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Thistle17

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Everything posted by Thistle17

  1. Yes Ian I was in circuit design in the 60's and 70's. We did have a drafting group that actually did PC layout. Some how I ended up with some of their tape. I also recall in the 70's watching an Intel person layout "ruby masters" for integrated circuits. My we have come a long way haven't we! Glenn I did much the same and it turned out well. I have spent so much time trying to be so faithful to the model that sometimes I wonder that i move the ball forward at all. Bob I wondered about that as I chose to drill small holes for the eye bolts. I believe I have even seen that at Mystic. Thanks for reminding me. Don't judge me too harshly as I am going to stay the course at this point. Joe
  2. What a treat to see the models. Thanks for the pointer. Joe
  3. Have some time to model I see. Your quality of work never skips a beat Rusty! That can be hard to do with limited time. I observe the mornings are best for me. Joe
  4. What is there about ship modeling that drives one to model to such a high degree of accuracy? You set the bar so very high for the rest of us and that is OK. It has become such a passion for me through you and others of your capability! Thank you. Joe
  5. Hey Glen just tuned into your work site. beautiful work and you are way ahead of me! Joe
  6. No Glenn I do not but I will share pictures with you if you would like. When I started this model I just wasn't that confident of my work. Over the past 2 years I have gotten better. Early on when i was planking her it took 3 tries on the starboard side and 2 on the port side to get a level of quality i could live with. With the fine work on this site I have learned well enough to feel my work is acceptable. Here is a picture of the mast bands installedl sans final alignment and the eye bolts. still need the inclusion of the fid top mast. In looking at chapter 12 this AM I thought i could get away with an eye bolt for the lower band but realize that is really going to need the extended form of termination. Also my blackening agent did not live up to the need. I think part of the problem was i used acid core solder and likely it did not clean off the bands well. Good thing it will be painted. BTW you folk took a beating along I35 yesterday. I lived in Denton in the 70s right along 35 and I remember the violent thunderstorms to this day. This must have been horrific. Joe
  7. I picked up the picture from Pintrest and was trying my hand at humor. I wondered the same thing but it surely looks like a man overboard. This may have been a lucky camera shot as things were unfolding. To that point a good friend and I were on Long Lake in Harwich Mass. we had just put in (in his Coranodo) and as we cleared a land outcrop a gust of wind sent us flying and into the water. Sneakers, cooler and bodies all floating.every which way. It happened so fast there was no time to react. We got ourselves ashore and noticed an older gentleman and kids heading out just like us. I thought for sure he was going to buy it as well. Yet he went merrily sailing by Goes to show you. Joe
  8. Dome that too but not in a Lightning! Ok, ok i will throttle it back and let you get on with the model. Joe
  9. Thistles were a bit more pricey as I recall and I think that held them back here. I remember as at the time I could not afford one. i just looked up any clubs in the area and all I see is around Albany, Saratoga area. Joe
  10. Just discovered your work on this great model you are building. Brings back memories of an earlier time when Lightnings and Comets raced on Irondequit Bay in upstate NY. Don't see too many these days. Wonder why. Always admired the lines. Joe
  11. Model building is a series of problem solving steps isn't it? Dziadeczek and Mark I appreciate the inputs on blackening since that is something new to me. I will try out a sample, solder and all, before I commit the ones planned for the model. and thanks for the warning about the blackening agent migration. and cleaning. Yet further considerations. rraisely I did try automotive striping tape i had but it didn't stick well that is why I abandoned it. It was pretty old tape so likely the adhesive was dried out. . Joe
  12. I am always grateful for the advice i recieve on this site so don't judge me too harshly in that I didn't use any of the techniques. This task has sat idel for 2 weeks as I was consumed by other non modeling needs and in that time one of my PC artwork mast bands started to lift. in that interval the 1/16 X 1/64 strips arrived. and those two events prompted me to try the brass approach once again. After stripping the mast bands in place I cut stock about 1 inch in length and marked the center. Laying the strip on the square mast section I carefully bent it into a "U" around that section. Naturally the bends form a slight radius. So I clamped the "U" in a square sided pliers and lightly hammered the corners to be a bit more square. The lower two bands were then wrapped around the front of the square section and trimmed with a railroad rail cutter. These I then soldered using one of the SMD (PC circuit surface mount device) solderering stations to complete the wrapped joint. It took a couple of tries but ultimately the fit was near perfect. Just one problem remained. How was I to provision for an eyelet in the band for the gaff rigging! It occured to me that I just might be able to predrill a centered hole in the band for the eyelet prior to completing the full wrap. Using my mill Using my smallest center drill I had I just started the hole for a guide. I had my doubts about being able to accurate drill a hole but to my delight it worked. I will CA the eyelet into the band hole after installing and securing the band(s). Just one problem left though. I need to blacken the bands and never having had expeience with the solution I remain in discovery mode. At this time i wonder about the solder residue. It is not likely to blacken. I anticipate i will still need to paint the bnds. Joe
  13. I note from the date interval of your postings that things still may be a bit hectic for you on your outside duties. I have to believe this is an escape for you. You were a subject of conversation with the NJ modelers group last night. The highlight speaker failed to show so Ryland brought up the 2014 NE Conference pictures and there you were! You make such an impression with your modeling everywhere. Joe
  14. Jim I am of the same mind. I can't imagine putting my name on this as "my" creation. It should be the original modeler. just yesterday i spent some time removing elements that are not attached to see if there was any trace of a name. None could be found. So it will remain a mystery for some time to come and hopefully not forever. I still await the Smithsonian drawing for more detail information but as I inspect the model, ever more closely, I have begun to think that the builder may have known more of the vessel that the drawing may reveal. Some of the detail elements of the build are so subtle that a drawing may not have been enough of a reference. The president of the Niagara Ship Modelers (Canada) relates that he adds a pull out on the bottom of his display cases indicating any information he wants to convey. All that I may do is have a plaque made for direct display indicating the vessel type, scale and builder as unknown and use the other technique for additional information. Joe
  15. Roger thanks for the encouragement. yes she does not need a lot of work. However I am a bit tenuous regarding the restoration. I further note who ever did this was a master at controlling glue! It is just another sign of the competent nature of the creator. And you are right the case will be most of the work. Right now I am debating with myself of how to present her. I have some beautiful mahogany and cherry stock that I could use for a fully framed case. But I waver. It may be too elegant for a workboat? Should it just be a frameless cover and work a more fitting base into the design. I have to sleep on it a bit more. Joe
  16. Thanks Jim I did discover this recently but have yet to download. I might mention I was also alerted by the secretary of the NRG that one can establish an ALERT on Google for any subject of interest that will do just that as related information is posted. I plan to use this as well. Joe
  17. After nearly 4 years of searching, I have finally received information on the identity of the model shown below. It was found in an antique shop in upstate NY by a member of the Modelshipwrights of Western New York much as it appears today. Sadly the member has died and I purchased it from his estate as it is a superbly built scratch model of faithful reproduction. I just could not let it fall by the wayside in the estate liquidation. With the help of members of the Hampton Roads and New Jersey modelers group it was found in the National Watercraft Collection publication by Howard Chapelle. Plans (lines and deck layout) reside in the Smithsonian archives and I have requested a copy to support my restoration. The pictures attached are from my cell phone and as I cannot call myself an amateur photographer they will have to do until I invest in better equipment. The pictures do not do justice to the quality of this model so I add further description. The model is about 27 inches at the waterline with a breath of approximately 6 inches. Given the information in the National Watercraft Collection second edition it would be 1:24 scale as that seems to be the size of the full scale vessel or 55 feet (WL). She is constructed of boxwood.It appears to be fully ribbed internally. I might add that the model has some years of age as the wood has mellowed to a rich creamy tan color. Everything about this model shouts it is the work of a master modeler. All planking, joinery, fittings, rigging and detail are flawlessly done. All deck fittings are scratch built from ferrous metal. All blocks and rigging treatment are of fine execution. The decking and planking is treated with simulated tree nails. The builder must have familiarized him or her self with construction details that can be found in Chapelle's e book, The Migrations of an American Boat Type, as they are so well reproduced in the model. It needs some work, as in its travels some items are missing or in need of repair. These include some cabin and engine room hatches, the repair of the main well amid ship that has stared to come apart, rigging that needs repair or replacement and it sorely needs a new mounting and case. I would like to document its restoration work for the sake of tje former modeler in hopes that someone out there may recognize her and possibly identify the person who built this fine model. Work will begin when the Smithsonian plan shows up. Joe
  18. If you can get your hands on a copy of "The Classic Boat", The Time Life Library of Boating, there is a well done treatment of Jarvis Newman's restoration of Dictator (a Friendship). Pictures and detail to further add to this lovely model. Joe
  19. I just knew there were alternatives that my "b locked" thinking could not bring up. All good ideas everyone. i will do some experimenting. thank you. Joe
  20. I am working on Cheerful and have been frustrated by my inability to fashion suitable mast bands out of brass. This has been agrivated by the fact that it is so hard to find thin stock of brass anymore as K & S has stopped making it. I did fashion some from 3/32 W X 1/64 T stock by milling it down to 1/16 wide. That is another story as the results weren't as satisfactory as I had expected. In the picture attached I tried using tape of 1/16 width as shown in the top bands. It just so happened I had some printed circuit layout tape (that dates me doesn't it) and it adhered quite well. Yet it wasn't my prefered material. I even tried matte finish chart tape. I found it didn't stick well to the wood as it is intended for "glass like" surfaces. I ultimately found a source for the brass I wanted to use and await its delivery. I might add I had to pay an outrageous price for this precious stock. Now if you look at the lower band that I partially fashioned out of my modified brass one can see it is not completely formed because it has to be formed over the back of the mast and then formed again into a protuding tab that will support the final ring eye for rigging. My question is "I know my problem isn't unique so what successful measures have folks used to do what I am tying to do"? I would really appreciate help. Thanks. Joe
  21. Your works are always so inspiring David! You set a high standard even for carving plugs for a model. Your productivity while maintaining the standard is also a wonderment. Joe
  22. Clogger I just can't bring myself to waste precious material by turning the kerf into saw dust. Having bought a boxwood billet recently (approximately 2 X 4 X 24) for $100 I find it a crime to cut that on conventional equipment even with a thin kerf saw blade. You would be better off cutting rough stock on a band saw and sending it through the Byrnes sander a few times as most of us do not have conventional wide belt thickness sanders in our shop. Joe
  23. Richard sometimes it is just as much fun to make a tool or jig! Nice work! Having said that what I find that frustrates me is a device to hold my work piece that gets captured in the vise. I am constantly kludging something up to hold the part as the vise jaw depth is too deep or I need to reorient the piece or some such thing. It never seems to go away. Joe
  24. Jim I just tuned into your build. I have been so preoccupied with other things I don't dwell on MSW as much as I would like. Having said that the treatment you are giving your rendition is quite eye appealing and your work is impressive. My Winchelsea sits at the bulkhead stage and right now witnessing your work I feel like the rabbit in Alice In Wonderland...."I'm late, I'm late"!!!! Joe
  25. If one wants to expand one's knowledge and be inspired there is no better place than MSW. Learn from the masters and don't be dismayed by early work. You will get there. Joe
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