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Louie da fly

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Everything posted by Louie da fly

  1. That arrangement looks very workable, Cathead, and increases the "genuine" look of the model. Well done! Steven
  2. That's beautiful work Rodolfo. I have also seen quite a few toggles made of wood - as early as the 10th century, and even in modern use. Steven
  3. Hi Mike, and welcome to MSW. Do you have a particular model in mind? When you get started, make sure you begin a build log - it's a great way to get help and advice. Steven
  4. Nope - seeing the mistakes - and how you overcame them - may help someone else in a similar position. We've all been there at some point or another. The experienced modellers just make more interesting mistakes. And of course it's all a learning process - you'll do better with the next model , and better still with the one after it . . . You're right to take your time with the second planking. It's not a race. Good luck with the eye op. By the way, are you planning to plank over the plastic hull of the ship's boat down the track? I've seen it done on other models and it really lifts the look of the model. Steven
  5. There's a real sense of achievement in finishing the planking - particularly when it's this difficult. Well done, sir! I look forward to seeing it when the sanding is done. It can make a huge difference to the look of the model. Steven
  6. That's pretty darned good, Patrick. I can use AutoCad and Revit and Sketchup, but none of them seem to be terribly good for 3D modelling of ships. I've never tried Fusion, but it looks very good. Do you find it easy to learn/use? Steven
  7. Struth! That's certainly changed since I was there! Steven
  8. Latest activity; I realised I was getting a bit ahead of myself - I should be dealing with the standing rigging before I put the spars, sails and running rigging on. So, first things first - add ratlines to the fore-shrouds on the port side of the model. Used the technique I learned on MSW for spacing the ratlines, though I'm gluing the ratlines on instead of using clove hitches (2 reasons - this is the way I did it back in the day, and the difficulties of tying clove hitches at 1:200 scale). More to come, and I'll tidy it all up when all the ratlines are in place. In the meantime I'm also getting on with fixing up the old yards. Here are the new blocks to be added to the fore-yard for the lifts. About to remove the old main topsail from its yard, with the new one ready to be added. The yard with the sail removed. Unfortunately the yard-arm broke off and had to be re-glued on. Seems to happen every time I remove a sail from a yard. And the fore-yard with the new blocks added. Note the loose ends from the strops. Unfortunately, when I trimmed these off, I also trimmed off one of the blocks and had to do it again. Fore-yard and main topsail yard all cleaned up and ready to go. I've also removed the "parrel truck" from the main topsail yard for future re-use. (When I first built the ship I had no idea how a parrel truck worked, so I made something out of sewing cotton that resembled the one in the picture I was working from.) Steven
  9. Yep. This is Perth seen from Kings Park, a native bushland park of over 4 square kilometres (about 1.7 square miles) set aside over a century ago on Mount Eliza, overlooking the city and the Swan River. Steven
  10. Or vice versa - and Perth has really great beaches (and weather - it only rains in winter) Steven
  11. Actually, I was being ironic. Just had several days of miserable weather, heavy wind and rain. It appears there's a permanent raincloud over Ballarat (you can see it as you approach) as over Duckula's castle. Steven
  12. Welcome from sunny Ballarat! I like your avatar - Father Jack, unless I much mistake. If you're just starting out, I'd recommend you start with something relatively simple so you can develop your skills and make something to be proud of without biting off far more than you can chew - such as HMS Victory or the Vasa. Yes, some people have managed it as a first build, but too many find it heart-breaking and fall by the wayside. See and I grew up in Perth (south of the river - Attadale - wouldn't be able to afford to live there now). Say hullo to the river for me, will you? Good to have you aboard! Steven
  13. David, I think everybody hits the doldrums at some point or another. The solution depends very much on what caused the doldrums. In my case I get easily bored with repetitive activities - making the same thing over and over again, all identical. Sometimes it's my own fault - did I really have to carve 48 wooden oarsmen for my dromon? Could I have just built the ship without a crew? Other times there's no escaping it - a ship has a lot of blocks, deadeyes etc etc and you have no option but to make lots of things all alike. But yes, it's easy to get stale, too. I once read that the way to avoid getting Alzheimer's is to continually develop new neural pathways, by doing new and different things. If you find yourself getting stale, it might be worth trying a scratch build. It's certainly a lot more challenging than doing a kit. And you could try moving from POB to POF - that will give you a whole lot of new problems to solve! But it sounds to me that you've found your own solution to the doldrums, which should keep you going for a long time into the future. Good luck with it. I wish you every success. Steven
  14. Welcome to MSW! I'd agree with mtaylor in recommending you start a build log for your Polaris. It's a great way to get help and advice from other members, and maybe avoid problems or mistakes that others can alert you to. And a good way to make friends in the forum. And we get to see your build under way! The instructions are here: If you have some photos of your model in its earlier stages, include them and give us a short intro. Best wishes, good to have you aboard! Steven
  15. Hi and welcome to MSW! The scale for 4.5 feet would be 1:28. You might like to play with that a bit - perhaps 1:30 (which is 2'6" to the inch) and would be a bit over 4'2". But I would agree with allanyed that it would be a lot easier to get this all to work if you built a simpler ship - perhaps a naval cutter like the Cheerful? Good to have you aboard Steven
  16. Here's the rest of how I make my wooden blocks. Adding the strop. Wrapping the strop around the block - I tried two ways of doing it - one with the block still attached to the main bit of wood; the other with it already separated. It turned out to be harder to carve the block with the strop attached than to do it the other way around. Then a thumb knot in the strop at the bottom of the block. And complete: Steven
  17. Well, that's given me a lesson in German - I'd been thinking gestalt meant "the whole" of something (like holistic). But of course, "whole" is ganze, isn't it? (as in the famous Richard Tauber song "Dein ist mein ganzen Herz" (Yours is my whole heart) or the even more famous "Diesem Kuss der ganzen Welt" (This kiss to the whole world) from Beethoven's 9th Symphony. Druxey, this way of doing the robands is much easier and quicker than doing it properly, and I have the excuse that I did it that way before. Here you can see it from the back. The "joining thread isn't really all that obvious unless you look at it close up. Steven
  18. The course and the bonnet in the original were made from a single piece of fabric. The transition between them was done by pulling a number of threads out at the join. It did seem to work, but this time I've made them separately and laced them together. The "robands" were done the same way both times. The thread joining them is at the back of the yard. Steven
  19. Ok, I've fixed up the mainyard. I was just pushing a needle through one of the blocks to make sure the mainsheet would pass through, and the thread that held it to the yard broke. Though most of the existing blocks are made of wood, this block is one of the few I made by wadding up cotton thread with glue to make a sort of ball, and pushing a needle through to make a hole in the centre. I had the choice of making a new one - either of wood or more balled up cotton (which I'd rather not do, as I'd like to keep as much of the original build as possible) or somehow replace the supporting thread. After a bit of thought inspiration struck. Thread through the body of the block (it's just cotton after all) and sew it on, through the thread that's already wound round the yard. Note also I've added the blocks for the topsail sheets and the mainyard lifts. The picture below gives you some idea of how I've been making my wooden blocks - drill a hole in a bit of wood the right thickness, then carve around the hole and sand smooth, finally cutting the block off the end of the bit of wood. And here is the main course being sewn onto the yard. As I mentioned earlier, I'm following my original procedure of using a continuous thread, rather than separate robands (just too difficult at this scale). And complete - very long and laborious - I had to undo my stitches time after time, and the loop in the thread kept catching on things over and over again . Now the old, brown, moth-eaten forecourse being separated from its yard. I had to remove quite a bit of fabric and thread that had inadvertently been glued to the yard. Once I'd done that I discovered a break in the yard, so I had to repair it - just a matter of gluing up the break and holding it still until the glue dried. And now, ready to begin sewing the sail to the yard. Note, the blocks for the topsail sheet are already there, but I do still need to add the blocks for the foreyard lifts. This rigging stuff hurts my brain. I'm really not very good with getting a gestalt view of how it all works and inter-relates, and I have to plod through the procedure little bit by little bit - often going over and over the text to make sure I'd really got it. Slow, small steps. Steven
  20. Very nice work, Tim. I'm very impressed, and tempted to try this method. But as I've already started in wood (see below) I guess I'd better continue that way. Steven
  21. My model's at 1:200 scale and I'm in the same boat as you (oops! Sorry!). I've given up on making blocks this size with sheaves or even a pair of holes to make a fake "sheave". Just too difficult, and considerable danger of splitting. I've compromised with accuracy and used hearts instead of blocks. I make them individually. I drill a hole in a piece of wood the correct thickness, then carve around it to make the block. I don't know if there are ready-made blocks out there for sale that are small enough for you. I'd be very interested in seeing what other people have to say. Steven
  22. That's very interesting indeed, Dick. Apart from knowing in a general sense that the Gokstad ship used a withy for the rudder, I hadn't really thought about the mechanics of the apparatus in detail. What you've done certainly looks workable. The withy would probably season in place, but retain a reasonable amount of flexibility (I think the reason willow is used for wattling is the fact that it does retain a fair bit of flexibility - IIRC in wattling it's usually allowed to season, then soaked before being used). [Edit - correction - I'm pretty sure wattling uses green willow - it's basket weaving, that uses soaked seasoned willow] Steven
  23. Hi Dick, I've done a bit of wattling, though not with willow. I know green timber is far more flexible than seasoned, and splitting a withy down the centre makes it easier to bend. However, I wouldn't recommend that for the job you have in mind. IIRC the Gokstad rudder was held in place by a fairly hefty withy (just a single piece) passing through both the rudder and the ship's side and right angles, and its flexibility (even though seasoned after all that time in use) allowed quite a bit of vertical pivot in the rudder, though looking at pictures of it I do wonder if my memory is correct. The sectional diagrams seem to show a rope Do you have some kind of idea of how you plan to construct your rudder-fixing? A diagram of what you have in mind would be very helpful. Steven
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