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Posted

 

Okay, thank you very much, I just wanted you to see it as it appears in the source iconography. And of course, you decide for yourself what to do with it. Incidentally, to be honest, I have serious issues with some aspects of Lemineur's reconstructions, and I'm not the only one. Boudriot's work is much more convincing, so to speak.

 

Posted

Agreed - I am hearing from a number of friends who are interpreting the SP drawings, in particular, and there appear to be a number of inconsistencies.

 

As for the capstan, I’m not sure whether I will remake it.  Probably not, but if it gets under my skin, I will have to revisit that possibility.

We are all works in progress, all of the time.

Posted

 

Admittedly, structural aspects are rather secondary to me, so they are not my main focus, but criticism of various solutions adopted in these reconstructions can be found on the website http://www.gerard-delacroix.fr/.

 

However, I have serious reservations about the design concepts used in the 17th-century reconstructions. But this is a broader topic, requiring a whole thread with explanations and examples...

 

Posted

Well, as I well know - you have gone to great depths to reconstruct line drawings into more plausible outcomes.  Your insight on a wide array of vessels is invaluable.

 

I’ll take a look at the Delacroix forum, though.  Thanks for the reference!

We are all works in progress, all of the time.

Posted

@Waldemar

I couldn't give any input to such a discussion, but really interested to read such a thread and read about your opinions. I followed a lot of your drawing works and like it very much.

Regards Christian

 

Current build: HM Cutter Alert, 1777; HM Sloop Fly, 1776 - 1/36

On the drawing board: English Ship Sloops Fly, 1776, Comet, 1783 and Aetna, 1776; Naval Cutter Alert, 1777

Paused: HMS Triton, 1771 - 1/48

"Have no fear of perfection - you'll never reach it." Salvador Dali

Posted

 

1 hour ago, AnobiumPunctatum said:

@Waldemar

I couldn't give any input to such a discussion, but really interested to read such a thread and read about your opinions. I followed a lot of your drawing works and like it very much.

 

Thank you. Quite recently, I even started a thread on this very issue on a French-language forum, but before I got to the details and the heart of the matter, circumstances led me to decide to continue on one of the English-language forums. The continuation was supposed to be immediate, but somehow Mary Rose 1511 and Dudley got in the way :). But that's even better, because it all ties together, so chronologically it's more advantageous. Either way, it needs to be revisited, and now I plan to do so after Dudley.

 

 

Posted

One last thought on Waldemar’s observation - a closer look at the L’Ambiteaux capstan does show a staggered 2-level series of sockets for the capstan bars, while Lemineur’s SP is a single level of sockets.  Really, I have no idea whether that represents an evolutionary timeline from 1680 to 1693, or whether it is merely a designer’s assumption that has the privilege of plausible deniability for the lack of primary source information.

 

As I have one more radiant fleur emblem at my disposal - I could grind off the existing emblem; fill every other socket on the existing level; add an upper level of alternating sockets; and re-cap with a new top and emblem.  That is a possibility that - so long as I don’t botch the emblem extraction, wouldn’t take too long to do.  What do you think guys?  Is it worth it?  I will weigh your responses, carefully.

 

Currently, I have begun designing the f’ocsle breast-rail and belfry.  I’m playing around with another ornamental extraction.  This time it is the garland-ensconced royal monogram that would be a fitting central panel beneath the belfry:

IMG_8554.thumb.jpeg.2d1312d00bfcfd29016f4f96c2bd3ecf.jpeg

This whole process begins by fitting a card template (always soda boxes) to the exact camber of the f’ocsle deck beam.  Once my sanding stick brings the template to rest, I like to harden the card edge with CA, because this template is now a drawing tool for transferring that camber up the breast-rail.

 

The central belfry will rise up above the breast caprail by almost the same height as the breast-rail.

We are all works in progress, all of the time.

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