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thibaultron

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  1. I read the Red Bay books on the Basque whaling ships of the 1500s. Same thing. Different materials used from frame to frame, random hull planking, including one short plank that only went between adjacent frames. The tree nails in the hull were drilled with the left one at the top and the second below and to the right of it in some sections, and the opposite in others, etc.

  2. Sinagot Fishing Boat – Heller – 1/60 – Plastic - Small

     

    PART 8

     

    Finally got a chance, last week, to get back to painting. Major fail! Seems I need a lot more practice with masking and brush painting. One thing I definitely need is to either get a second magnifying light for the spray booth, or bring my workbench one over when I’m painting. My eyes are definitely getting older!

     

    Anyway, to start with I found a neat item I’m using as a paint bottle holding tray at Dollar Tree. I think it was in the cosmetic section. It has one large section that is great for the larger primer bottles, and 8 smaller sections, just right for holding a bottle of Vallejo paint.

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    For the upper hull I’m using Vallejo Model Color Black and I’ll be using Model Color Sky Blue for the interior. The blue is not quite a direct match for the Humbrol blue supplied with the kit, but it is close.

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    I noticed that while masking the hull I damaged the thin plastic traveler. I will try to repair it later. I may have to fashion a wire replacement, as there is still quite a lot of handling to be done in the future.

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    So I masked off the bottom of the hull and the railing, then I painted on diluted white and hull red at the tape joints to try and seal them, but either I did not burnish the tape down enough, or I lifted the tape with the brush. Burnishing over the cast in wood grain is difficult to start with, so that may also be contributing factor.

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    Here is what I found after removing the tape. I also managed to get some of the paint on my gloves, and onto other areas of the model.

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  3. I use the scan, then trace method using DesignCAD and the Curve function (a type of Spline curve). After that I use the 3D feature of my CAD to place the frames in position, and draw in the horizontal water lines connecting the frames. By viewing them from the top, I can see any deviations from a smooth flow of the lines. I then redraw the curves skipping the frame with the "bad spot". Then I bump that part of the frame in/out to meet the new line. I then redraw, and check that the lines are now smooth. Generally a couple of iterations will give me good frames.

     

    This works well where you are just given the frames drawn, but no body plan. I was able to generate all the aft frames of an old kit, where the frames did not even come close to making a hull, as drawn. If the drawing was acurate. I think the manufacturer deliberately distorted aft frame drawings, so that you had to buy the kit, to build the model.

  4. My panting skills where further aided by my cat! It was very cold, for here, yesterday and she slipped into the shop. Normally she goes off and hides, so I can't put her back out. Yesterday, however, once I got started painting she came over and sat on my lap, and kept bumping my arm, for attention! I didn't want to put her back out in the cold, and if I took her back to the house, I would have had to clean up all the paint "stuff" first. At least there are no cat hairs in the finish!

  5. Also take into consideration availability. Look for a local source. The best CA on the market, will be of little use, if you run out in the middle of a session, and have to wait while you mail order more, or until you can drive a long distance to get more. While you should keep track and order more in time, some times you forget, or the glue, for whatever reason, sets up on you between modeling sessions.

  6. Did some more painting today. This time I was using a brush. I repainted the spars, as the airbrush did a poor job on them. I also hit the interior areas of the hull that the airbrush could not reach. I did have to add a little water to the Stynylrez to get it to flow well with the brush. Tomorrow, I'll paint the ends of the spars now being held by clothespins.

     

    I've also been slowly translating the Sinagot book from French. I hit a snag though. While on vacation, I was using my laptop, and it picked up a virus. I had to do a full scan of it and the external drive. It took 35 hours. Now I'm rescanning it to verify that I got it. Once that is done, I'll transfer the files to my desktop, and continue.

  7. In reading about the history of the British navy, there was one Admiral who was, both extreemly egotisical and sadistic, his favorite tactic was to call captain to his ship, while keeping it under full sail. It could take hours for the Captian's longboat to reach his ship! Perhaps the contemperary model with the extra thole pins were a response to adding extra rowers for this situation.

     

    By the way he is also the person who, when he became a Lord, fired all the elderly workers at the Navy dockyards, putting them pennyless onto the streets, as a cost saving measure. In the past the workers had been given small or light tasks, when they became to fraile with age or illness, after they had worked the heavy labor at the yards for years.

  8. Sinagot Fishing Boat – Heller – 1/60 – Plastic - Small

     

    PART 7

     

    Today I shot the next coat of primer onto the hull and several other pieces.

     

    First Note: Applying masking tape with gloves on is a pain in the a..! It was bad enough when I was using the old style enamel paints, now that you have to wash the model and then handle it with gloves on until painting is finished is not fun. With the acrylic paint, you have to have an oil free surface for proper paint finish, that includes skin oils!

     

    Second Note: Trying to airbrush long thin plastic pieces with an airbrush causes interesting oscillations at the unsupported end of the part! Next time I’ll brush paint these parts! This was aggravated by the need to use about 30PSI to the airbrush. More on that later.

     

    Third Note: Using a double acting airbrush for anything other than small parts is frustrating, and takes forever.

     

    Fourth Note: When using said airbrush with Stynylrez, and I guess most acrylics, for an extended period, clean out the airbrush regularly, even if you don’t change colors! I was painting for about an hour, and almost needed a chisel, or sand blaster to clean the paint out. It had dried inside the passageways and the inside surface of the cup.

     

    Fifth Note: Also completely disassemble the brush and check the needle, etc. when cleaning after using the Stynylrez! When I used the double acting brush when I was practicing, I cleaned it out and ran cleaner and water through it. When I went to use it this time, I had filled the cup, and then tried to use the trigger, it was stuck solid!! I disassembled the brush and found a crust of the Stynylrez all over the needle! After this session I broke it down all the way and cleaned it. When I was using the Vallejo primers and paint on another model, the brush cleanup well without the disassembly.

     

    I chose the double acting brush for this job as there were a number of nooks and crannies under the seats. I felt that the external mix brush delivers too much paint and would flood the interior while I was trying to get under the seats (Yes, I know that there is a perfectly Nautical term for them, but everyone knows what a seat is), especially under the one at the stern. In the end I will still have to go back and brush some under both seats. I shot it at 30PSI, the upper limit in the Stynylrez directions, using a 0.50 needle, also as per directions.. As noted earlier, this high pressure caused a couple of the smaller spars the oscillate when I was attempting to paint the far end. Also trying the use an airbrush to paint long thin round “things” is difficult. From now on I’ll brush paint both the primer and topcoats.

     

    I plan to brush paint the interior for the color coat, but wanted a smooth primer coat to start from.

     

    In the pictures below are the taped hull and the rudder and spars held in clothespins. When I primed the rudder with the Red-Brown primer it was held by the tiller end, so I had to hold it by the bottom today and prime that end. I used Tamiya masking tape and some fairly heavy white paper for the masking. I was going to use regular masking tape for the Tamiya to paper joint, but decided that it was both too wide and I was afraid too sticky, and might pull off some of the primer. I masked the hull below the railing, as the hull will later be painted black. I chose to do the rail first, as the Stynylrez sets much faster than the Vallejo color coats, so I can mask it several days sooner than if I had to mask the black color coat.

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    The next two pictures are close-ups of the masking on the hull.

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    As I said earlier it took a long time with the double acting brush, but I got the job done. For priming the other ends of the spars, though, I’ll use a paint brush. I also need to go back through the box, there is one of the yards missing, from the washed parts! I had other things to do today, though, so I didn’t get to look today.

     

    Sixth Note: I will buy some of the poster board sheets, and cut some to cover the bottom of the inside of the booth, even with the little painting I’ve been doing, it is starting to become “Not White”.

     

    This is the bottle of primer, I put the black dot on the label (lower right) to indicate that it is open and that I’ve put a stainless steel BB in it to help mix the paint, before use. I bought two sizes of specially coated balls, 6mm and 8mm (I believe), for this purpose. I read that regular SS comes in many types, and most of them will rust when constantly immersed in water based paints. I’ll look up the manufacturer and post the name later. I use the 6mm for the regular Vallejo size color coat bottles (17ml), and the 8mm for the larger primer ones (2oz in this case). I tried glass beads, but even large ones are too light.

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    From my experience today I think I will thin the Stynylrez a little, next time, and add a couple of drops of retarder to help with the fast drying inside the airbrush. I also need to dip the needle in a lubricant, to help keep the paint from adhering to it. I have a bottle of the Badger brand, but forgot about it today. It is “Regdab” (Yes, that’s Badger spelled backwards, who can tell with Marketing Types!). No picture of it, it is buried under junk, due to the (eternal) remodeling of the shop.

     

    The next two pictures are of the result of my efforts, before I removed the masking. Note the “Rube Goldberg” clothespin setup to support the hull until it dried. The gray piece behind the model is my Test Piece. I use it to see if the airbrush is working, paint consistency, etc. You’d almost think I knew what I was doing, nope, just figuring it out as I go.

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    It does not show in the picture, but the coat on the spars leaves much to be desired.

     

    And pictures after the masking was removed. The pictures have different contrast levels as some are taken with flash and the others without. I choose the pictures that show the best detail, rather than worrying about how they look compared to each other.

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    As can be seen by the two side shots, I need more practice with the masking, but it is OK. The model also has the standard out of scale raised grain patterns, typical of plastic models, working against me here. When I paint the black for the hull, I’ll use an old trick to help with the bleeding. After masking hit the edge with a thin spray of the color you are masking off, in this case white as I’ll be protecting the railing, or with a clear coat. This way any paint that bleeds through matches the protected color and seals those spots for when the new color is applied.

    As also can be seen in the third picture the primer coat is a little spotty, due to trying to cover a relatively large area with a small spot size of paint. It will do for the primer coat though. Again I’ll brush paint the light blue interior color coat. For the railing I went over the area many times to build up the opacity. If I had to do a larger area, than the railing, the double acting brush would not be a good choice, or I'd apply a white color coat.

     

    The last picture is the primer coat on the stand. Again not an opaque coverage, but the color coat will fix that. Another problem with using the airbrush on this small part was that it was being blown all over the booth whenever my grip slipped. P_007_10.thumb.JPG.e87ce7fd4b75094c92ef21f859832a0e.JPG

     

     

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