yvesvidal

I wonder how the stern decorations provided in the kit compare with the castings from Chuck.... I know the bow figure is a fiasco in the Model Shipways kit. Yves

Cog, You are correct. I may have to use a Sharpie marker to finish them nicely. Yves

Folks, As you may remember, we are moving from the bow to the stern (nothing radically unusual there ). The central part of the ship is now fully kneeled and beamed (am I inventing new words?). I am still using the section of wood located between two laser-cut main beams, to build the smaller deck beams. The section above the bunks room is now completed and ready for the deck planking. The stern of the craft is a little bit trickier, but not by much. It is necessary to file two pieces of a main beam (laser-cut) and bevel it to create a slant corresponding to the inclination of the stern board. The beam ahead of the tiller shaft must be filed carefully to embrace the rudder shaft box. It is easier to do than to describe. At this stage, I have 6 knees left to cut (yeah !!!!!) and one more smaller beam and all the beams and carlings will be done. View into the bunks room: and view of the stern skeleton: Finally, an eagle eye view of the whole enchilada: And now time for a nap...... Thank you for your interest and encouragements. Yves

Don, Are you scratch building the Emma C Berry? All the dimensions are on the plans (4 sheets). The wood provided in the kit to cut the knees is of 1/8" x 3/4" x 24 inches. Yves

Folks, Since we do not have a repository for the Syren (Model Shipways) any more, I am posting the good news that Model expo started shipping and distributing the new castings of the Carronades for the kit Syren. I just received mine today and here is the new casting based on the original and revisited mold by Chuck Passaro: On top is of course, the ugly "appendices" that were shipped with the kit. On the bottom, is the new and much cleaner Chuck Passaro casting. Yves

Folks, Not much progress this past weekend as I was not home. The bow and middle sections of the craft are finished, as far as carlings and deck beams go. I have carved all the knees by hand, using saw, files and sand paper. The whole assembly is sanded smooth, using a block to keep the original shape of the beams, as much as possible. The whole deck has a convex curve from portboard to starboard and a concave curve from bow to stern (like most boats). Another view showing the curvature of the deck: At this stage, before installing the King Plank and starting the planking of the deck, all the inside details must be built and secured with glue as any intervention inside the hull is made almost impossible without the use of long and tiny brussels. On this model, the starboard side of the deck will be open showing the deck details, knees and the inside of the boat. We still have the rear deck to build and some details around the bunks. I am thinking about a couple of pillows, mats and some tiny details that may become visible through the various openings. An additional ladder will be necessary to access the bunks room. Stay tuned. Yves

Don, The wood used for the clamps is basswood of 1/16" x 1/4" and about 20 inches long. They are glued to the frames with yellow carpenter's glue. For the deck beams, as indicated I used all the main beams (provided in the kit) and the smaller pieces of wood left in between on the laser-cut sheet. The smaller pieces are slightly less deep, which is perfect and very realistic, giving the illusion that the main beams are bigger. With this way of doing it, the deck has a regular and monotonous shape. For the knees, I paid special attention to the knees that will be visible (I intend to have a part of the deck under repair) and used the plan rather liberally. For ultimate pickiness, you could trace the knees on the wood using carbon paper or tracing paper and cut them with a scroll saw. Thank you for your encouragements. Yves

A few progress over the weekend. I have decided to concentrate on the bow of the ship and finish as well as possible all these "pain-in-the-@$$" knees. I do not have a scroll saw and each knee is cut by hand and filed by hand. It is very time consuming and not much progress is done. Below is a picture of the center of the craft, showing the intricate deck beams and carlings: Moving to the bow, I have almost completed the knees. I am just missing a small triangular piece that will go under the Kingplank and make this one very stable and solid. The original knee is open with a small oval cut, which I skipped. The center knee responsible for holding the mast requires some careful planning and filing as it will drive the orientation and inclination of the mast. Careful measurements must be taken. In my case, the mast is perfectly perpendicular (Starboard/Portboard) and only a tiny shim may be required for the rear/forward leaning and to lock the mast in place, on the keelson: Because there is also the need to build the mortise for the bowsprit, I decided to change pace and instead of fabricating more knees by hand (no pun intended...), I jumped to the building of the spars. I remember reading the Syren Build Log by Chuck Passaro, who admitted that his favorite part in a ship project, was to build the masts and spars. I have to agree with him on this one and found the polishing and shaping of the bowsprit a very relaxing and involving activity. The shape is constantly evolving, as it moves from 4 sides to 8 sides, coming back to 4 sides again, to 16 sides with a flat top allowing the crew to walk and store the genoas and gibs.....to finish simply round. Here again, I am using Chuck's little secrets to turn a piece of basswood into something resembling a precious wood, polished and smooth like pear or boxwood. After finely sanding the bowsprit, I rubbed it using a piece of white cotton with some Wipe-on-Poly. This chemical prepares the wood and covers it with some kind of acrylic barrier that seals the pores and stains my cheap basswood with a beautiful light golden hue. The picture does not make justice to the actual quality of the part finished. At the end, it will be painted with acrylic white and black colors, but in full honesty, it could stay like this and be simply marvelous. To finish our presentation tonight, a picture of the bow with its mast and bowsprit installed: Stay tuned. Yves

Folks, I have made little progress recently and I am working on installing some of the main deck beams, concentrating on the bow and front of the ship. I still have to build a third ladder for the access to the bunks cabin (from the rear house). I have debated about installing the ceilings in the inside of the boat and decided otherwise. The three main reasons are: 1) I am too advanced with the installation of the deck beams, which is making the planking of the ceiling a nightmare. 2) There is very little data to how the ceiling was installed in this craft, and the renovated Emma in mystic does not have any, to my knowledge. 3) I want to be able to see through the hull and the ceiling would prevent a view of the well and the bunk cabin. 4) I am lazy .... Hopefully, I will post more pictures soon. Yves

A few little progress: access ladders and a couple more knees. The ladders are built using the leftovers of the main clamps. They are respectively 4.3 mm long and 4.5 mm long. Width is 1/2 inch or 12.7 mm for the rungs. I decided to install 4 rungs/steps on each. The basswood of the ladders is first wiped with Wipe-on-Poly to remove some of the grain and prepare the wood to staining. I am using these tricks from Chuck Passaro described on his multiple threads about building Syren and Confederate. The wood is then stained with Sherry Min-Wax. It is very light in color and will stand out better in the dark confines of the inside. Small paper strips are cut and glued to simulate the metal parts used to secure the ladders to the floor and frame of the ship. Tiny drops of AC glue are supposed to represent bolts or rivets. Mine are not too realistic and I should use liquid AC next time instead of the Gel glue. It may create a rounder and fuller bubble. The ladders are installed in the hull, leaning against the well. The front Ladder: and the rear ladder: Finally, I made two more knees and used again the in-between parts of the main deck beams (from the laser cur sheet) to build the intermediate beams: With the ladder installed and pretty much the interior of the ship finished, I can move ahead and finish building the deck beams. Once this is done, access to the inside of the hull, will be almost impossible with my big fingers.... Yves

Folks, Here is the picture I found on the Internet, showing the inside of the Emma C Berry during restoration. As you can see, some of the frames have been doubled and painted white, as part of the restoration process. Clamps, knees and deck beams have also been protected by a coat of white paint. Only the original frames seem to have kept their patina. I may do that on my model: use an aging wood stain for the frames and paint all knees and deck beams with white acrylic. It should look good and allow a lot of inside details to stand out. Yves

Guys, Thanks for your compliments and encouragements. I do not have too much time, just a few minutes every day to dedicate to this build, so it will go slow at times. Right now, I am working on the knees and deck beams. I am planning to show a portion of the deck un-planked and thus must build the knees and a maximum of details underneath. However, where the deck will be covered, I may not do the knees, or replace them by a piece of wood of the proper thickness. For the time being, I have done two of them, in the center of the deck where they will be visible from the top or from underneath, through the opened hull. Model Shipways provides in the kit a small laser cut sheet with only deck beams. Unfortunately, and this issue has been raised by other modellers, the curve and shape of these deck beams are not matching the main beams, causing an uneven deck. I solved the problem by simply not using the small laser cut sheet, and relying entirely on the main deck beams and the pieces of wood, in between them. The fact is that these separations are of the exact same curvature, and are slightly less thick than the main beams, making it a perfect fit. The result as you can see is very good and the curve of the deck is constant and even. To install the pseudo deck beam, just cut them off of the main laser cut sheet, place them equally/centered across the hull, as if they were a main beam, and mark your measurements before cutting the pieces. Now, we just have a few more knees to build and a lot of beams to cut and sand gently. In the restored Emma C Berry at Mystic Seaport, the knees and deck beams are painted in white color. Although it is not possible to board Emma and go below, I came across some pictures on the Internet showing the inside of the hull during the restoration. All the new double frames, knees and deck beams are painted in white. I may do that on my model. We'll see. Yves

Thanks to Firefox Caches, I was able to recover the beginning of the Build Log. Here it is for your pleasure: Folks, Here is another log of that famous little boat, made by Model Shipways at the scale of 1/32. It is a serious kit for moderate level as it is a planking on frames. The instructions are also rather fuzzy, allowing you to approach the building in your own way. The booklet going with the kit is starting to show its age and the instructions provided are in no ways comparable to modern assembly books provided by Amati or the ultimate perfection such as the instructions booklet written by Chuck Passaro. At times, this kit feels like you are actually scratch building this beautiful model. The use and selection of wood strips is sometimes rather blurry and you have to use your best judgement. Along the assembly phases, you will have to be careful about saving the wood and strips, as there is none or very little spare. The picture below was taken by a member of this forum and graciously posted for all of us to enjoy. It is a beautiful picture showing the elegant and timeless lines of that little fishing boat resting at Mystic Seaport, in Connecticut: Fortunately, the Internet abounds with information about the Emma C Berry and this forum has a couple of Logs which have helped me tremendously. I wanted to express my sincere gratitude for the wonderful Build Logs by Maurys and Anno1766 (Ovali) as well as a Russian Modeller whom I ignore the name. A lot has been said about Emma C Berry from Model Shipways, and thus I will simply present some pictures of my own model and elaborate on a few delicate steps (delicate for me, of course) of the construction. The first picture shows the kit offered by Model Shipways. This is exactly as I intend to build the model, with a view to the inside of the hull, the inside of the well and some of the deck planking removed. I got my kit from EBay at a very good price as Model Expo runs some specials occasionally. The kit cost me less than $100.00, which is a real bargain. There are also some people who are selling kits that they bought long time ago and never got to put together. It is a common practice among modellers to accumulate kits and realize a few years later than the spark to make them is gone. And so is the time and energy. The picture above from the Model Expo site, shows some of the parts in the kit. The kit provides an excellent way of building the complicated hull of Emma. We have no less than 25 frames to be glued to the keel. A stand sliding parallel to the keel allows you to position each frame perfectly. The important thing here is to position the top of each frame according to the distance measured on the plan. Also, make sure that the frames are centered. Everything else is not too difficult. I approached the gluing of each frame in the following way: Glue both sides of the frames on the plan, using CA glue. Prior to gluing, frames which need some beveling are lightly sanded but not much. It is in fact much easier to fair the hull later, when all frames have been glued and stiffened by the clamps. In addition, the fairing will be true and smoother than if you were to bevel each frame individually. You can trust me on that one: once the clamps and the deck beams have been installed, your delicate assembly of frames will not budge under the frictions of the sand paper block. With this approach, I managed to glue one frame per day, and sometimes two per day. Frames were glued to the keel using Yellow Carpenter Glue which is very hard once dried. The following picture borrowed from the Russian modeler (I did not take any picture of my build at this early stage) shows the entire set of frames installed on the keel. The view is glorious and that boat resembles the bone system of a fish. It is quite a sight. It also makes perfect sense why early ship architects would have used such approach to build boats: just observe nature and replicate it! At this stage, the structure is very, very fragile. The wood on my kit is brittle (probably old - kit was dated 2003) and you have to be careful when handling it. Fortunately, the installation of the clamps is going to change completely the stiffness of the hull. Again, on that previous picture borrowed from our talented Russian modeller, you can see the two clamps which were pre-bent, after soaking them for 10 minutes in hot water. The picture below shows the clamps installed. I glued mine with Yellow Carpenter's Glue again, for extra strength. A cloth pin was installed on each frame and left drying for an entire night (50 pins total). Thanks to the clamps, the hull is suddenly very stiff and flexible at the same time. You can twist it gently, and it snaps back in place, perfectly straight and sound. Those clamps are playing a critical role in the stiffness of the hull. At this point (and I would wait to have some deck beams installed), you could almost start fairing the hull in preparation for the planking. However, before we plank, there is all the inside and deck to be built. Since very little is known about how Emma C Berry was equipped when it was active, there is a degree of freedom which is allowed. The well is precisely described on the plan, and I decided to build mine partially open as I want to show the boat under restoration (as depicted on the cover of the kit box). Besides, that well is a unique feature on a sailboat and deserves some attention and questions from the people who will look at the model. The well is painted inside, with acrylic red approaching the anti-fouling paint used to repel clams and algae. The outside of the well is painted with Payne's Grey, also in acrylic medium: The front of the boat is simply equipped with a flooring made of small basswood strips and painted light grey with a hue of blue, of my own mixing: The rear section of the hull is equipped with two bunks as suggested by the restoration book from Mystic Seaport and the plan of the kit. Again, the same acrylic color is used. Most of the structures are made with the tiniest strips provided by Model Shipways and glued first with CA glue, and later on re-enforced with white glue for additional strength. http://imageshack.us/a/img96/6199/emma5y.jpg With a couple of deck beams glued in position, the hull is now very stiff and the fairing can be done with a block of sandpaper equipped with 100 to 180 grit. Yves