The Hayling Hoy by jpalmer1970 - 1:48 scale - First POF build

[jpalmer1970]

I set about milling the steps in the fore deadwood. A depth of 1.5" needs to be removed from each side of the piece and I removed most of the required area on each side using the mill. I set the depth of the mill bit so that it was flush with the face of the deadwood and then I shimmed the deadwood up by the required amount so that I knew exactly how deep the cut was going to be. I found it was easier to judge the correct depth of cut this way rather than trying to set the mill bit to the correct depth. As you can see I left an area at the rear of the piece simply so that when I turned it over to mill the other side it was able to lay it flat and square on the mill table. These areas will be removed using a chisel when I come to fit the fore deadwood to the keel in due course.

After milling out the bulk of the area I then tidied the corners of the steps up using some small chisels.

There are in fact 6 steps in all on the fore deadwood and so I still have further steps to cut towards the rear of the piece. However, the steps toward the rear are extremely small and as I mentioned previously I found out that is easy to damage them when trying to fit and refit all the various pieces of the keel etc together. I will therefore wait until the piece is ready to be permanently affixed to the keel before I cut them and finalise that part of the work. At the moment the deadwood is also a little over length and needs trimming to size - this will also be done before the final steps are cut.

 

Here is how the stemson and the fore deadwood fit against the stem at present.

[druxey]

Nice methodical approach, JP. I notice some cross-grain on the stemson and fore deadwood. Try to minimise this by orienting the pieces when you lay them out on the stock. This will be important when  cutting frame components.

[jpalmer1970]

Recent work on the build has focussed on the rising wood. I had previously cut a length of 15" wide stock for this. At its deepest it only needs to be 6" thick but the centre section of the rising wood is considerably thinner than the two ends. I decided it was easiest to cut out the notches for the frames whilst it was one consistent thickness of 6" and then thin down the centre section as required later on. 

 

Firstly I marked out the various station lines on the rising wood and then divided these areas into the relevant number of portions for the frames and the separator gaps between them. I'm not sure what the actual terms for these are but that is what i will use! The notches for the frames are 12" wide and the separators between them are 9" wide. A depth of 1.5" needed to be removed where each frame sits. Similarly 1.5" deep sections of wood are also required to be removed from the both sides of the rising wood where the frames sit.

 

I began by cutting the notches for where the frames sit on the top side of the rising wood. I used to mill to do this and then tidied up the edges using the miniature chisels. I was then able to use the edges of the cut lines as a guide to mark out the areas on the sides of the rising wood where the vertical cuts needed to be made. These were then also cut with the mill and tidied up a little with the chisels.

I now had the basic shape of the rising wood in place but there was also the question of the taper of the piece from thinner in the middle to deeper at each end. As mentioned previously the rising wood is 6" deep at the first frame separator at each end but at the centre section it is only 4.5" deep. The first three frame separator sections at each end are all the same height and then the next four are 5.25" deep. The next four (which gets us to the middle one) are 4.5" deep. This order is then reversed as you progress toward the aft end of the rising wood. I decided it was easiest to use the mill to gradually shave off the required amount in each area. This of course meant that in the centre when I removed the 1.5" from the frame separator gaps they were in fact sitting flush with the notches for the frames. These notches therefore needed remilling so that they were 1.5" below the tops of the frame separators again. Similarly where I had reduced some of the frame separators to 5.25" deep, the frame notches between them also needed a little remilling so that the notches were again 1.5" below the top of the separator. That all sounds far harder to say and type than it was in actual practice so hopefully the picture explain the process a little more clearly!

 

Here is the rising wood viewed from the side where you can clearly see the difference in thickness between the two ends and the centre portion.

And here is the rising wood viewed from above.

It does all line up with the plan - I think the position of the lens in the phone camera makes the notches towards the two ends look like they are not in line. The rising wood is a little over length at each end at this stage but will be trimmed to the correct length when I am ready to glue it to the keel. I'l also go over it again with a chisel where required to make sure all the cuts are sharp and square.

 

The next step in the build isn't one that I am particularly looking forward to - cutting the rabbet in the keel and stem. I haven't done this before and so I intend to get a good amount of practise first on some offcuts of wood as I really don't want to mess up the keel and stem pieces! I purchased a v gouge kit to use for this job so hopefully it will work well. Any tips and advice on cutting the rabbet will be very gratefully received!

[jpalmer1970]

I spent a while practising with the v gouges on some scraps of wood seeing if I could make an acceptable rabbet. Obviously one of the key points is making sure the gouges are super sharp and whilst I had bought the sharpening block with the gouges I don't think I have yet mastered the best way to get them really sharp. I found that if I used the miniature Veritas marking gauge to score the line where I wanted the centre of the rabbet to be it certainly made things easier when using the gouge, as the score line was just significant enough to help stop the gouge from wandering off the straight line.

 

I also spent a while reading volume 1 of TTFM to see how the rabbet was tackled there. David seemed to assemble all of the keel pieces and install the rising wood and deadwood before tackling the cutting of the rabbet with gouges. In contrast Stuntflyer in his excellent build log for the Hayling Hoy cut his rabbet before attaching the rising wood and deadwood and he used a scraper cut to size from a hacksaw blade. Presumably it would be difficult to use a scraper if the rising wood and deadwoods were already fixed in place, hence the difference in approach. As this was my fist time trying to cut the rabbet I wasn't confident that everything would go well enough for me to risk fixing the rising wood and deadwoods to the keel first as that might require a lot so re-dos if things went very wrong with the rabbet. I did want to use the gouges though so I decided to not fix the rising wood and deadwoods in place and attempt to cut a small rabbet on the rear two keel pieces - the idea being that if it went well I could then fix everything else in place and then finish cutting the rabbet to the required depth later. 

 

As I haven't yet joined the centre keel section to the foremost keel section this meant I could just concentrate on making a nice straight rabbet on these parts, making sure not to take it too far aft and also bearing in mind the changing shape of the rabbet as it approaches aft. I marked out the width of the rabbet on the keel and used the marking gauge to score a centre line of the cut. I worked slowly and carefully and was pretty pleased with how things turned out initially - I got a nice straight cut along the centre portion of the keel on each side. However, things started to go wrong after that point when I started trying a little too hard to make the cut deeper and also trying to navigate the twist in the profile of the cut at the aft end of the rabbet. A combination of a dulled gouge, over confidence and a ham fisted operator resulted is me making a bit of hash of thing and my rabbet line went off track and quite literally gouged into the top portion of the keel leaving it looking rather unsightly. I also found it difficult to make the turn of profile of the rabbet match on each side of the keel - I hadn't really marked those sections out very well and so that was not really unexpected.

 

The result of all of that is that today I cut some new pieces of 12" stock to remake the rear two sections of the keel. The scarph joints have been cut and once the rear of the new keel is tapered in width I can start again on another rabbet and hopefully do better next time. Learning from my mistakes I have also cut another spare two keel sections, just in case another re-do is required, and also some other 12" stock with which I can use to further practise cutting the rabbet.  

 

I will also spend some time to see if I can make a scraper as per Stuntflyer's build log to see how that technique compares with using the gouges. 

 

I thought I might struggle at this point, so at least I have the satisfaction of knowing I was right about that 😀 At least I only messed up the easily replaceable bits so I am glad I didn't dive in with trying to cut the rabbet on the stem!

Edited August 17 by jpalmer1970

[druxey]

As you've figured out, cutting tools have to be really sharp and don't try to cut off too much or deeply at a pass. Slow and steady does it. It helps to have a template of the rabbet profile aft at each station so you can see the changing turn of the rabbet. Hope Take Two goes better!

[jpalmer1970]

Work has been a little slow on the Hayling Hoy build of late as I haven't had as much time to devote to it as I would have liked. Most of the time I have been able to find was concerned with trying to make a scraper with which to cut the rabbet. I used some single sided razor blades and attempted to cut out the required shape using the dremel and some cut off wheels and small files etc. However I didn't have a great deal of success with that  - I'm not sure whether the cut off wheels etc were not thin enough or whether the blades were not really that suitable but I struggled to make anything suitable.

 

I decided to return to the v gouges to see if I could improve my skills with them. After a lot of practice I found that securing the keel on my workbench against a slightly taller block of wood allowed me to make some long straight passes with the gouge and achieve a passable rabbet. I worked very slowly taking off the tiniest fraction of wood at a time and resharpened the gouges frequently. I haven't gone as deep with the rabbet as is required I think but I feel that it might be wise to stop at this point and then have another go at deepening the rabbet later on in the build when the keel is all in one piece.

For the rear of the rabbet where it presents a different profile in the keel I mostly used some small chisels to make out the area that needed to be removed.

The transition between the rear section of the rabbet and the section cut with the gouge is a little shaky at the moment but I will attempt to neaten that up in due course. The rabbet has now been cut in both sides of the rear two sections of the key and the next stage of work will concentrate on the slightly trickier prospect of cutting the rabbet on the curve of the stem.

[jpalmer1970]

I continued work on the rabbet, focussing now on the area at the fore end of the keel and up the stem. It was easy enough to continue the line of the rabbet along the straight part of the fore keel and when I reached the curve of the stem I proceeded very slowly as this area basically had to be done freehand. I was able to find a flexible piece of wood slightly taller than the thickness of the stem that I was able to lay on the inside of the curve to use as a guide to stop me wavering too close to the inner edge of the stem. Even so it required light and repeated passes with the gouge and plenty of pauses for resharpening to get the line of the rabbet established on each side of the keel. Again, I probably haven't cut the rabbet quite as deep as is required yet but I can go over that again at a later stage when the bollard timbers are in place and can act as a guide.

With the rabbet out of the way for the time being I returned to the fore deadwood and finished cutting the rest of the steps towards the rear of the piece. The are six steps in all on each side and the difference in height between the last three is very very small. I did the best I could to make sure they were even and matched each side but I found it very difficult to get them exactly the right height without risking the very aft one breaking off. This may be something I also need to revisit later in the build before adding the relevant frames. I also removed the rest of the excess width at the rear of the fore deadwood which had been left in place to keep the piece square and level whilst the steps were cut.

 

This brought me to the stage of being able to to assemble all of the various pieces on which I have been working for the last few months. Firstly, I glued the rear half of the keel to the front section and then drilled and inserted copper wire for the bolts in the scarph joint. I then installed the fore and aft deadwood and the rising wood on the keel. The stemson was then glued in place and finally the sternpost was added. With the sternpost in place I was then able to install the stern support on the baseboard.

It was exciting to finally see all of these pieces come together after working on them individually for so long. It felt for quite a while that I wasn't making that much progress but at least now everything is there to be seen together.

[jpalmer1970]

Only a small amount of progress since the last update but I have reached a mini milestone and wanted to document that. 

 

Work continued with the positioning and drilling of the pedestal bolts through the keel. I spent a while working out where the best positions seemed to be and decided on two locations the same distance ahead of the sternpost and aft of the stem. These worked out to be at the fore end of the aft deadwood and on the first part of the rising wood. I initially drilled a 1.2mm pilot hole in each location with the drill press and then moved up to a larger 3mm hole. I have some 3mm threaded rod which I am going to use as the bolts to hold the keel to the building board. With the keel clamped in place on the building board I was then able to mark out where the 3mm holes were placed so that I could then drill through these straight through the building board.

I needed to fit some 3mm nuts in the aft deadwood and the rising wood but before starting on that I firstly ground down the opposite sides of the nuts a little to make them slimmer so that they didn't sit too close to the edge of the keel. To make cutting these recesses for the nuts a little easier I drilled out a 4mm wide area just slightly deeper than the nut thickness, and then I used the chisels to cut out the remainder of the hexagonal shape of the nuts. I then cut my 3mm threaded rod to length and inserted these through the keel and building board. The tops of the rods are held in place with the recessed nuts in the deadwood and the rising wood whilst underneath the board I have attached some wingnuts to clamp the keel tightly to the board.

I still have to epoxy the recessed nuts in place at some point in the near future but this doesn't necessarily need to be done just yet.

 

The reason why this is a mini milestone for me is that I have now reached the point in the build where David's book starts to document the build. The first picture in The Haying Hoy shows David's backbone of the ship in place and bolted to the building board and after six and half months I have now reached that point. There are 365 build step photos in the book so I still have a fair way to go.....  but at least i have made it to photo 1 ! 😀

[druxey]

Well and neatly done! It's not a race, so do take your time with the project and enjoy the process.

[jpalmer1970]

I have been working on the wing transom for the past couple of weeks. This is a complex shaped piece that is 15" deep fore to aft and 10" in height. However, the ends of the piece are set 4.5" below the centre point and so I started off with a blank piece 18"  square and slightly longer than the transom in length. The fore face of the transom is also slightly lower than the aft side and neither of them are perpendicular to the keel and and so it was firstly necessary to shape my rectangular bank into a sort of parallelogram shape (there is probably a better geometric term for this but it is a long time since my schooldays 😃). I shaped the angle on the top and bottom faces of the piece with the disk sander which left me with the image below.

The line on the end face shown above represents where the top edge of end of the wing transom will be once a convex curve is sanded into the top face.

 

Sanding the convex curve on the top face and a matching concave curve on the bottom face of the wing transom provided to be a tricky exercise. I initially attempted to do this with the spindle sander holding the piece freehand and whilst this worked for the convex face I made a mess of shaping the concave face as I simply couldn't maintain the same angle across the whole of the piece. I spent some time wondering how to achieve this before I realised that the answer lay in the helpful build log by @Stuntflyer. In his log Mike showed that he fixed the wing transom to a block before sanding this curve - when I first read this many months ago I simply presumed that this was to make holding the thin piece of wood easier but then a lightbulb went on and I realised that by gluing the wing transom to the block so that the face of the piece was vertical, it was then possible to sand a straight and consistency face as either a convex or concave curve.

Using a second blank for another attempt (I had made four blanks when cutting the 18" square pieces as I knew I wouldn't get it right first time!) I again sanded in the angle on the top and bottom faces and then glued the piece to a small waste block with PVA so that I could sand in the convex curve on the top of the wing transom. After shaping the convex curve on top of the piece I wet the glue joint to dissolve the PVA, flipped the wing transom around and re-glued it so that I could then sand the concave curve into the bottom face. 

 

I then needed to thin the fore and aft thickness of the wing transom by 3'' and set the angle of those two faces. This was done on the disk sander and brought me to this stage below.

I think the next step will be to temporarily drill and pin the wing transom to the sternpost so that I can establish that it is square and level. I can then determine where the outer ends of the wing transom need to be so that it can be cut to length. 

 

[jpalmer1970]

Further work has been undertaken with the wing transom. Firstly, two holes were drilled in the wing transom so that it could be pinned to the sternpost and held in a fixed position whilst I worked out where the ends of the piece needed to be. The wing transom was also held square and level with some set up blocks and then the correct positions of the end points were marked on it by measuring against some squares on the plan. 

 

The ends of the wing transom were then cut to length and shaped correctly. the next step was yo cut the notched in the top of the wing transom where the counter timbers sit. I firstly tried to do this with the mill but I struggled to find a good way to hold the piece securely in the correct orientation and rather than risk messing it up at this stage I decided it was easier to mark out the notches with chisels and remove the required depth of wood that way. The four notched for the counter timbers and the other notches either end of the wing transom were made in this way.

Here is the wing transom in place. It has not yet been fixed to the sternpost as I want to get a little further ahead with the making of the fashion pieces first as they slot into the sides of the sternpost and I feel it will be easier to make those joints without the wing transom in situ.

So far I have thicknesses a section of wood from which the two fashion pieces are to be made. The outlines of these were then traced and roughly cut out with the scroll saw. Shaping these will be the next stage of work.

[Seventynet]

Nice steady accurate work. It will pay off as you move ahead.

 

Ian

[jpalmer1970]

Hi folks,

 

Apologies for the delay since my last update but I have had a couple of weeks away from the bench after having a minor operation. I am now back on the build and have spent the last couple of weeks working on the fashion pieces. This was fairly tricky delicate work for me so I thought it best to wait until I had everything in place before making this update.

 

I spent a lot of time making sure I had the wing transom square and level and even as any mistakes here would affect much of the rest of the build. I also undertook a fair amount of work on the fashion pieces before I glued the wing transom in place. On the underneath of the port side of the wing transom two scores need to made into which the uprights of the timber port will later sit and of course these scores need to be made before the wing transom is glued to the sternpost.

 

According to David's instructions, the fashion pieces are 9" thick but are actually formed out of two layers of wood. This first layer is 6" thick and sits flush with the aft side of the wing transom. Later in the build a 3" thick section will be added to the rear of the fashion pieces and this will help form the rabbets for the transom and hull planking. I read the instructions several times but for some reason I still managed to make my initial shapes for the two fashion pieces out of 9" thick wood! Luckily it was easy to thin these down to the correct thickness when I realised my mistake. Shaping and beveled each fashion piece to sit flush with the underneath of the wing transom and slot into the notches on the sternpost was quite a job for me but I took everything very slowly and only removed the smallest pieces of material each time until I was satisfied with the fit. Using a variety of squares and levels and clamps I was able to place the wing transom correctly and this was glued and pinned in place.

The starboard fashion piece was then glued to the sternpost and wing transom. I really couldn't figure out a good way to clamp these odd shaped pieces together so I had to resort to just holding it in place for a minute or two whilst the pva set.

 

The two uprights which form the vertical sides of the timber port were then cut from 6'' square stock. The top of each upright was then beveled to match the angle of the underside of the wing transom. The port fashion piece is made up from two sections of material, the main piece itself and then a triangular piece with forms the horizontal lower sill of the timber port. Two scores were also cut in this lower sill for the the bases of the two uprights. The port fashion piece was then glued to the sternpost and the wing transom and then the two uprights for the timber port were slotted and glued into place.

I tried very hard to get my cuts and joins as clean and neat as possible but I did find that there were one or two very small areas where I had the tiniest gaps - as you can see with the bottom of the timber port uprights above. I will mix up some dilute pva and sawdust and fill these in and hopefully they will blend away when I give the fashion pieces a quick sand in the next day or two. I am trying to be as clean and accurate as I can with my work but at the same time I am aware of a delicate balancing act between ambition and skill - I'd like everything to be perfect but I also have to appreciate my limitations and sometimes you just simply know that your attempt is as good as it is going to get!

I left plenty of excess wood on the outer edges of the fashion pieces to give me lots of room for fairing in the correct lines when the hull is eventually faired.

 

Edited Sunday at 10:53 AM by jpalmer1970
Typo

[No Idea]

I think your approach to this build is fantastic with accuracy being foremost. The pictures are great too looking at the grain of the wood it's all just so in line with each piece.  Lovely job and I hope that you are ok after your op.  I'm looking forward to your updates.