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druxey

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Everything posted by druxey

  1. A small update: Before waxing the plug, I drew in the overlaps of the clinker planking. I made them 1" wide and are seen as dashed lines on the plug. Two coats of Clapham's beeswax polish were used over the mark-out. Leaves of ¾" thick Castello have now been prepared for the planking. They were cut a little over-thick and then taken down almost to spec on a thickness sander. Finer grades of sandpaper on sanding blocks produced a smooth surface. Hopefully there will be time to commence planking soon.
  2. That's a different kind of display case and works wonderfully. Well done, Maury.
  3. Well, there's been a little progress made between other projects. I decided to revise the scheme of planking butts and I'm happier with the new layout. The plug has been cut back along the central spine (arrowed) to ensure that it will not become accidentally glued to the plug while planking. The tiny transom has also been added and bevelled to conform to the plug's contours. The overall photo shows six small brass pins in place to secure the keel while installing the garboard strakes. Next up will be to wax the plug, then cut some very thin planking stock to ¾" thickness.
  4. Like Michael, I've followed your work over many years, after stumbling across pictures of your tulipwood Hispano Suiza and one of your books. Thank you for sharing this project with us.
  5. After some re-working of the planking runs, I've devised a scheme for the shift of the butts and marked these on the plug. Now that the 'non-boat' work is almost complete, it's time to get back to the actual model. I needed to devise a method of keeping the keel straight on the plug. If not stabilized, it will deflect as I fit the garboard strake. My solution is to drill small holes at intervals along the plug, then set sharp-ended pieces of hard brass wire, points uppermost. The keel will be pressed down onto these points. The resulting holes will be hidden under the keelson later on.
  6. Ah! Another Saturday 'fix' - I mean update on your exquisite work for us to enjoy. Thanks, Glenn.
  7. Interesting comparisons, Jerry. But here's a counter-argument to consider: Say you build your model from maple and the outlay is $40.00 (I figure that there will be quite a few 'makeover' bits, so two boards). Pear might cost twice as much. A Bonnehomme Richard model will probably take you 2000 hours to build. Amortize this in cents/hour. That's about 2c for the maple and 4c for pear. Pear or another specie of wood isn't such a huge investment when looked at that way, especially when you invest so much of your time and skill.
  8. Lovely miniature metalwork, Ed. The third hands and rotating ceramic plate are a nice sophistication over earlier fixed base soldering stations.
  9. Thanks, Siggi. The barge is displayed much better than it used to be years ago. Fortunately the Greenwich Hospital barge has nowhere nearly as much carved work!
  10. Thanks, Siggi. I do have some photos of that barge, but if you have some you'd like to share.... Update: I had to rework the forward hull, as I'd omitted to remember that the sheer strake narrows almost to a point at the bow. Both sides of the plug are now lined out to my satisfaction and have been checked by viewing from all angles. It always surprises me that lines that look sweet from one angle look awful when viewed from another! Several re-works were required before arriving at what you see in the photos. I may spot more minor adjustments to make before committing myself to the plan.
  11. Hah! Maury, have you not noticed how carefully the photos are framed and cropped?
  12. Congratulations on completing Dragon, Siggi! She looks terrific and those delicate hammock cranes are very neatly done.
  13. Nice relief carving there, Jerry. You have the knack!
  14. Gesso dries fairly quickly, fills grain and sands well, Nigel. It also takes pencil easily. Certainly it does not prevent adhesion without some form of varnish or wax over the plug, but that's later in the process.
  15. Don't forget the 'anonymous' of c.1600 whose manuscript of Propositions Newton copied out!
  16. Now things start to get interesting. The plug was repeatedly gessoed and rubbed down to a smooth surface. The next step is to line out the planking. There are two stages to this process. The first is mechanical: dividing the surface into equal parts at various points along the hull. In this case the draught showed eight strakes. The distance around half the hull at the dead flat was exactly 4' 0", so each stroke is 6" wide at that point. Once the hull has been divided into 8 bands or strakes, these need to be finessed so that, no matter from which direction you look at it, the planking runs smoothly to the eye. The bow-most third of the hull gave the most difficulty, as there is a pronounced hollow to the form. In some cases the variation of the thickness of the pencil line (very thin) was enough to make the difference. In others the line had to be moved by as much as 1/32". I may still play with the layout a little more before I'm completely satisfied. The layout at present makes no allowance for overlaps of the clinker planks - that will come later, as will the shift of plank butts.
  17. Yup, cumulative error can really mess things up. Good on you for having the courage to re-start, Jerry!
  18. I was able to put in some more time on carving and refining the plug. The initial shaping was done with chisel and gouges, then smoothed with various grades of sandpaper. The sleek and streamlined form, dimensioned to the inside of the planking is almost complete. The form at the stern up to the transom was the trickiest part of the shaping. At both bow and stern, the plug is paper thin. Later this will be cut away to prevent the planks from adhering. Next, when time allows, will be further sanding and smoothing of the plug's surface with gesso.
  19. Very nice so far, Christian.
  20. Lovely work. The photo on the beach was very convincing until Queequeg arrived!
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