SJSoane

Alexandru,
 
It is looking spectacular!
 
Mark

Beautiful work!

Alexandru, I have not been able to look in for a time. Now I am catching up, that is indeed a beautiful anchor. Perfect craftsmanship!
 
Mark

It is like being inside a real ship!

Very nice, Alexandru!

Very nice, Alexandru!

Thanks so much, Mark.
 
I thought I would share my working process thoughts regarding the carving of the figurehead, for everyone including me who is daunted by the thought of this.
 
After completing the double size maquette, I was ready to start carving. Then I realized that my original drawing of Bellona was a tracing over a photo of the Bellona figurehead on the first model.  This is the one I discovered was much out of proportion, and with arms and hands  that I kind of guessed at. This would not be a good drawing to work from on the actual wood. I knew I would have to redraw Bellona in light of what I learned in the maquette, to have a more accurate starting point for the carving.
 
Here is the original drawing:
 

 
Once I had a maquette, I took pictures of it, and then scanned these into my CAD drawing. This provided a better foundation for tracing a more accurate Bellona. Here is a photo of the maquette:
 

 And here is the revised drawing based on this. Comparing the two look in particular at the location of: the head (further back on neck; shoulder (further back on body), breast (lower and reshaped), width at waist and derriere (narrower, lower), arm location and proportion (hanging straighter, shorter lower arm), and the hand and feet. I struggled with drawing the hands and feet, until I hit on scanning images of hands and feet into CAD and tracing them. I took photos of my own hands, and found photos of feet online.
 

 
Also notice in this drawing a new trailboard. This is many, many thanks to druxey, who drew this for me based on typical designs of the period. I know he has studied many models and drawings of this period, and he has provided me with an historically more accurate idea than I would have been able to do on my own. It was exceedingly kind of him to take the time to do this, and my model of the Bellona will benefit not only from his historical knowledge, but also his artistic eye. It is an honor to have this contribution from one of the key experts on this website. Thanks, druxey!
 
Next step, starting to come to grips with laying out the wood blank. Here is the size of the figurehead I will be attempting:
 

All for now, Mark
 
 
 

I just finished a clay maquette of the Bellona figurehead, at double scale, or 3/8" =1'-0".
Here is a filler showing location and fit with the cheeks:

Then taking the advice of David Antscherl's Fully Framed Models tutorial on carving, I used an artist's guide to dimensions of the female figure to get the right proportions of things, and initially modeled Bellona with no clothes yet:

It is a good thing I did this, because I discovered that the original figurehead on the first Bellona model had lower legs way too short for the torso, minuscule feet, and a head pushed too far forward from the neck. To me, she also looks too cherubic to be the goddess of war:
 

Since I had to add arms anyway, I looked at other artistic renderings of Bellona for a fiercer, more war-like look. I found a haunting image by Bertrand MacKennal of a sculpture in the Australian War Memorial https://es.m.wikipedia.org/wiki/Archivo:Mackennal_-_War.jpg.
 
Mine is not as haunting, but as good as I can do, first go around:
 

Next, reducing this by one half, and doing another maquette. I might try to do it in Sculpey so I can take measurements from it for the wood carving version after it is hardened. Does anyone know if Sculpey shrinks when baked in an oven?
 
Mark
 
 
 

Thanks so much, Mark.
 
I thought I would share my working process thoughts regarding the carving of the figurehead, for everyone including me who is daunted by the thought of this.
 
After completing the double size maquette, I was ready to start carving. Then I realized that my original drawing of Bellona was a tracing over a photo of the Bellona figurehead on the first model.  This is the one I discovered was much out of proportion, and with arms and hands  that I kind of guessed at. This would not be a good drawing to work from on the actual wood. I knew I would have to redraw Bellona in light of what I learned in the maquette, to have a more accurate starting point for the carving.
 
Here is the original drawing:
 

 
Once I had a maquette, I took pictures of it, and then scanned these into my CAD drawing. This provided a better foundation for tracing a more accurate Bellona. Here is a photo of the maquette:
 

 And here is the revised drawing based on this. Comparing the two look in particular at the location of: the head (further back on neck; shoulder (further back on body), breast (lower and reshaped), width at waist and derriere (narrower, lower), arm location and proportion (hanging straighter, shorter lower arm), and the hand and feet. I struggled with drawing the hands and feet, until I hit on scanning images of hands and feet into CAD and tracing them. I took photos of my own hands, and found photos of feet online.
 

 
Also notice in this drawing a new trailboard. This is many, many thanks to druxey, who drew this for me based on typical designs of the period. I know he has studied many models and drawings of this period, and he has provided me with an historically more accurate idea than I would have been able to do on my own. It was exceedingly kind of him to take the time to do this, and my model of the Bellona will benefit not only from his historical knowledge, but also his artistic eye. It is an honor to have this contribution from one of the key experts on this website. Thanks, druxey!
 
Next step, starting to come to grips with laying out the wood blank. Here is the size of the figurehead I will be attempting:
 

All for now, Mark
 
 
 

Thanks so much, Mark.
 
I thought I would share my working process thoughts regarding the carving of the figurehead, for everyone including me who is daunted by the thought of this.
 
After completing the double size maquette, I was ready to start carving. Then I realized that my original drawing of Bellona was a tracing over a photo of the Bellona figurehead on the first model.  This is the one I discovered was much out of proportion, and with arms and hands  that I kind of guessed at. This would not be a good drawing to work from on the actual wood. I knew I would have to redraw Bellona in light of what I learned in the maquette, to have a more accurate starting point for the carving.
 
Here is the original drawing:
 

 
Once I had a maquette, I took pictures of it, and then scanned these into my CAD drawing. This provided a better foundation for tracing a more accurate Bellona. Here is a photo of the maquette:
 

 And here is the revised drawing based on this. Comparing the two look in particular at the location of: the head (further back on neck; shoulder (further back on body), breast (lower and reshaped), width at waist and derriere (narrower, lower), arm location and proportion (hanging straighter, shorter lower arm), and the hand and feet. I struggled with drawing the hands and feet, until I hit on scanning images of hands and feet into CAD and tracing them. I took photos of my own hands, and found photos of feet online.
 

 
Also notice in this drawing a new trailboard. This is many, many thanks to druxey, who drew this for me based on typical designs of the period. I know he has studied many models and drawings of this period, and he has provided me with an historically more accurate idea than I would have been able to do on my own. It was exceedingly kind of him to take the time to do this, and my model of the Bellona will benefit not only from his historical knowledge, but also his artistic eye. It is an honor to have this contribution from one of the key experts on this website. Thanks, druxey!
 
Next step, starting to come to grips with laying out the wood blank. Here is the size of the figurehead I will be attempting:
 

All for now, Mark
 
 
 

Thanks so much, Mark.
 
I thought I would share my working process thoughts regarding the carving of the figurehead, for everyone including me who is daunted by the thought of this.
 
After completing the double size maquette, I was ready to start carving. Then I realized that my original drawing of Bellona was a tracing over a photo of the Bellona figurehead on the first model.  This is the one I discovered was much out of proportion, and with arms and hands  that I kind of guessed at. This would not be a good drawing to work from on the actual wood. I knew I would have to redraw Bellona in light of what I learned in the maquette, to have a more accurate starting point for the carving.
 
Here is the original drawing:
 

 
Once I had a maquette, I took pictures of it, and then scanned these into my CAD drawing. This provided a better foundation for tracing a more accurate Bellona. Here is a photo of the maquette:
 

 And here is the revised drawing based on this. Comparing the two look in particular at the location of: the head (further back on neck; shoulder (further back on body), breast (lower and reshaped), width at waist and derriere (narrower, lower), arm location and proportion (hanging straighter, shorter lower arm), and the hand and feet. I struggled with drawing the hands and feet, until I hit on scanning images of hands and feet into CAD and tracing them. I took photos of my own hands, and found photos of feet online.
 

 
Also notice in this drawing a new trailboard. This is many, many thanks to druxey, who drew this for me based on typical designs of the period. I know he has studied many models and drawings of this period, and he has provided me with an historically more accurate idea than I would have been able to do on my own. It was exceedingly kind of him to take the time to do this, and my model of the Bellona will benefit not only from his historical knowledge, but also his artistic eye. It is an honor to have this contribution from one of the key experts on this website. Thanks, druxey!
 
Next step, starting to come to grips with laying out the wood blank. Here is the size of the figurehead I will be attempting:
 

All for now, Mark
 
 
 

Thanks so much, Mark.
 
I thought I would share my working process thoughts regarding the carving of the figurehead, for everyone including me who is daunted by the thought of this.
 
After completing the double size maquette, I was ready to start carving. Then I realized that my original drawing of Bellona was a tracing over a photo of the Bellona figurehead on the first model.  This is the one I discovered was much out of proportion, and with arms and hands  that I kind of guessed at. This would not be a good drawing to work from on the actual wood. I knew I would have to redraw Bellona in light of what I learned in the maquette, to have a more accurate starting point for the carving.
 
Here is the original drawing:
 

 
Once I had a maquette, I took pictures of it, and then scanned these into my CAD drawing. This provided a better foundation for tracing a more accurate Bellona. Here is a photo of the maquette:
 

 And here is the revised drawing based on this. Comparing the two look in particular at the location of: the head (further back on neck; shoulder (further back on body), breast (lower and reshaped), width at waist and derriere (narrower, lower), arm location and proportion (hanging straighter, shorter lower arm), and the hand and feet. I struggled with drawing the hands and feet, until I hit on scanning images of hands and feet into CAD and tracing them. I took photos of my own hands, and found photos of feet online.
 

 
Also notice in this drawing a new trailboard. This is many, many thanks to druxey, who drew this for me based on typical designs of the period. I know he has studied many models and drawings of this period, and he has provided me with an historically more accurate idea than I would have been able to do on my own. It was exceedingly kind of him to take the time to do this, and my model of the Bellona will benefit not only from his historical knowledge, but also his artistic eye. It is an honor to have this contribution from one of the key experts on this website. Thanks, druxey!
 
Next step, starting to come to grips with laying out the wood blank. Here is the size of the figurehead I will be attempting:
 

All for now, Mark
 
 
 

Thanks so much, Mark.
 
I thought I would share my working process thoughts regarding the carving of the figurehead, for everyone including me who is daunted by the thought of this.
 
After completing the double size maquette, I was ready to start carving. Then I realized that my original drawing of Bellona was a tracing over a photo of the Bellona figurehead on the first model.  This is the one I discovered was much out of proportion, and with arms and hands  that I kind of guessed at. This would not be a good drawing to work from on the actual wood. I knew I would have to redraw Bellona in light of what I learned in the maquette, to have a more accurate starting point for the carving.
 
Here is the original drawing:
 

 
Once I had a maquette, I took pictures of it, and then scanned these into my CAD drawing. This provided a better foundation for tracing a more accurate Bellona. Here is a photo of the maquette:
 

 And here is the revised drawing based on this. Comparing the two look in particular at the location of: the head (further back on neck; shoulder (further back on body), breast (lower and reshaped), width at waist and derriere (narrower, lower), arm location and proportion (hanging straighter, shorter lower arm), and the hand and feet. I struggled with drawing the hands and feet, until I hit on scanning images of hands and feet into CAD and tracing them. I took photos of my own hands, and found photos of feet online.
 

 
Also notice in this drawing a new trailboard. This is many, many thanks to druxey, who drew this for me based on typical designs of the period. I know he has studied many models and drawings of this period, and he has provided me with an historically more accurate idea than I would have been able to do on my own. It was exceedingly kind of him to take the time to do this, and my model of the Bellona will benefit not only from his historical knowledge, but also his artistic eye. It is an honor to have this contribution from one of the key experts on this website. Thanks, druxey!
 
Next step, starting to come to grips with laying out the wood blank. Here is the size of the figurehead I will be attempting:
 

All for now, Mark
 
 
 

Thanks so much, Mark.
 
I thought I would share my working process thoughts regarding the carving of the figurehead, for everyone including me who is daunted by the thought of this.
 
After completing the double size maquette, I was ready to start carving. Then I realized that my original drawing of Bellona was a tracing over a photo of the Bellona figurehead on the first model.  This is the one I discovered was much out of proportion, and with arms and hands  that I kind of guessed at. This would not be a good drawing to work from on the actual wood. I knew I would have to redraw Bellona in light of what I learned in the maquette, to have a more accurate starting point for the carving.
 
Here is the original drawing:
 

 
Once I had a maquette, I took pictures of it, and then scanned these into my CAD drawing. This provided a better foundation for tracing a more accurate Bellona. Here is a photo of the maquette:
 

 And here is the revised drawing based on this. Comparing the two look in particular at the location of: the head (further back on neck; shoulder (further back on body), breast (lower and reshaped), width at waist and derriere (narrower, lower), arm location and proportion (hanging straighter, shorter lower arm), and the hand and feet. I struggled with drawing the hands and feet, until I hit on scanning images of hands and feet into CAD and tracing them. I took photos of my own hands, and found photos of feet online.
 

 
Also notice in this drawing a new trailboard. This is many, many thanks to druxey, who drew this for me based on typical designs of the period. I know he has studied many models and drawings of this period, and he has provided me with an historically more accurate idea than I would have been able to do on my own. It was exceedingly kind of him to take the time to do this, and my model of the Bellona will benefit not only from his historical knowledge, but also his artistic eye. It is an honor to have this contribution from one of the key experts on this website. Thanks, druxey!
 
Next step, starting to come to grips with laying out the wood blank. Here is the size of the figurehead I will be attempting:
 

All for now, Mark
 
 
 

Thanks, Greg, I have been dreading it. Of course, I haven't yet tackled actually carving wood, which I am sure is a very different level of skill altogether in relation to shaping clay. I tried to keep track of the number of times I had to add clay to the form--lots of times--which of course I won't be able to do once I start cutting wood. It will be cut, cut, cut and it is still too short!

I just finished a clay maquette of the Bellona figurehead, at double scale, or 3/8" =1'-0".
Here is a filler showing location and fit with the cheeks:

Then taking the advice of David Antscherl's Fully Framed Models tutorial on carving, I used an artist's guide to dimensions of the female figure to get the right proportions of things, and initially modeled Bellona with no clothes yet:

It is a good thing I did this, because I discovered that the original figurehead on the first Bellona model had lower legs way too short for the torso, minuscule feet, and a head pushed too far forward from the neck. To me, she also looks too cherubic to be the goddess of war:
 

Since I had to add arms anyway, I looked at other artistic renderings of Bellona for a fiercer, more war-like look. I found a haunting image by Bertrand MacKennal of a sculpture in the Australian War Memorial https://es.m.wikipedia.org/wiki/Archivo:Mackennal_-_War.jpg.
 
Mine is not as haunting, but as good as I can do, first go around:
 

Next, reducing this by one half, and doing another maquette. I might try to do it in Sculpey so I can take measurements from it for the wood carving version after it is hardened. Does anyone know if Sculpey shrinks when baked in an oven?
 
Mark
 
 
 

Thanks so much, Mark.
 
I thought I would share my working process thoughts regarding the carving of the figurehead, for everyone including me who is daunted by the thought of this.
 
After completing the double size maquette, I was ready to start carving. Then I realized that my original drawing of Bellona was a tracing over a photo of the Bellona figurehead on the first model.  This is the one I discovered was much out of proportion, and with arms and hands  that I kind of guessed at. This would not be a good drawing to work from on the actual wood. I knew I would have to redraw Bellona in light of what I learned in the maquette, to have a more accurate starting point for the carving.
 
Here is the original drawing:
 

 
Once I had a maquette, I took pictures of it, and then scanned these into my CAD drawing. This provided a better foundation for tracing a more accurate Bellona. Here is a photo of the maquette:
 

 And here is the revised drawing based on this. Comparing the two look in particular at the location of: the head (further back on neck; shoulder (further back on body), breast (lower and reshaped), width at waist and derriere (narrower, lower), arm location and proportion (hanging straighter, shorter lower arm), and the hand and feet. I struggled with drawing the hands and feet, until I hit on scanning images of hands and feet into CAD and tracing them. I took photos of my own hands, and found photos of feet online.
 

 
Also notice in this drawing a new trailboard. This is many, many thanks to druxey, who drew this for me based on typical designs of the period. I know he has studied many models and drawings of this period, and he has provided me with an historically more accurate idea than I would have been able to do on my own. It was exceedingly kind of him to take the time to do this, and my model of the Bellona will benefit not only from his historical knowledge, but also his artistic eye. It is an honor to have this contribution from one of the key experts on this website. Thanks, druxey!
 
Next step, starting to come to grips with laying out the wood blank. Here is the size of the figurehead I will be attempting:
 

All for now, Mark
 
 
 

Thanks so much, Mark.
 
I thought I would share my working process thoughts regarding the carving of the figurehead, for everyone including me who is daunted by the thought of this.
 
After completing the double size maquette, I was ready to start carving. Then I realized that my original drawing of Bellona was a tracing over a photo of the Bellona figurehead on the first model.  This is the one I discovered was much out of proportion, and with arms and hands  that I kind of guessed at. This would not be a good drawing to work from on the actual wood. I knew I would have to redraw Bellona in light of what I learned in the maquette, to have a more accurate starting point for the carving.
 
Here is the original drawing:
 

 
Once I had a maquette, I took pictures of it, and then scanned these into my CAD drawing. This provided a better foundation for tracing a more accurate Bellona. Here is a photo of the maquette:
 

 And here is the revised drawing based on this. Comparing the two look in particular at the location of: the head (further back on neck; shoulder (further back on body), breast (lower and reshaped), width at waist and derriere (narrower, lower), arm location and proportion (hanging straighter, shorter lower arm), and the hand and feet. I struggled with drawing the hands and feet, until I hit on scanning images of hands and feet into CAD and tracing them. I took photos of my own hands, and found photos of feet online.
 

 
Also notice in this drawing a new trailboard. This is many, many thanks to druxey, who drew this for me based on typical designs of the period. I know he has studied many models and drawings of this period, and he has provided me with an historically more accurate idea than I would have been able to do on my own. It was exceedingly kind of him to take the time to do this, and my model of the Bellona will benefit not only from his historical knowledge, but also his artistic eye. It is an honor to have this contribution from one of the key experts on this website. Thanks, druxey!
 
Next step, starting to come to grips with laying out the wood blank. Here is the size of the figurehead I will be attempting:
 

All for now, Mark
 
 
 

Thanks so much, Mark.
 
I thought I would share my working process thoughts regarding the carving of the figurehead, for everyone including me who is daunted by the thought of this.
 
After completing the double size maquette, I was ready to start carving. Then I realized that my original drawing of Bellona was a tracing over a photo of the Bellona figurehead on the first model.  This is the one I discovered was much out of proportion, and with arms and hands  that I kind of guessed at. This would not be a good drawing to work from on the actual wood. I knew I would have to redraw Bellona in light of what I learned in the maquette, to have a more accurate starting point for the carving.
 
Here is the original drawing:
 

 
Once I had a maquette, I took pictures of it, and then scanned these into my CAD drawing. This provided a better foundation for tracing a more accurate Bellona. Here is a photo of the maquette:
 

 And here is the revised drawing based on this. Comparing the two look in particular at the location of: the head (further back on neck; shoulder (further back on body), breast (lower and reshaped), width at waist and derriere (narrower, lower), arm location and proportion (hanging straighter, shorter lower arm), and the hand and feet. I struggled with drawing the hands and feet, until I hit on scanning images of hands and feet into CAD and tracing them. I took photos of my own hands, and found photos of feet online.
 

 
Also notice in this drawing a new trailboard. This is many, many thanks to druxey, who drew this for me based on typical designs of the period. I know he has studied many models and drawings of this period, and he has provided me with an historically more accurate idea than I would have been able to do on my own. It was exceedingly kind of him to take the time to do this, and my model of the Bellona will benefit not only from his historical knowledge, but also his artistic eye. It is an honor to have this contribution from one of the key experts on this website. Thanks, druxey!
 
Next step, starting to come to grips with laying out the wood blank. Here is the size of the figurehead I will be attempting:
 

All for now, Mark
 
 
 

Thanks so much, Mark.
 
I thought I would share my working process thoughts regarding the carving of the figurehead, for everyone including me who is daunted by the thought of this.
 
After completing the double size maquette, I was ready to start carving. Then I realized that my original drawing of Bellona was a tracing over a photo of the Bellona figurehead on the first model.  This is the one I discovered was much out of proportion, and with arms and hands  that I kind of guessed at. This would not be a good drawing to work from on the actual wood. I knew I would have to redraw Bellona in light of what I learned in the maquette, to have a more accurate starting point for the carving.
 
Here is the original drawing:
 

 
Once I had a maquette, I took pictures of it, and then scanned these into my CAD drawing. This provided a better foundation for tracing a more accurate Bellona. Here is a photo of the maquette:
 

 And here is the revised drawing based on this. Comparing the two look in particular at the location of: the head (further back on neck; shoulder (further back on body), breast (lower and reshaped), width at waist and derriere (narrower, lower), arm location and proportion (hanging straighter, shorter lower arm), and the hand and feet. I struggled with drawing the hands and feet, until I hit on scanning images of hands and feet into CAD and tracing them. I took photos of my own hands, and found photos of feet online.
 

 
Also notice in this drawing a new trailboard. This is many, many thanks to druxey, who drew this for me based on typical designs of the period. I know he has studied many models and drawings of this period, and he has provided me with an historically more accurate idea than I would have been able to do on my own. It was exceedingly kind of him to take the time to do this, and my model of the Bellona will benefit not only from his historical knowledge, but also his artistic eye. It is an honor to have this contribution from one of the key experts on this website. Thanks, druxey!
 
Next step, starting to come to grips with laying out the wood blank. Here is the size of the figurehead I will be attempting:
 

All for now, Mark
 
 
 

Thanks so much, Mark.
 
I thought I would share my working process thoughts regarding the carving of the figurehead, for everyone including me who is daunted by the thought of this.
 
After completing the double size maquette, I was ready to start carving. Then I realized that my original drawing of Bellona was a tracing over a photo of the Bellona figurehead on the first model.  This is the one I discovered was much out of proportion, and with arms and hands  that I kind of guessed at. This would not be a good drawing to work from on the actual wood. I knew I would have to redraw Bellona in light of what I learned in the maquette, to have a more accurate starting point for the carving.
 
Here is the original drawing:
 

 
Once I had a maquette, I took pictures of it, and then scanned these into my CAD drawing. This provided a better foundation for tracing a more accurate Bellona. Here is a photo of the maquette:
 

 And here is the revised drawing based on this. Comparing the two look in particular at the location of: the head (further back on neck; shoulder (further back on body), breast (lower and reshaped), width at waist and derriere (narrower, lower), arm location and proportion (hanging straighter, shorter lower arm), and the hand and feet. I struggled with drawing the hands and feet, until I hit on scanning images of hands and feet into CAD and tracing them. I took photos of my own hands, and found photos of feet online.
 

 
Also notice in this drawing a new trailboard. This is many, many thanks to druxey, who drew this for me based on typical designs of the period. I know he has studied many models and drawings of this period, and he has provided me with an historically more accurate idea than I would have been able to do on my own. It was exceedingly kind of him to take the time to do this, and my model of the Bellona will benefit not only from his historical knowledge, but also his artistic eye. It is an honor to have this contribution from one of the key experts on this website. Thanks, druxey!
 
Next step, starting to come to grips with laying out the wood blank. Here is the size of the figurehead I will be attempting:
 

All for now, Mark
 
 
 

Thanks so much, Mark.
 
I thought I would share my working process thoughts regarding the carving of the figurehead, for everyone including me who is daunted by the thought of this.
 
After completing the double size maquette, I was ready to start carving. Then I realized that my original drawing of Bellona was a tracing over a photo of the Bellona figurehead on the first model.  This is the one I discovered was much out of proportion, and with arms and hands  that I kind of guessed at. This would not be a good drawing to work from on the actual wood. I knew I would have to redraw Bellona in light of what I learned in the maquette, to have a more accurate starting point for the carving.
 
Here is the original drawing:
 

 
Once I had a maquette, I took pictures of it, and then scanned these into my CAD drawing. This provided a better foundation for tracing a more accurate Bellona. Here is a photo of the maquette:
 

 And here is the revised drawing based on this. Comparing the two look in particular at the location of: the head (further back on neck; shoulder (further back on body), breast (lower and reshaped), width at waist and derriere (narrower, lower), arm location and proportion (hanging straighter, shorter lower arm), and the hand and feet. I struggled with drawing the hands and feet, until I hit on scanning images of hands and feet into CAD and tracing them. I took photos of my own hands, and found photos of feet online.
 

 
Also notice in this drawing a new trailboard. This is many, many thanks to druxey, who drew this for me based on typical designs of the period. I know he has studied many models and drawings of this period, and he has provided me with an historically more accurate idea than I would have been able to do on my own. It was exceedingly kind of him to take the time to do this, and my model of the Bellona will benefit not only from his historical knowledge, but also his artistic eye. It is an honor to have this contribution from one of the key experts on this website. Thanks, druxey!
 
Next step, starting to come to grips with laying out the wood blank. Here is the size of the figurehead I will be attempting:
 

All for now, Mark
 
 
 

Thanks so much, Mark.
 
I thought I would share my working process thoughts regarding the carving of the figurehead, for everyone including me who is daunted by the thought of this.
 
After completing the double size maquette, I was ready to start carving. Then I realized that my original drawing of Bellona was a tracing over a photo of the Bellona figurehead on the first model.  This is the one I discovered was much out of proportion, and with arms and hands  that I kind of guessed at. This would not be a good drawing to work from on the actual wood. I knew I would have to redraw Bellona in light of what I learned in the maquette, to have a more accurate starting point for the carving.
 
Here is the original drawing:
 

 
Once I had a maquette, I took pictures of it, and then scanned these into my CAD drawing. This provided a better foundation for tracing a more accurate Bellona. Here is a photo of the maquette:
 

 And here is the revised drawing based on this. Comparing the two look in particular at the location of: the head (further back on neck; shoulder (further back on body), breast (lower and reshaped), width at waist and derriere (narrower, lower), arm location and proportion (hanging straighter, shorter lower arm), and the hand and feet. I struggled with drawing the hands and feet, until I hit on scanning images of hands and feet into CAD and tracing them. I took photos of my own hands, and found photos of feet online.
 

 
Also notice in this drawing a new trailboard. This is many, many thanks to druxey, who drew this for me based on typical designs of the period. I know he has studied many models and drawings of this period, and he has provided me with an historically more accurate idea than I would have been able to do on my own. It was exceedingly kind of him to take the time to do this, and my model of the Bellona will benefit not only from his historical knowledge, but also his artistic eye. It is an honor to have this contribution from one of the key experts on this website. Thanks, druxey!
 
Next step, starting to come to grips with laying out the wood blank. Here is the size of the figurehead I will be attempting:
 

All for now, Mark
 
 
 

I just finished a clay maquette of the Bellona figurehead, at double scale, or 3/8" =1'-0".
Here is a filler showing location and fit with the cheeks:

Then taking the advice of David Antscherl's Fully Framed Models tutorial on carving, I used an artist's guide to dimensions of the female figure to get the right proportions of things, and initially modeled Bellona with no clothes yet:

It is a good thing I did this, because I discovered that the original figurehead on the first Bellona model had lower legs way too short for the torso, minuscule feet, and a head pushed too far forward from the neck. To me, she also looks too cherubic to be the goddess of war:
 

Since I had to add arms anyway, I looked at other artistic renderings of Bellona for a fiercer, more war-like look. I found a haunting image by Bertrand MacKennal of a sculpture in the Australian War Memorial https://es.m.wikipedia.org/wiki/Archivo:Mackennal_-_War.jpg.
 
Mine is not as haunting, but as good as I can do, first go around:
 

Next, reducing this by one half, and doing another maquette. I might try to do it in Sculpey so I can take measurements from it for the wood carving version after it is hardened. Does anyone know if Sculpey shrinks when baked in an oven?
 
Mark
 
 
 

Thanks so much, Mark.
 
I thought I would share my working process thoughts regarding the carving of the figurehead, for everyone including me who is daunted by the thought of this.
 
After completing the double size maquette, I was ready to start carving. Then I realized that my original drawing of Bellona was a tracing over a photo of the Bellona figurehead on the first model.  This is the one I discovered was much out of proportion, and with arms and hands  that I kind of guessed at. This would not be a good drawing to work from on the actual wood. I knew I would have to redraw Bellona in light of what I learned in the maquette, to have a more accurate starting point for the carving.
 
Here is the original drawing:
 

 
Once I had a maquette, I took pictures of it, and then scanned these into my CAD drawing. This provided a better foundation for tracing a more accurate Bellona. Here is a photo of the maquette:
 

 And here is the revised drawing based on this. Comparing the two look in particular at the location of: the head (further back on neck; shoulder (further back on body), breast (lower and reshaped), width at waist and derriere (narrower, lower), arm location and proportion (hanging straighter, shorter lower arm), and the hand and feet. I struggled with drawing the hands and feet, until I hit on scanning images of hands and feet into CAD and tracing them. I took photos of my own hands, and found photos of feet online.
 

 
Also notice in this drawing a new trailboard. This is many, many thanks to druxey, who drew this for me based on typical designs of the period. I know he has studied many models and drawings of this period, and he has provided me with an historically more accurate idea than I would have been able to do on my own. It was exceedingly kind of him to take the time to do this, and my model of the Bellona will benefit not only from his historical knowledge, but also his artistic eye. It is an honor to have this contribution from one of the key experts on this website. Thanks, druxey!
 
Next step, starting to come to grips with laying out the wood blank. Here is the size of the figurehead I will be attempting:
 

All for now, Mark