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Everything posted by Louie da fly
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Just finished this book. I found it very informative, not only about the battle itself but the strategic, religious and political circumstances surrounding it, and the "mythology" it generated. If I have any criticism, it's that in attempting to demolish the "Christians good - Turks Bad" that normally accompanies traditional accounts of the battle, he goes a bit too far the other way. He makes the point that for all the celebration that attends the battle, it was in no way decisive - the Holy League were not in a position to follow up the victory, and any effects of the battle were very temporary - Cyprus remained in Ottoman hands, and the ships of the Turkish fleet were fully replaced within a year (albeit with unseasoned timbers and inexperienced crews). And the mutual suspicion and antagonism between the members of the Holy League, particularly Spain and Venice caused it to disintegrate within the same period of time. One thing I found extremely interesting was the Holy League's galleasses. They were much heavier than the galleys and had to be towed into position (against a headwind) forward of the main line of galleys, in the centre of the line. They were too unmanoeuvrable to take part in any but the initial stage of the battle, where the Turkish galleys swept past them to engage the galleys of the Christian fleet. Their broadsides are only known to have sunk two Turkish galleys before they were left behind, but in splitting to bypass them, the Turkish centre lost much of its cohesion. Another fact of which I was unaware is that after an initial cannon volley, renaissance galley battles were very similar to classical and mediaeval ones. Normally only one cannon volley was discharged before the vessels met, and the rest was done by boarding. The Holy League knew (from their own experience from Christian fleets fighting each other), as the Turks did not, that firing at point-blank range was far more effective than firing earlier. After that initial salvo, galleys would attempt to "gang up" on galleys of the opposing fleet and sweep their decks clear of defenders in hand to hand combat. Once one enemy galley had been emptied of its crew, they would move on to another and repeat the performance. The Holy League didn't have it all its on way - the number of galleys taken by the Turks with all the crew killed was considerable. But though it was a "famous battle", it really didn't decide very much (except perhaps for the fact that the Turks began to build their own galleasses.) The deconstruction of the myth surrounding the battle is also very interesting and informative, though I must take issue with his contention that Tolkien's Lord of the Rings was substantially based on the conflict between Catholic Christianity and Islam. Thoroughly researched though the rest of his book may be, I really don't think he took the trouble to read Tolkien's. Nonetheless, very well worth a read. Steven
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- ottoman
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Looking good, Yancovitch. I'm fascinated by galleys as well. I find them intensely interesting. Before you start making your oars, I thought I'd mention a small point; though we don't have complete information on them, different periods and regions seem to have had different oar types and shapes. For example, Ancient Greek ones are often shown on pottery, such as at https://www.google.com/search?rlz=1C1NHXL_enAU770AU770&biw=1600&bih=758&tbm=isch&sa=1&ei=7X5KXNfTD4SGoASiz5DgAw&q=ships+in+ancient+greek+pottery&oq=ships+in+ancient+greek+pottery&gs_l=img.3...18345.20265..20600...0.0..0.216.1533.0j5j4......0....1..gws-wiz-img.......0i8i7i30.ezBdCT3ec8E#imgrc=Ipq6qQ1dtRMhfM: Egyptian ones can be seen at https://www.google.com/search?rlz=1C1NHXL_enAU770AU770&biw=1600&bih=758&tbm=isch&sa=1&ei=wH9KXPP-HNXr-QaPpJuQDw&q=ships+in+egyptian&oq=ships+in+egyptian&gs_l=img.3...48668.52248..58708...1.0..0.271.1574.0j7j2......0....1..gws-wiz-img.......0j0i5i30j0i24.NY93QXYebF0 . Unfortunately these sites include modern "interpretations"; naturally it's best to stick to original representations from the time. Egyptian ships are also represented by contemporary models, which can be useful. I haven't been able to find any of Viking oars, and as far as I know no Viking oars have been found, though several steering oars have. I researched Byzantine oars for my dromon model. You can see the results on my build log. Best wishes, Steven
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- mediterranean
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If he's lying down rather than sitting on his haunches, the leopard would be described in heraldry as "couchant" - if he was looking at you, rather than straight ahead, he's "gardant". So he'd be "a leopard proper couchant gardant". Steven
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Thanks for all the likes and encouraging comments. I think I've come a long way since the first figure I did for the ship (which I now consider not good enough to be included). Christos, I've got quite a few figures made now - they're scattered through the build log. The helmsman is incomplete till I get the steering oars in position (I have to work out exactly where his arms go), and the seated Captain probably won't be included now because he has to give up his seat when the Emperor is aboard. There was a quantum leap in the quality when I got the magnifying headset, though. Though I'd carved wooden figures before, I'd never tried to carve anything that small with that amount of detail, and the headset made it so much easier to see detail. Compare the face of this guy with the Emperor and his courtiers and bodyguards, which I made after I got the headset. Steven
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Started work on the pseudopation (forecastle), making use of the lessons I learnt making the xylokastra - such as making the deck and parapet before I make the supports. Here's the cardboard mock-up (version 2) along with the lion's head which forms the outlet for the nozzle of the siphon for Greek Fire (which will be added after the structure is complete and in place). Deck structure, Decking added And in the meantime for a break, a bit of carving - the Emperor's second Viking bodyguard. More to do, but coming along nicely. I believe the faces are getting better as I gain more experience, but the magnifying headpiece has made a big difference as well. Steven
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Thanks everyone for the likes. Patrick, I may still have to adjust the frames. The upper part of the new frame second from the front seems to have a slightly different angle to the others, and may have to be packed out a bit. I'll be better able to sort this out when I replace the upper planking. Steven
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Thanks, Druxey. Yes, it's 1:200. You can blame Bjorn Landstrom (sorry, can't add the correct accents to his name) - I directly copied it from the 1:200 reconstruction side view in his book The Ship. When I built it in 1970-odd, I carved three people out of bamboo to inhabit the ship. They were pretty tiny. Sadly, they got lost along the way along with many of the other nice detailed bits I made. Still, 1:200 pales into insignificance compared with the guys who routinely make ships at 1:350. I have no idea how they do it. Patrick, you were right; the frame was out of line. I've fixed it and moved on somewhat, putting in cross-beams which will support the upper deck. This is all a bit rough and ready - I have yet to work out exactly the run of the deck - the black lines are where I think the deck will run - and of the hull below the water line. Which is part of the reason for using balsa - it's so easy to work and to "bodge" if it's bit out. Still lots of work to be done, but slowly making progress. Steven
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Thanks, Pat. Patrick, I'll check this out. You may well be right, but photos can often be misleading. Steven
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Igor, I missed your return to this project back in May. I'm so glad you came back and completed it. You've done a beautiful job. Steven
- 131 replies
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I agree, Dick. However, it will be a while before I'm confronted by this problem and I've decided not to worry too much about it till then (the problems I have to resolve at the moment are quite enough for the time being). I'll be re-using as much of the original upper-work planking as I can, but there'll be a certain amount of new stuff I'll have to add, and the whole of the hull below the water line needs new planking. What I have now is walnut, rather than the "Queensland walnut" I used when I first built her. I think I'll be trying to match the timbers as closely as possible; the overall goal is to repair her to be as she would have been at the time, rather than to show up the repairs. The main deck is bamboo, made from old blinds. I may be able to get something similar. If not, I have a piece of bamboo I'll probably cut into planks for the upper deck. I've added the extra frames I needed. I had to reverse engineer frames, to be the right size to fit inside the existing planking (instead of making the frames first and then putting the planking on afterwards). The second-last frame is a bit skewiff so I'll have to undo and re-glue it, properly square. I've marked where the tops of the upper deck-beams will be on each of the new frames, and now I have to decide exactly what to do next. I'll be putting beams in, of course, but I may cut the frames off above the beams and add false frames where they're visible, in some wood more appropriate than balsa. Steven
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Greetings from Wollongong Australia
Louie da fly replied to olopa67's topic in New member Introductions
Welcome to MSW, Paolo, from far-flung Ballarat. You'll find everybody here very helpful. Are you going to start a build log? Steven -
I think the idea that "My work is not good enough" is common to 90% of the people who start build logs, and often a disincentive to start one. But do it anyway. Nobody's going to criticize and you'll get a lot of support in your build. And (from my own experience) the "faults" that loom so large to you often turn out to be part of the learning experience. We've all been there, even the legends of MSW (which I hasten to add, don't include me). Fear of making mistakes often stops us doing anything at all, so jump in regardless - make mistakes and learn from them. And next time you don't make that mistake again. And every time you make a new model, it'll be better than the last one. Steven
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Hi Kevin, Welcome to MSW. I agree, the members of this forum are unusual in their helpfulness and generosity. It makes it a lot better just knowing there's someone out there who can probably help with information or problem-solving if you happen to get stuck or need to find something out. It would be good to see some photos of your models in progress. Are you planning to start a build log? Steven
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A nice piece of work. The ships of this period - the great days of exploration - are really interesting, and you're making very good progress with a very good-looking model. And I agree, a scratch build is a very special thing. I like the fact that you are cutting and seasoning your own timber for the ship. Walnut and pear are beautiful woods, and pear is also great for carving. You're lucky to have these timbers growing native in your country. In Australia where I live most people have to pay a lot of money to get even small pieces of European timbers. However, my home town of Ballarat is unusual; the street trees are mostly European - ash, oak, elm. Two of my neighbours have pear trees, and one had a walnut tree that died, so I got the timber. The translator seems to be working well. Though it uses unusual words for some technical terms (such as "plating" where we would say "planking") it's quite easy to make out your meaning. Best wishes with your project. I'm enjoying following it. Steven
- 197 replies
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- santa maria
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Thanks everybody for all the likes. Cog, unfortunately the wood is as tough as old boots, so I can't just shove a pin into it, much as I'd like to. And the smallest drill bit I can get is considerably larger diameter than a pin, so it would slop around in the hole. Druxey, Pat and Patrick, thanks for the comments. And Christos, Ευχαριστώ πολύ φίλε μου. Best wishes to all for the New Year, Steven
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Beautiful weathering work, Greg. She really looks like she's been at sea for a good while. Looking at your post #173 I couldn't figure out why a WWI battleship would have a WWII funnel. Then looking further on I realised it was the funnel of the model behind her . . . Yamato? Steven
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Another piece of "learning by doing" - probably the only possible way to construct the bow framing; hard to predict in theory, but the obvious road to travel when doing it in practice. Steven
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Thanks for all the likes, and thanks Druxey and Pat for the encouraging comments. Very much appreciated, particularly with what turned out to be a very frustrating stage of the build. Well, I've finished the xylokastra at last. Parapet planking nearly complete on the first one - with a crewman for comparison. Planking complete. I sanded it all smooth, but it looked a little bare, so I added some horizontals nominally to strengthen the structure but really to make it look better. Another column came loose, so I "pinned" it. I ended up doing this to all the corner columns, and even then I had to repeat the procedure with at least one of them because the pin broke. Next time I do this (for the forecastle or pseudopation) I'll do the columns last, because a lot of repair had to be done to damage which occurred while I was working on the superstructure. And I'll carve an integral pin into the end of each column to hold everything together, rather than (a) butt-jointing the tops of the columns and/or (b) drilling holes in the tops of the columns to add the pins. The same problem came up with the corner pieces of the substructure, and in future I'll pin these as well. As you can see below the corner piece came away along with everything attached to it as I was working on the superstructure, and the whole thing had to be repaired. The first xylokastron complete. The second one under way. And a comparison with the finished one. Both xylokastra complete and inhabited, with a crewman, a Varangian guardsman and a flute-player (for giving the rowing pace to the oarsmen). These aren't the guys who will be there - they're to go elsewhere on the ship. In fact I might leave the xylokastra completely uninhabited, as the vessel's not in combat. It's been a long and difficult process, but I've learnt a lot while doing it, which will stand me in good stead later in this and future builds. Steven
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Thanks for the likes. I discovered I'd made the frames too narrow for a smooth curve of the hull where they were supposed to be. Not too much of a problem - I just moved them sternwards till they fitted within the curve. The furthest aft frame stayed where it was and I glued it in place. I had to work out some sort of temporary jig to get it square to the hull and the keel - voila! Pins and a couple of bits of balsa. Clamped the jig to the keel with a clothes peg and glued the frame in place. When I wanted to remove the jig, I just pulled out the pins. Then I clamped the existing planking to it with clothes pegs to get the curve I wanted, placed the next frame so it just reached the inside face of the planking on both sides and glued it in place using the same type of jig. And same technique with the third frame from the stern/ Now I need to make some more, wider frames, which will fill the gap forrard of the ones I relocated. Steven
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Beautifully clean, precise work, Peter. And she looks good, too! Steven
- 236 replies
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- artesania latina
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A nice bit of history. I think I've been to Esperance once, many years ago. Steven
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A problem from an earlier step got in the way - the tops of the columns were only butt-jointed to the rest of the assembly. Look at what happens when you use flexible PVA (white) glue. I had to use some kind of pin or peg to join the columns to the rest of the assembly. The smallest drill I could get was 1mm, so I needed a 1mm peg. Couldn't find any, so I made my own from bamboo toothpicks. Size checked against a 1mm hole. Peg inserted in a hole drilled in the top of the column and glued in place. Hole drilled into the capital and the xylokastron framing above it. Peg inserted and glued into the hole in the capital. A bit labour intensive, but it seems to have worked. Pushing the outside of the envelope, though, with the (pretty basic) equipment I've got. Getting the holes centred and in line was very difficult. Unfortunately I can only do this at the corners of the xylokastra, where there's enough "meat" above th columns to take a 1mm hole. With the other columns I'll just have to be very careful to make sure they're vertical before I glue their bases in place on the deck of the ship. Steven
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I've now added the framing for the xylokastra parapets and started on the planking. Laid the assemblies on the tabletop to glue the front parapet frames on. Here they are in place The glued the sides of the parapet frames on and held them in place with pegs. Here they are - frames complete Steven
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There have been several repairs of old models (many of which really weren't terribly accurate in the first place) undertaken by members of this forum, often with very good results, considering the limitations of the original model. I believe yours fits in well with these and you certainly have nothing to be ashamed of in putting this log up on the scratch build section. I agree with mark and Roger - a very nice, clean and attractive piece of work. And in its own right, it's a good record of a model of a type belonging to that time and place - in itself, a piece of history. Steven
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HMCSS Victoria 1855 by BANYAN - 1:72
Louie da fly replied to BANYAN's topic in - Build logs for subjects built 1851 - 1900
Nice research work, Pat. What a find! Beautiful fine work on those tiny pumps. Looking forward to the PE. Sometimes time apparently missed from modelling turns out to be better used put into research. Steven- 993 replies
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- gun dispatch vessel
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