druxey
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Everything posted by druxey
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Barber's Adagio for (excuse the pun) Strings would be good for while tying ratlines.... Very neatly done at 1:96, Sal. -
Yes, Bob, it was untarred Manila. Your photo (last one) shows the odd protruding fiber. Gloves were more for when running line rapidly : the frictional heat build up was very impressive!
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We may be splitting hairs, ahem, fibers here! Years ago in theatre 'hemp houses' (where flying scenery was done using rope instead of wire cable) the surface was fairly smooth, if not shiny from wear. There was the occasional protruding fiber, so one always wore work gloves when handling the line.
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Good planning! A clever idea incorporating a background for photography as well.
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I realise that your model is stylized, but the actual British ships had painted, not raised lettering.
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Bruce: funnily enough I had wondered whether 'flodder' might be a variant form of 'flother', but the foam/flood idea made no sense on this context. All I could think of, in painters' language, was 'flogging' where a loose-haired brush is 'flogged' onto the painting surface for a decorative effect. Thank you for this additional reference and insight.
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Phenolic resin board has an interesting odour when cut!
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The strips are ivory key covers from an old piano. Another substitute is mammoth ivory. It is not as white as that from elephants and, as no animal was killed as is the case for elephants, it is a better choice.
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Ah! 'Flother' did not come up with anything to do with paintwork, but 'flotherwoode' was mentioned in records of the Globe Theatre (1597-98): Leonard Fryer was paid for 'pryming and stopping with white leade all the wenscott about the gallery and after leying the pannelles and battens of the same with sondrye Cullours curyously grayned with a grayne called flotherwoode.' This implies a very specific grain pattern. Quoted from Shakespeare's Globe Rebuilt, Mulryne and Shewring, page 136.
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A bone model? If you use any power tools, you will need to get used to the smell!
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Lovely finish, Aleksandr! Beautifully rendered.
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I believe that the 'metal or wooden support' represents an inverted, U-shaped iron horse that the lower sheet block can travel along above the tiller.
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Coming along nicely, Sal!
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Why, Siggi? Basic law of the universe: I never had a piece of toast Half as long as it was wide. When it landed on the floor 'Twas always on the buttered side. Lovely frames for those lights.
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That would be exactly my take on the piece, Allen.
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I agree with Allan: the scheme you have might be one for a very large ship of the line. For a smaller ship, fewer pieces. Also remember that much larger pieces of timber were available back then than today. For instance, the stem would be simply of two pieces with a single scarph joint.
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Some 'darkening' will be due to age and yellowed varnish over the paint. Teh friezes were probably lighter a few hundred years ago. I do prefer the darker background myself instead of the duck-egg blue!
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A fascinating project, exploring chemical mechanisms at a cellular level. Hopefully it will lead to another pharmacological tool to combat certain cancers. But we digress!
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I have seen other engravings showing flaming, bursting grenades in exactly the same way. I can't remember seeing any with rope bindings or handles: perhaps those were not hand-thrown but shot from cannon?
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HMS EURYALUS by Matiz - FINISHED - scale 1:56
druxey replied to matiz's topic in - Build logs for subjects built 1801 - 1850
Lovely work: I hope this is recognised at the exhibition! -
We all miss things at times, Allan!
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It appears to be that the roller is to starboard and the bowsprit (with its iron) is to port. Otherwise the bowsprit would foul the roller.
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Excellent friezework! Painting directly on the model is very tricky indeed. Well done!
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