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BANYAN

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Everything posted by BANYAN

  1. Nice detail Piet, these tubes are becoming a true masterpiece in metalwork and detail. The original 'spaghetti junction perhaps? cheers Pat
  2. Excellent work Remco, you are providing some very fine examples of everyday activity aboard these ships and befits such a finely detailed model. I enjoy seeing the additional finely crafted work you are applying. cheers Pat
  3. The spars look good Greg; you'll be celebrating completion before you know it cheers Pat
  4. Very nice progress Rusty; haven't poked my nose in for awhile and was very pleasantly surprised. Go on - just one more 'wafer thin' coat' won't hurt Cheers Pat
  5. Shishh! You're not wasting any time in putting this build together mate; that's quite some quality progress. cheers Pat
  6. Nice to see the update, and especially to see the repairs done to your satisfaction Greg. Great work on the anchor, that looks great - I look forward to further updates. cheers Pat
  7. Hi Ulisis, seems like you have got a solution. My approach would have been to make a jig that represented the finished planking thickness (plus a smidge) with a square hole the size of the ports. Place the jig over the ports as they are now up against the framing and sand the metal ports down to approximate depth based on the jig. After planking and fitting the barrels there wouldn't be much sanding involved to fair the planks and ports which should minimise the risk of damage to the cannon? Just one approach - many other Looking good BTW cheers Pat
  8. Hi Mike, I don't know how I missed this. Started likes only to realise I was right at the start - so jumped to the end. That is a very nice build mate and looks great in the photoshop you have done - jest need to had some photoshoped figures and you'd swear it was the real thing cheers Pat
  9. She looks real good Ulisis; coming along very nicely. Will you be painting these red before applying the planking?
  10. Sorry Mike, my poor word use. I intended open as in a hole in the middle vice three lead (small holes). The Marquardt AOTS shows the heart as closed (as in a fully enclosed with single large aperture or 0 as you have asked). I hope this clarifies the issue? cheers Pat
  11. Hi Mike, page 100 of the AOTS shows the bobstay collar (item 8 of drawing H3/3 and also drawn separately on the same page) and other collars as open hearts. I would assume as that the Fore stay (item 2 of drawing H3/2), and fore preventer (item 1 of drawing H3/2) collars would also be open based on this. cheers Pat
  12. Hi folks, I think I have finally settled on a method and technique that works for weaving the mouse for my HMB Endeavour (1:60). The following sequence of photos shows the rigging station I use, the jig itself and the various stages of the weave process. The finished product still has to have the furries removed and I still need some further practice to ensure the weave is uniformly formed on both sides of the cone. I use a couple of electronics wire clamps for temporary holders and a couple of needles for the rigging and weaving. I have found that using 13 strands of 0.25mm thread (horizontal threads) provides the best effect at this scale, while 19 (with larger thread) would be better at 1:48 etc. An odd number is required to keep the under/over sequence going. I start by positioning the former (turned on the lathe) on the rope (Stay in this instance - therefore LH laid and 1.0mm at this scale) and holding it with the alligator clamps (shrink wrap on the teeth to protect the rope). The alligator clamps/clips are fitted to springs to create a 'bowser' to I don't over tension and damage the rope. I hold the former in place with a dab of glue then I use the needle to pierce the rope as close as possible to the former (thin end of cone) and feed the weaving thread though the rope twice to anchor the weaving thread leaving a tail of sufficient length to serve the combined/bunched horizontal threads back a sufficient distance down the served rope - the long end of this thread is used to weave between the horizontal threads. I then tie a knot in the combined horizontal threads (13) at one end and then feed them individually through the holes in the jig in the sequence of 3 a space, 3 a space etc. When complete I recombine the threads at the other end and put some CA on that to hold them together and the use a fishing sinker on a swivel as a weight to keep some tension - not too tight as you need to pull the threads together. I then start to weave doing about three or four complete circuits of the weave each time using the needle. I found that weaving with the needle coming towards me such that I work from the bottom up and behind the rope (stay) worked best for me as a right hander. I kept losing track of the under/over sequence trying to work downwards behind the stay but experiment to see what works for you. After each group of three or four turns, I tension the them individually using a pin in a dowel to push the threads back (similar to how a loom would push each row of knotting/weaving) and to pull the threads to tighten the turn. When I have completed the weaving turns I use the finer needle to again take two passed through the rope (stay as close to the wider end of the former that I can, ensuring to tension the thread (careful not to break the thread) after the first pass and using the second to lock it. I then start the reduction process thinning by a third, then a half etc) and serving with the long end of the weaving thread over the reduced threads and using the electronics wire grips/clamps to temporarily hold the thread as necessary. I again finish passing the long thread through the rope/stay using the finer needle to finish the serve. I then finish thinning and serving the other end the same way. The weave (very close) up will have some 'furries' which I get rid of later. I now using my serving machine to finish serving the loop/strop (short end) of the rope finishing the serve at the appropriate place to form the eye and leave enough serving thread (having secured with the needle the same way) to use as the serving/whipping on the eye's end. Trim and clean up the finished product. I hope this explanation and the photos adequately show the technique but please fire away with any questions or suggestions/improvements to my jig or technique. cheers Pat
  13. HI Salvatore, thanks for showing us that little gem - but now you have whetted all our appetites That is just the scale I am working in. As Guy has alluded to, is there any chance that these photo etch drawings, or a photo etch kit might be made available by your fellow modelling friend? If the drawing would be handy to purchase as I have a local photo etch place I can use. regards Pat
  14. I got mine a couple of days ago; a vast improvement on trying to read Steel etc - Well done Allan (and those who helped). This will make a very useful addition to the library. cheers Pat
  15. That's looking top-notch Alan; a very versatile work platform that could also be utilised as a drafting table with a clip on extension for larger drawings/plans cheers Pat
  16. Hi Danny, I have a similar set-up for bench-top tools and about to undertake an upgrade suggested by a club member. Not a biggie as you say but could be useful in circumstances where you are using several tools together (saw/sander/thicknesser perhaps). He purchased some kits from a vacuum spare parts shop (for wall access of centrally plumbed vacuum systems) that auto-starts the vac as soon as you plug the hose into the tool. Just a further consideration of you think it helpful. cheers Pat
  17. Hi Ulisis, that is taking shape nicely - these hidden fillers don't have to be neat just serve a purpose; the shaping is the more important. You are probably aware (but just in case) that balsa is very porous and as a gluing surface for planking can be problematic. The solution I was made aware of (I use balsa fillers also) is to coat the balsa with a diluted PVA / water solution to seal it but retain a good adhesive surface - I used 50/50 but this may not be the optimum. cheers Pat
  18. Hi Mike, I made a rough bending jig from scrap wood with rounded guides placed where required - the gentler the curve of the 'round' the better - which I simply clamp to my workbench or place in a large vise. I then soaked the wood in boiling water for about 20 minutes and then used thin clear rubber hose (fish tank type) off-cuts which I sliced in half longitudinally to place over the dowel where the holding 'bits and bobs' would be to minimise any wood bruising/marking. I had to repeat this about 3 times to get the bend. I will try to take a photo of the jig etc tomorrow when I get home from work. I use a cheap single burner camp stove (butane can) burner with an old dish shaped pan (pinched from the Admirals stock - shhh! - well she did get a new one out of it ) I am not sure which woods are available to you but I have used walnut ( a beast to bend but you do get there ) and Huon Pine - I use the latter exclusively for my masts now - a tad softer than hardwoods but more dense then most pines and a joy to 'work'. For harder woods I found the longer the tapered dowel the easier to bend (but there is a limit before it becomes prone to snapping - trial and error I am afraid) and I could afford to slightly damage the very ends with greater pressure if require (cut off later) - the greater length is the trick I find (but it has to be pre-tapered) and I have been able to bend dowels up to 18mm max diameter of taper) successfully without resorting to undercutting, grooving or crushing the wood etc One thing though, and apologies if this is telling you how to suck eggs. I found that it is better to not try to fully shape the jib boom/sprit. I tapered it then bent it, then cut it to length and shaped the joints with the deck and for the bees etc. I tried it the other way (doing all the shaping first but just could not accurately predict the overall length, joint angles etc before the bend was applied. cheers and good luck Pat
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