vossiewulf

Congratulations Bob, I hope the next project provides more enjoyment for you. Despite your corner-cutting, she is still a beautiful model. Maybe consider doing something different than a ship for a change of pace?

If you decide to go with CA, the method I've been using for many years is to apply the glue in dots. One, no smearing glue around, and two, it increases the open time on the CA significantly. With some practice it's pretty easy to size the dots and space them correctly for continuous glue with no squeezeout.

Filler and glues are almost matters of religion. There are numerous talc-based fillers, usually with some wood fibers, all of which work fine but they also dry out in whatever container they are in probably before you have call to use them again. There are some petroleum-based ones like Plastic Wood. Lots of people use old-fashioned Elmer's wood filler with no complaints. Best to try a couple and see which you prefer. Ditto with glue. Most people use standard yellow PVA glue, but a minority (like me) use CA for most things, I've used it almost exclusively in my build and in lots of aircraft I built before, because I like not having to solve endless clamping problems. However CA is also consequently very unforgiving in that you really only get one chance to put a piece down in the right spot. If you want time to adjust and fiddle and you don't mind needing to clamp everything, then PVA is a better choice.

Well that was a fast and apparently painless first planking and it looks like you did a very good job. Usually there is considerably more angst and anguishing and questions the first time someone planks a hull. God knows I was thrashing around trying to figure out a process that worked for me. I've switched back and forth between wood and metal work for most of my life, neither is easier, they are just different. You can work to surprisingly high accuracy with wood also, if you're willing to invest the time in getting the right tools and making sure they operate as well as they can. One thing I will say about wood is when it comes to glue, less is more. You look like you're not using an excessive amount of glue already, but the tightness of your joinery is very much controlled by how much glue is in the joint, too much and you'll have a visible glue line no matter how much clamping pressure you have. In fact to make my planking fit better, I used no glue at all on the edges of my planks.

Looks like the waterway piece needs to be bent to follow the curve of the deck. They're specifying 3/16" into the deck area for its full run, and since the line it's following is curved, it must be bent to follow. And according to the instructions the waterway should go all the way to the bow, and therefore you have to cut notches in the outside face of the waterway for the timberheads sticking up on the first three bulkheads, I assume they are called B, 1, and 2 from the instructions.

Search the forum, there are lots of threads.

Start a build log, you'll get lots of help, and adding photos and/or plans to your posts will help a lot too, as it is now I have no real idea what the problem is. The waterways should be a narrow molding running along the deck/bulwarks joint and there were many different profiles used, but all were sloped inward and generally looked like a right triangle in profile.

STRINGBAG! That's what the crews called them. Famous for the Attack on Tarranto and more so for damaging Bismarck's rudders, making it impossible for her to make Brest and escape her pursuers. By far the best version of the whole Bismarck adventure is the Dogfights episode. Look for the part about the Stringbags' attack and the interview with the pilot that hit the Bismarck's rudders. Very nice kit, should build into something nice to have on the shelf.

Yes, everyone is amazed because as far as we can tell he never, ever does anything that's not flawless. Hence my hypothesis that he's not actually human, and has multiple prehensile arms and is orbiting Saturn. It would explain a lot.

Once again, love those sails. That's how I like sails on a ship model, she looks like she's going to shoot off the end of the workbench at any second. Maybe you should drop a few taut anchors from her to the model base, to help explain to viewers what's stopping her from busting out of her display case.

The only problem with spray cans is they distribute paint in firehose fashion, nearly impossible to get a light wet coat like you want with them, it always seems to turn into a very heavy coat for me. So I'd recommend an airbrush if you have one. If you don't, go with the spray cans and try to use as much control as you can. Any paint will work, and preferences vary even more than glue types people use. First, sand the hull out to 400 grit. Spray primer, give it a week to dry. Take 1500 grit and go over everything lightly until you have a nice smooth base. If you burn through the primer in a few places, not a big deal. Then paint and sand, and clear coat, sand, and final clear coat. Sanding between coats is very important to a good level finish. Since you want a very smooth glossy finish for a racing boat, you can spray several clear coats, sanding between. After the third coat you should be able to fully level the surface. Once the surface is levelled, start using finer and finer sandpaper, working up to 2500 grit or so. If you want even more gloss, you move from there to polishing compounds, either for car finishes or jewelers have all sorts of polishing compounds also. With a little patience, you can make things quite shiny. Below is a glider I made for a friend's son using these methods.

Seriously, how do you get the lines to drape like that? Even the line-draping is ridiculously perfect. As is the joinery, as usual.

Dave, in case your lead doesn't work out, an easy method is to find a local custom cabinet/furniture shop and give them a call. They'll know everything about local wood suppliers and who buys and sells what. That will probably quickly point you to your best options.

Very nice solutioning on the top piece Michael, and extremely clean metal work as usual.

That line has been SERVED with a 140mph ace to the backhand side Beautiful work.

(Artist hat on) All of them are composed and executed well with good dynamic range, and they just feel lively and have good motion to them. I'd buy prints

Been poking at LN every evening, but progress hasn't been stellar, although my boxwood for the masts and yards arrived, and I'm waiting on a couple more packs of 20.75mm guns from Chuck; it turned out they make much more convincing 3 pounders than the kit parts. Unfortunately that meant having to use the metal carriages, as you'll see below. First though, I decided all of the satin finishes I have are too shiny, I just don't like shiny much on scale objects that have paint. I could probably go with satin for a pure wood finish ship but with paint, it starts to look plastic to me, so I decided to go full matte and in the end settled on Tamiya flat clear lacquer, I decanted it from the spray cans and sprayed it with an airbrush. Since this is intended as the final coat for the hull, I spent several hours sanding everything down one more time, trying to reach as much as possible. Here you can see the hull bottom and the hull side sanded with some 1500 grit. The deck and fixtures were also hit with a large variety of sanding sticks and things to reach everywhere, the deck is very reasonably smooth now. And now finished. I'm much happier with this. Working on the rudder, the pintles were made with carbon fiber rod epoxied to annealed brass strips. The gudgeons are made again with annealed brass strip, bent into a tight U shape and soldered to a brass tube. Various stages of making the rudder. I really didn't enjoy this, it reminded me why I don't like using brass unless you're going with merchanical connections, because the stuff never glues worth a damn. I've tried lots of glues and epoxies, and never found anything that won't pop free if you say BOO to it. For this and smaller scales, I won't be using brass moving forward. The rudder bolts are carbon fiber, and turned into real bolts, going through both sides as I drilled the bolt holes once the strip was already glued in place. Except for the bottom strip, which popped off in that process and had to be re-glued. The gun carriages have had their train tackle holes drilled out, casting plugs filed off, and seams sanded down. I then shot some Tamiya red primer over them, and drilled holes on each side for eyebolts for the breech rope and the gun tackles, but I don't think I will fit the latter. Next is to finalize and paint and finish rudder, ditto gun carriages, then I start turning the masts.

Basswood is one of the most common modeling woods in the US, and is an excellent carving wood as it is relatively soft, but fine-grained and will hold fine detail. I would look in this google search and see if any of the mills or carver supply places are near you, and call that closest one. Chances are they'll pay you for it if it's good wood.

Gaetan, that is extremely cool. Also you probably know this, but do you know the artist's trick of looking at their work in a mirror? I do that all the time when making stuff, I take a photo and I mirror it horizontally, I see all sorts of issues once flipped that I didn't see in the basic image. Your camera setup is genius for that.

Although I largely agree with you in this case, you're judging others' basic methodology and that's not fair. For example if your intent is to scratchbuild a model that will go in a museum one day (as more than a few in the scratchbuild section are doing), you better be treating it like nuclear plant design and manufacture or you'll miss your mark by a mile. People who pursue that end of the hobby will spend years assembling and comparing documentation until by the time they're ready to build, they've laid out the build process in excruciating detail, nothing is left to chance and they'll build absurdly complex jigs to ensure absolute perfection in the build execution.

Roger is right about aluminum, if you want to use that you have to machine the U, which means removing a fair amount of metal, although with aluminum it goes quickly. I made some very small ones once that got lost in a move and haven't had call to remake them yet, but I did machine the U on the mill into a bar, and then used a slitting saw to split them off into four clamps. If you just have a lathe, you can put the end mill in the chuck and clamp the bar to the cross slide and machine the U that way. But I think Mike's solution is probably best combo of cost + difficulty of making the clamps.

T5 or T6 (hardness) 2024 (alloy) aluminum should work fine in a small clamp, as does brass as Mike has shown. My only suggestion with Mike's clamps is to cross-drill the knurled knob so you can slide a 3/16 steel rod through for extra torque when needed.

B.E.'s suggestion to look at thinner woods for second planking and deck planking is a good one. Should reduce costs for you, maybe make more suppliers available, and I've always wondered why the second planking is so thick on kit ships where the builder isn't following contemporary building practices in the first place. Complex curved surfaces are veneered, scraped, sanded and finished every day in furniture pieces with a relative thickness of only a small fraction of that of a typical ship kit second planking.

Keyway Key stock as I recall is not tool steel but it has been hardened, and it's not a good idea to try to machine hardened steel. If nothing else the tools required are quite expensive.

Since Roger beat me to the punch, and while we're at it, if you're looking for ground stock (or anything else having to do with machining), you can get it at Victor Machinery Exchange. I've been buying from them for 10 years or so.