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Mark Pearse

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Everything posted by Mark Pearse

  1. lovely lines Adam, but maybe check the keel thickness, it looks very thin. best, Mark
  2. Hi Jon looks great, well done. I think the lee helm is because your clew is very loose to the boom & not at the boom where it should be, you can see that the main is not getting much of it's potential power whereas the jib is. I might be wrong, but is the clew on the full sized boats tight to the boom (or a bit loose when it's light)? This would have the effect that Bob describes Mark
  3. I've cut the deck & in the photos it is temporarily fitted with small screws. The screw heads will be filled over, but the 2-way deck curve needs more than just a little clamping. Some of the deck parts have been pencilled on, but there's still some thinking to do: review the mast position again. It's not going to have to sail, but if the mast setout looks wrong it'll really bug me, it's looking a little too far forward, but the bowsprit isn't on yet. A long bowsprit looks nice, but I'm assuming a hanked jib luff, so it puts some emphasis on actually being able to reach the forestay without drama. Sometimes they put a wide rectangular bowsprit so that stepping on it was easier, & it also meant that whisker stays were not necessary, which makes using an anchor a bit simpler. If I put on whisker stays I will good to put the whisker chain plates on before the deck. I'm thinking to deck step the mast, it doesn't really make sense to put it to the keel step it now. What's next: mast / whisker chainplates, finish setting out the decks, glue the deck & fit the gunwales & sponsons. thanks for the interest
  4. Hi there, I've not done what you are asking about, but I would definitely recommend a test run - I have done fibreglass & epoxy sheathing on a full sized sailing boat & I wish that I'd practised first. You (probably) can't take it off, you might only learn what thickness would be right after having done it. good luck with it,
  5. thank you Patrick I wasn't planning to do the interior fitout, & I say that somewhat sheepishly having seen the detailed interior fitouts that you do. But I have planned the interior in my head - 2 full bunks forward, with a 4' zone with a wet locker or heads one side & a 4' galley the other side, then 2 full bunks that doubles as a saloon. Nils & Michael, thanks. I am always interested in how the subtle details change the way a boat's hull looks. In this case having multiple curved horizontal lines, working in balance will be even more interesting. The same hull can look very different with fairly minor visual differences.
  6. thanks all, I've lined off the cockpit area in some lovely Finnish 2mm ply, it will all be painted. The varnished timber details will be added after painting, & haven't been made yet. The deck beams are in, spaced to suit the model not a real yacht, the interior will be enclosed & not visible. The V beam you can see is because the mast position would intersect that beam, & the rake is sufficient for the base of the mast to miss the lower part of the V. It will ensure that the hull width doesn't move while I'm making it. You can see that I had to sand the thwart that is immediately aft of the raised deck, after massing it up I realised that it would have had a step in the underside edge varnished seat backrest, which wouldn't look so good. The deck will go on soon, the deck fittings won't need backing as they won't be functional. thanks
  7. Hello Russ an interesting shape - do these boats have a particular use? They look very stable & yet they have quite a long narrow bow section. Mark
  8. HI everyone, thanks for the interest. The hull profile has been cut down, & I've started to put in the deck beams & cockpit area supports. The cockpit area has a series of different heights: a scuppers area that is the same as the top of the transom; a bit lower is the seat tops, with a slightly higher curved-top thwart at the front of the cockpit, & lowest the cockpit sole height which is just a little above the waterline. The framing & beams are glue-laminated curved & straight beams, all in Spotted Gum. The sizes are not meant to be to scale but they are probably not far off. It will be lined in 2mm plywood & painted, with clear finished details. I've added a photo that helps show the final layout. One nice detail is the removable timber panels either side of the hatch.
  9. I reshaped the profile of the keel line to a smooth curve - it is probably not what would have been built, but it looks nice & does reflect the drawings. The painting has been redone, & is probably not over yet; I'm sure there will be some damage, & the topsides might be too cream but it's hard to tell at the moment. The paints are all mixed, gloss enamel for the topsides & matt acrylic for the underwater parts. The boot top is a mixture of an opaque enamel with some metallic added, the colour will make sense when the gunwales & sponsons (lower gunwales) are added. The antifouling colour in enamel wasn't working out well, it wasn't matt enough & the colour was blue rather than pale grey. When the hull shape on a boat doesn't change shape dramatically near the waterline, I like an underwater colour that isn't a huge contrast to the topsides, so that you can see the shape into the water as an extension of the above-water shape, hence the pale grey. The boot top line masking bled a bit, & the transom part seems to be off a bit, so some touching up required. Also, it might not be obvious in the photos but the line itself is not as good as I'd hoped, but when you realise that it's actually only a very small deviation from a the curve, it might not be practical to amend it by such a small amount as the change might not look so good. As you can see, the right-way-up support frame is made & she was cut off the build frame - it's very nice to see the lines - it is hard to appreciate the lines upside down, we are probably so used to seeing them one way. The next steps, I think, will be to cut the profiles as the hull steps down from the raised deck. Also deck beams & mock up the deck & cockpit area in 2mm plywood. At the bottom is the start of a deck plan, at the moment it just shows the basic shapes that would be in ply - the cockpit seating & edge of the raised deck etc. The cockpit seats are solid, not hollow under. I will shape it all in ply & add timber & veneer sheets as required. I have some Queensland Maple veneer & some timber as well. Thanks for looking, MP
  10. Hi Patrick thank you, I'm glad you like the colour, I'm happy with the direction. The photos are at the Sydney Amateur Sailing Club, where the half-model lives - last Sunday there was a race day for some of the Ranger yachts plus a couple of Couta boats & it was a good day to show the shape to people that are familiar with the smaller 24 footers. I decided today that the bottom profile of the keel line seen from side on looks a bit ugly, but I believe it's what they would have built. I gave the bottom of the keel a long flat horizontal base that would suit going on to an old style tray cradle that rolls up tracks out of the water. However it looks pretty ordinary & in this case I don't think it's worth persisting with a fairly obscure detail that detracts. I'm going to give it a long slow curve instead.
  11. A minor update: some more painting with colours closer to what I had in mind: cream topsides with a white / pale grey antifouling. The boot top line hasn't been done but I have some coppery colours for that. White antifouling isn't true to the period of the boat, but neither will the winches be that I am going to indicate. I just like the effect of the antifouling being a similar colour to the topsides, you can see the continuity of the hull shape more clearly as it goes down into the water, or when a boat is heeled. The issues with paint drying I think were to do with not stirring the paint enough before I decanted it into another jar - which I did to make a mix of colours. Thanks to those in the painting forum that helped out. You can see below that the matt paint that I've used for the antifouling is more uneven in finish than the gloss. If it's still uneven after another I'll investigate spraying the matt paint, blotchiness in finish will make a smooth shape look uneven I will probably do one more coat to each before removing the model from the base. Some very fine splits between planks are showing through the paint, as joints with insufficient glue are moving. It's not so different to a real planked hull, so the sort of 'defect' that is true to a real boat of this sort of construction standard is being accepted. Anyway, here they are: the model with the original designer's half model of Ranger, the half model must be getting close to 100 years old now again, showing the half model off the half model, the 28 footer, plus Ranger herself through the window Thanks all, MP
  12. Hi Mike I coated a new timber floor (2nd hand Australian hardwood) with pure Tung Oil, so no thinners, no resins etc - sounds the same product that you have used. We did one coat, it was spread fairly thickly, really wet, then about an hour later the excess was wiped off. No walking for 24 hours, & the result was good. I have also coated a plywood floor the same way, that time using multiple coats which did build up but at times didn't seem to be setting. They both cured, but it is different to other finishes & didn't feel dry in the way that a polyurethane finish feels dry. It does sound like yours isn't curing - my understanding is that it cures in the same way that boiled linseed oil cures, a chemical reaction, so you must not bundle up rags that are soaked in the stuff, it releases heat in the reaction & can ignite. So I'd be careful about diluting without checking my recollection that it cures rather than dries, & also that it will still cure if is diluted... On the question of a satin finish, with furniture I often do my build up coats & then as a final coat let it half dry & then wipe it off with a rag to give a greasy look, it replicates the finish that wax polish that hasn't been buffed has. Hopefully this helps, best wishes. Mark
  13. thanks, I'll give the model an upgrade to residential class & see how we go....
  14. first coat of paint, I want the topsides to be more cream, & the antifouling a bit greyer rather than blue/grey; otherwise I'm happy as a pig in mud I like the way you can see a few planking joints, appropriately the garboard seam is quite visible, considering how much grief this seam gives the boating world The new & old broken gooseneck pin for our 24' foot boat is visible - it's extraordinary what effect a 1:12 scale change has, this fitting would also suit this boat transom (used to be called the tuck in Sydney) the sponsons - or lower gunwales, shaped from native Rosewood, I' considering shellac as a finish bye for now, thanks
  15. Hi everyone I did a first top coat in a mixture of Humbrol gloss enamel colours (3 tins, 2 of one colour, one of another), didn't add any thinners or anything else; it was done over a thin coat of Zinser oil based undercoat that had been well sanded & was well dry. The Humbrol took ages to dry - almost a week so far, it's still not dry enough to sand but it is close. It was very nice paint to use & the finish is good, despite the gradual accretion of dust over the week.... My 'workshop' is a cool garage, not really damp & not really cold, maybe 17 degrees C & things don't go mouldy there. Anyone comments? My thoughts are that I just need to do the next coats in a warmer location, but I am surprised that it took so long. thanks in advance, MP
  16. thanks very much everyone, quite a bit to think about & try out there. I like the sound of the self-tinning solution. Michael, I never considered using stainless steel - will it braze?
  17. Hi Patrick, I've been doing something similar: two 100w linear halogen work lights for about an hour yesterday & today, they give off a gentle warmth & the paint is close to dry now. thanks Mark
  18. g'day Patrick, I've done some topcoats - no photos yet though. It's amazing how the painting is making sense of the hull shape. I've used Humbrol enamel & it's taking a long time to dry...it's nice paint to use & the finish is good, & I know my 'workshop' is actually a damp cave that would make Gollum feel cold & lonely, but it's been about 4 days & it's still tacky. Mark
  19. I've undercoated the hull & set up the boot top line, using a laser level to get the waterline & then adjusting the model height & angle to get the boot top lines. I marked the waterline in 6H pencil, added 50mm (scale) height slightly aft of the middle for the lowest point of the boot top line, which is increased to 100mm at the bow & 65mm at the stern. The boot top line width is 30mm scale width at its narrowest, 50 at the bow & 40 at the stern. I like the way lines added on to a hull shape improve its appearance - or maybe its truer to say that they explain or show off the shape. The artist Christo had the same idea: a curve is hard to see, but put a line on it & your eye looks at the curve of the line. I'm hoping to do some colours in the next week. One minor issue has been that the Titebond glue resists sanding more than timber does, so when you have an internal corner with dried glue in it, it's difficult to sand cleanly. On the hull sanding, I am accepting some visible joints in the timbers, especially in the keel. I think it's consistent with the probable construction standard of the yacht - if she had been built in the 1930's or 40's. I will fill some of them a bit, but I'm not planning to make the model look perfect. thanks all, bye for now MP painted & sanded waterline waterline the waterline & boot top lines in pencil
  20. I agree with David, the chine wasn't out enough to be visible so it's worth considering accepting that minor issue. There is the personal question of just how much rebuilding we are each happy to do & not be discouraged. Mark
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