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Hubac's Historian

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Everything posted by Hubac's Historian

  1. I filled the kit entry point for the main sheets and raised it to run above the guns, per the Louis Quinze model.
  2. A couple of things: I see the super-fine stringer you wrapped around your tops; I’m not sure whether it’s wire or painted thread, but the scale effect is awesome. Nice detail. Also, I’m taking note of your beakhead railing, which is very well done. I’m not sure why I hadn’t really registered this before, but it looks great!
  3. This is a fascinating foil to the type of project I am working on, where there are few reliable primary sources. Titanic is probably the most written about ship of all time, but this presents a challenge of a different stripe; sifting through all of that source material and deciding where your threshold will be - beyond which, additional modification is not personally worth the effort. I’m certainly no Titanic expert, but I will happily follow along. You’re off to a wonderful start, Evan, and I like that you have taken-on such a monumental project for your daughter’s enjoyment.
  4. I was referred to your log by another member, with specific reference to your sails. They are truly amazing and well-worth the look - thanks, Michael! Overall, though, the build is pretty incredible and I will do a more thorough reading of the project. You are clearly extremely attentive to detail.
  5. A brilliant completion to this beautiful ship - What a difference those corrected lines make. I give it 100 out of 100!
  6. The dog’s breakfast is looking pretty appetizing to me, Ian. Just catching up on your project, here, and I really appreciate your adjustments on the fly!
  7. Beautiful work, as always, Michael. Are you using SilkSpan tissue for your sails? Sorry if I missed that detail, somewhere along the way.
  8. My advice would be not to do this. Sure - scratch away your paint, first, before attaching stern plate to the model. However, it is critical that the ends of the lower and middle balconies align with the quarter galleries, and you are far better off attaching the QGs first, so that you know exactly where the balconies need to be placed. I know the QGs fit around the outside edges of the SP, but that is a joint that may require a little finessing.
  9. Well, this is something to get excited about! You never disappoint, B.E., and I'll be following along with great interest. This looks to be a fabulously engineered kit.
  10. Thank you all for the likes and the kind comments. Chapman, yes, this print has been quite fascinating to me. I suspect that it is directly connected to or derived from the “Gilded Ghost” portrait. While this engraving is often labeled Soleil Royal, there is not enough specifically detailed information to make that connection. The only detail that seems to hint at this possibility is the figurehead. What is more interesting is the caption note that explains that this is a Levant fleet ship, which would make it more likely a representation of the Royal Louis. In any case, I like the crossed fish tail ornaments on the upper bulwarks, and I will attempt to incorporate this idea into my decor for the SR 1670 project. This weekend, I painted and installed the upper balcony support pillars: I definitely think that beefing these up was a good idea. I also finally managed to glue-in the starboard headrail. Before doing so, I decided to add a small support that attaches to the middle main wale. This is a small detail that I have observed on various models and portraits: I had an extra pair of cathead supports, so I used these to fashion these small supports: I like the continuity of this small addition, as now all of the ornamental pilasters of the headrails are supported. It is well in keeping with the spirit of the kitbash. Now, I can prepare the figure carvings that are placed just aft of the headrails, and which bridge the bellflower garland between the main deck guns and the headrails: Prior to installation, I pad the backs of these carvings so that the carving can seat just above the drift rails: Little by little, we are getting there. There is a continual process of paint-retouches and weathering that is happening simultaneously. Next, I’ll secure the port headrails, so that I can fill-in the intermediary headrail support timbers and begin filling-in the head grating. Thank you for looking in.
  11. The so-called “spirketting” or baseboard, was also my way of getting around this ugly gap. The added benefit is that it is a correct detail.
  12. Thanks, Michael! Yes, you are so right about that. When I finally get the head together, it will feel like a massive accomplishment - even if it isn’t exactly correct in all respects. It will be far closer to the truth than the kit allows for.
  13. Thank you, Kevin. I appreciate the compliment. With regard to the figures, though, my approach is very simple. I apply a coat of Model Master Random Tan acrylic, as a base-coat, and then I usually apply thinned coats of this Citadel red wash, which gets into all the creases and folds. For the Autumn figure, I used a brown enamel wash that I applied quickly and then wiped off the excess before the solvent softened the base coat. I just got lucky with that one because he turned out better than I thought possible. It’s been a pretty active modeling week. I’ve been alternating between the bow and stern. Now that the Bitumen of Judea had arrived, I could finally stain my new cables. It was a test of patience to feed these through one hawse hole and fish it through the next with an improvised hook. Eventually, I got them: The bow assembly has to happen in a very specific sequence. Above, you can see that I installed the aft, starboard headrail support timber. Before moving on, it’s essential to scrape away any glue squeeze out and re-touch the black paint, because you won’t have access to that area later. Also above, I am making a card template for the first section of grating slats that lead out onto the head. I just thought it would be much easier to make this piece as a unit, rather than as individual slats: The outboard end (above right) of this is the mount for the new seats of ease that I will make a little later in the process. I spent a lot of extra time fine-tuning the fit of the starboard headrail so that the glue blocks make good contact with the hull. Before I can glue that part on, though, I have to paint and glue-in the starboard grating piece. Once the headrail is in, I can glue in the middle and forward headrail supports. Simultaneously, I’ve been making the upper balcony bulwark. A montage: The two panels on the right haven’t been sanded down yet, but you can see what a difference it makes to clean up the face of these balusters. Having learned from prior experience, I find it much easier to frame in all of the borders and pilasters with styrene strip: Up to this point, the balusters look pretty good. Not perfect, but decent. However, once I start adding the accent bits, the whole thing homogenizes and begins to look a little more uniform: I still have to make the side panels and the railing, but I am satisfied that I have made a part that is at least as good as the kit version. Thank you all for your interest and support. More to follow.
  14. That is a good point about having to scrape paint away, anyway, for glue. You could also place a strip of thin blue tape over each skid location and then take a profile. These days, I like to make patterns out of thin soda box cardboard. Here’s one I made last night: Once I cut my initial pattern in the cardboard, I saturate the cut edge with thin CA, then I can sand and file the fit-edge more like thin plastic that won’t disintegrate, until I have a good fit. Maybe go through that process, once, to see how close a pattern you can make. It might give you the confidence you need to go for it. Be careful not to use a tape that’s too aggressive. You don’t want to pull paint. Also keep in mind that, while I was accustomed to making patterns for furniture, I had never done anything like this on a scale model before this project. But, I gave it a shot, and it wasn’t as difficult as I imagined. It’s really just about taking whatever time is necessary to work your patterns until you are happy with the fit. One last tip: after you cut your pattern and transfer that profile to your skid plastic - leave the plastic oversize until you get the fit you want. Only then do you scribe a parallel outside edge. I just run a compass along the inner edge to transfer the shape, sans wale notches, of course.
  15. Hi Bill, When I was making the skids, I used one of these to give me the profile of the hull at any given point: https://www.google.com/search?q=carpenter’s moukding gauge&ie=utf-8&oe=utf-8&client=firefox-b-1-m In my case, though, the hull wasn’t yet painted and these pins would probably mar your paint.
  16. That’s quite lucky on the fit. It is always a good idea to scrape paint away for a plastic to plastic weld. Without doing so, your bond is only as good as the paint’s adherence to the plastic. Looking great, Bill!
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