Cathead

A few shots of carefully working the masking-tape "canvas" around the rest of the boiler deck:


Lots of fiddly cutting and fitting here. But another benefit to masking tape is that it holds its shape stiffly and is easier to shape and fit than something floppier like silkspan or tissue. And it's just sticky enough on its own to stay put when you're trying to draw or cut a careful line, while still being easy to move when you want.
 
I finally reached the point where a bunch of these overlapping mini-projects all came together. So here she is with cabins and pilot house attached, deck fully canvassed and painted, hog chain posts installed, and stern planking applied.


Careful eyes will notice that I haven't yet installed the support posts for the rear cabin roof overhang, but it's plenty stable for now. I'm not worried about the messy appearance of the boiler deck's edge because that will get wrapped in a thin plank veneer.
 
On Sunday, I'll be giving a talk on the evolution of steamboat design along the Missouri River, at a regional cultural center that specializes in supporting educational and artistic programming. I initially developed this talk back in 2021 as an online lecture for a regional non-profit that works along the Missouri River (you can view the talk recording here if interested), but this will be the first time I've given it to an in-person audience. As a bonus, I'll be displaying three of my steamboat models, the first time any of them have been presented to the public. Here they are all lined up and ready to go:
 

In the back is Arabia (1:64), in the middle is Bertrand (1:87), and of course in the foreground is Peerless (1:87). All three operated on the Missouri River, from 1853-1856, 1864-1865, and 1893-1903, respectively.
 
Model size is misleading, as Arabia is at a larger scale though she's actually very close in size to Bertrand. On the other hand, Bertrand and Peerless are the same scale, so you can really see how tiny the latter was in comparison to her ancestors.
 
This talk has been scheduled for a long time, and I'd originally hoped to have Peerless done for this talk, but when it became clear that wouldn't happen, I aimed to at least reach a clearly presentable and semi-complete stage, which I just barely did!
 
Thanks as always for following along, and helping me get to this point.

While no expert, I've personally found that I like to do both. An initial blackening in highly diluted solution, followed by painting. The blackening seems to rough up the surface slightly and the paint grips better and looks more natural than when applied straight to brass. I've also used primer followed by paint but that ends up thicker than I like.

Quality instructions or not is a HUGE divider for kit manufacturers. There are only a handful that really bother to do it right. The rest are a sink or swim mentality.

Wefalck, I absolutely agree that tape on its own would not be a good idea, but recall that earlier I described how the masking tape is attached with a layer of carpenter's glue once it's cut to fit. The glue soaks into the tape and not only holds it quite solidly once dry, but stiffens it so that it's easier to trim. The paint provides another round of stiffener. The same method used on my Arabia has shown no signs of alteration in ~4 years of the highly variable environmental conditions within my house (from bone-dry firewood-heated air in winter to humid summer air only partly buffered by air conditioning, and temperature variations from the 50s-80s F). So I'm pretty comfortable with the method.
 
The venue is setting up large square tables, one for each model, so people can view them from all sides but they're not easily reachable (especially by little hands). Still a little nerve-wracking but worth it, I think.

A few shots of carefully working the masking-tape "canvas" around the rest of the boiler deck:


Lots of fiddly cutting and fitting here. But another benefit to masking tape is that it holds its shape stiffly and is easier to shape and fit than something floppier like silkspan or tissue. And it's just sticky enough on its own to stay put when you're trying to draw or cut a careful line, while still being easy to move when you want.
 
I finally reached the point where a bunch of these overlapping mini-projects all came together. So here she is with cabins and pilot house attached, deck fully canvassed and painted, hog chain posts installed, and stern planking applied.


Careful eyes will notice that I haven't yet installed the support posts for the rear cabin roof overhang, but it's plenty stable for now. I'm not worried about the messy appearance of the boiler deck's edge because that will get wrapped in a thin plank veneer.
 
On Sunday, I'll be giving a talk on the evolution of steamboat design along the Missouri River, at a regional cultural center that specializes in supporting educational and artistic programming. I initially developed this talk back in 2021 as an online lecture for a regional non-profit that works along the Missouri River (you can view the talk recording here if interested), but this will be the first time I've given it to an in-person audience. As a bonus, I'll be displaying three of my steamboat models, the first time any of them have been presented to the public. Here they are all lined up and ready to go:
 

In the back is Arabia (1:64), in the middle is Bertrand (1:87), and of course in the foreground is Peerless (1:87). All three operated on the Missouri River, from 1853-1856, 1864-1865, and 1893-1903, respectively.
 
Model size is misleading, as Arabia is at a larger scale though she's actually very close in size to Bertrand. On the other hand, Bertrand and Peerless are the same scale, so you can really see how tiny the latter was in comparison to her ancestors.
 
This talk has been scheduled for a long time, and I'd originally hoped to have Peerless done for this talk, but when it became clear that wouldn't happen, I aimed to at least reach a clearly presentable and semi-complete stage, which I just barely did!
 
Thanks as always for following along, and helping me get to this point.

I apply each strip separately. Cut to fit as needed, smear wood glue on the tacky surface, apply, use a strip of wood or my finger to rub smooth and flat (sometimes bubbles get trapped), then move on to the next one.
 
Another benefit to doing it that way is that the tape itself is just tacky enough that sliding it into an exact position is tricky because it catches. A film of wood glue on the bottom means it slides effortlessly and can be adjusted to exactly where you want it, then snugged down with some gentle pressure.

A few shots of carefully working the masking-tape "canvas" around the rest of the boiler deck:


Lots of fiddly cutting and fitting here. But another benefit to masking tape is that it holds its shape stiffly and is easier to shape and fit than something floppier like silkspan or tissue. And it's just sticky enough on its own to stay put when you're trying to draw or cut a careful line, while still being easy to move when you want.
 
I finally reached the point where a bunch of these overlapping mini-projects all came together. So here she is with cabins and pilot house attached, deck fully canvassed and painted, hog chain posts installed, and stern planking applied.


Careful eyes will notice that I haven't yet installed the support posts for the rear cabin roof overhang, but it's plenty stable for now. I'm not worried about the messy appearance of the boiler deck's edge because that will get wrapped in a thin plank veneer.
 
On Sunday, I'll be giving a talk on the evolution of steamboat design along the Missouri River, at a regional cultural center that specializes in supporting educational and artistic programming. I initially developed this talk back in 2021 as an online lecture for a regional non-profit that works along the Missouri River (you can view the talk recording here if interested), but this will be the first time I've given it to an in-person audience. As a bonus, I'll be displaying three of my steamboat models, the first time any of them have been presented to the public. Here they are all lined up and ready to go:
 

In the back is Arabia (1:64), in the middle is Bertrand (1:87), and of course in the foreground is Peerless (1:87). All three operated on the Missouri River, from 1853-1856, 1864-1865, and 1893-1903, respectively.
 
Model size is misleading, as Arabia is at a larger scale though she's actually very close in size to Bertrand. On the other hand, Bertrand and Peerless are the same scale, so you can really see how tiny the latter was in comparison to her ancestors.
 
This talk has been scheduled for a long time, and I'd originally hoped to have Peerless done for this talk, but when it became clear that wouldn't happen, I aimed to at least reach a clearly presentable and semi-complete stage, which I just barely did!
 
Thanks as always for following along, and helping me get to this point.

I apply each strip separately. Cut to fit as needed, smear wood glue on the tacky surface, apply, use a strip of wood or my finger to rub smooth and flat (sometimes bubbles get trapped), then move on to the next one.
 
Another benefit to doing it that way is that the tape itself is just tacky enough that sliding it into an exact position is tricky because it catches. A film of wood glue on the bottom means it slides effortlessly and can be adjusted to exactly where you want it, then snugged down with some gentle pressure.

Sorry, I indeed missed the point with the carpenters' glue. So once trimmed to shape, you lift off the assembly, apply the glue and put it back, right?
 

Eric, I seal my masking tape with polyurethane which is essentially doing the same thing as your use of carpenter's glue, just a little less messy. Do love the way Peerless is taking shape. 

A few shots of carefully working the masking-tape "canvas" around the rest of the boiler deck:


Lots of fiddly cutting and fitting here. But another benefit to masking tape is that it holds its shape stiffly and is easier to shape and fit than something floppier like silkspan or tissue. And it's just sticky enough on its own to stay put when you're trying to draw or cut a careful line, while still being easy to move when you want.
 
I finally reached the point where a bunch of these overlapping mini-projects all came together. So here she is with cabins and pilot house attached, deck fully canvassed and painted, hog chain posts installed, and stern planking applied.


Careful eyes will notice that I haven't yet installed the support posts for the rear cabin roof overhang, but it's plenty stable for now. I'm not worried about the messy appearance of the boiler deck's edge because that will get wrapped in a thin plank veneer.
 
On Sunday, I'll be giving a talk on the evolution of steamboat design along the Missouri River, at a regional cultural center that specializes in supporting educational and artistic programming. I initially developed this talk back in 2021 as an online lecture for a regional non-profit that works along the Missouri River (you can view the talk recording here if interested), but this will be the first time I've given it to an in-person audience. As a bonus, I'll be displaying three of my steamboat models, the first time any of them have been presented to the public. Here they are all lined up and ready to go:
 

In the back is Arabia (1:64), in the middle is Bertrand (1:87), and of course in the foreground is Peerless (1:87). All three operated on the Missouri River, from 1853-1856, 1864-1865, and 1893-1903, respectively.
 
Model size is misleading, as Arabia is at a larger scale though she's actually very close in size to Bertrand. On the other hand, Bertrand and Peerless are the same scale, so you can really see how tiny the latter was in comparison to her ancestors.
 
This talk has been scheduled for a long time, and I'd originally hoped to have Peerless done for this talk, but when it became clear that wouldn't happen, I aimed to at least reach a clearly presentable and semi-complete stage, which I just barely did!
 
Thanks as always for following along, and helping me get to this point.

Wefalck, I absolutely agree that tape on its own would not be a good idea, but recall that earlier I described how the masking tape is attached with a layer of carpenter's glue once it's cut to fit. The glue soaks into the tape and not only holds it quite solidly once dry, but stiffens it so that it's easier to trim. The paint provides another round of stiffener. The same method used on my Arabia has shown no signs of alteration in ~4 years of the highly variable environmental conditions within my house (from bone-dry firewood-heated air in winter to humid summer air only partly buffered by air conditioning, and temperature variations from the 50s-80s F). So I'm pretty comfortable with the method.
 
The venue is setting up large square tables, one for each model, so people can view them from all sides but they're not easily reachable (especially by little hands). Still a little nerve-wracking but worth it, I think.

A few shots of carefully working the masking-tape "canvas" around the rest of the boiler deck:


Lots of fiddly cutting and fitting here. But another benefit to masking tape is that it holds its shape stiffly and is easier to shape and fit than something floppier like silkspan or tissue. And it's just sticky enough on its own to stay put when you're trying to draw or cut a careful line, while still being easy to move when you want.
 
I finally reached the point where a bunch of these overlapping mini-projects all came together. So here she is with cabins and pilot house attached, deck fully canvassed and painted, hog chain posts installed, and stern planking applied.


Careful eyes will notice that I haven't yet installed the support posts for the rear cabin roof overhang, but it's plenty stable for now. I'm not worried about the messy appearance of the boiler deck's edge because that will get wrapped in a thin plank veneer.
 
On Sunday, I'll be giving a talk on the evolution of steamboat design along the Missouri River, at a regional cultural center that specializes in supporting educational and artistic programming. I initially developed this talk back in 2021 as an online lecture for a regional non-profit that works along the Missouri River (you can view the talk recording here if interested), but this will be the first time I've given it to an in-person audience. As a bonus, I'll be displaying three of my steamboat models, the first time any of them have been presented to the public. Here they are all lined up and ready to go:
 

In the back is Arabia (1:64), in the middle is Bertrand (1:87), and of course in the foreground is Peerless (1:87). All three operated on the Missouri River, from 1853-1856, 1864-1865, and 1893-1903, respectively.
 
Model size is misleading, as Arabia is at a larger scale though she's actually very close in size to Bertrand. On the other hand, Bertrand and Peerless are the same scale, so you can really see how tiny the latter was in comparison to her ancestors.
 
This talk has been scheduled for a long time, and I'd originally hoped to have Peerless done for this talk, but when it became clear that wouldn't happen, I aimed to at least reach a clearly presentable and semi-complete stage, which I just barely did!
 
Thanks as always for following along, and helping me get to this point.

I quite like the look of the 'painted canvas' decks. My concern, however, would be how long it stays attached to the decks. These masking tapes are designed to be not too tacky and I know that ordinary painters' masking tape becomes quite brittle with time.
 
Good luck with your lecture and make sure that the audience watches with their eyes and not their fingers 😉 

Wefalck, I absolutely agree that tape on its own would not be a good idea, but recall that earlier I described how the masking tape is attached with a layer of carpenter's glue once it's cut to fit. The glue soaks into the tape and not only holds it quite solidly once dry, but stiffens it so that it's easier to trim. The paint provides another round of stiffener. The same method used on my Arabia has shown no signs of alteration in ~4 years of the highly variable environmental conditions within my house (from bone-dry firewood-heated air in winter to humid summer air only partly buffered by air conditioning, and temperature variations from the 50s-80s F). So I'm pretty comfortable with the method.
 
The venue is setting up large square tables, one for each model, so people can view them from all sides but they're not easily reachable (especially by little hands). Still a little nerve-wracking but worth it, I think.

A few shots of carefully working the masking-tape "canvas" around the rest of the boiler deck:


Lots of fiddly cutting and fitting here. But another benefit to masking tape is that it holds its shape stiffly and is easier to shape and fit than something floppier like silkspan or tissue. And it's just sticky enough on its own to stay put when you're trying to draw or cut a careful line, while still being easy to move when you want.
 
I finally reached the point where a bunch of these overlapping mini-projects all came together. So here she is with cabins and pilot house attached, deck fully canvassed and painted, hog chain posts installed, and stern planking applied.


Careful eyes will notice that I haven't yet installed the support posts for the rear cabin roof overhang, but it's plenty stable for now. I'm not worried about the messy appearance of the boiler deck's edge because that will get wrapped in a thin plank veneer.
 
On Sunday, I'll be giving a talk on the evolution of steamboat design along the Missouri River, at a regional cultural center that specializes in supporting educational and artistic programming. I initially developed this talk back in 2021 as an online lecture for a regional non-profit that works along the Missouri River (you can view the talk recording here if interested), but this will be the first time I've given it to an in-person audience. As a bonus, I'll be displaying three of my steamboat models, the first time any of them have been presented to the public. Here they are all lined up and ready to go:
 

In the back is Arabia (1:64), in the middle is Bertrand (1:87), and of course in the foreground is Peerless (1:87). All three operated on the Missouri River, from 1853-1856, 1864-1865, and 1893-1903, respectively.
 
Model size is misleading, as Arabia is at a larger scale though she's actually very close in size to Bertrand. On the other hand, Bertrand and Peerless are the same scale, so you can really see how tiny the latter was in comparison to her ancestors.
 
This talk has been scheduled for a long time, and I'd originally hoped to have Peerless done for this talk, but when it became clear that wouldn't happen, I aimed to at least reach a clearly presentable and semi-complete stage, which I just barely did!
 
Thanks as always for following along, and helping me get to this point.

While no expert, I've personally found that I like to do both. An initial blackening in highly diluted solution, followed by painting. The blackening seems to rough up the surface slightly and the paint grips better and looks more natural than when applied straight to brass. I've also used primer followed by paint but that ends up thicker than I like.

A few shots of carefully working the masking-tape "canvas" around the rest of the boiler deck:


Lots of fiddly cutting and fitting here. But another benefit to masking tape is that it holds its shape stiffly and is easier to shape and fit than something floppier like silkspan or tissue. And it's just sticky enough on its own to stay put when you're trying to draw or cut a careful line, while still being easy to move when you want.
 
I finally reached the point where a bunch of these overlapping mini-projects all came together. So here she is with cabins and pilot house attached, deck fully canvassed and painted, hog chain posts installed, and stern planking applied.


Careful eyes will notice that I haven't yet installed the support posts for the rear cabin roof overhang, but it's plenty stable for now. I'm not worried about the messy appearance of the boiler deck's edge because that will get wrapped in a thin plank veneer.
 
On Sunday, I'll be giving a talk on the evolution of steamboat design along the Missouri River, at a regional cultural center that specializes in supporting educational and artistic programming. I initially developed this talk back in 2021 as an online lecture for a regional non-profit that works along the Missouri River (you can view the talk recording here if interested), but this will be the first time I've given it to an in-person audience. As a bonus, I'll be displaying three of my steamboat models, the first time any of them have been presented to the public. Here they are all lined up and ready to go:
 

In the back is Arabia (1:64), in the middle is Bertrand (1:87), and of course in the foreground is Peerless (1:87). All three operated on the Missouri River, from 1853-1856, 1864-1865, and 1893-1903, respectively.
 
Model size is misleading, as Arabia is at a larger scale though she's actually very close in size to Bertrand. On the other hand, Bertrand and Peerless are the same scale, so you can really see how tiny the latter was in comparison to her ancestors.
 
This talk has been scheduled for a long time, and I'd originally hoped to have Peerless done for this talk, but when it became clear that wouldn't happen, I aimed to at least reach a clearly presentable and semi-complete stage, which I just barely did!
 
Thanks as always for following along, and helping me get to this point.

A few shots of carefully working the masking-tape "canvas" around the rest of the boiler deck:


Lots of fiddly cutting and fitting here. But another benefit to masking tape is that it holds its shape stiffly and is easier to shape and fit than something floppier like silkspan or tissue. And it's just sticky enough on its own to stay put when you're trying to draw or cut a careful line, while still being easy to move when you want.
 
I finally reached the point where a bunch of these overlapping mini-projects all came together. So here she is with cabins and pilot house attached, deck fully canvassed and painted, hog chain posts installed, and stern planking applied.


Careful eyes will notice that I haven't yet installed the support posts for the rear cabin roof overhang, but it's plenty stable for now. I'm not worried about the messy appearance of the boiler deck's edge because that will get wrapped in a thin plank veneer.
 
On Sunday, I'll be giving a talk on the evolution of steamboat design along the Missouri River, at a regional cultural center that specializes in supporting educational and artistic programming. I initially developed this talk back in 2021 as an online lecture for a regional non-profit that works along the Missouri River (you can view the talk recording here if interested), but this will be the first time I've given it to an in-person audience. As a bonus, I'll be displaying three of my steamboat models, the first time any of them have been presented to the public. Here they are all lined up and ready to go:
 

In the back is Arabia (1:64), in the middle is Bertrand (1:87), and of course in the foreground is Peerless (1:87). All three operated on the Missouri River, from 1853-1856, 1864-1865, and 1893-1903, respectively.
 
Model size is misleading, as Arabia is at a larger scale though she's actually very close in size to Bertrand. On the other hand, Bertrand and Peerless are the same scale, so you can really see how tiny the latter was in comparison to her ancestors.
 
This talk has been scheduled for a long time, and I'd originally hoped to have Peerless done for this talk, but when it became clear that wouldn't happen, I aimed to at least reach a clearly presentable and semi-complete stage, which I just barely did!
 
Thanks as always for following along, and helping me get to this point.

A few shots of carefully working the masking-tape "canvas" around the rest of the boiler deck:


Lots of fiddly cutting and fitting here. But another benefit to masking tape is that it holds its shape stiffly and is easier to shape and fit than something floppier like silkspan or tissue. And it's just sticky enough on its own to stay put when you're trying to draw or cut a careful line, while still being easy to move when you want.
 
I finally reached the point where a bunch of these overlapping mini-projects all came together. So here she is with cabins and pilot house attached, deck fully canvassed and painted, hog chain posts installed, and stern planking applied.


Careful eyes will notice that I haven't yet installed the support posts for the rear cabin roof overhang, but it's plenty stable for now. I'm not worried about the messy appearance of the boiler deck's edge because that will get wrapped in a thin plank veneer.
 
On Sunday, I'll be giving a talk on the evolution of steamboat design along the Missouri River, at a regional cultural center that specializes in supporting educational and artistic programming. I initially developed this talk back in 2021 as an online lecture for a regional non-profit that works along the Missouri River (you can view the talk recording here if interested), but this will be the first time I've given it to an in-person audience. As a bonus, I'll be displaying three of my steamboat models, the first time any of them have been presented to the public. Here they are all lined up and ready to go:
 

In the back is Arabia (1:64), in the middle is Bertrand (1:87), and of course in the foreground is Peerless (1:87). All three operated on the Missouri River, from 1853-1856, 1864-1865, and 1893-1903, respectively.
 
Model size is misleading, as Arabia is at a larger scale though she's actually very close in size to Bertrand. On the other hand, Bertrand and Peerless are the same scale, so you can really see how tiny the latter was in comparison to her ancestors.
 
This talk has been scheduled for a long time, and I'd originally hoped to have Peerless done for this talk, but when it became clear that wouldn't happen, I aimed to at least reach a clearly presentable and semi-complete stage, which I just barely did!
 
Thanks as always for following along, and helping me get to this point.

A few shots of carefully working the masking-tape "canvas" around the rest of the boiler deck:


Lots of fiddly cutting and fitting here. But another benefit to masking tape is that it holds its shape stiffly and is easier to shape and fit than something floppier like silkspan or tissue. And it's just sticky enough on its own to stay put when you're trying to draw or cut a careful line, while still being easy to move when you want.
 
I finally reached the point where a bunch of these overlapping mini-projects all came together. So here she is with cabins and pilot house attached, deck fully canvassed and painted, hog chain posts installed, and stern planking applied.


Careful eyes will notice that I haven't yet installed the support posts for the rear cabin roof overhang, but it's plenty stable for now. I'm not worried about the messy appearance of the boiler deck's edge because that will get wrapped in a thin plank veneer.
 
On Sunday, I'll be giving a talk on the evolution of steamboat design along the Missouri River, at a regional cultural center that specializes in supporting educational and artistic programming. I initially developed this talk back in 2021 as an online lecture for a regional non-profit that works along the Missouri River (you can view the talk recording here if interested), but this will be the first time I've given it to an in-person audience. As a bonus, I'll be displaying three of my steamboat models, the first time any of them have been presented to the public. Here they are all lined up and ready to go:
 

In the back is Arabia (1:64), in the middle is Bertrand (1:87), and of course in the foreground is Peerless (1:87). All three operated on the Missouri River, from 1853-1856, 1864-1865, and 1893-1903, respectively.
 
Model size is misleading, as Arabia is at a larger scale though she's actually very close in size to Bertrand. On the other hand, Bertrand and Peerless are the same scale, so you can really see how tiny the latter was in comparison to her ancestors.
 
This talk has been scheduled for a long time, and I'd originally hoped to have Peerless done for this talk, but when it became clear that wouldn't happen, I aimed to at least reach a clearly presentable and semi-complete stage, which I just barely did!
 
Thanks as always for following along, and helping me get to this point.

A few shots of carefully working the masking-tape "canvas" around the rest of the boiler deck:


Lots of fiddly cutting and fitting here. But another benefit to masking tape is that it holds its shape stiffly and is easier to shape and fit than something floppier like silkspan or tissue. And it's just sticky enough on its own to stay put when you're trying to draw or cut a careful line, while still being easy to move when you want.
 
I finally reached the point where a bunch of these overlapping mini-projects all came together. So here she is with cabins and pilot house attached, deck fully canvassed and painted, hog chain posts installed, and stern planking applied.


Careful eyes will notice that I haven't yet installed the support posts for the rear cabin roof overhang, but it's plenty stable for now. I'm not worried about the messy appearance of the boiler deck's edge because that will get wrapped in a thin plank veneer.
 
On Sunday, I'll be giving a talk on the evolution of steamboat design along the Missouri River, at a regional cultural center that specializes in supporting educational and artistic programming. I initially developed this talk back in 2021 as an online lecture for a regional non-profit that works along the Missouri River (you can view the talk recording here if interested), but this will be the first time I've given it to an in-person audience. As a bonus, I'll be displaying three of my steamboat models, the first time any of them have been presented to the public. Here they are all lined up and ready to go:
 

In the back is Arabia (1:64), in the middle is Bertrand (1:87), and of course in the foreground is Peerless (1:87). All three operated on the Missouri River, from 1853-1856, 1864-1865, and 1893-1903, respectively.
 
Model size is misleading, as Arabia is at a larger scale though she's actually very close in size to Bertrand. On the other hand, Bertrand and Peerless are the same scale, so you can really see how tiny the latter was in comparison to her ancestors.
 
This talk has been scheduled for a long time, and I'd originally hoped to have Peerless done for this talk, but when it became clear that wouldn't happen, I aimed to at least reach a clearly presentable and semi-complete stage, which I just barely did!
 
Thanks as always for following along, and helping me get to this point.

Quality instructions or not is a HUGE divider for kit manufacturers. There are only a handful that really bother to do it right. The rest are a sink or swim mentality.

A few shots of carefully working the masking-tape "canvas" around the rest of the boiler deck:


Lots of fiddly cutting and fitting here. But another benefit to masking tape is that it holds its shape stiffly and is easier to shape and fit than something floppier like silkspan or tissue. And it's just sticky enough on its own to stay put when you're trying to draw or cut a careful line, while still being easy to move when you want.
 
I finally reached the point where a bunch of these overlapping mini-projects all came together. So here she is with cabins and pilot house attached, deck fully canvassed and painted, hog chain posts installed, and stern planking applied.


Careful eyes will notice that I haven't yet installed the support posts for the rear cabin roof overhang, but it's plenty stable for now. I'm not worried about the messy appearance of the boiler deck's edge because that will get wrapped in a thin plank veneer.
 
On Sunday, I'll be giving a talk on the evolution of steamboat design along the Missouri River, at a regional cultural center that specializes in supporting educational and artistic programming. I initially developed this talk back in 2021 as an online lecture for a regional non-profit that works along the Missouri River (you can view the talk recording here if interested), but this will be the first time I've given it to an in-person audience. As a bonus, I'll be displaying three of my steamboat models, the first time any of them have been presented to the public. Here they are all lined up and ready to go:
 

In the back is Arabia (1:64), in the middle is Bertrand (1:87), and of course in the foreground is Peerless (1:87). All three operated on the Missouri River, from 1853-1856, 1864-1865, and 1893-1903, respectively.
 
Model size is misleading, as Arabia is at a larger scale though she's actually very close in size to Bertrand. On the other hand, Bertrand and Peerless are the same scale, so you can really see how tiny the latter was in comparison to her ancestors.
 
This talk has been scheduled for a long time, and I'd originally hoped to have Peerless done for this talk, but when it became clear that wouldn't happen, I aimed to at least reach a clearly presentable and semi-complete stage, which I just barely did!
 
Thanks as always for following along, and helping me get to this point.

The battle continues, gluing bulkheads and reinforcement of the construction

Hello everybody, yes I'm still alive and kicking. 

My professional work, called a career gets in the way sometimes.  I'm just sorry for my absence lately but choices.....you know what I mean...
This weekend was a weekend I claimed for modeling. I have glued up all the frame / bulkhead pieces and then glued them to the center plate.
The construction was way to flexible in ships length so I had to reinforce the construction. Luckily I had a walnut dowel laying around which did the trick just fine and so I used my saw and chopped it into a lot of pieces. Glued all the pieces between the bulkheads and the thing is solid!

The upper part of each frame / bulkhead are very very fragile. So I decided to glue small pieces of basswood (10x10mm) between the frames to create a shell.
I used my table saw to saw some 10x10mm sticks and luckily the weather was nice this weekend here in The Netherlands. I'll bet the admiral wouldn't like the noise of the table saw and all the clouds of sawdust into the living room.... 
 

 

 

 

 

 

 

 

Well, that's it for this update, until the next one.

Regards,
Peter