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druxey

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Everything posted by druxey

  1. Mark: what you are looking in that photo are the lower-edge hinged port lids, inboard of which are the various 'infernal devices' of a fireship. Close to the ports are chambers. These blow the lids open. On each side of the chamber are grenadoes that also explode. There are many other nasty contents to a fireship, but we digress....
  2. Yes, but it's a bit fussy. A little dilute white glue helps retain the worm in the groove as one moves along the line. One only really needs to do this on large lines.
  3. Actually, it is possible to get a clean edge on a outside corner. This is how: Use a flat brush and do not overload it. Brush in strokes at right angles to the edge from inside to out, over the edge. If you use a light touch, the edge will be perfect. Should a little paint get over the edge, let it dry completely. Then lightly scrape it off. (This works even more easily if the wood has been sealed before painting.)
  4. That translated well!
  5. Lovely! I guess that the material does not shrink significantly in large pieces when baked, then.
  6. Thought: what would happen if you swung the light source around in a circle while exposing the material? Might that minimize the spreading rays effect?
  7. Or perhaps you were a mermaid.... Lovely work as ever.
  8. Your model is looking more and more attractive!
  9. Nice clean work, Maury. However, to my eye, in the first photo the garboard twist is a bit 'off' over the 3rd to 6th frame, counting from aft. More fairing needed there, perhaps? Feel free to ignore my unwanted comment!
  10. There is a difference in appearance, depending in which direction the rope is served. Serve in the opposite direction to the lay of the rope. This is particularly noticeable in larger rope sizes. The other solution is to worm larger rope before serving to give a more even surface (just like in full size practice).
  11. Yellow or red light? I don't know the answer to that, other than those are the longer wavelengths of the color spectrum, whereas violet is the short wavelength end. I imagine a very low wattage of either would be O.K.
  12. Well, at least your weather isn't too cold, Mark! It's currently 21F in Niagara and falling....
  13. The issue with a bulb close to the surface means that light rays are spreading rather than parallel. The more off-axis parts of the image are, the more any distortion. Surely you see the sun occasionally in Montana? Reminds me of the Noel Coward song, "Mad dogs and modellers go out in the mid-day sun." Sorry, Noel!
  14. I thought one could expose the photoresist with sunlight. I don't think one gets much UV from an incandescent bulb!
  15. Just use a smear of epoxy and a bit of Magic tape to secure it. The tape lets you see that the part hasn't shifted before the epoxy sets!
  16. 1) No, they were simple poles reused for many launchings. 2) Look at contemporary paintings or models of launchings/with launch flags. You can estimate sizes from these. 3) I believe that plugs with suitable sized holes for the staffs were used. The bow staff was mounted through an eyebolt in the back of the hair bracket. See the following examples, for instance: http://collections.rmg.co.uk/collections/objects/15235.html http://collections.rmg.co.uk/collections/objects/66473.html http://collections.rmg.co.uk/collections/objects/12537.html
  17. No need to sweat the cyphers on to the masters, Greg: epoxy would do, as mold making does not normally involve heat using room temperature vulcanizing materials.
  18. A great 'save! Look after those skilled hands now.
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