Jump to content

woodrat

Members
  • Posts

    785
  • Joined

  • Last visited

Posts posted by woodrat

  1. Woodrat-  Perhaps, it might be worthwhile, but Texas A&M University, has one of the few programs on Research and Archaeology on marine subjects.

    . They can be reached at:

     

     

    Montani semper liberi  Happy modeling

      Crackers    :):D

    Thanks, Crackers, I have done just that and await a reply.

    Dick

     

    Or, in addition to what Crackers suggested, check out the Theses and Dissertations database (http://nautarch.tamu.edu/academic/alum.htm).  There's a lot of useful information as well as some that are just plain good reading.

    I agree, I have delved into a few of these dissertations and they are a goldmine. Courageous decision, by the way, about your Licorne. Sometimes it is better to "screw your courage to the sticking place" and get on with things.

    Dick :)

  2. An excellent starting point is Roger Smith: "Vanguard of Empire" Oxford Press.

     

    Other reference for iconography is: Lillian Ray Martin : "The Art and Archeology of Venetian Ships and Boats"  Texas A&M Books

     

    Articles by Mauro Bondioli in : "The Book of Michael of Rhodes vol 3" Long, McGee and Stahl eds.  MIT Press

     

    Of Course The volume in Conways History of the Ship  " Cogs Caravels and Galleons" is a very useful starting point as well.

     

    Dick

  3. Before I get too involved with rigging, I have to build the full hull . This is new to me as I have never done a POB model before. Nor have I designed one. I am making this up as I go along. I hope you guys will forgive any egregious errors and make suggestions as I go. :)

     

    Here goes, this is the central bulkhead support with the backbone of the ship

    post-848-0-04672300-1473078627.jpg

  4. Excellent!!  Would you consider mounting it on a mirror ?

     

    S.os

    Yep, I did consider it but decided against it. Please see previous posts for the reasons.

     

    Yes, Crackers, there is guesswork but it is also detective work with many clues and many suspects B)

     

    here are some preliminary lines, which will be cleaned up.

     

    Dick

     

    post-848-0-31042900-1389616638_thumb.jpg

  5. Thanks, Steven for the pics which will be of interest to many MSW readers. The Reixach carracks seem to be closest to the carrack I am reconstructing. It also shows a sailor ascending ratlines but they are not drawn in.

     

    post-848-0-02996700-1389495623.jpg

     

    The most realistic depictions  of carracks by far are by Carpaccio.

     

    I am presently drawing up lines to build a 1:64 POB full hull model.

     

    Dick

  6. Louie, I have been fascinated by the english carracks in the Richard Beaumont drawings. These seem to be sketched from life and show much interesting detail. Some show ratlines and others Jacob's ladders. Thanks for the link.

     

    Druxey and Doreltomin. Another reason not to place the ship on a mirror was the fact that it was not symmetrical. the bowsprit (if that's what it was) is shifted to the starboard side of the forecastle (a feature seen in many pictures of the period).

     

    post-848-0-41227000-1389022215.jpg

     

    Dick

  7.  

     

    : Have you considered putting a MIRROR instead of the plank on which the half model is put? In such a way the model would look complete from any angle!

     

    Of course since the plane of the cut isn't now made exactly in the middle but a bit before that, you must "shave" everything to the exact middle and make not a full round mast, but just half of it.  A bit tricky but I believe it would worth the trouble!

    I did consider a mirror and tried one but, because of the thickness of glass over the silvered layer, it looked like there was a huge gap down the middle of the ship and I gave up on the idea. Besides, there is a venerable tradition of half-hull models and I rather like the way they look. :)

     

     

    Thank you Louie for the article on Master W A +. This will be very useful. I think Landstrom in his excellent book uses the Mataro nao but lengthens in in the mid section to make it seaworthy. the wooldings on the masts in two of the pictures indicating masts made of several pieces of wood whereas the small nao by W A has a one piece mast. Also noteworthy is that, in the first picture, the yard has been lowered to the deck, presumably it was the way they did a harbour furl.

     

    post-848-0-13411300-1388936044_thumb.jpgpost-848-0-74446200-1388936060_thumb.jpg The dragon

  8. Another thought. Perhaps the ship in drydock is in the process of being planked and the strakes between the main wales are not yet in place. The square blocks could be the underlying frames. :mellow: Dick

    post-848-0-15673500-1388792532.jpg

     

    The rudder is made of several pieces with wooden battens and metal straps reinforcing. Note the curve of the tiller.

    post-848-0-32604700-1388792835.jpgpost-848-0-52382600-1388792717_thumb.jpgpost-848-0-53091300-1388792720_thumb.jpgpost-848-0-98155400-1388792723_thumb.jpg

  9. Really great work. I'm impressed. However, I would have preferred a full rigged model with sails, rather than a half model. Regardless, this project is truly professional in scope. Thanks for sharing.

     

    Montani semper liberi  Happy modeling

        Crackers    :):D

    Thanks, Crackers. But if you think the evidence for hull construction is poor, wait till you see what's known about mediaeval rigging!!!

     

    I do, however, have a cunning plan to do a full hull with rigging. The half-hull was sort of a proof of concept model. But first I must finish Le Gros Ventre. B) Dick

×
×
  • Create New...