tlevine

Those small details are lots of fun to add but you'll never see them on the final model, especially when encased. But some future observer will be delighted when they use their home Target brand home endoscope.

I am not sure if I will add those details yet.   I am still mulling it over.   The reason why we builders add those fun details is to set our models apart from the many that will end up being made.   It also means I have to build another set of every table and chair again so I can write the instructions for them...LOL.
 
But the Speedwell project moves forward at any rate.
 
Now working on fcastle details.
 

 

 

Pegasus emerges

What a pleasure it must be to be able to design and laser cut your own custom cabin partitions. You may not like kitchen sinking but I guarantee yours is the only model with the correct three nail pattern on the cabin planking.
Would you like to borrow Gus, our office cat, to take care of your rat problem?

And nobody will ever see that detail once the deck beams and deck planking are completed.
 
Too funny Greg.  It actually takes a lot longer to design and draft these partitions than it does to build them.  Once they are actually laser cut,  it takes no time at all to clean them up and  install them.  
 
If only I could find someone else to do that front end work for me.
 
The sail room partitions wont be fun to design I can tell you that.  

Starting chapter 7
 
The first thing I wanted to do, just to get it out of the way...was to get all the gundeck beams made.  I cleaned the char off of all 11 beams now.  Then they were cut to length using the plans as a guide.  I also used the plans to establish where each deck beam is positioned.  For now I will just set them aside and grab them as I need them.   The last thing I wanted was to have to stop what I am doing just to clean char off a beam and cut it to length.  Its a comfort knowing they are all done and ready.
 
The photo below shows all the beams just resting on the deck clamp.
 

This allowed me the opportunity to cut all the templates and see what the planking scheme would look like so I can adjust it now rather than later.   I think its a good plan as is...and I wont make any adjustments, yet.
 

 
With the beams all ready and at hand, I could start making the cabins on the lower platform at the bow.
 
Each bulkhead will be made in two layers.   Both are 1/32" thick and are laser etched with a bunch of reference lines.   Now it would be easy enough to make these from scratch but this does make the building process quicker.  Especially since very little of these will be seen.  Below are the sections for the carpenters cabin on the starboard side.   It shows both sides.  I cleaned the char from the inside edges of the door panels and then glued up each layer.
 
Before I add any details I made sure they fit on the model.  I adjusted them to fit nicely in position and adjusted the heights etc.   This is why it is good to have those deck beams handy.  You need to have the first two beams in position to get the heights correct.
 

 
Once I was sure they fit on the model OK (see the deck layout for details), I started added the hinges and stanchions.

First I added the upright timbers which are either 1/8" x 1/8" strips cut to length or 3/32" x 3/32" strips.  The plans show which.   Then I added the door handles and hinges.   Make sure to add the handles on both sides of the door.   And be careful to put them on the correct side based on which way the doors open.
 
The outside view of both bulkheads completed.
 

The interior of the carpenters cabin detailed.

 
Finally they were glued into position on the model.  I placed the side with the doors first.  Just use your planking of the lower platform to position it straight and against the stanchion on the fcastle bulkhead.  
Then I added the smaller section along the aft edge of the platform.  This will probably need the outside edge to be sanded because I laser cut them longer than needed.   So adjust the side that butts up against the frames.   But remember, there isnt any planking on the inboard side of the frames so it is expected to show a gap.   Just get it as even and consistent as you can.  
 
The carpenters cabin and boatswains cabin completed.
 
Note how the top of the bulkheads against the deck clamp are flush with the top of the deck clamp.    
 

Next up will be the sail room.  But that needs to be built a different way because of the louvered walls for ventilation. 
 
Chuck
 
 
 

Just renewed last week. If I remember correctly, it will be seven years now.
I'll be honest, I feel a little bit of pride being an NRG member.
I can't begin to express what this website and organization has given me. 
Chatted with people from all over the globe. Tips and techniques I would have never thought of. 
 
Not much of today's modern life can afford me that. Seems everywhere online is filled with dishonesty.
This is my happy place. 
Good honest people. 
 
 
Tom L. 
 
 

Check out the NRG website thenrg.org  You can join for as little as $40 (US funds) with the Digital Edition.  It can be read on-line or saved to your computer.  You can print out articles for your private use (copyrights).
There is a downloadable pdf copy of a Journal you can read to see a typical Journal.  There is a lot of useful information on the site.  Like all hobby related magazines we can only print what is submitted.  We do pay for modeling articles so you might want to consider sharing with your fellow modelers and write an article - and get paid.
As others have said NRG membership helps support MSW.
 
Take care,
Kurt
 

Because you're supporting this site. True you can free load and never contribute through NRG or the Donations tag at the top, but if enough did that they MSW wouldn't have the funds to operate.  Shell out the very nominal membership fee, you can display or not the avatar once you do.

I really appreciate that we, as users of this web site are not monetized the way most for profit (and even some not for profit) website would do.   Since Model Ship World is sponsored by the NRG, keeping these organizations financially secure is important to me.  That is one of my primary reasons I for joined the NRG.  The magazine does have features on 20th century subjects, but I will let others chime in regarding yachts specifically.  The magazine is very well done and the print version is of a quality you don’t see very often these days in our digital world.   Sometimes it is still nice to read something that isn’t on a screen.  

Micha, being an NRG member means you're providing financial support for MSW. You've only been a member of MSW for a short period of time but by the number of your post thus far you obviously find benefit in being a MSW member. For myself being a member since 2016 MSW is a major part of my life. I consider 99.99% of the MSW membership my 'family'. MSW is way too important to me, I'm happy to support MSW by being an NRG member.  
 
 Having access to the MSW database is invaluable, I dare say that if you have a question about ship modeling the answer can be found in the MSW database. The better question is, why would one not want to support MSW by becoming an NRG member.    

I was fortunate enough to have visited the Museum just before it closed. I felt it was one of the best museums I have ever visited. Had the same thought about the Science Museum in England in the late 70's. At least I am fortunate to be so close to the Annapolis Museum where ship models take center stage thanks to a generous grant from an earlier class.

@Gregory
@Keith Black
Hello,
thank you very much for your kind words.
 
 
Musée national de la Marine in Paris
Today I have to get the following off my chest.
As you all know, the Musée national de la Marine in Paris reopened its doors some time ago after many years of renovation and modernization. Our forum colleague Eberhard @wefalck reported on this with impressive photos.
I actually planned to visit the reopened museum later this year and in particular to view and photograph my "object of desire", the original model of "La Créole", in order to, among other things, to explore unclear details of the upper rigging.
After his first visit, Eberhard indicated that he was not sure whether “La Créole” could still be seen in the permanent exhibition.
After contacting the museum, I was informed that this was indeed the case and that the "La Créole" had ended up in storage, like many other models. When I asked if it would be possible to take a few photos of the upper rigging (topgallant yards and royal yards), I was referred to the restorers. A very friendly restorer then went to the depot especially for me and took a whole series of pictures of the rigging.
Regardless of the fact that these recordings are very valuable for my project, I am shocked by the fact that this beautiful model has now become the victim of a new museum education.
Apparently the aim is to reach a wider audience. The German Museum is also apparently following this trend. As I found out, for example, the beautiful 74 model after Boudriot by our forum colleague Robert @tarjack can no longer be seen in the permanent exhibition.
Is this the future of cultural-historical and artistic creation?
Here is a picture from the depot of the Paris museum, where the "La Créole" will now eke out its future existence alongside many other models.

It almost looks like a prison, which makes me a little sad. Previously proudly presented in the permanent exhibition, published with glossy photos, among other things, by J. Boudriot and now in the depot without protection. Hopefully the air in the depot is dust-free.
I'm still hoping that one of the restorers will remember the model and fix the already partially dilapidated rigging.

More hammock crane work.
 
I decided I needed a better way to make the modeling clay form for the hammock covering cloth.   I had just kind of rolled it out and mashed it into rough shape, but it was a little TOO rough and varied in height and thickness.  So I made a mold out of scrap wood.  This is the length I need for the forward sections.  The previous clay form and removed covering paper are above it--

 
Then I mashed the clay into one side of the mold--
 
And clamped the outer mold piece against it.  There are spacers at the end to make the right thickness, and I used my calipers to make sure it was the same width at the middle.  They also worked as a clamp.  I mashed additional clay into the top where needed--

 
Then scraped the top smooth--

 
This gave me a piece of clay that was uniform in height and thickness--


 
I ran a finger along each side of the top to round and smooth it--

 
New pieces of Silkspan were moistened and folded around it--

 
When this dried, I tucked and glued the loose ends at the bottom, and let that dry--

 
Here it is fit into place--


 
 
I am much happier with this attempt.   It may be more uniform than it really should be, but it will be easy to go back and make it a little "lumpy" if I decide it needs it.  Here's a view from inboard--

 
As I finish up the hammocks I'm adding the capstan bars to the capstan.   It's always one of the things on a model that catches your eye, and I've been waiting a long time to add this touch!   I cut some blanks, and test fit a few times to get the length I thought was appropriate.  They look pretty chunky, but they haven't been tapered or rounded yet, hence they are also not glued to the capstan yet--

 
I numbered each hole and bar on the underside just in case it matters which one goes where--

 
As the afternoon light starts to fade--

 
That's all for now.
 
Ron
 
 

Most rings and eyebolts provided in kits are oversized, especially at the smaller scales.  They are very easy to make.  To make rings, temper (soften) brass or copper wire of the appropriate gauge by heating it in a flame.  I use my gas cooktop.  Let it cool slowly.  Drill a hole larger than the wire in one end of a dowel that is slightly larger than the desired inside diameter of the ring.  Thread the wire through the hole and tightly wrap the wire around the dowel.  When you are finished, tape one side of the wire.  This will help prevent the rings from flying away when you cut them from the dowel.  Use a metal cutting saw to cut through the wire.  If you don’t own the Czech-made JLC saw, get one.  They are fantastic.  No monetary interest in the company, so here is the link to their website. https://www.umm-usa.com/catalog/tools_JLC.html The pirated cheap imitations on Amazon are not the same quality.  Gently bend the wire to close the gap left by the saw kerf.  Clean and blacken.  Easy!  For rings that are going to be under a lot of tension, solder the ring closed before blackening.   If you are making a lot of rings, you can chuck the dowel into a drill rather than hand wrapping it.

Eyebolts are just as easy to make but you will need fine-tipped round-nosed pliers.  Your best source for this tool is a jewelry supply store.  Mark on your pliers the desired inner diameter of the eyebolt.  Take a length of wire and file the end flat with a metal file.  Grasp the wire between the jaws of the pliers without any wire protruding beyond the jaws and wrap it around one of the jaws until you have a complete loop.  Sharply bend the wire back towards you to form the stem.  Cut to length, clean, blacken and repeat.

 

The dimensions of the top are determined by the size of the topmast; the dimensions of the trestle and cross trees are derived from the size of the top.  The topmast on this ship was specified on the plans as 32’ 10”.   The width of the top is 1/3 the length of the topmast wide and ¾ the top’s width fore-to-aft.  The hole in the top is 5/12 the width of the top.  The kit will provide a template for the top. 
The trestle trees run fore and aft; the cross trees run across the ship.  The trestle trees are as long as the top.  The cross trees are different lengths; the fore cross tree is shorter than the aft one because of the curvature of the top.  Look at the following drawings.  The dimensions of the trestle and cross trees are derived from the width of the top (W).  There is a small notch on the inside face of the trestle tree for the mast head.  I made them from 1/8” basswood sheet and sanded them down to the correct thickness.  It is important to make sure that the top surface of the assembly is not twisted.  The easiest way to avoid twisting is to turn it upside down and put a weight on top of it while the glue dries. 
Trestle Tree

The small piece of wood between the cross trees is called the chock.  It is a spacer between the mast head and the topmast.  It is the same height and width as the trestle tree. 
I inserted the mast into the hole in the deck.  As mentioned previously, the trestle trees are horizontal to the water line.  The cross/trestle tree assembly was placed onto the bibs and the  angle of the top of the bibs was adjusted with a sanding stick until the trestle trees were horizontal.  They were glued to the bibs. 

The final pieces to install onto the trestle tree are the bolsters.  These are quarter-round pieces of wood that prevent the shrouds from rubbing against the trestle trees.  They are slightly wider than the trestle tree and one-third its height.  Because the shrouds extend aft from the mast, the bolster starts at the fore end of the mast head and extends back to the aft cross tree.  I have added bolts to the trestle trees using 24 g copper wire.
 
Just as the bolsters protect the trestle trees, battens protect the mast head.  There are two battens on each side of the masthead and end below the second hoop from the top.  In order to lay flat against the mast head, small grooves were cut into the undersurface of each batten where it crossed a hoop with a #11 blade.

 
 
 
 

Time to build up the port and starboard sides of the mast head.  I used the mast template to determine the dimensions.  A real mast would have its top cut at an angle to lock it into the mast cap.  This detail is not visible so I shaped it as a simple square.  The full- sized dimensions are 9” square by 11”tall, which is the thickness of the mast cap. 


Iron bands were placed around the mast head at regular intervals.  I used paper dyed with archival ink.  On this photo you can see that I have added bolts to the cheek.  The bolts are made from 24 g copper wire patinated with liver of sulfur. 

 
The wooldings provide extra strength to the mast.  The number and composition varied based on the era.  At this time, they were made of 2.5” tarred rope (all rope dimensions are circumference).  Because I will be using several diameters of line in the build, I made a table consisting of the full-sized circumference, the circumference at  1:48 scale and the diameter at 1:48 scale.  The easiest way to determine the diameter of your rope is to wrap 10-20 windings around a dowel, measure the distance and divide it by the number of windings.  Remember, circumference is πd so the rope diameter is circumference/π.  I used eight wraps for each woolding.  To hide the ends of the wooldings, I tucked them in the gap between the mast and the cheeks. 

Above and below the wooldings are wooden hoops.  I simulated them by cutting strips of paper and wrapping two layers around the mast.  This gave the hoops the appropriate thickness.

 

Most rings and eyebolts provided in kits are oversized, especially at the smaller scales.  They are very easy to make.  To make rings, temper (soften) brass or copper wire of the appropriate gauge by heating it in a flame.  I use my gas cooktop.  Let it cool slowly.  Drill a hole larger than the wire in one end of a dowel that is slightly larger than the desired inside diameter of the ring.  Thread the wire through the hole and tightly wrap the wire around the dowel.  When you are finished, tape one side of the wire.  This will help prevent the rings from flying away when you cut them from the dowel.  Use a metal cutting saw to cut through the wire.  If you don’t own the Czech-made JLC saw, get one.  They are fantastic.  No monetary interest in the company, so here is the link to their website. https://www.umm-usa.com/catalog/tools_JLC.html The pirated cheap imitations on Amazon are not the same quality.  Gently bend the wire to close the gap left by the saw kerf.  Clean and blacken.  Easy!  For rings that are going to be under a lot of tension, solder the ring closed before blackening.   If you are making a lot of rings, you can chuck the dowel into a drill rather than hand wrapping it.

Eyebolts are just as easy to make but you will need fine-tipped round-nosed pliers.  Your best source for this tool is a jewelry supply store.  Mark on your pliers the desired inner diameter of the eyebolt.  Take a length of wire and file the end flat with a metal file.  Grasp the wire between the jaws of the pliers without any wire protruding beyond the jaws and wrap it around one of the jaws until you have a complete loop.  Sharply bend the wire back towards you to form the stem.  Cut to length, clean, blacken and repeat.

 

Kit Build Logs 1750-1800

The Guild is an educational organization, dedicated to providing our members with the knowledge to improve the quality of their model ship building.  One of the most frequently asked questions on MSW, from both novices and old hands, is "How should I plank my hull?"  With this in mind, I have developed a half hull project to teach even the first time builder how to properly plank a hull.  First, I want to thank Mike Lonnecker for help he has given me throughout the development process.  Later this month, the NRG will beginning selling the kit for this planking project.  It will include all of the wood and plan.  The manual will be a download to help reduce costs.  The photo shows the finished project.
 
As this was developed as a teaching aid, certain shortcuts and compromises to historical accuracy were taken and I will mention these along the way.  So I apologize in advance to the master modelers who will certainly find some of my technique unconventional.  But they work!
 

Mango, take a look at my half hull build log.  This goes through the details of planking the hull, what is called "spiling".  I think this will answer some of your questions. 
 
At the stern, you should be measuring from the keel rabbet all the way up, just as you did the others.  What you will discover is that in order to fill in the space, you will need to add a plank.  Also, the aft ends of the other planks will need to be wider than at the midship area.  
 
 

Most rings and eyebolts provided in kits are oversized, especially at the smaller scales.  They are very easy to make.  To make rings, temper (soften) brass or copper wire of the appropriate gauge by heating it in a flame.  I use my gas cooktop.  Let it cool slowly.  Drill a hole larger than the wire in one end of a dowel that is slightly larger than the desired inside diameter of the ring.  Thread the wire through the hole and tightly wrap the wire around the dowel.  When you are finished, tape one side of the wire.  This will help prevent the rings from flying away when you cut them from the dowel.  Use a metal cutting saw to cut through the wire.  If you don’t own the Czech-made JLC saw, get one.  They are fantastic.  No monetary interest in the company, so here is the link to their website. https://www.umm-usa.com/catalog/tools_JLC.html The pirated cheap imitations on Amazon are not the same quality.  Gently bend the wire to close the gap left by the saw kerf.  Clean and blacken.  Easy!  For rings that are going to be under a lot of tension, solder the ring closed before blackening.   If you are making a lot of rings, you can chuck the dowel into a drill rather than hand wrapping it.

Eyebolts are just as easy to make but you will need fine-tipped round-nosed pliers.  Your best source for this tool is a jewelry supply store.  Mark on your pliers the desired inner diameter of the eyebolt.  Take a length of wire and file the end flat with a metal file.  Grasp the wire between the jaws of the pliers without any wire protruding beyond the jaws and wrap it around one of the jaws until you have a complete loop.  Sharply bend the wire back towards you to form the stem.  Cut to length, clean, blacken and repeat.

 

The dimensions of the top are determined by the size of the topmast; the dimensions of the trestle and cross trees are derived from the size of the top.  The topmast on this ship was specified on the plans as 32’ 10”.   The width of the top is 1/3 the length of the topmast wide and ¾ the top’s width fore-to-aft.  The hole in the top is 5/12 the width of the top.  The kit will provide a template for the top. 
The trestle trees run fore and aft; the cross trees run across the ship.  The trestle trees are as long as the top.  The cross trees are different lengths; the fore cross tree is shorter than the aft one because of the curvature of the top.  Look at the following drawings.  The dimensions of the trestle and cross trees are derived from the width of the top (W).  There is a small notch on the inside face of the trestle tree for the mast head.  I made them from 1/8” basswood sheet and sanded them down to the correct thickness.  It is important to make sure that the top surface of the assembly is not twisted.  The easiest way to avoid twisting is to turn it upside down and put a weight on top of it while the glue dries. 
Trestle Tree

The small piece of wood between the cross trees is called the chock.  It is a spacer between the mast head and the topmast.  It is the same height and width as the trestle tree. 
I inserted the mast into the hole in the deck.  As mentioned previously, the trestle trees are horizontal to the water line.  The cross/trestle tree assembly was placed onto the bibs and the  angle of the top of the bibs was adjusted with a sanding stick until the trestle trees were horizontal.  They were glued to the bibs. 

The final pieces to install onto the trestle tree are the bolsters.  These are quarter-round pieces of wood that prevent the shrouds from rubbing against the trestle trees.  They are slightly wider than the trestle tree and one-third its height.  Because the shrouds extend aft from the mast, the bolster starts at the fore end of the mast head and extends back to the aft cross tree.  I have added bolts to the trestle trees using 24 g copper wire.
 
Just as the bolsters protect the trestle trees, battens protect the mast head.  There are two battens on each side of the masthead and end below the second hoop from the top.  In order to lay flat against the mast head, small grooves were cut into the undersurface of each batten where it crossed a hoop with a #11 blade.

 
 
 
 

Most rings and eyebolts provided in kits are oversized, especially at the smaller scales.  They are very easy to make.  To make rings, temper (soften) brass or copper wire of the appropriate gauge by heating it in a flame.  I use my gas cooktop.  Let it cool slowly.  Drill a hole larger than the wire in one end of a dowel that is slightly larger than the desired inside diameter of the ring.  Thread the wire through the hole and tightly wrap the wire around the dowel.  When you are finished, tape one side of the wire.  This will help prevent the rings from flying away when you cut them from the dowel.  Use a metal cutting saw to cut through the wire.  If you don’t own the Czech-made JLC saw, get one.  They are fantastic.  No monetary interest in the company, so here is the link to their website. https://www.umm-usa.com/catalog/tools_JLC.html The pirated cheap imitations on Amazon are not the same quality.  Gently bend the wire to close the gap left by the saw kerf.  Clean and blacken.  Easy!  For rings that are going to be under a lot of tension, solder the ring closed before blackening.   If you are making a lot of rings, you can chuck the dowel into a drill rather than hand wrapping it.

Eyebolts are just as easy to make but you will need fine-tipped round-nosed pliers.  Your best source for this tool is a jewelry supply store.  Mark on your pliers the desired inner diameter of the eyebolt.  Take a length of wire and file the end flat with a metal file.  Grasp the wire between the jaws of the pliers without any wire protruding beyond the jaws and wrap it around one of the jaws until you have a complete loop.  Sharply bend the wire back towards you to form the stem.  Cut to length, clean, blacken and repeat.

 

Most rings and eyebolts provided in kits are oversized, especially at the smaller scales.  They are very easy to make.  To make rings, temper (soften) brass or copper wire of the appropriate gauge by heating it in a flame.  I use my gas cooktop.  Let it cool slowly.  Drill a hole larger than the wire in one end of a dowel that is slightly larger than the desired inside diameter of the ring.  Thread the wire through the hole and tightly wrap the wire around the dowel.  When you are finished, tape one side of the wire.  This will help prevent the rings from flying away when you cut them from the dowel.  Use a metal cutting saw to cut through the wire.  If you don’t own the Czech-made JLC saw, get one.  They are fantastic.  No monetary interest in the company, so here is the link to their website. https://www.umm-usa.com/catalog/tools_JLC.html The pirated cheap imitations on Amazon are not the same quality.  Gently bend the wire to close the gap left by the saw kerf.  Clean and blacken.  Easy!  For rings that are going to be under a lot of tension, solder the ring closed before blackening.   If you are making a lot of rings, you can chuck the dowel into a drill rather than hand wrapping it.

Eyebolts are just as easy to make but you will need fine-tipped round-nosed pliers.  Your best source for this tool is a jewelry supply store.  Mark on your pliers the desired inner diameter of the eyebolt.  Take a length of wire and file the end flat with a metal file.  Grasp the wire between the jaws of the pliers without any wire protruding beyond the jaws and wrap it around one of the jaws until you have a complete loop.  Sharply bend the wire back towards you to form the stem.  Cut to length, clean, blacken and repeat.