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druxey

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Everything posted by druxey

  1. Very nice and neat work. How about towing the other boats astern? (I'll shut up now.)
  2. Once again, I'm just catching up, JD. A very nice result. A bit late in the day to mention it, but if you'd ended your garboard forward just as the stem begins to rise, it might have avoided putting drop strakes in. Next time, eh?
  3. Those are so tricky! Looks like your templates are good.
  4. Allan: Even regular bond paper will work well. As it is sealed, there should be no deterioration over time. However, you might wish to consider rag content (archival) paper. I've not tried using SilkSpan for this purpose, but imagine that would also work well.
  5. If the photography is not professional, the model certainly is, Gary!
  6. One would need to use trigonometry, I think. The issue is you need to know one side and two angles or two sides and one angle. Not knowing the distance camera to subject means that all one can manage is an educated guess.
  7. Are you referring to the cleats or the battens? If battens, I don't think that these came into use until the very end of the 18th century.
  8. As large a surface as you can comfortably fit in. You can never have too much bench space!
  9. I use very thin paper, well stretched, to paint on, using acrylic paint. It should mold well around the different plank levels. Also, put on in short lengths, it is easy to manage. You could pre-paint the base color over the chesstrees and fenders and simply add the detail after. As for trimming, I pre-trim the lower edges of the pieces and trim the upper edges (under the rail above) when dry. Any slight irregularity, should it occur, will be hidden under the shadow line of the rail.
  10. And 90% rubbing alcohol (isopropanol) for de-bonding white or yellow glue! We all make oopsies....
  11. All looks very nice, Mark. Good process thinking on your run of moldings as well. Hdd you considered painting friezes on paper off-model and gluing them on in sections? Many contemporary models were painted this way. It obviates the need for awkward masking or working against gravity. And, if you mess up a piece, it's easily replaced. The friezework on Comet was done this way:
  12. So many things to juggle at once! But you enjoy a challenge - don't you? I realize that some compromises are needed in this area. Have fun with it.
  13. The 'bag' or curve of the pattern appears to be almost down to the cheek in your photos. Of course it may be the angle the pic was taken at, but the Berain shows a considerable gap between the lowest head rail and the upper cheek. Perhaps more revision is in order?
  14. If you wish to do that, then trace the outline and station lines, rotate the tracing and transfer it (or glue it) to the wood with the lower edge aligned along the edge of the wood.
  15. Nice progress, HH, even if a little frustrating at times. I find that it's much easier to do final shaping of standards on channels after they are fixed in place. There is a better chance of getting them similar in profile that way. also there is no issue in holding them while you shape them. Headwork is always a bear. Your present pattern looks good. The head timbers athwartships have a bevel in order to meet the rail(s) at the correct angle.
  16. A guide as to lantern level; the door needs to clear the tafferel or it won't open! Also, it should be at a height comfortable for someone on the deck to place the light into. "Form follows function", as usual.
  17. The word 'patent' seems to have caused a stumble. It is not a model submitted for a patent, but one built to a patented design! Well done, Bruce and Patrick, in attributing the number to a particular serviceman.
  18. This is an interesting, well-built model of some age. The builder was obviously very familiar with clinker style planking. It is odd that all the internal parts are either missing (those three small screw holes) or were never completed.
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