Mahuna

7 hours ago, John Allen said:

Probably a neighbor fishing, or it maybe holding the bowsprit together.

Again masterful build waiting to see your dredge assembly.

Thanks John.  It will be a while before I start working on the dredges.  I'm focused on getting ready for rigging Kathryn, and will probably leave the dredges for last.

6 hours ago, michael mott said:

Hi Frank I just finished going through your whole build log..... Wow what a great model.

 

Michael

Thanks Michael, and welcome aboard.

 

52 minutes ago, John Allen said:

Frank, 

 

Just magnificent, what function does the 8oz? fishing lead weight held in place by 4 wires on the bowsprit do?

Thanks John.  I have no idea how that weight got tangled there - I'll need to contact some friends who may know.

2 hours ago, HIPEXEC said:

Frank

I'm going to challenge you to help me Saturday with some mini metal work.

I’ll be happy to help, Rich, and I’m sure we’ll get some help from the other attendees. Looking forward to it - come hungry!

Thanks Popeye.  I think I know how I'll do the tailboards, and I'm working on it now.  Hopefully will have results to post in a couple of days.  Stay tuned!

 

On 7/9/2018 at 6:56 AM, Jim Rogers said:

According to my communications and this photo sent to Sherline I am the only person to ever have this problem and they tell me they make no adapters to fix this problem. They told me to build an adapter. I find it real hard to believe they don’t have attachment to fix what appears to me to be a common issue. Right hand attachment plus rotary table with vise mounted on top does not align. Any suggestions

The photo shows a rotating mill base, not a rotary table.  The right angle tail stock is designed to be used with the rotary table held in a vertical position, not with the rotating mill base. 

Merci, Carl!

Part 72 –Mast Hoops

 

Kathryn has 17 mast hoops for the main sail.  In the past I’ve tried making mast hoops from brown wrapping paper, but wasn’t satisfied with the results.  I’ve also tried laser-cut mast hoops, but wasn’t able to find the right size, and I found that the hoops were very fragile because of the way they were cut across the grain.

 

I decided to try making my own by soaking thin strips of wood and bending them around a form.  I tried using Castello, but found that it split when bent into a tight circle. I discovered that American Holly is much more flexible, so I decided to use that for the hoops.

 

I made a form from a brass rod slightly larger than the inside diameter of the hoops.  A ledge of the appropriate inside diameter was cut into the end of the rod, just deep enough to hold the height of the hoop.  A slot was cut off-center.

 

                        

 

Sufficient strips of holly were cut so that I could produce about 25 hoops.  These strips were stained with Colonial Maple – I stained them prior to making the hoops, because I thought there might be a problem coloring the hoops after they were glued together.

 

A strip for a hoop (about 2” long) was soaked in boiling water for a few hours, and then was wrapped around the form.  An end of the strip was placed in the slot, and the strip was wrapped around the form, making sure that the edge of the hoop lay against the ledge – this ensured that the hoop would be straight.  The hoop was then clamped and left to dry for at least 6 hours.

 

                        

 

When dry, the hoop was then glued and held again in the form. The following photo shows a hoop after gluing.

 

                        

 

The inside end was clipped off and the inside diameter was smoothed with a diamond cylinder in the rotary tool.  The outside diameter at the joint was reduced and smoothed.  Any misalignment of the sides was corrected by sanding.

 

                        

 

Using this process, 2 mast hoops per day were produced. After all of the hoops were finished they were dipped in stain to darken them, and then were finished with wipe-on poly and left to dry on a glass plate.

 

                        

 

The following photo shows the mast hoops temporarily in place on the mast.

 

                        

 

Also visible in the above photo is the breasthook that covers the bowsprit from the stem inboard.  This was created by cutting and shaping a piece of flat stock 1/16" thick.

 

Every little step is bringing us closer to the start of rigging!

Thanks for the input, Ron.  The commercial printing service I mentioned was referred to me by an excellent military modeler, so I'll give it a shot.  If it doesn't work I'll try what you recommend.

3 hours ago, mtaylor said:

Funny thing here Frank... not ha-ha but in a good way.  I can't tell the difference between the pics of the real thing and the model except for what's under it.  Water on the real, work table on the model.  More than once without those visual cues, I've had to look pretty hard to tell which is which.

Thanks Mark.  I've been fortunate that I was able to take a lot of photos during my two visits to Kathryn, and also have been able to find some really good photos form the recent rebuild.  A good friend also shared some photos he took of Kathryn at the time of the HAER survey.  These have all been a great help in trying to get the details right.  I'm afraid I'm a little spoiled now, and I've been thinking of how different it will be when I work on my next model - with only the basic plans to go by.

 

3 hours ago, GuntherMT said:

Great job, and I love the name plates.  Going to have to remember this method!

Thanks Brian.  I can't take credit for the method of taping and cutting the pieces as part of the laser etching.  The tech in the trophy shop (very near to where you work, by the way) is the one who decided to use that approach, and it worked out really well.

Part 71 –Bowsprit, Chain Brackets, Name Plates

 

Now that all of the prep work on the bowsprit is completed, it was time to permanently mount the bowsprit.  A hole was drilled through the bowsprit into the outer stem, and a 1/32” brass rod was used as a pin to lock the bowsprit in place.

 

                        

                        

 

The Bob Stay and Jib Stay (or Forestay) are anchored to brackets at the waterline area of the bow.  

 

                        

 

The lower of the two chains is the Bob Stay, and is connected to the lowest tab on the Bowsprit Band.  The upper chain is the Jib Stay, and this runs through a hole in the bowsprit to the area of the hounds on the mast.

 

These brackets are installed on each side of the outer stem, and were made from separate pieces of 3/32” x .020” brass strip that were shaped and drilled and then painted while still off the model.  An outer hole that extends forward of the outer stem is for support of a small post that has the chain attached to it. Two inner holes were predrilled to provide holes for pinning the bracket pieces to the lower stem.

 

The starboard bracket piece was the first to be installed, and then the port piece was installed using a small rod between the two to ensure alignment.

 

                         

 

                        

 

After both sides of both brackets were installed, the pinning holes were drilled through the brackets and into the stem.  Pins made from .015” brass rod were CA glued in place and when dry were snipped.

 

                        

 

                        

 

The name plates were drawn in CAD and then brought to a local trophy shop for laser etching onto some thin madrone.  The operator put tape over the wood before the etching so that when the letters were painted the tape would mask outside of the letters to prevent smearing the wood.  He also cut the outline completely through so that the pieces were fully separated.  He also burned the mounting holes completely through.

 

The following photo shows one of the pieces that were created.  The laser operator produced many more of the name plates than I needed, which gave me the opportunity to practice on them.

 

                        

 

After sanding off the laser char, a thinned gold paint was used to paint in the letters.  Painting required three coats to arrive at a good cover and depth of paint.  The following photo is of a test piece that had not been cleaned of the laser char.

 

                        

 

The tape was then removed.  Some of the very small pieces of tape (within the enclosed part of the ‘A’ or the ‘R’, for example) needed to be carefully removed with the tip of a hobby knife.

 

                        

 

A coat of wipe-on poly was applied to darken the bare wood, and then brass rods were inserted into the mounting holes to simulate bolts.

 

                        

 

The name plates were mounted on the bow and on the rear quarter of each side of the model.

 

                        

 

                        

 

Working on these name plates convinced me that I would not be able to paint the trailboards, whether or not they were laser etched. The trailboards have no bare wood, so there will be many borders where two colors need to be neatly painted. Even if I was confident in my ability to pull that off, it would take quite a while to do it, the laser etching would be fairly expensive, and the trailboards would wind up being hidden behind the Jack Stay chains that will run outside them.

 

My approach for the trailboards will be to create them in CAD and then to bring them to a shop that does color laser printing.  I hope to have them printed on card stock, and then glue them to boards that have been shaped to take them.  Hopefully we’ll be able to get that completed in the near future, since work on the bow cannot proceed until the trailboards are in place.

 

Thanks everyone!

Part 70 –Bowsprit Cheek Block

 

The Jib Downhaul runs through a Cheek Block located on the port side of the bowsprit, immediately behind the Bowsprit Band as seen in the following photo (just aft of the fishing weight ).

 

                        

 

The housing for the block was made from 3/32” x .020” brass strip.  It was first filed to a square shape.

 

                        

 

                        

 

The square housing was filed to a round shape, then the strip was annealed.  After annealing, holes were drilled for the shaft that would hold the sheave, and for mounting posts on each side of the housing.  The housing was then bent to shape.

 

                        

 

The shaft for the sheave and one of the mounting posts were soldered to the housing.

 

                        

 

The sheave was made from a 1/16” brass rod, center drilled to take the 1/32” shaft, and then parted off to be .030” thick.  The sheave was placed on the shaft without any glue or solder.  The side of the bowsprit will hold it in place.

 

                        

 

A hole for the forward mounting post was drilled in the bowsprit.  After blackening, the Cheek Block was mounted on the bowsprit by gluing the forward mounting post to the bowsprit.  Another hole was drilled in the bowsprit through the aft mounting hole, and a mounting shaft was glued through that hole into the bowsprit.  A ringbolt was also mounted on the top of the bowsprit just aft of the Cheek Block.  This ringbolt will secure the clew of the jib.  

 

                        

 

                        

 

The hole seen between the Bowsprit Band and the ringbolt mentioned above is for the Jib Stay, which passes through the bowsprit and is secured to the outer stem.

 

Thanks everyone for the ‘Likes’ and comments.

11 hours ago, mtaylor said:

Frank,

They could be etched and then the etching filled in with paint.   Might make the painting less daunting.

Hi Mark.  That's one of the alternatives I've been considering, but I'm still concerned about the painting.  

 

9 hours ago, John Allen said:

Frank,

Keeps getting better!

Thanks John.  I'm happy with the progress - getting closer to the start of rigging.

 

8 hours ago, Thistle17 said:

Only additional comment I would make at this point is that your work product is museum quality in my opinion!

 

In regard to trailboards. If you are considering relief carving I would suggest laser etching. I witnessed a very convincing demonstration of laser etch, at reduced power, that inscribed a beautiful stern banner on a model part. A drawing was scanned into Corel Draw and converted to a laser file that was compatible with the unit. Just a thought.

Joe

 

Thanks Joe.  I've been looking into laser etching the trailboards, but the carving isn't the real issue.  The painting is pretty complex, and I'm not confident I can pull it off at 3/8" scale.  I did get some laser etching done on the name plates attached on each side at the railings.  I'll be posting some pics of that once I get them onto Kathryn.

9 hours ago, GeraldTodd said:

Are you putting on the fishing weight? 

Ha-ha - no, Jerry - I don't think so.  I didn't notice the weight at the time I took the photo, so I don't know the story behind it.

Part 69 –Bowsprit Iron

 

In Part 67, iron rings for the boom and mast top were made by bending annealed brass strips to form the tabs and the shape of the ring itself.  This approach worked well for irons that have 1 or 2 tabs.  However, Kathryn’s Bowsprit Iron has 4 tabs as shown in the following photo, so a different method was required.

 

                        

 

A brass tube that would fit over the forward part of the bowsprit, along with 1/8” x .025” brass strips for the tabs were used.  

 

The end of the strip was formed into a small peg, using the rotary tool and files.  The peg was sized to fit into four holes drilled into the brass tube.

 

                        

 

                        

 

The holes were aligned using an index block in the milling table, and drilling was performed on the milling machine.

 

A jig was made from Corian with a hole for holding the tube and with slots at right angles to keep the tabs properly aligned while soldering the tabs to the tube.

 

                        

 

                        

 

The tabs were then drilled.  The drilling was performed using a series of drills starting with a #72 and progressing to a #53.  

 

                        

 

After the drilling, the tabs were roughly ground and filed to the rough finished shape.

 

                        

 

                        

 

The configuration was held in the three-jaw chuck on the lathe, and the ring was parted off using a jewelers saw.  For this work the lathe remained turned off, and the chuck was simply turned by hand.

 

                        

 

The shape of the Bowsprit Iron and tabs was finalized by filing, and the iron was then cleaned up and polished.

 

                        

 

The Bowsprit Iron was painted white and was CA glued to the bowsprit. The forward end of the bowsprit was also painted white.

 

 

Before the bowsprit can be permanently mounted on the model, the Trailboards need to be created and mounted.  This is a subject I’ve been working on and thinking about for some time, but I still haven’t determined the best way to create the Trailboards.  I’ll keep thinking about it while I do other work required for the model’s rigging.

 

Cheers, everyone!