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Posted

Ship History:

His Majesty Yacht (HMY) Fubbs was laid down at Greenwich shipyards by Phineas Pett in 1682.

By Royal Navy standards yachts would be the size of a typical harbor dispatch vessel or lightly armed gunboat. HMY Fubbs sported a keel length of only 63’ with at a specified 148 tons fully loaded. With a 21’ breadth and only 9’6” depth in hold these small ships carried a crew of up to 30 and could be armed with 8 – 12 3 pounders.

Royal Yacht duties primarily consisted of tending to the affairs of the royal household. Charles II must have enjoyed yacht class vessels as he had 23 of them during his reign – more than any other English king. HMY Fubbs was the most lavish of his fleet of Royal Yachts. Visually, the hull of a Royal Yacht has the look of a 6th rate but is more akin to a ketch-rigged sloop.

 As such, she has a mizzen mast that passes through the small great cabin and no true orlop deck at all. As will be shown later, the stern ports are too close to the waterline and are not actually accessible from inside the ship. What look like stern quarter galleries are more like quarter badges. Most contemporary modelers and many artists tend to imagine HMY Fubbs as a larger ship than it really is due to the illusion created by the artistic style of the ship.

Charles II employed well known Baroque period artists Van de Veldes younger and senior. Their artwork had a direct influence on the highly decorated HMY Fubbs.

 HMY Fubbs was named after the mistress of Charles II, the Duchess of Portsmouth, Louise de Keroualle. “Fubbs” was the nickname for Charles II mistress with the meaning of a chubby contemptuous child.

HMY Fubbs remained in service for more than 80 years before being broken up in 1781. During that time, it went through 2 refits. One in 1701 and again in 1724. During the 1724 refit, most of her carvings were salvaged and replaced by painted frieze work.

The Model:

The concept of the stern section was developed by Mike Shanks and DocBlake. They acquired the drawings and reference material used for the HMY Fubbs 1725 rebuild kit from Bob Hunt at Lauck Street Shipyard. Mike Shanks created the drawings using this and other resources. Mike has a well-equipped shop with laser, CNC, and 3D printing capabilities which he used to build the prototype for the model. Jodie Grein developed the artwork and 3D drawings for the décor, Mike used the artwork along with all the parts for ten kits. This model is made from one of the kits. Weasel Works is a private club, and the kits are not available to the public.

The frames for the section are a style used by Portia Takakjian in the 1725 rebuild drawings she made, and Bob Hunt used in his kit. Although not historically correct they produced an accurate representation of the hull.

Kit Contains:

This is a few photos of the parts included in the kit.

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Posted (edited)
18 hours ago, Mike 41 said:

This model is made from one of the kits. Weasel Works is a private club, and the kits are not available to the public.

Hi Mike,

I may be misinterpreting but are you saying the kit in the photos are not available to MSW members? 

Thanks

Allan

Edited by allanyed

PLEASE take 30 SECONDS and sign up for the epic Nelson/Trafalgar project if you would like to see it made into a TV series.   Click on http://trafalgar.tv   There is no cost other than the 30 seconds of your time.  THANK YOU

 

Posted

Mike...Looking great.  Cant wait to see you start making progress.  I have seen some of Mike Shanks progress on the development of this project...happy you started a build log here.

 

Allan...this is just a small group of model builders that got together and made a few kits for their little group.  It is not a commercial kit.  There are about a half dozen participants, maybe a few more.   I think Pat...Banyan is also building one but I am not sure.  Hopefully he will start a log as well.

 

Chuck

Posted

For many years there has been confusion over the different versions of Fubbs. The one you show here is the 1724 rebuild, not the 1682 original Fubbs. The original had a straight cutwater, more vertical stern post and a taller, rounded tafferel. The inboard arrangements were very different than that  of the rebuild. 

 

That the above statements are accurate is part of the result of several years research by the Stuart Yacht Research Group, a small international group of historians and model-makers of which I happen to be a member.

Be sure to sign up for an epic Nelson/Trafalgar project if you would like to see it made into a TV series  http://trafalgar.tv

Posted

Hi Druxey,

Our focus is on building a nice-looking model using modern building methods.  We are not naval historians, just a few old guys that enjoy building model ships as a hobby. We used Portia Takakjian’s as a resource for the structural components of our model.

Has the Stuart Yacht Research Group published their findings on the 1682 version of the ship? I would be interested in seeing the original drawings of the ship.

Posted

Mike: There are no contemporary draughts (I wish!), just a van de Velde painting, a copy of another van de Velde, now lost, and a v de V drawing of 'de fob'. There is also a contemporary model in private hands that is an 'Admiralty' style model that we have identified as Fubbs.

 

The findings of the SYRG will get published, but the manuscript is still in preparation with no date yet set.

Be sure to sign up for an epic Nelson/Trafalgar project if you would like to see it made into a TV series  http://trafalgar.tv

Posted (edited)

Frames:

It has been a while since I built a kit and the first time, I used laser cut frames. The large scale 1:24 made the parts easy to handle the eight pieces are joined with lap joints Making them very easy to assemble, with the exception of frame #25 the forward frame. It was cut using a CNC machine and uses scarph joints that fit perfectly together.

 

After removing the frames from the shipping box, I sorted the frames. Each part has the frame number etched on the aft side of the frame making the orientation easy to maintain. The bevel lines were also etched into the frame parts also. After sorting the parts I bundled them by frame number and divided them into five stacks. Divide & Conquer LOL.

 

Removing the char was not too bad using a spindle sander, but using the port on the machine for the vacuum left a lot of dust in the air so I clamped the hose about a quarter inch off the spindle that removed almost all the dust.

 

I assembled the frames by placing the frame drawing on a sheet metal plate and using magnets to hold the parts in place while the glue dried.

 

When the glue dried, I formed a vertical stack to check the bevels.

 

Progress photos:

 

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Edited by Mike 41
Posted (edited)

Frames continued:

When Mike Shanks assembled the hull, he used a vertical stacking system. He described ever step with detailed photos and easy to understand instructions. The prototype went together quite well, all the frames are square and level.

 That being said, I am more comfortable with a horizontal build using a jig I have used for many years. I made a vertical stack as a dry run to check the bevels and general alignment. Everything looked good.

 I left the keel open ended. There is no space between the frames, and it is hot and humid in Myrtle Beach which adds to the expansion / contraction problem. It is easier to trim the keel than rework the frames.

I added spacers at the top of the frames, with centerlines to help with the frame alignment with a string line, level and square as each frame is added.

A few words about the jig I am using. I designed and built this one in 2012 and have used it for many models. If anyone is interested in the jig, I will post a PDF file here.

Thanks for looking in on the build log, any comments are welcome.

Mike

Progress photos:

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Edited by Mike 41
Removed duplicate post.
Posted
17 hours ago, Mike 41 said:

I designed and built this one in 2012 and have used it for many models. If anyone is interested in the jig, I will post a PDF file here.

 

I'm sure many of us would be interested Mike.

Posted (edited)

The hull:

After the frames were assembled, I glued them in place on the keel using a string line to keep the frames centered, clamps to align the internal bevels and a small level on top of the spacers.

The bottom of the frames required trimming at the start of the dead wood, it is easy to do by measuring and trimming each frame before gluing it in place.

After the basic hull was complete, I removed the top spacers and used a hand grinder with a flapper wheel to even out the frames.

Progress photos:

 

 

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Edited by Mike 41
Posted

Kellson & Waterway Limber Boards.

The keelson was soaked in hot water and bent to fit the curvature of the frames. I used glue and brass wire pins to secure the keelson to the frames. The limber boards were soaked in hot water and clamped to the keelson to dry. When dry I used spacers between them and the keelson and glued and pined them in place.

 

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Posted

Great Cabin Floor.

This post shows the placement of the mast step, interior lining of the stern timbers and placement of the great cabin floor. The floor has not been attached to the deck clamps until the support columns art in place.

Progress photos:

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  • 2 weeks later...
Posted (edited)

MikeS reminded me I should not have glued the floor in place before the exterior planking so it would not get dirty with sawdust. No damage was done, just some extra work.

Exterior Planking

The exterior planking is typical with the exception of a slot for the main and mizzen masts channels. The planking is Maple, and the wales and channel filler pieces are Walnut which makes a nice contrast.

Progress photos.

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Edited by Mike 41
Posted

Great Cabin Paneling

The great cabin paneling is cherry with lines etched to represent individual boards. The five panels were easy to install. I used a router bit in a Dremel tool to cut the window openings, it was fast and required using a file for cleanup work.

Progress photos

 

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Posted

Poop Deck

The poop deck clamps were installed next.

The deck framing was constructed in three sections to allow viewing of the great cabin interior.

The bulkhead break was assembled and set in place to verify elevations.

Progress photos:

 

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