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Louie da fly

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Everything posted by Louie da fly

  1. Welcome to MSW, Wayne! I can't help with card models - never made one - but the link above should be of great help (Chris is far too modest ).
  2. Dunno the answer to that one, either. I know virtually nothing about the construction details of cogs other than what I have learned from working on this kit. Upper works on a wreck are usually the first things to be lost, unless the wreck happens to be lying in a position/inclination that preserves them for us. The Ijsselcog seems to have had had none surviving https://www.academia.edu/40371597/The_IJsselcog_project_from_excavation_to_3D_reconstruction and the Bremen cog also seems to have lost a lot of its upper works - https://www.ipi.uni-hannover.de/fileadmin/ipi/publications/wiggenhagen_04_istanbul.pdf But if we compare the two pictures below (from https://artsandculture.google.com/exhibit/the-so-called-bremen-cog/owKSqVwIBfJGJw ) it looks like the hooked timber for the anchor is still in place, so the top strake must be as well - in which case there seems to have been no cap rail. One thing that really gets me is how short the strakes seem to have been. I wonder if there was a reason for it? Sorry to hear about the speed bump, Chris, but the model is looking very good.
  3. It's a bit hard to tell from the photos how that railing is made. Is it cast plastic or made out of individual pieces of wood? Can you provide some close-ups with better detail?
  4. Zooker, this could be a very rewarding build, but I'd agree - take your time, record everything as you go, and don't rush into it. You might like to look at the build log for the Great Harry (Henry Grace a Dieu) that the Central Ohio Shipwrights are doing - In my opinion they're doing a very good job, taking their time, cleaning and tidying to a point where they're starting with what amounts to a clean slate, rather than "find a problem - correct it, find another problem - correct it", which can get very messy. But they've done their research, recorded everything and worked out what to do before rushing in (something I'm sorry to say is one of my own faults). To get this model back to its former glory you need to be methodical, step by step. And do some reading on the rigging of this kind of ship so you know what you're aiming at. It's likely to be a big job, but with patience and care you'll end up with something to be really proud of, and a good memorial to your uncle. Oh, and nearly forgot - "PM" = Private message - click on the ikon of two "speech bubbles" at the top right hand side of the page. And if there's a message waiting for you there's normally a white number in a red square (from memory) to let you know.
  5. That's good news. I think you're on the right track using that as a source, as it reflects the state of knowledge about the time the model was built. Yes, that's one of my "go-to" sources with ships of this period. And as far as I know, none exists. There are some contemporary paintings that show rigging, but I have grave doubts about the maritime knowledge of the artist (for example on the Embarkation at Dover, the mizzen masts have square sails!) Thanks very much for those beautifully clear, detailed photos. It gives a very good idea of the job you have ahead of you. In my opinion your strategy in repairing the model is exactly right.
  6. A beautiful job, Jamie. You've got good reason to feel proud of it. Looking forward to your next build . . .
  7. Thanks for all the likes. Jamie, thanks for the comment. I have to admit I found myself trapped into doing it to a certain degree - If I hadn't carved the other figures (Emperor and his court etc) I wouldn't have felt obliged to carve the oarsmen. A lot more work than I'd anticipated, but now I have the position of the arms under control it's becom enjoyable again instead of a trial. Carl, yes that's what i was thinking. I have thread of different thicknesses, and if my "tan" sewing cotton is too thin I'll be dyeing one of the thicker ones to a worthwhile shade for the strap/loop..
  8. That planking has come up magnificently! And the stand is worthy of the model.
  9. So many ropes! (That's one reason why I stay away from later vessels. So much simpler in the middle ages!)
  10. That's very good, Ekis. Am I right in thinking this building backs onto the external curtain wall? Otherwise I don't know why there'd be a fortified tower to protect the bakery - unless from the villagers!
  11. That seems to be the way of it, B-Ram. Apparently the model kit companies are experiencing unprecedented demand - it's probably not how they wanted to increase their profits, but . . . Perhaps you can order it on-line if you can't get it any other way. Unfortunately getting rid of flashing is one of the inevitable issues in plastic modelling. But as with all things, there comes a time when it's all done and you can move on to more interesting things.
  12. Very nice. Scrubs up well - much crisper and cleaner but still retains its patina of age. You've managed to balance the two very well - a difficult job. My hat's off to you. By the way, regarding the support for the mizzen lateen, do you have (or have access to) The Rigging of Ships in the Days of the Spritsail Topmast 1600-1720 by R.C. Anderson? On pages 231-241 it has a good explanation of this subject with diagrams, from a time and place considerably closer to the Great Harry than the examples above.
  13. Sounds like the ideal time to start a log. Planking, particularly of a clinker-built ship, is perhaps the most difficult procedure in ship modelling. Posting photos of your progress will mean that more experienced modellers will have the chance to see how you're going about it and offer assistance with the (inevitable) problems that arise in getting it right.
  14. Uwe, I'm sure everybody would love to see both your completed models and a build log of your present one. I know I would.
  15. Nelson, you should certainly do a build log. Just as you learnt from Jack's log, others may learn from yours. Even if you're already part way through your build, you could post "catch-up" photos up to the present and then continue from there. Apart from anything else, you may get valuable advice from others watching your build.
  16. Welcome to the club! Your strategy for the keel sounds like the right thing to be doing. Building up out of bits that are nice and straight and square is (almost) always prefreable to carving to shape (don't ask me how I know) Way back when I was making armour, my signature on the armour forum was "It's not really armour unless you've bled on it". I fancy the same applies to ship modelling. Certainly several bits of my own model have little bloodstains on them.
  17. Ah, the wisdom of hindsight! If only we'd thought of that at the time . . . But the thing is to treat this model as a learning experience and transfer the lessons learned to the next build and the next . . .
  18. I know what you mean. Without a drill press it's not possible to get the holes perpendicular so that they line up with the outline of the deadeyes, and even with one it's probably pretty difficult without lining everything up perfectly. But even a few deadeyes at a time could be an advantage. I've hit the same problem - until I get my drill press set up I can't do that kind of thing.
  19. I've found that drilling the holes before shaping (or at least before cutting the deadeyes apart) reduces the chance of splitting.
  20. Hey Phil! Any progress since your last post? I was enjoying following the build and I hope it produced a good result for you.
  21. The CAD drawing is very impressive and as far as I can see it would be hard to do a better job of turning the available information on this ship into an accurate model.
  22. Kris, I'm really enjoying following this build, and your problem-solving procedure. It's really fascinating seeing how you're overcoming each obstacle as you encounter it. That and your thoroughgoing research and attention to detail are very impressive.
  23. I did say it takes a special kind of insanity to build a model of a galley . . . but it's a glorious kind of madness.
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