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Everything posted by Louie da fly
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I don't know the answer to your question myself, but it would help others answer it if you specify the geographical area and time period (probably only to the nearest century) you wish to know about. There is certainly information available on the subject, but I'm not the one with the information to hand. Steven
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I take my hat off to you, sir. That is some seriously beautiful work. Steven
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Actually, I think it's me that's derailing my own thread. Must get back to the build log. Here's current progress on the windlass. I think the central section of the "barrel" needs a bit of work to make the shape more consistent. It seems to be bulging outward a bit in the middle. Now I have to put in the square holes to take the bars and some way of fixing the windlass to the deck - probably pins of some sort - plus fake bolts holding the halves of the housing together. On the photos you can see the pilot holes for them. Speaking of which, some breaking news - I managed to buy 0.38mm drill bits in Ballarat! Amazing! Unfortunately I don't have a precise enough drill mechanism to use them . . . (Note to self - must add to wishlist . . . ). I've also done up a spreadsheet for myself with a sequence of the next things to do/make, so I don't do stuff I then have to undo because it gets in the way of doing something else. In particular, things that can be done before I glue the lower bank of oars in place, and things that will have to wait till afterwards. Steven
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Oh, there's still any amount of guesswork and speculation involved in this model. Questions to which there are no known answers and never likely to be. But without a time machine, there's nobody who can tell me my guesses are wrong . . . Yes, the history of Armenia is fascinating, particularly Cilician Armenia. When I was doing mediaeval re-enactment - portraying a Varangian in Imperial service - I researched several of the neighbouring cultures which Byzantium encountered, including Armenia, for the benefit of my fellow Varangian re-enactors, and put up a web-page with what I'd found - http://www.angelfire.com/empire/egfroth/Armenians.html . It's only a rough overview and many of the pictures have vanished, but it gives some idea of what a vital and interesting culture they had. Steven
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I'm trying to get this as accurate as possible for both time and place. For example, though it certainly has its qualities, the model on the postage stamp that Messis so kindly sent an image of does have a couple of anachronisms - - the CHI ROH (X and P superimposed) symbol on the after sail is too early for a middle Byzantine dromon and the cross with the repeated letter B is too late. However, these things are probably only important to picky people like me.😉 Steven
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Agreed. I think I'd stick to simple crosses - perhaps going as far as a cross potent - but certainly not "Maltese", flory or moline, for fear of their "Latinness" confusing the issue. But even the potent cross is on the coat of arms of the crusader kingdom of Jerusalem . . . Steven
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What is this type of rig called.
Louie da fly replied to BANYAN's topic in Masting, rigging and sails
This has been a fascinating discussion which has, I think, added to the sum total of knowledge on rigs of this period. "Steamer rig" seems a very appropriate name for a sail plan that I'm sure most of us didn't know existed, or when and why. Steven -
That's right, but the end of each arm of a cross moline is like a fleur de lis, but missing the spike.
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Brilliant picture, as usual. This attack occurred when she was attached to the British Pacific Fleet (otherwise known as the "Forgotten Fleet"), which I didn't even know existed until about a year ago. https://en.wikipedia.org/wiki/HMS_Formidable_(67) "The British fleet carriers with their armoured flight decks were subject to heavy and repeated kamikaze attacks, but they proved highly resistant, and returned to action relatively quickly. The USN liaison officer on Indefatigable commented: "When a kamikaze hits a US carrier it means 6 months of repair at Pearl [Harbor]. When a kamikaze hits a Limey carrier it's just a case of 'Sweepers, man your brooms'" (Wikipedia entry on the BPF) Steven
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Thanks for the likes and for the advice. I think I've been worrying too much - from the posts above, the lack of a pawl isn't a major issue after all. Nikiphoros, I looked up the Morea's heraldry and you're right - unlike the knights of Aviz, the Morea's cross (under Geoffrey de Villehardoin, the Frankish chronicler of the Fourth Crusade) is a cross moline. Steven
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HMCSS Victoria 1855 by BANYAN - 1:72
Louie da fly replied to BANYAN's topic in - Build logs for subjects built 1851 - 1900
Knowing the amount of effort you put into ship research, is such a thing humanly possible?☺️ Steven- 993 replies
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I'd never heard of the knights of Aviz. So I looked them up. Though their cross is similar to a cross moline, it's actually a cross flory/fleury - it has fleurs de lys (with an additional central "spike") at the ends. By the way the so-called "Maltese" Cross associated with the crusading Knights of St John, was used by the Byzantines and dates back to at least 200 years before the crusades. I took this photo in a 9th century (Byzantine) monastery in the Goreme valley in Kappadokia. Steven
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I haven't heard of them doing so. But murex purple was always a rare commodity, and I believe the Emperors wouldn't have used it for prosaic things like sails (and saddle-cloths for Imperial horses), when blue and red dye could make a perfectly acceptable purple. For their own clothing, well . . . that would be a different matter entirely. Yes, that's the kind of thing I had in mind. There are several crosses used by the Romaioi, for example the red flag at the top of this picture has either a cross potent or moline - it's a bit hard to see which it is. And I may indeed include a cross in the banner. Rather like the one here ; Oh dear, oh dear, oh dear . . . Steven
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I don't have any experience with these video games - which is probably a good thing. And certainly, the idea of "heraldry" in the western sense seems to have been alien to the Romaioi before 1204, and even after that it was only sporadically followed. But now that you mention purple this is a Byzantine fabric from about 1000 AD. It's from the shroud of St Germain and is in purple silk with gold (single-headed) eagles. If I were to put an eagle banner on the ship this is what I'd use as a model to base it on. If I recall correctly, this is one of those purple fabrics I mentioned dyed with madder and woad, not murex (much cheaper). As the dromon has two masts, perhaps there's room for two banners. However I'm in two minds about it because there are no contemporary pictures of ships flying banners anything like as complex and sophisticated as this. Steven
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HMCSS Victoria 1855 by BANYAN - 1:72
Louie da fly replied to BANYAN's topic in - Build logs for subjects built 1851 - 1900
Nice work, Pat. And beautifully consistent. I see you're using an inch ruler for comparison, presumably for the benefit of our American cousins?😁 Steven- 993 replies
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Thanks, Nikiphoros. I believe the big complex banner probably is the sign that "the Basileus is here". There has been considerable study on Byzantine banners, including a very comprehensive paper by Andrea Babuin which I should have somewhere unless I've lost it. The Synopsis Historion (also popularly known as the Skylitzes Chronicle) which can be accessed in full at http://bdh-rd.bne.es/viewer.vm?pid=d-1754254 contains quite a number of banners. Then there's the sea battle (Navmakhia) from the 11th century Cynegetica of Pseudo-Oppian, though I must say those aren't very interesting banners - I think I can do better than that. Don't apologise for introducing the idea of banners. It's one of the things I've definitely been intending to put on the ship. According the Prof Pryor's book Age of the Dromon, the contemporary records describe something at the top of the mast (the word isn't otherwise known) which he thinks must be a flagpole. I think there's only one "flagpole" on the ship in my previous post, and that the other banners are attached to the ends of spears. Steven
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Thanks for all the likes. Nikiphoros, the 12th century illustrated copy of the Synopsis Historion by Ioannis Skylitzes held in the Madrid Biblioteca Nacional has quite a few pics of galleys with banners. I'll be following this one, as it's a ship carrying the Emperor. The Lascaris double-headed eagle and the banner with the repeated letter B (as on your post, but in red and yellow) didn't come into use until a couple of centuries later. As far as I know, the sail would have simply been the natural colour - certainly there's no evidence to suggest anything else. And murex would have been prohibitively expensive - though several surviving pieces of Byzantine fabric in "Imperial purple" turn out to have been dyed with madder red and woad blue to make purple. Steven
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Working on the windlass, using the Mary Rose's windlass as a model - it's the earliest intact windlass I know of. If anyone knows of one closer to the 11th century, please let me know. I still have a problem with this windlass - there is no pawl, so I don't know how to keep the windlass from unwinding if the bars are released - perhaps the cable was just made fast to bitts or cleats or something when it was pulled up far enough. I recycled a mast which had bowed and had to be discarded, and cut a bit off it to make the barrel of the windlass. I started out using a bit of branch from a plum tree I'd been holding on to for years, as it's got a join between the branch and a lesser branch, which should give a good grain for making knees. I cut four slices from it, photocopied the Mary Rose windlass down to scale and glued four L-shaped segments for the two ends (two for each end) onto them. But it turned out I'd cut two of the pieces too thin. As I only had one piece of wood, I thought I'd wasted my efforts. Then I realised the piece of wood actually had a T-shaped grain, so I could make each of the ends in a single piece and carve a fake join between the two "halves". Unfortunately, this meant the grain pattern in the two end pieces was continuous instead of being in two halves. But I think I can live with that - if all else fails, I'll paint the ends to hide the grain. Steven
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Looks very good, Tom, and the scale looks right. I agree about the colour for yours. I'll be using tulle for my Great Harry, but as it's at 1:200 I find that a lighter colour vanishes at that scale, so I used black. Anyhow, the nettings on 16th century ships were pretty much permanently fitted, right over the top of the decks, and weren't used to store hammocks in between times. Steven
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A wonderful project to undertake, Chidokan. I find ships of this period fascinating. I'm currently restoring my own scratch-built model of Mary Rose's big sister, the Henry Grace a Dieu (or Great Harry) that I built when I was 17. That was before Mary Rose was raised, so a lot of the details in my own model are wrong, but I think it's worth returning it to its original glory. You'll find everybody here very helpful. Don't be afraid to ask questions, and don't worry if you make mistakes - we all do, even the best of us (in which group I don't include myself). And have fun with it! By the way, a heads-up on the Jotika model. The Mary Rose's forecastle has never been found (though I live in hope), and most reconstructions of her, including the one at the Mary Rose Trust, show her with a forecastle I believe to be incorrect, and more appropriate to a galleon than to the Mary Rose. I raised this issue on this forum at The forecastle still hasn't been found, but I'm still of the opinion that the "official" one isn't correct. Look at the Anthony Roll picture - doesn't look at all like a galleon's forecastle. Perhaps you might consider "bashing" the forecastle to be more like the Anthony Roll one. Regarding the discrepancy between the Anthony Roll and the number of guns believed to have been on board the wreck, there's an analysis of how many of each type of gun she carried at https://en.wikipedia.org/wiki/Mary_Rose, which might be of help. Good luck with her. A very well worthwhile model to make. Steven
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