

 

In general it is better to make too much contrast as opposed to too little. You can smooth it all together with a thin glaze of your mid-tone once you are done if you think you went too bright. If you do this be careful that you don't let it pool in the recesses. It will have the consistency of a wash, but you don't want to use it like one.

 

Glazing over the transitions using the darker colour pulling from light to dark will also help with smoothing out the transitions if you are concerned about them.

Thank you! 

 

I remember all of these techniques when you mention them, but I am so rusty! So thanks for the great description here.

 

I am at least encouraged to try again and really try my best, keeping these points in mind - I think the postman has delivered my new brushes today, so....

  • 3 weeks later...
Posted

I have tried again with my new brushes and a few new paints and a wet pallette to keep the paints thin and flowing.

 

These are the steps I took:

 

1. Base coat yellow areas with a light brown:

IMG_20250608_191244.thumb.jpg.ecb7f780f4bfdaf2e01b6e898748d92a.jpg

 

2. main colour layer with yellow ochre.

 

3. Bace colour on the red areas:

IMG_20250608_191229.thumb.jpg.b4d275a26ef033163f96dfb8d8f213a5.jpg

 

4: wash all areas with brown wash.

 

5: go over with main yellow colour again.

 

6. Dark red wash on red areas

 

7. Highlights with a yellow/beige mix and a light red

 

8. final highlights with beige:

IMG_20250608_191213.thumb.jpg.04bcd131837e1344908a053862c599da.jpg

 

I am ok with this result and from normal viewing distance it looks totally fine.

A little unhappy about the monogram details though.

 

I am considering re-printing this but with the z-axis scaled to 150% or so. It should make it much easier to paint when the relief is not as shallow and it may still be ok in terms of overall thickness. It is very thin as it is.

 

But I would probably be ok with this one if it is the best I can get 🙂.

 

BR

TJM

 

Posted (edited)

I think that looks much better than your previous versions. Great jobQ

 

If you would like some suggestions to make it really pop, I would still go up a little higher in value on the highest highlights of the red. Maybe mix a bit of orange in with your red to get that highest highlight.

 

On the gold I would use pure white or maybe white with a little yellow in it and try and pick out the upper edges of the monogram and any sharp upper edge points such as the tips of the cannons. This would be really small dots/lines, but it will push that contrast just that bit higher.

Edited by Thukydides
  • 2 months later...
Posted

Log entry 26 - trying to model the side galleries

 

Hi everyone,

 

It has been quiet in this log for a good long while now - I have been on summer holydays, and after, I have been doing garden projects and working a bit on my Elben project.

 

But even though planking is going painfully slow, I am working on other parts of this build as well. One of them is the stern decorations and side aglleries. I had originally though I would just make up modified parts for the side galleries, but the more I though about it, getting close to the drawings seemed to me a difficult task. I therefore decided to try to model the whole side gallerie in 3D, hoping I will be able to 3D print the whole thing. 

 

I have no prior skills in this area, and I am not ready to start learning to actually model in a 3D CAD program, so I have been using some workarounds:

 

I am drawing simple parts based on the original scalled drawings in QCAD. Then I load these into Onscape and extrude them to a resonably close thickness (I can modify this later, so it does not need to be procise). Then I import into the slicing software I use for the 3D printer and build everything in there. This is surely a bad way of doung it, but the interface in the slicer is super simple and at the same time offers full flexibility when it comes to positioning and scaling parts - I just can't make any more advanced modifications to the individual parts, except for straight cuts! 

 

I am not done yet, but this is the current state of things:

 

Screenshot2025-09-07at21_05_38.thumb.png.67972834ab6edf9f0748077e3d33011d.png

 

Screenshot2025-09-07at21_05_54.thumb.png.c009b5cac57847a0babc460d90f9c2ea.png

 

Screenshot2025-09-07at21_06_09.thumb.png.bcb85aa7c9480821cd03a7d114e758bc.png

 

Screenshot2025-09-07at21_06_25.thumb.png.92248f52fe92190b662a07fcfcb0d11b.png

 

Screenshot2025-09-07at21_06_37.thumb.png.d96bcc5c242bcc6ebbe617738346b983.png

 

Screenshot2025-09-07at21_06_58.thumb.png.9cd683e23bd4a28ebb6b5c36bb558a9c.png

 

 

Here are the original drawing I am trying to approximate:

 

G2926.thumb.jpeg.fd9dfce774b3c55ed7b5f765bb6c4896.jpeg

 

I am happy with the overall shape, except for the very lowest portion of the side gallery - it is a very dificult geometry, and I just can't get it wide at the bottom. I may end up just deviating a bit from the drawings in this area. I have tried many multiple times and it just ends up looking bad. I would rather have a deviation from the original that looks good, than something cunky and ugly! 

 

I am still in the process of adding ornaments and I just started the modelling of the stern face. I am not sure I will 3D print the rear windows, but I would be nice to have the window frames match the side galleries, so maybe I will give it a shot. 

 

The friese is blank here - as you can see in the posts above, I have modelled the friese, but in a flat version. I figured a way to get the correct, thick 3D shape and I think I will import my other friese file and transfer the design to the curved surface. I will then re-print it to get a much better final shape of that piece. No matter what, I will print the stern friese and/or windows seperately from the two side galleries. 

 

I think I will do an export and make a test print before moving much further, just to see if this is a viable approach at all - it is a time sink to do this, so I want to make sure it is worth it! 

 

BR

TJM

 

Posted

Alright, even though the 3D model has a few rough spots, I hoped that the tiny scale and the antialiasing used in the slicer on export would work in my favor.

 

And I am very happy to report that it did!

 

IMG20250909195335.thumb.jpg.5970fcdbc64e4ed8d96091fc5153782c.jpg

 

IMG_20250909_200311.thumb.jpg.04885d28ff37a013c218ac559b69140c.jpg

 

IMG20250909195341.thumb.jpg.3086788b01670d9004dbb2be321c1083.jpg

 

The finish looks really great and all the details pop. The prints cane out basically perfect.

 

So I am very encouraged by this. Now, the fit for my Christiania is not quite good enough. I am not sure exactly what has happened, but the lower part and the top are both a bit too tall. The window portion seems to fit fine. So I will be scaling some parts of the model a bit and trying again to get a better fit. It wil likely not be perfect, so a bit of filler will be needed, but that is ok. Stay tuned for more experiments soon...

 

 

Posted
1 hour ago, Beckmann said:

Hi TJM,

Somehow the QG leans backward and the roof leans forward, shouldn't both lean backward? 

But beautifully done anyway,

Matthias 

 

 

Hi Matthias,

I see what you mean! Dome of it is due to the perspective, especially in the last image, and som of it is due to the way I made the roof. The thing is, the QG area is largest at the rear, so I have stretched the shape in that end to cover more of the area. Snd conversely, I need it to be compressed in the forward end, to make it fit the shallow roof there. Unfortunately that gives an impression of leaning forward a bit, from some angles. I am contemplating if there is anything I can do a bout this - perhaps there is. My problem is that I cannot stretch just the top part backwards with the simple tools I use, but I will see if I can find a workaround. 

 

Thanks for pointing it out to me!

 

BR

TJM

 

 

Posted

Ok, I made a quick edit of the roof and here is a comparison: the previous version on the left, the new one on the right:

 

Screenshot2025-09-10at16_11_08.thumb.png.8bf097fd72d5f9b535e347bb52558660.png

 

Screenshot2025-09-10at16_12_01.thumb.png.d24d2a074ef442bef11ac57c07c6748e.png

 

The new one looks much more natural, with the lean towards the stern.

 

Thank a lot for pointing this out Matthias! In the end, the change took just a few minutes to do, so very much worth it! 

 

This version is also a bit re-scaled (the comparisson on the left is as well) compared to the print I made, so I will try this one and see if the fit with the hull is better now. 

 

 

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